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Bryson DeChambeau, a two-time major winner, has taken an unconventional approach to improving his game: he's started making his own golf clubs. The decision was revealed during pre-tournament media duties at the Masters, showcasing his commitment to innovation and self-improvement. DeChambeau emphasized that his drive for innovation is a key aspect of his personality, stating, “I think it’s the willingness to always try to improve… There’s this nature that I have about myself where innovation is a habit of mine and I really find and take pride in that ability to learn, even through failure.” He has been experimenting with various clubs, including wedges and irons, and is also working on building his own driver. “Then I am working on irons, building irons, building a driver. So we’ll see where it goes, we’ll see where it takes me. All I could say is, if I don’t put them in the bag, it’s my fault now.” This move comes after a public feud with Cobra, a manufacturer he previously used, where he criticized their driver, leading to a heated exchange. DeChambeau's new approach allows him to have full control over his equipment, “It’s my own personal clubs I’m building. With myself.” DeChambeau returns to Augusta National with a desire to redeem himself after a disappointing performance in 2025, where he was outplayed by Rory McIlroy in the final round. A potential rivalry between DeChambeau and McIlroy could add excitement to the tournament, with DeChambeau expressing his respect for McIlroy while also highlighting his competitive drive: “Do I respect him as an individual? 100%. Do I want to beat him every time I see him? Absolutely.”

The recent Winter Olympics in Milano Cortina showcased the thrilling use of high-speed camera drones, bringing viewers up close to the action. However, this technology has a darker side, as it is also being used in the US military's drone strikes in Iran. The seamless transition from drone-supplied footage of Olympic excellence to drone-supplied footage of war crimes has felt genuinely jarring. The connection between drone racing and drone strikes is not coincidental. Professional drone racing emerged around a decade ago, with the Drone Racing League (DRL) being a prominent competition. The US air force was a longtime sponsor of the DRL, using the competition as a scouting ground to recruit new pilots. The league's emphasis on high-speed, first-person view drones has contributed to the development of technology now used in military contexts. The current conflict in Iran highlights a disturbing trend: the militarization of sports culture. The Trump administration's approach to the war, including the use of Hollywood and gaming imagery in its videos, reflects a broader cultural shift. The US military's actions are being presented as a form of entertainment, with two-minute video montages of "stuff blowing up" being used to brief the president on the war's progress. This phenomenon is not limited to the administration; the language of sports is increasingly being used in discussions of war. Politicians like Marco Rubio and Pete Hegseth are using sports-like terminology to describe military actions, reflecting a degeneration of language in global diplomacy. The Trumpian trash talk has degraded the discourse, with the president's tweets about the war being characterized by their usual boorishness. The article concludes that the culture of sports is central to the chaos unfolding across the Middle East. The blurring of lines between war and sport reflects a deeper societal issue, where the values of competition and entertainment are taking precedence over human life and dignity. As the world teeters on the edge of a military and economic catastrophe, the need for a more nuanced understanding of the relationship between sports, technology, and warfare has never been more pressing.

Kemiah Bob, a Texan standup comedian, has been working tirelessly to create a space for femmes of colour in comedy. In 2018, Bob launched FOC It Up, a comedy club that has grown into a platform for numerous comedians. The club has hosted mixed-bill comedy nights, a podcast, and shows at the Edinburgh fringe.Bob's latest venture, FOC Fest, is a full-day celebration of comedy, workshops, masterclasses, and networking opportunities, culminating in a comedy show at Soho Theatre in London on April 18. The event aims to provide a safe space for femmes of colour to showcase their talents and for industry professionals to network.The festival features sessions such as a standup masterclass for trans and queer people, a workshop on navigating difficult emotions through comedy, and industry panels with guests including Nana Hughes and Julia McKenzie. While the workshops are open to everyone, Bob encourages white audience members to 'check their privilege at the door'.Despite the challenges of securing funding, Bob remains committed to creating a platform for underrepresented voices in comedy. The goal is for FOC Fest to become an international institution, showcasing talent from around the world and providing support for comedians to fund their own work.FOC Fest is a testament to Bob's dedication to promoting diversity and inclusivity in the comedy industry. With its unique blend of comedy, workshops, and networking opportunities, this event is set to make a lasting impact on the comedy world.

Arsenal travel to Lisbon after recent setbacks in domestic cup finals, yet they remain unbeaten in the Champions League group stage and the last‑16, where they defeated Bayer Leverkusen 3‑1 on aggregate. The Gunners entered the tie with eleven players back from international duty, but a knee injury to Gabriel Magalhães adds to a list that already includes Eze, Hincapié, Saka, Timber and Merino. The potential return of Declan Rice, Leandro Trossard and Martin Ødegaard could restore creative spark. Sporting CP, still reeling from a 5‑1 loss to Arsenal last season, rely on Colombian striker Luis Suárez, who has netted 34 goals across all competitions, including five in Europe. Their home record at Estádio José Alvalade is formidable – five wins in five Champions League matches. Prediction: Arsenal to progress after a draw in the first leg. Real Madrid host Bayern Munich in a clash that pits a historically dominant Spanish side against a German outfit that has lost only twice in 43 matches this season and boasts a 13‑game unbeaten streak. Bayern, fresh from a 10‑2 demolition of Atalanta, have secured the Bundesliga and are eyeing a DFB‑Pokal semi‑final, but they have failed to beat Real in their last nine meetings. Madrid, despite a recent 2‑1 league loss to Mallorca, carry confidence from a 5‑1 aggregate victory over Manchester City. Goalkeeper Thibaut Courtois remains sidelined, leaving Andriy Lunin between the posts, while Kylian Mbappé leads the competition with 13 goals. Prediction: Bayern to progress after a draw in the first leg. Barcelona take on Atlético Madrid after a dramatic 2‑1 league defeat in which Robert Lewandowski scored late. Atlético, known for high‑scoring Champions League displays (55 goals in 12 games), will miss several starters, including Hancko and Ruggeri, while Jan Oblak is expected to keep goal. Barcelona enter the tie on a nine‑match unbeaten run, sit seven points clear at the top of La Liga, and have recently thrashed Newcastle 7‑2 in Europe. Injuries to Raphinha and Frenkie de Jong linger, but Ronald Araújo is likely to start. Prediction: Barcelona to win the first leg and the tie. Paris Saint‑Germain face Liverpool at a difficult moment for the English side, fresh from a 4‑0 FA Cup loss to Manchester City. Liverpool can count on the fitness of Mohamed Salah, Jeremie Frimpong and Federico Chiesa, and the possible return of £125 million signing Alexander Isak. PSG, meanwhile, continue their strong record against English clubs, having eliminated Liverpool, Aston Villa and Arsenal last season and recently dispatching Chelsea 8‑2 on aggregate. Key players such as Vitinha, João Neves and Nuno Mendes are expected to start after recent bench appearances. Prediction: PSG to win the first leg and the tie.

Joey Barton appeared by video link from Liverpool prison at Liverpool Crown Court to deny assaulting a man outside a north‑west England golf club.During the plea hearing, the 43‑year‑old former Manchester City and Newcastle United midfielder pleaded not guilty to causing grievous bodily harm with intent to Kevin Lynch on 8 March.The court noted that Barton’s co‑defendant, Gary O’Grady, was not required to enter a plea at this stage.Earlier proceedings revealed the defendants had been drinking with Lynch at Huyton & Prescot Golf Club before the alleged attack, after which Lynch, a former non‑league football manager and founder of the special‑education NexGen Academy, suffered serious eye injuries.Judge Andrew Menary scheduled a trial for 1 September, estimating the case will span seven days. The 15‑minute hearing also addressed administrative matters.Barton remains remanded in custody, while the judge renewed conditional bail for O’Grady, who was supported in court by several family members.In his playing career, Barton earned a single England cap and also featured for clubs such as Rangers and Marseille.

Opening night of the Pet Shop Boys’ Obscure tour turned the Electric Ballroom in Camden into a shrine for deep‑cut enthusiasts. Frontman Neil Tennant opened with a cheeky promise – “no hits tonight” – and the crowd responded with delighted roars, eager for the rare material the duo had promised.The Obscure moniker is no accident. Tennant and synth‑master Chris Lowe rehearsed 35 songs from their 42‑year catalogue, deliberately sidestepping the familiar chart‑toppers in favour of B‑sides, album tracks and fan‑favourite deep cuts. A fan‑compiled Spotify playlist of 226 non‑single tracks illustrates just how vast the selection pool is, yet even that list fell short of the band’s final set.Two songs made their live debut: a never‑performed track from the unreleased stage show Naked titled “I Dream of a Better Tomorrow,” and the 1986 B‑side “Jack the Lad” from the Suburbia era, which had never before been heard on stage. Phones rose in the audience as Tennant sang the cheeky tale of a ne’er‑do‑well, capturing a moment that will likely become a new fan legend.Highlights included a soulful rendition of the 1990 ballad “To Face the Truth,” where Tennant’s hand‑over‑stomach gesture added a rare glimpse of vulnerability, and the 1987 piano‑driven “Do I Have To?” showcasing Lowe’s most tender synth‑piano work. The set also featured “King of Rome” (2009), its horn‑laden refrain enveloping the room in a warm, nostalgic glow.Interspersed with the music, Tennant acted as an urbane quizmaster, prompting the audience to shout B‑side titles and rewarding them with trivia – for example, a medley that combined 1993’s “One in a Million” with Culture Beat’s “Mr Vain,” performed for the first time since its original 1994 Latin America appearance.Closing the main set, the 2005 anthem “The Performance of My Life” evoked the duo’s early club‑scene roots, while the encore opened with the poignant B‑side “Your Funny Uncle” (1989), a lament that still resonates with listeners who first found solace in its lyrics during the AIDS crisis.In a final, forward‑looking moment, Tennant introduced “I Dream of a Better Tomorrow,” a brand‑new song taken from the unreleased stage production based on *The Emperor’s New Clothes*. He declared, “change is coming… the start of something new,” hinting at fresh creative directions beyond the archival focus of the tour.The Obscure run, part of the broader Dreamworld tour that began in 2022, demonstrates the Pet Shop Boys’ mastery of both pop craftsmanship and archival curation, offering fans a rare chance to hear the hidden gems that have long lived in the shadows of their massive catalogue.

The risograph printer, a Japanese innovation from the 1980s, has captured the hearts of artists and creatives globally. This compact machine, produced by Riso Kagaku, allows for small print runs with a distinctive, handmade feel.Gabriella Marcella, a Scottish-Italian designer, fell in love with the risograph while studying at New York's Pratt Institute. She now curates Riso Club, a non-profit program promoting artists who use risographs. The club sends postcards featuring work from international cities, showcasing the riso community's global reach.The exhibition at Glasgow's Glue Factory Galleries celebrates the Riso Club's 100th issue with works from design heroes like Nathalie Du Pasquier and Peter Shire. Marcella hopes to demonstrate that design can be accessible, social, and connect people through print.Artists like Mari Kinovych and Kinda Ghannoum have used the risograph to showcase their cities, Kyiv and Damascus, in a unique and personal way. The risograph's political roots and ability to produce affordable prints have made it a staple in the art world.

On day five of the Artemis II mission, NASA announced that the Orion spacecraft successfully executed a lunar flyby, marking a pivotal milestone on its journey back to the Moon. The agency released a collection of high‑resolution photographs taken during the maneuver, showcasing the spacecraft against the stark backdrop of space and the Moon’s illuminated surface. These images not only provide a visual record of the mission’s progress but also underscore the technical precision required for the upcoming crewed lunar landing.

James Gunn's early feature film Slither, initially released in 2006, is being re-released in cinemas ahead of its 20th anniversary. The film, a comedy horror with a heavy focus on body horror, was Gunn's first feature-length project. At the time, it was met with commercial disappointment but has since garnered attention due to Gunn's subsequent success with major franchises such as Guardians of the Galaxy and Superman.The film's plot revolves around an alien lifeform that crash-lands on Earth and takes over a small town in South Carolina. The alien larvae, resembling flaccid phallic worms, infect the townspeople through various orifices, turning them into evil minions or hideously swollen incubators. The movie features Michael Rooker, Elizabeth Banks, and Nathan Fillion in key roles.Despite its thinly conceived science fiction elements and reliance on rubbery practical effects and lame jokes, which align more closely with the style of Troma, a production company where Gunn got his start, the film does showcase Gunn's early experimentation with comic timing and musical cues. A notable scene features a killing spree set to Air Supply's 'Every Woman in the World', a technique Gunn would later refine in his Guardians of the Galaxy films.The cast, including Michael Rooker and Elizabeth Banks, appears to be enjoying the film's humor, bringing some bright spots of wit and amusement to the movie. Slither is set to re-release in UK cinemas on April 10 and will be available on digital platforms from May 1.