Breaking AI & Tech News Analyzed

The Lead: From Sheffield Pub to Hollywood Film ScoreLast year, Jim Ghedi was having a chicken dinner at his mother's house in Sheffield when he checked his phone. A director had started following him on Instagram, and as a joke, Ghedi messaged him saying he wanted to do his next film score. To his surprise, the director, Michael Sarnoski, responded immediately, offering him the job to score the forthcoming A24 production "The Death of Robin Hood," starring Hugh Jackman and Jodie Comer.The Breakthrough: A Working-Class Folk Musician's Unexpected Hollywood OpportunityDespite having never scored a film before, Ghedi was given the gig. He bonded instantly with Sarnoski through video calls and a shared love of Steeleye Span, and ended up writing the songs and score. He describes the finished material as "quite doomy, earthy and dark" but also "quite light and orchestrated." Ghedi was invited out to LA to work on the project there, but instead chose to stay rooted in Sheffield. Even so, he had moments of impostor syndrome, acknowledging that "it's very rare for someone like me, and where I'm from, to get those kinds of opportunities."The Musical Journey: From Hip-Hop to Folk with Working-Class RootsGhedi, 35, was given a guitar when he was eight and quickly became a skilled player, but his teenage years were lit up by hip-hop and punk. The lyrical output of hip-hop proved formative for him. "Hearing people talk about being raised by a single mum was like, whoa," he recalls. "Here's someone artistically talking about something that I'm also experiencing in my life." Then came the revelatory discovery of Bert Jansch. "It was the first time I'd heard someone who played an acoustic guitar and it was not pretty," he says. "It was really heavy and aggressive."The Class Divide: Folk Music's Middle-Class DominanceWhile Ghedi favours metaphor and nuance rather than state-of-the-nation-style delivery, class is central to his music and ethos. "When I was younger, I was really naive and I tried to assimilate," he recalls. "But I realised: I need to own where I'm from. I'm not trying to be a spokesperson, but the folk scene is very middle class. The divide and the drop-off is huge, and in some ways, the disparity is worse now than when I started."The Future Outlook: Authenticity Over Commercial SuccessGhedi's trajectory to landing a huge project such as "The Death of Robin Hood" is a rare but heartening one. Despite having a memorable time working on the film, with a team on whom he heaps praise, he appears resolutely unmoved by the idea that he now needs to play any kind of game. "As long as I stick to focusing on creativity, nothing else matters," he says. "Whether I'm playing to 10 people in a room or 1,000, it's the same for me."

The Film's Premise and ExecutionPeel back the layers and sadly there is nothing much going on inside this American indie drama from director Zeshaan Younus; it's a movie that's aiming for noir, but ends up more of a shade of drab grey. It's contrived and frustrating, with a painfully pretentious voiceover by its lead character Parker (Renee Gagner). She's an actor in Los Angeles who returns to her home town after her sister Indiana (Rosie McDonald) is killed. "Sister, you were right." muses Parker. "I am never fully anything or anyone. Instead, I am practically everyone and everything."Character Development and Dialogue IssuesIt's film in which actors shot in closeup deliver lines looking pensive, with an air of meaning and depth, while not actually saying anything meaningful. Before her death, we watch Indiana brokering some kind of dodgy deal with a biker. She leaves a voicemail for Parker: "I'm in pretty deep out here ... If anything happens to me don't come looking." Which is advice promptly ignored by her sister after Indiana is killed. Instead, Parker searches for answers, although this is a film with loftier intentions than solving a murder.Visual Style and Cinematic ApproachIn places it feels like a film school project, self-conscious without much thought for the audience. There are echoes of David Lynch, though this has none of the danger or strangeness, despite some murky, atmospheric camerawork by cinematographer Justin Moore.Release InformationI've Seen All I Need to See is in UK cinemas from 1 May.

The Historic Comeback AnnouncementAllyson Felix, the most decorated female track and field athlete of all time, has announced her intention to come out of retirement in a bid to compete at the 2028 Los Angeles Olympics. The 40-year-old Los Angeles native made the revelation in an interview with TIME magazine, expressing her determination to pursue what she calls a 'big, bold thing' despite societal expectations about women her age.Olympic Legacy and Personal MotivationFelix, a seven-time Olympic gold medalist with 11 total Olympic medals, retired after the Tokyo Olympics in 2022. One of her few career regrets, she has stated, was never having the opportunity to compete at a home Games. As a member of the LA28 Organizing Committee Athletes' Commission, Felix expressed her desire to experience the 'roar for host-country athletes at the Olympics' that she's witnessed throughout her career.Advocacy and InspirationBefore her retirement, Felix became an outspoken advocate for athletes who become mothers and want to continue their careers. She broke with longtime sponsor Nike after a contract dispute following the birth of her first child and later co-founded Saysh, a women's footwear and apparel company. Felix drew inspiration from other athletes who have continued competing into their 40s, including Tom Brady, LeBron James, and Lindsey Vonn.The Path to 2028Felix's place at the Los Angeles Games is not guaranteed. She would first need to navigate the highly competitive US track and field qualification system. Despite the challenges, Felix remains determined, stating she would regret not attempting a comeback: 'I would probably be upset at myself if I just didn't give it a try. However it turns out, I'll still be there with my kids, hanging out and cheering everybody on.'

The Verdict on ITV's Latest Espionage OfferingITV's latest spy drama, 'Secret Service,' arrives in an already crowded genre with high ambitions but little originality. The five-part series, adapted by ITV news anchor Tom Bradby and writer Jemma Kennedy from Bradby's 2019 novel, follows MI6 agent Kate Henderson (Gemma Arterton) as she juggles family life with her secret job investigating potential Russian influence within the British government. Despite its glossy production and strong performances, the review suggests the show fails to distinguish itself from the numerous spy dramas that have come before it.A Familiar Formula in Espionage Clothing'Secret Service' relies heavily on well-worn spy drama tropes: a protagonist with a dual life, exotic locations (in this case, Malta), scenes of characters striding purposefully past government buildings, and political intrigue involving a Russian oligarch. The plot centers on Henderson infiltrating a Malta-based Russian oligarch's operation to discover that a cabinet member may be a Russian asset, all while a leadership contest unfolds following the Prime Minister's resignation. The show attempts to differentiate itself with a family-focused protagonist but ultimately falls back on generic thriller elements that fail to generate excitement or innovation.Critical Reception and Performance AnalysisWhile the review is largely critical of the show's lack of originality, it does acknowledge several positive elements. Roger Allam's performance as MI6 boss Sir Alan Brabazon is praised, with the reviewer noting that "there is no programme on Earth that wouldn't benefit from his presence." Other strong performances include Rafe Spall as Henderson's put-upon husband and Rochenda Sandall as a Downing Street aide caught in a web of political corruption. The series is also noted for its confident pacing and slick direction by Oscar-winner James Marsh, though these technical merits can't compensate for the narrative's lack of fresh ideas.The Spy Drama Landscape and 'Secret Service's' PlaceThe review places 'Secret Service' within the context of an increasingly crowded spy drama genre, suggesting that it fails to stand out among competitors. Unlike shows that offer either genuine thrills or self-aware humor, 'Secret Service' takes itself too seriously without providing the tension or intellectual stimulation that serious spy dramas require. The show's stiff approach to geopolitical intrigue and its lack of either genuine excitement or clever satire leaves it in an uncomfortable middle ground, neither thrilling enough for action fans nor substantive enough for political thriller enthusiasts.The Future of Spy Dramas on British TelevisionAs the review concludes, 'Secret Service' represents a missed opportunity in a genre that continues to dominate British television. With spy dramas becoming increasingly commonplace, the pressure to innovate grows stronger. The success of shows that either reinvent the genre with fresh perspectives or embrace it with self-aware humor suggests that audiences are becoming more discerning. For ITV and other broadcasters, the lesson from 'Secret Service' may be that simply producing a glossy, well-acted spy drama is no longer sufficient—originality and a clear point of view have become essential ingredients for standing out in this competitive landscape.

The Comedian's Stand Against Political PressureJimmy Kimmel has refused to apologize for a controversial joke made days before the White House correspondents' dinner shooting in which he described Melania Trump as glowing "like an expectant widow." The ABC host faced intense backlash from both Donald Trump and the first lady, who accused him of inciting violence and called for his immediate firing from the network.The Joke That Sparked the ControversyDuring a skit pretending to be the MC for the White House correspondents' dinner, Kimmel made the remark: "Our first lady Melania is here. So beautiful, Mrs Trump, you have a glow like an expectant widow." The joke, made three days before the alleged assassination attempt, was intended as a light-hearted comment about the couple's significant age difference, according to Kimmel's defense."Obviously, it was a joke about their age difference and the look of joy we see on her face every time they're together," Kimmel explained during his Monday night monologue. "It was a very light roast joke about the fact that he's almost 80 and she's younger than I am. It was not – by any stretch of the definition – a call to assassination."The Trumps' Response and AccusationsMelania Trump took to social media to condemn Kimmel, stating: "Kimmel's hateful and violent rhetoric is intended to divide our country. His monologue about my family isn't comedy- his words are corrosive and deepens the political sickness within America. People like Kimmel shouldn't have the opportunity to enter our homes each evening to spread hate."She accused Kimmel of hiding behind ABC and called on the network to "take a stand" against his "atrocious behavior." Donald Trump echoed these sentiments in a Truth Social post, demanding that "Jimmy Kimmel should be immediately fired by Disney and ABC." The former president claimed Kimmel made a "despicable call to violence."Kimmel's Defense and Free Speech StanceIn response to the Trumps' criticism, Kimmel stood firm on his right to free speech. "I've been very vocal for many years, speaking out against gun violence, in particular," he stated. "But I understand that the first lady had a stressful experience over the weekend, and probably every weekend is pretty stressful in that house."Kimmel also pointed out the timing of his joke, which was made three days before the dinner shooting. "If you want us to believe that a joke I made three days before this dinner had any effect on anything that happened, well then, maybe someone should look into this psychic lady too," he quipped.Broader Implications for Media and PoliticsThe controversy comes amid heightened tensions between late-night hosts and political figures, particularly the Trumps. This incident follows a similar situation in September 2025 when ABC suspended Kimmel after Brendan Carr, the pro-Trump chair of the Federal Communications Commission, threatened the network over jokes the comedian made about the president.The Trumps' call for Kimmel's ouster comes as critics highlight the violent rhetoric from the White House over the years, including when Donald Trump called on a crowd to "knock the crap out" of protesters and urged supporters to "fight like hell" after his 2020 election defeat.What Happens Next in the Ongoing FeudAs the dust settles from this latest controversy, the relationship between late-night comedy and political figures remains strained. Kimmel has shown no indication of backing down from his critical stance toward the Trump administration, while the former president continues to target media personalities who criticize him.The incident also raises questions about the boundaries of political comedy in an increasingly polarized media landscape. With the 2026 election season approaching, such clashes between entertainers and politicians may become more frequent, testing the limits of free speech and the role of comedy in political discourse.

The Devastating Impact of Cartel-Driven Deforestation Decades ago, the children of Rochéachi village in the Sierra Tarahumara – pine-covered mountains of north-west Mexico’s Chihuahua state – would run through the forest by night. In the rainy season, they would collect fireflies whose glimmering light would flicker through the hollows of the pine trees. “We had peace. We used to walk and play and be together,” says one mother of three, who asked to remain anonymous, about the forest she once knew. “Now, children can’t go out to play. We don’t know what might happen.” The Rise of Illegal Logging and Cartel Control Since the mid-2010s, criminal groups, including factions of the Sinaloa cartel, have intensified illegal deforestation, seizing control of communal land known as ejidos through intimidation, extortion, and murder. The ecological toll has also been severe. According to the environmental organisation Water and Forests for Life, 9,000 hectares (22,400 acres) of forest in the Sierra Tarahumara have been lost to illegal logging since 2001. The Economic and Environmental Consequences Sawmills linked to the cartels falsify documents to launder timber estimated by one academic to be worth up to $270m (£200m) annually, while the US government puts the figure at $342m to $978m. Deforestation has disrupted the region’s hydrological system, causing droughts, crop failures, and food insecurity. The Human Cost and Fear Rochéachi, about 20 miles from the town of Guachochi, is home to several groups of Indigenous people, including the Rarámuri and Ódami. Along the Sierra Tarahumara’s nearly 745-mile (1,200km) length, individuals and organisations have reported a sharp rise in illegal deforestation. “Everyone is afraid,” says the woman from Rochéachi, a member of the Rarámuri Indigenous community. “I’m worried that illegal logging is destroying everything.” The Need for Effective Action Local people condemn the lack of an effective means of reporting forest-related crimes anonymously. Some claim that the groups responsible for illegal logging in the Sierra Tarahumara have informants within Mexico’s environment ministry and the office of the federal attorney for environmental protection.

Lead: Sawe’s historic sub‑two‑hour marathon On Sunday, Sabastian Sawe became the first athlete to complete a marathon in under two hours, crossing the London finish line in 1:59:30. Race director Hugh Brasher immediately framed the achievement as the 21st‑century equivalent of Sir Roger Bannister’s four‑minute mile. Sawe shatters the two‑hour barrier at London The 2026 London Marathon saw Sawe maintain a relentless 4:33 per‑mile pace for the full 26.2 miles. He wore a lightweight 97‑gram Adidas supershoe and consumed 325 g of carbohydrates via Maurten hydrogel, eliminating the classic “wall” that stalls most marathoners. Finish time: 1:59:30 Shoe weight: 97 g (Adidas) Carb intake: 325 g (Maurten hydrogel) Previous world record: 2:01:09 (Eliud Kipchoge, 2022) Numbers that rewrite marathon history Sawe’s time slices more than a minute off the prior world record, a margin unprecedented in elite distance running. The performance also highlights the cumulative effect of three technological trends: Supershoe foam – lighter, more responsive midsoles that return up to 30 % more energy. Advanced nutrition – hydrogel carbohydrate delivery that avoids gastrointestinal distress. Training methodology – middle‑distance athletes transitioning to marathon distances earlier, boosting speed endurance. Why Sawe’s run could reshape endurance sport Beyond the headline, the sub‑two hour marathon signals a new performance ceiling. As Hugh Brasher noted, the feat creates a clear “before and after” split in marathon history, much like the 1954 mile did for middle‑distance running. The convergence of shoe tech, nutrition, and elite training suggests that sub‑two‑hour marathons may become the new benchmark for world‑class competition. Looking ahead: Faster courses, lighter gear, and the next record Coaches such as Nick Anderson predict that even faster times will emerge on flatter courses like Berlin, Chicago or Valencia, especially as shoe foams become springier and clothing lighter. The “perfect storm” – optimal temperature, minimal wind, and a deep elite field – will still be required, but the odds of breaking further minutes off the record are rising sharply. In the coming years we can expect: More athletes targeting sub‑two‑hour attempts on fast courses. Continued iteration of supershoe designs, potentially dropping shoe weight below 90 g. Further refinement of hydrogel and other carbohydrate delivery systems. Increased crossover of middle‑distance speed into marathon training programs. Sawe’s achievement not only rewrites the marathon record books; it sets the stage for a new era where the two‑hour barrier is no longer a singular miracle but a realistic target for the sport’s elite.

Retailers Slash Prices as Shop Inflation DeceleratesBritish retailers have turned to aggressive discounting across clothing, furniture and DIY categories to stimulate demand, prompting the British Retail Consortium (BRC) to report a slowdown in shop price inflation.April Shop Price Inflation Falls to 1% YoYAccording to the BRC’s monthly survey, compiled with NielsenIQ, shop price inflation rose by 1% year‑on‑year in April, down from 1.2% in March and below the three‑month average of 1.1%. Non‑food price inflation turned negative, registering -0.1% YoY versus a modest 0.1% gain in March.Shop price inflation: 1% (April) vs 1.2% (March)Three‑month average: 1.1%Non‑food inflation: -0.1% (April) vs 0.1% (March)Consumer Confidence Erodes Amid Energy ShockHouseholds are tightening belts as the Iran war drives up energy and food costs. A recent GfK survey showed UK consumer confidence in April fell to its lowest level since October 2023. Darren Jones, chief secretary to the prime minister, warned that the UK could face higher food and fuel prices for at least eight months after the conflict ends.Retail Landscape Under Pressure: Volume Drops and Wholesale StrainThe Confederation of British Industry (CBI) found sales volumes “below seasonal norms” in April, with a net balance of 68% of retailers reporting volume declines – the weakest reading since the survey began in 1983. Online retail sales fell at the fastest pace since January 2024, and wholesalers reported similar headwinds.CBI net balance of volume decline: 68% (April) vs 52% (March)Online sales drop: fastest since Jan 2024What the Discount Wave Means for the UK EconomyHelen Dickinson, BRC chief executive, noted that “with weakening consumer confidence, retailers competed harder on price to stimulate more spring spending.” However, she cautioned that the full impact of the Middle‑East conflict on consumer prices is yet to be felt.Mike Watkins of NIQ warned that rising fuel prices are already feeding higher inflation, suggesting the current discount‑driven relief may be short‑lived as supply‑chain costs rise.Outlook: Will Discounts Stall as Costs Rise?The BRC has called on the government to curb shop price inflation by fixing “non‑commodity charges” that make up roughly half of the average business energy bill. If energy‑related costs continue to climb, retailers may have less room to offer deep discounts, potentially reigniting price pressures later in the year.

The Evening's TV LandscapeTelevision tonight offers a diverse lineup headlined by Richard Gadd's highly anticipated follow-up to 'Baby Reindeer', with other notable programs including cooking competitions, design shows, and sporting events. The Guardian's TV critics provide insights into what makes each program worth watching.The Gadd Effect: 'Half Man' Arrives on BBC OneRichard Gadd's 'Half Man' makes its regular television debut on BBC One at 10.40pm, following its initial release on iPlayer last week. The show features Mitchell Robertson and Stuart Campbell as 1980s schoolboys Niall and Ruben, with Jamie Bell and Gadd themselves portraying their adult counterparts as they form a toxic lifelong bond. Critics praise the performances of both lead actors in what promises to be another psychologically complex drama from the creator of 'Baby Reindeer'.The Reality TV Spectrum: From Design to DatingBBC One offers two contrasting reality programs at 8pm and 9pm. 'Interior Design Masters With Alan Carr' challenges contestants to create romantic love nests in a medieval castle in Cheshire, with guest judge Linda Boronkay providing her 'classy taste' as arbiter. Later, 'MasterChef' continues its heats with an eager new batch of contestants, including Yuvi's confident duck dishes and Tony's sixfold pork preparations. The apron cook-off featuring fishfinger sandwiches provides 'glorious carnage', while judge Grace Dent offers her signature lyricism, describing a solitary boiled egg as a 'visiting dignitary'.On BBC Three at 9pm, 'Better Date Than Never' offers a gentler approach to reality television, following first-time daters in Australia. The double bill features Charles struggling with small talk and Olivia finding instant connection with a fellow Taylor Swift fan, alongside Liv who is already planning her wedding despite not having found a groom.The Travelogue Tradition: Michael Portillo in StockholmChannel 5's 7pm slot features Michael Portillo in Stockholm, offering viewers a tour of Swedish culture including meatballs, schnapps, and saunas. Though critics note the program has been 'thriftily recycled' from Portillo's previous 'Long Weekends' series, the 'inquisitive Tory grandee' remains 'reliably chummy company' and continues to sport items from his 'startling yellow wardrobe'.The Heritage Restoration: 'Our Welsh Chapel Dream'Channel 4's 8pm offering follows Keith Brymer Jones and Marj Hogarth as they continue their transformation of a Welsh chapel, now turning the Sunday school hall into a pottery studio. The episode also celebrates Keith's significant birthday with Welsh gin, a 50-strong male voice choir, and a unique cover of a Talking Heads song.The Film Choice: 'Small Things Like These'For streaming viewers, 'Small Things Like These' (2024) arrives on Netflix. Adapted by Enda Walsh from Claire Keegan's novel, Tim Mielants's drama approaches Ireland's Magdalene laundries scandal from a domestic angle. Cillian Murphy stars as 1980s coal merchant Bill Furlong, whose compassion is ignited by the brutal treatment of girls at a convent where he makes deliveries. The film explores his struggle against community silence in the face of church power.The Sporting Event: Champions League ActionPrime Video offers football fans the Champions League semi-final first-leg tie between PSG and Bayern Munich at 7pm, providing high-stakes European competition to cap off the evening's television offerings.