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The LeadA massive mural featuring Brazilian football superstar Neymar has been unveiled on a street in Brazil, creating a new landmark for fans and art enthusiasts. The larger-than-life artwork celebrates Neymar's illustrious career and his impact on Brazilian football.The Artistic CelebrationThe mural, which spans an entire building facade, showcases Neymar in various iconic poses throughout his career. Local artists collaborated to create this tribute, which has been receiving widespread attention on social media and drawing crowds to the neighborhood.The Cultural ImpactStreet art has become an increasingly popular medium in Brazil to celebrate national heroes and cultural icons. Neymar's mural joins a growing collection of public artworks dedicated to football legends, reflecting the sport's deep roots in Brazilian culture and society.The Fan ReactionSince its unveiling, the mural has become a must-visit location for Neymar fans visiting Brazil. Supporters have been gathering to take photos and share their appreciation for both the artwork and the player it depicts.The Future of Sports MemorialsThis mural represents a new trend of permanent public tributes to athletes in Brazil. As Neymar continues his career, both domestically and internationally, such artworks serve as reminders of his contributions to the sport and his status as a national icon.

Mexico City is a tableau of football fever and civic turbulence as the 2026 World Cup looms, with billboards of legends like Hugo Sánchez and Raúl Jiménez competing against teachers' strikes, visa snarls and protests over 134,000 disappeared women.The City’s Surreal Football Advertising CampaignBillboards featuring Hugo Sánchez, Raúl Jiménez and Alexis Vega dominate streets and airports.Murals in Coyoacán now sport football motifs alongside iconic Frida Kahlo imagery.Fans and taxi drivers show visible excitement, yet the influx of international visitors remains modest.Ticket Prices, Visa Issues and the Growing DiscontentTicket pricing has sparked criticism, though exact figures are not disclosed in the source.FIFA visa complications have already created bottlenecks at the airport, symbolically blocking the tournament’s entry.Protests led by teachers, retired judges and women’s groups add layers of uncertainty to the event’s logistics.How Social Unrest Is Shaping the World Cup AtmosphereThe convergence of football enthusiasm with widespread demonstrations highlights a nation caught between sport and sociopolitical frustration. While locals cheer the opening match between Mexico and South Africa, many view the tournament as a sideshow to larger grievances, including the legacy of Donald Trump and ongoing human‑rights concerns.What the Tournament’s New Format Means for Mexico and the Rest of the WorldThe expanded group stage (72 games to eliminate teams ranked 33‑48) may dilute competitive drama, risking “sudden‑death” excitement only in the last‑32 round.Mexico’s recent form—six wins in eight friendlies and a 5‑1 victory over Serbia—suggests a team peaking, but tactical fit for players like Alexis Vega remains uncertain.Potential knockout paths: a win over England in the last‑16 could be decisive, yet fatigue from a congested calendar (Club World Cup, Champions League) looms for all sides.Looking Ahead: Potential Outcomes and Lingering QuestionsIf the tournament’s early weeks stay subdued, the focus may remain on off‑field controversies rather than on‑field drama. Conversely, a compelling performance by Mexico—perhaps a Vega‑Jiménez partnership in the opener—could shift narratives, allowing fans to forget the surrounding chaos and let even Frida Kahlo “smile.”

The Unwanted Overpaint: When World Cup Promotion Erased Decades of Art Florida-based artist Robert Wyland, internationally renowned for his "whaling walls" series of aquatic murals, found himself in an unexpected battle with the world's most powerful sporting organization when his iconic "Ocean Life" mural in Dallas was completely painted over without his consent. The 82-foot tall mural, which had become an integral part of the city's landscape over three decades, was erased to make way for a new promotional mural for the upcoming FIFA World Cup 2026. In response, Wyland has filed a $25 million lawsuit against FIFA, citing the Visual Artists Rights Act of 1990, which protects artists' work from intentional destruction. The Battle of the Walls: Artist vs. Global Sports Organization The incident began when Wyland's assistant informed him that his beloved Dallas mural was being "whewashed" or "blue-washed" to make way for World Cup promotion. Despite the mural's significance to both the artist and the city, neither Wyland nor his foundation had been consulted or warned about the planned removal. The mural, which had begun to show signs of age with fading blues and blacks, was something Wyland had planned to restore himself. The destruction of the mural has created a complex legal and ethical situation involving multiple parties: the North Texas World Cup Organizing Committee, the city of Dallas, its local economic development agency, FIFA, and the building's owners. While the city of Dallas claimed that Wyland had been contacted about the mural, the artist vehemently denies this, calling it a "blatant lie." Wyland's lawsuit cites the Visual Artists Rights Act (VARA) of 1990, which affords artists of "recognized stature" protection against the intentional or negligent destruction of their work. The $25 million claim would be far and away the largest award in a VARA lawsuit history. The Price of Art: Calculating $25 Million in Damages The $25 million figure in Wyland's lawsuit may seem extraordinary, but it serves multiple purposes beyond mere compensation. The artist has stated he will donate any proceeds to charity, explaining that "sometimes, money is the only thing people understand." The substantial amount is intended to serve as a "wake-up call" to organizations that might consider removing public art without proper consultation or compensation. While this would be unprecedented in VARA litigation, the figure reflects both the mural's cultural significance to Dallas and its importance to Wyland's body of work. The artist created his first "whaling wall" in 1981 and has since completed 100 such murals across 17 countries, with the Dallas piece being among his favorites. Cultural Collision: When Global Events Clash with Local Heritage The incident has sparked a broader conversation about the intersection of major international events and local cultural heritage. As cities prepare to host global spectacles like the World Cup, tensions can arise when promotional needs conflict with existing cultural assets. Public art serves as more than mere decoration; it becomes part of a city's identity and collective memory. Wyland's murals, particularly the Dallas piece, have transcended their original purpose to become beloved landmarks. The removal of such art without community consultation represents a concerning precedent for how host cities balance global branding with local culture. This case also highlights the power dynamics between international organizations and local stakeholders. FIFA, as a multi-billion dollar entity, operates with resources and influence that individual artists cannot match. Wyland himself acknowledges this disparity, calling it "a David and Goliath thing" but adding, "they picked the wrong artist and the wrong artwork." Artistic Legacy: The Future of Public Art Protection Regardless of the lawsuit's outcome, this case may prompt important changes in how public art is protected, particularly in the context of large-scale events. Cities developing bid proposals for international competitions may need to establish clearer protocols for identifying, preserving, and potentially compensating for the removal of significant public artworks. The Wyland case could also influence the interpretation and enforcement of the Visual Artists Rights Act, potentially setting new precedents for what constitutes "recognized stature" and appropriate compensation for destroyed artwork. For Wyland, the battle is about more than just one mural. "Artist's rights aren't just about the artist," he explains. "They're also about the public art that gives the people who live in a given city so much joy." As the World Cup approaches, this case may serve as a reminder that cultural heritage should be considered as carefully as infrastructure and promotional materials when preparing to host global events.

The Lead: Iran's Defiance After 100 Days of ConflictTehran, Iran – Iranian authorities remain defiant 100 days into the war launched by the United States and Israel as no lasting resolution appears in sight, and civilians bear the brunt of a conflict that has roiled global markets.On the streets of the capital, Tehran, most shops are open, although not with as many customers as before. Traffic has been restored, but only partially, since millions of jobs have either been suspended or eliminated after nationwide protests, aerial bombardment and two state-imposed internet shutdowns over the past several months.Armoured vehicles, heavy weaponry and security forces continue to be common sights in the metropolis of about 10 million people at all hours of the day.At night, armed forces are setting up numerous checkpoints across the city, escorting motorcades of state supporters blasting religious slogans. Main squares and many streets are typically closed so that people can gather, often heard chanting slogans against the US and Israel.The Power Transition: Leadership in CrisisPro-government messaging and flags of the Lebanese group Hezbollah and other members of the Tehran-backed "axis of resistance" are widely featured in banners and billboards across Iran.Some vehicles and city murals bear images of Mojtaba Khamenei, who was selected as supreme leader by a clerical body after the assassination of his father, Ayatollah Ali Khamenei, on the first day of the war.Mojtaba Khamenei, who was reportedly wounded in the same US-Israeli strikes that killed his father and other family members, has not been seen or heard from publicly since taking the helm, except for written messages attributed to him.The authorities have yet to hold funeral processions for Ali Khamenei, who ruled Iran for nearly 37 years. His family members were buried a week ago, and other top commanders and officials killed on February 28 were also buried months later.Economic Collapse: Hyperinflation and Currency CrisisYears-long economic woes have only worsened after oil and gas facilities, major steel and aluminium producers and industrial units were extensively bombed across the country. Trump has threatened more attacks against power plants and other civilian infrastructure if the war resumes. Many homes, hospitals, schools, offices and universities are in ruins or suffered damage.Inflation was running unchecked at nearly 84 percent year-on-year during the second month of the Persian calendar year that ended on May 21, according to the Statistical Center of Iran. Food inflation was at 130 percent for the same period, with solid vegetable oil up 431 percent, eggs 342 percent, chicken 287 percent and imported rice by 222 percent compared to the same month of the previous year.Iran's national currency, the rial, is also in the doldrums. On Sunday, it traded at about 1.77 million per US dollar in Tehran's open market – near an all-time low.The stock market has been rising after a controlled reopening last month, which experts told Al Jazeera was predominantly due to inflation, and the side effects of returning after nearly three months of total shutdown. After deals were concluded for Sunday in the Tehran Stock Exchange, the main index was on the verge of retaking the all-time high threshold of 4.5 million points first reached at the start of 2026.Geopolitical Chess: Control of Strategic WaterwaysThe institutions of the Islamic Republic survived and remain in power, as do many officials, including leaders of the Islamic Revolutionary Guard Corps (IRGC), who have continued to heavily disrupt the flow of energy and goods through the Strait of Hormuz while fighting off the US blockade of Iran's ports.After roughly 40 days of intense war and thousands of strikes, followed by months of tense "ceasefire" that has now included overnight exchanges of fire for more than a week, an interim deal to reopen the strategic waterway has not materialised. Any longer-term peace deal seems further out of reach.On Sunday, the Ministry of Foreign Affairs in Tehran hosted Pakistan's interior minister, the mediating country which itself was hosting an envoy from Lebanon, in an attempt to bridge gaps over Hezbollah and other issues with the US.In an editorial on Sunday marking the 100-day milestone, the hardline Keyhan newspaper, whose editor-in-chief was appointed by Ali Khamenei, said the experience has taught the system that "America retreated because of missiles, not negotiations"."Disrupt [Donald] Trump's game by halting negotiations and closing the Bab al-Mandeb Strait," Keyhan wrote about the strategic waterway off the coast of Yemen, arguing that the US president is using the talks to keep global oil prices under control.Military Resilience: Iran's Defense CapabilitiesArmed forces have demonstrated that despite the widescale bombing of Iran's military installations, including facilities dug deep into mountains, they retain the ability to fire ballistic and cruise missiles, as well as a variety of drones. They have also continued to shoot down a number of US drones, even though numerous air defense batteries were destroyed during the war.Most Iranian military aircraft and large vessels have also been destroyed, but the IRGC continues to deploy its fast boats and small vessels to advance objectives in the strait.Iranian authorities say they wish to entrench control over the strait and monetise passage, keep highly enriched uranium – now likely buried under the rubble of bombed facilities – inside the country to prevent future attacks, and secure relief from decades of sanctions and asset freezes that have battered the economy.Society Under Siege: Daily Life and RepressionConcerns about assassination and intelligence leaks remain high, keeping the parliament closed, except for a handful of limited or online sessions. Universities and schools have also remained shut, and many deferred exams are expected to be held online. A number of police forces are working from desks set up in the streets after their stations were bombed.The internet has been partially restored after the longest nationwide shutdown in any country, but remains heavily throttled by the authorities, who clamp down on Starlink or other connections that circumnavigate their filtering.The judiciary continues to announce near-daily executions of dissidents, including people arrested during the current war, during the nationwide protests in January and the 12-day war with Israel and the US almost a year ago. Tens of thousands have been arrested over recent months, and many will face intensified punishments based on a law approved after last year's war to punish charges of spying and working for hostile governments.Future Outlook: A Prolonged Conflict with Global ImplicationsAs Iran enters the fourth month of conflict with the United States and Israel, the path to resolution remains unclear. With both sides maintaining hardline positions and the economic situation deteriorating rapidly for ordinary Iranians, the conflict shows no signs of de-escalation.The control of strategic waterways like the Strait of Hormuz and Bab al-Mandeb will likely continue to be a focal point, with potential global repercussions for energy markets and shipping routes.International mediation efforts, including those by Pakistan and other regional actors, may intensify as the humanitarian and economic costs mount, but the fundamental disagreements over Iran's nuclear program, regional influence, and the future of the Islamic Republic's leadership structure remain deeply entrenched.

Executive Summary: A $25 Million Claim Over a Vanished Whale WallWyland, the renowned marine‑life muralist, sued FIFA, the building’s owner, and the local World Cup organising committee in U.S. District Court, Dallas, alleging that they illegally painted over his 1,580 sq m (17,000 sq ft) “Whaling Wall 82” mural to make way for new World Cup‑related artwork. The lawsuit invokes the 1990 Visual Artists Rights Act and seeks at least $25 million in damages. Wyland's $25 Million Lawsuit Over Dallas Whale Mural RemovalThe artist filed the complaint on Monday, claiming the mural—installed in 1999 and a landmark of ocean‑conservation advocacy—was destroyed without his consent or prior notice. The defendants, including FIFA, assert no direct involvement, pointing to the local organising committee as the party that requested the wall space for a new public‑art installation. Location: Downtown Dallas, Texas Mural size: ~1,580 sq m (17,000 sq ft) across two walls Duration of display: Nearly three decades Petition signatures opposing removal: >2,600 Financial Stakes and Legal PrecedentsThe claim seeks a minimum of $25 million in compensatory damages, reflecting both the artist’s valuation of the work and potential punitive damages for alleged violations of the Visual Artists Rights Act. The lawsuit cites a 2018 federal ruling that ordered a property owner to compensate New York graffiti artists after their murals were white‑washed, underscoring that the law protects works of “recognised stature” even when the physical property is owned by another party. Implications for Public Art and Mega‑Event PlanningIf the court sides with Wyland, the decision could set a precedent that forces future host cities of events like the World Cup to obtain explicit artist consent before altering or covering public artworks. It also highlights the tension between large‑scale event branding and community‑valued cultural assets, prompting organizers to develop clearer protocols for art‑space negotiations. What This Could Mean for Future World Cup Host CitiesLegal scholars predict that the case will encourage stricter compliance with the Visual Artists Rights Act in the planning stages of international tournaments. Host cities may need to allocate dedicated art‑preservation funds or negotiate binding agreements with artists well before construction begins, potentially reshaping how public spaces are curated for global sporting spectacles.

The End of an Era for Victorian CricketCricket Victoria has made the extraordinary decision to eliminate both the Melbourne Stars and Melbourne Renegades franchises, marking a significant shift in the structure of Australian's Big Bash League. This move, confirmed by chief executive Nick Cummins, represents a fundamental reset triggered by the broader privatisation of Australian cricket.Franchise Restructuring DetailsUnder the new plan, Cricket Victoria will operate only a single BBL team, potentially known as the Bushrangers, while the second franchise will be sold off to raise funds. Both the Stars and Renegades, which have existed for 15 years and featured notable players like Shane Warne and Muttiah Muralitharan, will be lost to Australian cricket in their current form.The decision is based on market research that showed fans would be more likely to support a unified Victorian team rather than continuing with two separate franchises. "Our intention is to go back to the original BBL team that we had, and have a team that is for everyone in Victoria, that wears the 'big V', that would still be called Melbourne," Cummins explained.Market Research and Fan ReactionsCricket Victoria conducted extensive focus groups earlier this year to gauge fan sentiment. The research revealed that fans would not support a remaining team if one franchise was sold, but would enthusiastically back a unified Victorian team. "We ran extensive focus groups back in January, February, around this, about: 'OK, if we sold a team would you support the other team?' All fans said no, they wouldn't. 'Would you support a team that was a Victorian team?' And fans said yes, they would," Cummins shared.Despite the research, Cummins acknowledged that some Stars and Renegades fans will be disappointed by the decision. "It's been part of all of their life," he said. "The Stars and the Renegades do mean a lot to a lot of people and we've recognised that, and [are] very conscious of that."Impact on Australian Cricket LandscapeThe discontinuation of these franchises represents a major shift in Australian cricket's structure. The privatisation process has created uncertainty across the league, with Cricket Victoria and Cricket New South Wales facing unique challenges as each operated two franchises. Unlike Cricket Victoria, CNSW has chosen not to be involved in the privatisation process run by Cricket Australia, alongside Queensland.The players' union, the Australian Cricketers' Association, has expressed significant concerns about the timing and process. Chief executive Paul Marsh urged patience, stating that "the game is not unified on a way forward and as a result, we are a long way off a solution." Players have expressed concern that discussing privatisation before the coming season is premature.Future Outlook for Victorian CricketThe future of Victorian cricket will see a transition period lasting several months as the privatisation process unfolds. One proposal suggests the Renegades might continue on a caretaker basis before new owners take over the following year. The sold franchise is almost certain to go to international investors, with the IPL's multi-club owners eagerly awaiting the outcome of Cricket Australia's privatisation process.Despite the changes, Cummins confirmed that a "Melbourne derby" will continue between the privatised entity and Cricket Victoria's team. The derby has proven popular, attracting more than 68,000 fans in January, the highest attendance for the BBL season. "A, the derby will remain, there'll still be two teams in Melbourne," Cummins said. "But B, we think that second team will be able to activate parts of our community that perhaps haven't been all that engaged in Big Bash."

The LeadSéamas O'Reilly's debut novel "Prestige Drama" presents a brilliant wry comedy set in Derry, where a Hollywood actor disappears while filming a TV series about the Troubles. The novel transcends its intriguing premise to explore how places become defined by historical moments, and how stories about such places often fall into predictable formulas.Multiple Perspectives on Historical TraumaO'Reilly uses the TV series "Dead City" as a starting point to weave through different characters connected to the production. From a stressed scriptwriter to a local historian questioning how to talk about the past while still living it, the novel creates a patchwork portrait of the city. This approach echoes Tommy Orange's "There, There," which used multiple voices to explore Native American lives. Each character speaks directly to the reader, revealing their complex relationship with Derry's history and the Hollywood production that has descended upon the city.Commodification of MemoryThe novel masterfully examines how historical trauma becomes marketable. O'Reilly has a keen eye for absurdities: the artist who once painted Bogside murals now doing lecture tours with a "wee moustache and crucifix earring like a plastic Provo"; the ex-IRA hitman offering services as a "consultant." Those once bound by silence now demonstrate how to make a bottle bomb for the cameras. The locals, facing economic necessity, take work that perpetuates clichés—local painters recreate old murals for film sets, while aspiring actors see the production as their only chance to escape.The Haunting of HistoryThis recreation and commodification of the past creates a kind of haunting. The novel is permeated by different ways in which the dead remain inescapable. Ann-Marie, whose son was shot by a British soldier and whose image now appears on book covers and "bloody tea-towels," delivers one of the novel's most powerful voices: "My heart is small and hard, wind-bleached like seaside beach seats." Her reflection on those who came home safely after her son was killed—"It wasn't their fault and I'll never forgive them"—captures the unfixable contradictions of grief.A New Voice in Irish LiteratureBuilding on his previous memoir "Did Ye Hear Mammy Died?"—described as "heartbreakingly funny"—O'Reilly demonstrates a rare gift for moving between opposing tones. The humor in "Prestige Drama" is skillfully weaponized, allowing him to address subjects we often tiptoe around. His language is gloriously vivid, as when a hungover man wakes up "slowly, like a column of dog food muscling its way out of a tin." While some readers may wish the missing actor thread had more prominence, the novel's true focus is on the ordinary people behind the televised version of events, offering a polyphonic exploration of how history continues to shape the present.

The Birth of NegroMuro Rio de Janeiro, once home to the world's largest port of arrival for enslaved Africans, has a majority Afro-descendant population. Despite this, the city's public monuments largely overlook its Black heritage. Only about 10% of the 360 statues and busts across Rio commemorate Black people, with just 29 men and three women represented. The Mural Project's Impact This striking lack of representation drove two Black men, Fernando Cazé and Pedro Rajão, to create the NegroMuro project in 2018. The project now comprises 80 murals spread across the city, portraying about 120 people, 60% of them men. The duo aims to address the disparity by including more women in future murals. A Cartography of Black Memory “We're creating a cartography of Black memory,” says Pedro Rajão, a researcher and producer who created the project alongside visual artist Fernando Sawaya. The murals, on walls of schools, museums, train stations, and private homes, feature brightly coloured, bold-lined paintings of people born in Rio or with a strong connection to the city. Honouring Black Figures The murals depict notable figures such as Brazilian singer-songwriter and composer Luiz Melodia, writer Machado de Assis, and Black feminist activist Lélia Gonzalez. By honouring these individuals, the project seeks to celebrate Black cultural heritage and provide a more inclusive representation of Rio's history.

The Emotional Farewell to a Legend"I'm utterly devastated and have already shed tears," says Manchester City fan Sophie Hope. There is a feeling of loss around the Etihad Stadium, a bereavement that everyone knew was coming but it does not make it any easier to take. The ownership may disagree but this is the club that Pep Guardiola built over the past 10 years and everyone in attendance against Aston Villa on Sunday wanted to pay their respects.This has been a glorious epoch for the club, one that has seen complete and utter misery in modern times. Relegation to the third tier at Stoke, being regularly pummelled by Manchester United and York City away are long forgotten. The transformation was under way before Guardiola arrived a decade ago and everything has been geared towards his demands and needs. Ilkay Gündogan, Ederson and Fernandinho were back as City's greatest hits were played.The Guardiola Era at Manchester City"To say City is part of my DNA is not overstating it," Hope says. "I feel I need to try and remember that it's football but it's also not just football, it's family, it's special and Pep has brought such a huge level of enjoyment, excitement, joy and pride to our club."I've been going to City for 36 years and our next manager will be the first my dad won't have known, he died in 2021. I have to remind myself of all the good times. The happiness Pep has brought to me, my life, to Manchester will never be replicated or forgotten."The Transformation of Manchester CityGuardiola created a magical mystical tour for City, taking the masses on triumphant tours to Real Madrid and a plethora of other of Europe's most historical venues, leaving having not just won but shown complete dominance. None will be more memorable than Istanbul, City's first Champions League trophy, won thanks to Rodri on an edgy night against Inter."Pep took us into a footballing galaxy that only a handful of teams in world football will ever experience," Andy Hooper says. "I think back to watching hundreds of games at Maine Road with my grandad. Together we never even reached a major semi-final, but did witness us dropping to League One. He always told me we'd be back one day, and I believed him. Fast forward to the pinnacle of the Pep era: taking my seven-year-old lad to Istanbul to watch us complete the treble. Pep's not just been our manager he's all of us, you can tell he feels it, he loves the place, sticks up for us against anything thrown at us, he will be for ever our boss. He completed our journey from the Peter Swales lows to the ridiculous highs."The Emotional Tributes and FarewellSuccess changes lives, even if it is enjoyed vicariously through the local football club. Guardiola has improved the existence of tens of thousands, finding joy in the style and trophy lifts. Everyone has embraced the "Catalan Manc," enjoying his love of the city, living in the centre of it, becoming friends with the Gallagher brothers and references to local culture. "People called Mourinho the special one, but he's got nothing on Pep," says Hope. "He clearly loves Manchester, embracing it as his city. That's how we feel about Pep, he's our Pep."Many of those in love with Guardiola will get to sit in the newly expanded North Stand named in his honour, helping secure a record Etihad Stadium attendance of 60,332, a fitting way to go out. It was unveiled on Sunday while a statue will be erected somewhere in the vicinity to immortalise the immortal to ensure that some things are eternal.The Legacy of Pep GuardiolaAll the Guardiola collectibles were on sale, from flags to scarves and plenty in between, while one group in the East Stand stood resplendent in T-shirts spelling out "Gracies Pep" to show their appreciation in his native Catalan. A mural depicting Guardiola now sits resplendent on the side of a house opposite the ground but there is no chance of him being forgotten.Fans will probably be clubbing together to see if they can find the land of the coconuts where Guardiola will be sunning himself over the summer. At the very least, they initiated Guardiola's new life with the palm trees by bouncing beach balls around the stands.Guardiola should have brought his own tissues, with eyes watering when he embraced another departing legend Bernardo Silva after bringing the captain off. Without a handkerchief in sight, Guardiola was forced to use his Pep-branded T-shirt to wipe away the tears. The Portuguese was given a standing ovation and guard of honour from the two teams and it seemed to finally dawn on Guardiola when he embraced the man that has provided immaculate service for nine seasons. Shortly afterwards John Stones got the same combination of standing ovation and guard of honour. "We've got Guardiola," rang out repeatedly as the head coach absorbed it for one final time, weeping. The Blue Moon has reached its highest under Guardiola, and it will rise again at Manchester City but it will never shine as bright. Guardiola finished with: "In the next years, if you see me in the States or Europe or somewhere and you are a Man City fan, come and hug me. I will need it." So will they.