Breaking AI & Tech News Analyzed

Former Labour adviser Polly Billington – who served under Gordon Brown – has urged Prime Minister Keir Starmer to organise a global energy summit of the scale and urgency that marked the UK’s 2008 financial‑crisis intervention. She argues that the fallout from the US‑Israeli war on Iran is creating an energy shock “as big as the financial crash”, demanding a response of equal magnitude. Billington warned that the economic pain from soaring energy prices is “hurtling down the tracks”, threatening living standards and providing fertile ground for extremist politics. She stresses that the price surge will be neither temporary nor confined to a single region. While she praised the government’s initiative to bring together 35 nations to discuss reopening the Strait of Hormuz, Billington insists that a broader, coordinated effort is required to stabilise energy markets, protect supply chains, and accelerate the transition away from fossil fuels. “We could be bringing together allies to agree emergency cooperation to stabilise energy markets, protect supply chains, coordinate strategic reserves, and accelerate the global transition away from fossil fuels,” she told The Guardian. “Energy security is inseparable from global security; otherwise we face a ‘Hunger Games’ world of resource conflict, scarcity and coercion.” Her call comes amid growing unease among Labour MPs who fear the government is under‑reacting to the domestic impact of the war. Rising petrol prices, higher energy bills and inflation are already prompting concerns about electoral repercussions. At a recent press conference, the Prime Minister announced that the Treasury is drafting targeted support for households most affected by energy costs, should the conflict persist. Yet opposition parties are pushing divergent solutions: Reform UK and the Conservatives advocate increased domestic drilling, the Liberal Democrats propose a 10p fuel‑duty cut and VAT relief for electric‑vehicle charging, while the Greens call for universal energy‑bill support. The Scottish National Party demanded an emergency parliamentary recall, accusing the government of “sleepwalking into a crisis”. Billington argues that a true “war‑footing” approach must focus on reducing Britain’s reliance on fossil fuels. She praises the Treasury’s decision to avoid a blanket bailout, suggesting instead that households install plug‑in solar panels on balconies and gardens – likening them to Anderson shelters in the Second World War – to bolster collective resilience and lower bills. She adds that no policy option should be dismissed as “too radical”, urging the government to consider all measures that could cut exposure to gas and oil. Another Labour MP echoed the sentiment, stating that merely highlighting bill reductions is insufficient when headlines indicate that prices are set to rise sharply due to the Iran conflict. “I want to hear a concrete Labour plan,” he said. On Thursday, Liberal Democrat leader Ed Davey branded the rising fuel costs a “Trump‑Farage‑Badenoch tax”, calling for immediate action to mitigate the economic fallout of the war and keep Britain moving.

President Donald Trump's recent primetime address on the war with Iran has sparked widespread bewilderment and criticism. The speech, which lasted 19 minutes, was marked by slurred words and stumbling syntax. Trump vaguely stated that the US is 'on track to complete all of America's military objectives shortly,' but failed to provide a clear endgame or sense of direction.During the address, Trump vowed to continue bombing Iran to 'bring them back to the stone ages,' where he claimed they belonged. This statement has been widely criticized, with commentators describing it as a threat of war crimes. Chris Hayes of MSNBC called the speech a 'litany of lies he's told before,' while Robert Malley, a former lead negotiator for the nuclear deal, wrote that Trump's threat to send Iranians 'back to the stone ages' was a cavalier threat of war crimes.The speech has been criticized for lacking a clear endgame or sense of direction. Ian Bremmer, the founder and president of the Eurasia Group, called the address '19 minutes of a rambling, unmoored and unserious commander in chief.' Joseph Cirincione, a veteran arms control negotiator, accused Trump of lying about the 2015 nuclear deal, which Trump abandoned in 2018.The war with Iran has now raged for a month, and the absence of defined goals in Trump's speech has been highlighted by critics. Brian Finucane of the Crisis Group and a former state department legal adviser on military operations noted that the speech merely regurgitated prior social media posts, raising questions about Trump's war aims.

NASA's Artemis II mission is on track to make history as four astronauts prepare to leave Earth's orbit and embark on a journey towards the moon. This 10-day voyage marks a significant milestone in the US space agency's ambitious plan to land humans back on the lunar surface this decade and establish a permanent presence there.The crew, consisting of three Americans and one Canadian, launched from the Kennedy Space Center in Florida on Wednesday. After a series of tests and preparations, they are set to perform a translunar injection burn, a six-minute engine firing that will send the Orion spacecraft on its path to the moon.During their journey, the astronauts will loop around the back of the moon, becoming the four people to travel the farthest from Earth in history. They will then use the moon's gravity to launch back home. This mission is expected to break the record for distance traveled away from Earth, currently held by the Apollo 13 crew, who reached 248,655 miles (400,171km) in 1970.The Artemis II mission is a crucial test of NASA's capabilities, with future missions aiming to land astronauts on the moon's south pole as early as 2028. The US is in a new space race with China, which plans to send a crewed mission to the same lunar region as early as 2030. NASA's long-term goal is to build a lunar base that can house a permanent human presence, bringing humanity closer to living on the moon and Mars.

The global oil market is being significantly influenced by online prediction platforms such as Polymarket, with energy traders using data from these platforms to inform their multimillion-dollar trades. Market experts have noted that Polymarket's datafeeds are being used to create algorithms that impact trading in the global Brent crude futures market. The growing reliance on Polymarket has raised concerns that anonymous account holders may be using insider knowledge to place bets, potentially influencing pricing in the global oil market. One energy trader noted that Polymarket had become the best predictor of the oil market's direction since the US-Israel war with Iran triggered a global oil crisis. Ajay Parmar, head of oil trading at ICIS, stated that betting markets have a long history of strong prediction accuracy, and traders are increasingly turning to Polymarket for market indicators. Tim Skirrow, head of derivatives at Energy Aspects, also confirmed the adoption of prediction markets as a trading tool, noting that any data with alpha is considered in modern markets. The US investment bank Goldman Sachs has included analysis of prediction-market data in its oil market research, and the Intercontinental Exchange (ICE) has launched a trading tool providing a data feed of Polymarket's prediction markets to help traders make informed decisions. However, not all commodity traders are convinced by Polymarket's track record in predicting market-moving events. One trading analyst noted that Polymarket has made bad calls during the crisis, and that hedge funds may be more interested in the platform than traditional traders.

The usual visual language of hospital dramas relies on sterile whites and bright fluorescents. ‘What I’m Here For’ discards that palette entirely, immersing the audience in a world of black costumes and shadow‑filled set pieces.This daring aesthetic is the result of a collaboration between Vanishing Point of Glasgow and Teater Katapult from Aarhus, Denmark. Designer Mai Katsume outfits nurses, doctors and patients in deep black, arranging them in stark rows that dominate an ominously dark stage.At the centre stands Lærke Schjærff Engelbrecht as Flora, a nurse forced onto an extra weekend shift because of chronic short‑staffing. Even the flickering strip lights beneath her feet are cloaked in darkness, a visual choice amplified by Simon Wilkinson’s austere lighting design that drains the scene of any residual warmth, turning a hectic night ward into a gothic horror tableau.Written by Josephine Eusebius and performed in a blend of Danish and English, the script follows a familiar premise—too many patients, too few staff—but pushes it to a psychological extreme. Flora cheerfully repeats the hospital‑as‑hotel mantra while confronting impossible choices, such as whether to prioritize a pleasant woman with a brain tumour in room 22 or a demanding lady with a heart condition in room 33.The tension is heightened by Mark Melville’s pulse‑driven soundtrack, a low‑frequency thrum that underscores Flora’s isolation. As in many of director Matthew Lenton’s productions, the protagonist is both integral to and alienated from the medical team, a duality made palpable by her physical separation from the other actors and their disembodied commentary.Throughout the performance, Flora remains downstage, engaging in dream‑like exchanges with colleagues whose looming presence becomes as oppressive as the life‑and‑death decisions she must make. The staging forces the audience to feel the weight of each moral dilemma, turning routine triage into an almost tactile nightmare.‘What I’m Here For’ runs at the Tron in Glasgow until 4 April and will tour to other venues until 18 April.

Shops, universities and public institutions across the occupied West Bank and East Jerusalem shuttered on Wednesday as Palestinians launched a coordinated strike to denounce a newly passed Israeli law that makes the death penalty the default sentence for Palestinians convicted of deadly attacks by military courts. Hundreds gathered in Ramallah, chanting against the legislation championed by far‑right National Security Minister Itamar Ben‑Gvir. Demonstrators brandished signs reading “Stop the law to execute prisoners, before it’s too late”, featuring a graphic of a prisoner in a keffiyeh beside a noose. Similar protests unfolded in Nablus, where participants warned that “time is running out,” and in Anata, northeast of Jerusalem’s Old City, where Israeli soldiers compelled striking shop owners to reopen their businesses. The strike was called by President Mahmoud Abbas’s Fatah party the previous day, reflecting widespread anger that “there isn’t a single person here without a brother, husband, son or neighbour in prison,” said 53‑year‑old psychologist Riman, who asked that her surname not be disclosed. The United Nations High Commissioner for Human Rights, Volker Turk, condemned the measure, stating that its application to residents of the occupied Palestinian territory would amount to a war crime. According to the AFP, more than 9,500 Palestinians are currently detained in Israeli prisons, including 350 children and 73 women. Human‑rights groups on both sides allege detainees suffer torture, starvation and medical neglect, contributing to dozens of deaths. The law, approved by the Knesset late on Monday, stipulates that Palestinians tried in military courts for “terrorism‑related” deadly attacks face capital punishment as the default outcome. Because Palestinians in the West Bank are automatically tried in military courts, the statute creates a separate, harsher legal track compared with Israeli civilians, who face either death or life imprisonment for comparable offenses. While the legislation is not retroactive, critics argue it entrenches a system of unequal justice. Social‑media posts showed tyres burning at the busy Qalandia checkpoint, a key entry point into Israel via Jerusalem. The Palestinian news agency WAFA reported that Israeli forces responded with rubber‑coated bullets, stun grenades and tear‑gas, though no injuries were confirmed. Violence in the West Bank has intensified since Israel’s war in Gaza began in October 2023, a conflict that has claimed over 72,000 lives. The latest law and the ensuing protests underscore the deepening legal and humanitarian rift between Israel and the occupied Palestinian territories.

As Easter approaches, concert halls from London to Leipzig are flooded with performances of Johann Sebastian Bach’s masterpieces, most notably the St Matthew Passion and the St John Passion. Chart data from the Official Classical Chart, Apple Music’s classical rankings and specialist listings show Bach out‑performing every other composer, with releases such as Yunchan Lim’s take on the Goldberg Variations and Raphaël Pichon’s recording of the St John Passion leading the pack.Two vivid descriptors have captured the public’s imagination this week: “Bach the zombie” and “Bach the meat‑grinder.”strong> Violinist James Ehnes coined the former to highlight the music’s ability to survive any arrangement or re‑imagining, while Guardian critic Clive Paget used the latter to describe the relentless, visceral intensity of the opening chorus in Pichon’s St John Passion recording.The “meat‑grinder” metaphor points to Bach’s obsessive repetitions and searing harmonies that convey the raw agony of the Passion narrative. In contrast, the “zombie” image underscores the composer’s uncanny durability: his works thrive whether rendered for saxophone quartet, Wendy Carlos’s synthesizers, Leopold Stokowski’s lush orchestration, or even a mandolin played in a New York park.Bach’s presence on the silver screen further illustrates his cultural elasticity. His slow, stately rendition of the final chorus of the St Matthew Passion underscored Pier Paolo Pasolini’s 1964 film The Gospel According to St Matthew, while the haunting aria from the Goldberg Variations was famously chosen by Hannibal Lecter in The Silence of the Lambs as he prepares a gruesome act. These examples show how Bach can serve as both spiritual solace and chilling inspiration.Modern performers continue to reinvent the canon. Pianist Víkingur Ólafsson, who logged more than ninety performances of the Goldberg Variations in a single year, describes each rendition as a “religious pilgrimage” that reshapes the listener’s experience. Meanwhile, mandolin virtuoso Chris Thile released a second volume of Bach’s Sonatas and Partitas performed on his instrument in Tompkins Square Park. The recording captures ambient city sounds—birds, footsteps, fellow buskers—blending them with Bach’s intricate C‑major fugue to create what Thile calls “the effortless fugue of city life.”These diverse reinterpretations confirm a simple truth: Bach’s music is indestructible. Whether heard in a grand cathedral, a streaming playlist, or a bustling park, his compositions adapt without losing their core emotional impact. This Easter, listeners are invited to embrace Bach not as a relic confined to history, but as a living, breathing force that continues to energise and inspire across genres and generations.

The U.S. Food and Drug Administration announced on Wednesday that it has granted expedited approval to Eli Lilly’s oral weight‑loss medication, orforglipron—marketed under the brand name Foundayo. This makes Foundayo the second GLP‑1 pill to reach U.S. consumers, following Novo Nordisk’s Wegovy tablet approved in December. Orforglipron works by mimicking a natural hormone that regulates appetite and satiety, offering a non‑injectable alternative to existing GLP‑1 injectables. David A. Ricks, Eli Lilly’s chair and CEO, highlighted that fewer than one in ten eligible patients are currently using GLP‑1 therapies, citing barriers such as cost, stigma, and perceived complexity. Unlike Wegovy, which must be taken on an empty stomach each morning, Foundayo can be taken anytime of day regardless of meals, simplifying dosing schedules. Patients will start on a low dose that is gradually increased to mitigate side‑effects. Pricing is projected at $149 per month for the initial dose, with higher‑strength formulations potentially reaching $349 monthly. While private‑insurance coverage remains uncertain, a Trump‑administration proposal could allow Medicare to cover certain patients as early as this summer, with copayments as low as $50 per month. Distribution will commence on Monday through LillyDirect’s direct‑to‑consumer channel, with broader availability in pharmacies and telehealth platforms expected shortly thereafter. The convenience of a once‑daily pill is anticipated to improve adherence, especially for individuals who avoid injectables due to needle aversion or rigid dosing requirements. The approval follows a fast‑track submission submitted only months ago, positioning Foundayo to enter the market roughly three months after Wegovy. This rapid rollout is set to intensify competition in the burgeoning GLP‑1 space, where new agents are continually emerging with claims of better efficacy and lower costs.

Cooper Lutkenhaus, a 17-year-old American high school student, has taken the athletics world by storm by becoming the youngest world champion in track and field history. He achieved this incredible feat by winning the 800m indoor world championship in Torun, Poland.Lutkenhaus's remarkable talent has drawn comparisons to top athletes like David Rudisha, with Belgian athlete Eliott Crestan saying, 'He's like David Rudisha... In 10 or 20 years' time, I'll be able to say that I ran against him.'The young athlete's coach, Chris Capeau, attributes his success to a combination of 'God's gifts, his mum and dad's genetics, and his upbringing.' Capeau also highlights Lutkenhaus's intense focus on detail and his ruthless approach to maximizing his potential.Lutkenhaus's achievements have made him a sensation in the athletics world, with many eagerly anticipating his future performances, including his participation in the Eugene and Stockholm Diamond League this summer.Despite his remarkable success, Lutkenhaus remains humble and grounded, celebrating his gold medal with a simple burger and fries with his family. His father, George, emphasizes the importance of allowing his son to enjoy the moment and not getting caught up in the hype surrounding his achievements.