The Battle Against the Filler ‘Like’: Louis de Bernes’ Rant on Redundant Speech
Lead: A Provocative Call‑out from a Veteran Writer
Louis de Bernes uses his Guardian column to declare a personal "hill to die on" – the relentless, imprecise use of the word "like" in everyday conversation. The piece blends humor, regional pride, and a broader cultural critique.
De Bernes’ Critique of the Ubiquitous Filler “Like”
The author describes encountering a sixth‑form student who peppered a five‑minute talk with dozens of "like" interjections, turning a concise point into a drawn‑out performance. He argues that such speech patterns are a symptom of a “generic Thames corridor accent” that erodes regional dialects like Norfolk’s Mardle.
Bestseller Legacy and the Rise of Filler Words
- In 1994, Louis de Bernes’s fourth novel, Captain Corelli’s Mandolin, became a worldwide bestseller, cementing his literary authority.
Despite his literary pedigree, he observes that modern media – even Radio 4 – have been reshaped to accommodate filler‑heavy speech, suggesting a feedback loop between popular culture and language.
Cultural Implications of Redundant Speech in Britain
The column links the linguistic trend to broader societal issues: the littering of junk‑food wrappers in Norfolk, the loss of regional identity, and the perception that “cool” speech equals social capital. The filler epidemic, he notes, is more pervasive than “um” or “er”.
Will the “Like” Epidemic Fade? A Forecast
De Bernes wonders whether the obsession with filler words will subside as younger generations become aware of its impact. He predicts that unless educational and media institutions champion clearer diction, the trend will persist, further marginalising regional accents.