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The National Gallery of Art's latest exhibition, 'Dear America: Artists Explore the American Experience', is a thought-provoking collection of over 100 works by 95 artists. This 'open letter to the nation' offers a multifaceted exploration of the American experience, delving into themes of land, community, and freedom.Upon entering the exhibition, visitors are immediately struck by the unconventional representations of iconic American symbols. The Statue of Liberty, for instance, is reimagined through the lens of South African photographer Zanele Muholi and a geometric screenprint by Roy Lichtenstein.The exhibition's curatorial approach is to create 'provocative conversations across centuries, disciplines and demographics.' E Carmen Ramos, the gallery's chief curatorial and conservation officer, notes that the show was 'years in the making' and showcases an 'embarrassment of riches' from the gallery's permanent collection of over 160,000 works.Structured around three core themes – land, community, and freedom – the exhibition presents a diverse array of works. These include Thomas Moran's idyllic watercolours of the American West juxtaposed with Thomas Hart Johnson's photographs of a landscape ravaged by coal mining and railroads. The exhibition also features poignant pieces such as Carrie Mae Weems's haunting silhouette and Gordon Parks's indelible 'American Gothic.'The show's second section, 'Community,' features Richard Avedon's massive 1976 commission 'The Family,' which comprises 69 stark, uniform portraits of the bicentennial era's political, media, and corporate elite. This is contrasted with John Wilson's tender sketches of his teenage children and their friends.The final act of the exhibition turns its lens to 'Freedom,' showcasing historical portraits of figures such as Frederick Douglass, Sojourner Truth, and George Washington, alongside powerful works by Kara Walker, Martha Rosler, and Faith Ringgold. As visitors exit, they are met with Robert Indiana's boldly coloured screenprint 'Liberty '76,' created for the 1976 bicentennial.Ramos reflects on the exhibition's significance, stating that it 'explores how artists in the United States have explored the American experience across different moments in time.' The exhibition will be on view in the National Gallery's West Building until 20 September.

The UK's housing crisis has reached a critical point, with homelessness rates among over-55s on the rise. The current housing system is failing to provide affordable options, leading to a growing number of people relying on friends and family for a roof. The issue is not just about the number of homes being built, but also about the type of housing being constructed. Currently, four-bedroom detached houses on car-dependent estates are being prioritized, which do little to address the needs of those facing rising rents and insecure tenancies. To address this crisis, there is a pressing need for genuinely affordable social housing within existing towns and cities. This means building accessible, energy-efficient homes close to shops, healthcare, green spaces, and public transport. Local authorities and housing organizations have long argued for urban densification, but planning policy still favors sprawl. The financial implications of inaction are stark. By 2029-30, local councils across England are projected to spend almost £4bn annually on temporary accommodation for those experiencing homelessness. Meanwhile, the building of new social housing, a key solution to the issue, is at historic lows. The government's intention to invest in affordable housing is welcome, but it will only deliver 300,000 new homes over a 10-year period, while there are currently 1.34m households on local authority waiting lists. To address this crisis, local councils, central government, and civil society must come together to devise an exit strategy that transforms the skyrocketing temporary accommodation bill into long-term investment in permanent social housing stock.

Jorginho, the Flamengo footballer, has clarified his comments on last month's incident between his 11-year-old stepdaughter and a security guard in Brazil, calling his previous claims against Chappell Roan “a misunderstanding”.“I made my initial statement in the heat of the moment, after hearing that my child and wife had been approached by an adult male security guard in an intimidating way,” Jorginho wrote on Instagram. “I reacted as any father would. My priority is, and always will be, protecting my family, and that is exactly what I did.”Chappell Roan was in Brazil to perform at Lollapalooza festival, two years after reportedly drawing one of the biggest crowds in the festival’s history.“At the time, we acted on the information that was available to us,” Jorginho said. “Since then, I have become aware of new information that has changed my understanding of parts of what happened. Chappell Roan made a public statement, reached out privately to [my wife] Catherine, and our teams also spoke directly. It became clear that she had no knowledge of what took place at breakfast and had not asked anyone to approach them. She was understanding and sympathetic to what had happened to our child.”Previously, the ex-Chelsea player had said that his stepdaughter was “extremely shaken and cried a lot” after Roan’s security spoke “in an extremely aggressive manner” to her and his wife when they saw the singer at a São Paulo hotel. Roan denied that the security guard was part of her team, saying: “No one came up to me, no one bothered me, I was just sitting at breakfast at my hotel.”Following Roan’s response, security guard Pascal Duvier spoke up about the events, saying: “I take full responsibility for the interactions on March 21st. I was at the hotel on behalf of another individual, and I was not part of the personal security team of Chappell Roan.”Noting Duvier’s comments, Jorginho said: “While we still do not know what prompted him to approach them, and do not believe an 11-year-old at breakfast could reasonably be seen as any kind of security threat, it is now clear that he was not acting on behalf of Chappell.“It was, ultimately, a misunderstanding in that respect, and I am glad to set the record straight. It’s important to me that this is clarified fairly and accurately. I regret the impact this situation has had on Chappell Roan, Catherine Ada, and our family.”Jorginho ended his statement by drawing a line under the incident. “As far as I am concerned, this matter is closed.”

Trump Media and Technology Group (TMTG), the parent company of the Truth Social platform, has formally withdrawn its defamation claim against The Guardian and two additional defendants. The suit had challenged a March 2023 Guardian report alleging that federal prosecutors were investigating $8 million in payments received by TMTG from entities with connections to Russian President Vladimir Putin. The dismissal was filed in the 12th Judicial Circuit Court in Sarasota County, Florida, on Friday. By withdrawing without prejudice, TMTG retains the option to re‑file the case at a future date. The Guardian’s original article said New York prosecutors opened a criminal inquiry into money wired to TMTG via the Caribbean by two parties that appeared to be partially controlled by an associate of a Putin ally. At the time, TMTG was preparing for a merger with Digital World Acquisition Corp (DWAC) that would have created a company valued at roughly $1.3 billion. Feeling vulnerable to accusations of receiving funds from a potentially hostile source, TMTG sued for libel, asserting that the Guardian’s statements were false and defamatory. In November, Judge Hunter W. Carroll dismissed the case against Guardian News and Media Ltd., Penske Media Corporation (owner of Variety), and former TMTG founder‑turned‑whistleblower Will Wilkerson, citing a failure to prove actual malice. Carroll, appointed by former Florida Governor Rick Scott, allowed TMTG to file an amended complaint, which the company did in January. A hearing was scheduled for the following Tuesday, but TMTG’s sudden withdrawal halted the proceedings. No reason was provided for the abrupt change. The Guardian has been contacted for comment. In April 2024, a lawyer for Trump sent The Guardian a letter calling its reporting “false” and a “hoax,” insisting that litigation would continue until the outlet retracted the story. Despite the legal tussle, there is no evidence that TMTG or its executives knowingly concealed the origin of the loans. No criminal charges have been brought against the company. Guardian News and Media responded, welcoming the voluntary dismissal and emphasizing that its reporting was based on meticulous fact‑checking, credible sources, and thorough documentation, while characterizing TMTG’s claims as meritless. The dismissal marks a rare retreat for Trump’s legal team, which has pursued an increasingly aggressive strategy against media outlets during his second presidential term, securing several high‑profile settlements with broadcasters such as ABC and CBS. Trump is currently pursuing a $15 billion defamation suit against The New York Times and a $10 billion claim against the BBC, alleging editorial manipulation of his speeches. Both cases have been described by the defendants as groundless and potentially chilling to press freedom. The Guardian’s investigation focused on two emergency loans TMTG received in December 2021 and February 2022, when the company faced a financial crisis after its merger with DWAC was delayed by SEC and FINRA investigations. Wire‑transfer records traced a $2 million payment through Paxum Bank, a Dominica‑registered institution, and a subsequent $6 million payment involving the ES Family Trust, whose trustee also served as a Paxum director. Federal prosecutors in the Southern District of New York examined Paxum Bank’s ownership, identifying a link to Anton Postolnikov, a relative of Aleksandr Smirnov, an associate of Putin.

King Charles's upcoming visit to the White House to meet with Donald Trump is poised to be a delicate diplomatic situation. The king will have to navigate a complex web of potential insults and controversies, including Trump's past comments about the UK's military assets, his criticism of British politicians, and his unconventional social media posts.Historically, Charles has had his share of awkward encounters with US presidents. During his visit to President Nixon in 1970, officials awkwardly presented Nixon's daughter Tricia as a potential match for the then-young prince. Later, during a visit to Ronald Reagan, Charles was handed a cup of tea with the bag still in it, leaving him unsure of how to proceed.In contrast, Charles's meetings with the Clintons and Bushes were uneventful, and his 2015 meeting with Obama was notable for his frank discussion on climate change, which, although not necessarily polite, was a significant moment.However, the current situation with Trump is particularly challenging. Trump has publicly criticized the UK's military assets, including the HMS Queen Elizabeth and HMS Prince of Wales, bearing the names of members of the royal family. Additionally, Trump has made derogatory comments about Pope Francis, which could complicate relations between the US and the Vatican.The king will also have to address Trump's recent social media post featuring an AI-generated image of himself as Jesus, which could be seen as blasphemous or insensitive. Given Trump's unpredictable nature, it's uncertain what he might say or do during the visit.While it would be unprecedented for the king to cancel the visit, the situation is already out of the ordinary. It remains to be seen how Charles will navigate this complex diplomatic situation and maintain the dignity of his office.

Goldman Sachs's chief executive, David Solomon, has expressed heightened awareness of the capabilities of Anthropic's Mythos AI model and is collaborating closely with the tech firm following warnings about the cybersecurity risk it poses.The US bank has been closely monitoring the rapid advancements in artificial intelligence, including large language models (LLMs), as part of broader efforts to protect itself from hackers.“Obviously the LLMs are making rapid progress and we’re hyper-aware of the enhanced capabilities of these new models with the help of the US government and the model publishers,” Solomon told analysts on an earnings call on Monday.Anthropic, the company behind the Claude family of AI tools, claimed last week that its latest model, Mythos, posed an unprecedented risk due to its ability to expose flaws in IT systems. The company warned that AI models have reached a level of coding capability where they can surpass all but the most skilled humans at finding and exploiting software vulnerabilities.Solomon emphasized that Goldman Sachs is working closely with Anthropic and all of its security vendors to harness frontier capabilities. “We are very focused on supplementing our cyber and infrastructure resilience. And this is part of our ongoing capabilities that we have been investing in, and are accelerating our investment in.”The news comes after the US Treasury secretary, Scott Bessent, summoned Solomon and other big American bankers to Washington to discuss the Mythos model last week. The meeting focused on heads of so-called systemically important banks, where regulators believe that a major disruption to their operations, or their potential collapse, would put financial stability at risk.On Monday, the UK government’s AI Security Institute (AISI) warned that Mythos was a “step up” over previous models in terms of the cyber threat it posed. AISI said Mythos could carry out attacks that required multiple actions and discover weaknesses in IT systems without human intervention.

Fort Wayne, Indiana police announced the arrest of 55‑year‑old Michelle Dick on Saturday, acting on a California warrant that accuses her of stalking former Fleetwood Mac guitarist Lindsey Buckingham. According to a statement released by the department, Dick was taken into custody without incident after authorities traced her movement from California to Indiana, a journey of more than 2,000 miles (3,500 km). Police allege that in March, while Buckingham was entering a building in Santa Monica for an appointment, Dick doused him with an unknown substance and damaged his vehicle before fleeing the scene. Buckingham, 76, escaped physical injury, but the episode prompted renewed legal action. The statement noted that Buckingham secured a restraining order in 2024 after years of alleged harassment, which required Dick to remain at least 100 yards from him, his wife, and his son, and prohibited any contact. Investigators say the stalking began in late 2021, with dozens of persistent phone calls and lengthy messages in which Dick claimed, “she was my child,” and allegedly threatened to kill Buckingham and his family. She is also accused of a “swatting” incident that led to a heavily armed police response at Buckingham’s home. Following the March attack, Dick was held in the Allen County jail pending extradition back to California, where she faces a suite of charges including stalking, vandalism, battery, and criminal threats. Legal experts note that the case underscores the challenges of prosecuting cross‑state stalking offenses, especially when they involve high‑profile public figures. Coordination between California and Indiana law‑enforcement agencies illustrates the growing emphasis on protecting celebrities from persistent harassment. Buckingham, a former member of Fleetwood Mac from 1975‑1987 and again from 1997‑2018, is best known for his work on the Grammy‑winning album Rumours and the band’s 1998 Rock and Roll Hall of Fame induction.

The Olivier Awards, a prestigious event in the theatre world, recently took place, and among the many memorable moments were the quotes shared by the winners. Host Nick Mohammed kicked off the ceremony with a lighthearted remark about the opening gondola scene from Phantom of the Opera, joking that it wasn't Cunard's boat, but rather Andrew Lloyd Webber's mode of transportation.Cole Escola, playwright of Oh, Mary!, expressed gratitude to a rather unconventional recipient: "my amazing husband, who doesn’t exist". This humorous comment set the tone for a night filled with both laughter and heartfelt acknowledgments.Elaine Paige, a special award winner, shared the secret to her long-lasting career, attributing her success to her father's motto: "perseverance furthers". This insight into her personal life added a touching element to the evening.Rachel Zegler, winner of the best actress in a musical for her role in Evita, recalled her experience performing in the Palladium balcony, calling it "the honour of a lifetime". Her sentiment encapsulated the pride and gratitude felt by many of the winners.Rosamund Pike, best actress winner, reflected on the challenges of balancing life and art, acknowledging the support of her family and partner. Her words resonated with the audience, highlighting the importance of a strong support system.The ceremony also saw Jack Holden win the surprise best actor award, who, upon hearing his name, jokingly asked, "It was definitely me, was it?". This lighthearted moment brought humor to the event.Throughout the evening, winners shared their appreciation for their loved ones and mentors. James Hameed thanked his dad, who had come to London to chase his dreams, showcasing the impact of family on one's journey to success.

Rory McIlroy, the world's No 2 golfer, secured his second Masters win at Augusta National, a triumph he largely attributes to the support of his parents, Rosie and Gerry McIlroy. In a heartwarming display of family devotion, McIlroy had to convince his parents to attend the tournament, as they feared their presence might jinx his title defense. The McIlroy family has a remarkable story of sacrifice and dedication. Rory's parents worked multiple jobs, including graveyard shifts, to support their son's golfing ambitions. Gerry, 66, managed a bar and worked as a cleaner, while Rosie, 65, worked late nights at a factory. Their unwavering support and refusal to pressure Rory into playing golf have been instrumental in his success. During his final round, McIlroy admitted to thinking about his parents and fighting back tears. After securing his win, he turned to his family, including his wife Erica and daughter Poppy, and expressed his gratitude to his parents. 'Mum and Dad, I owe everything to you. You’re the most wonderful parents,' he said, visibly emotional. This victory cements McIlroy's stature as one of golfing's greats, with his sixth major win. His parents' presence at the tournament made the moment even more special, with Rosie sporting a handbag adorned with newspaper reports from his 2025 win. As McIlroy looks to the future, he hopes to emulate his parents' example, stating, 'If I can be half the parent to Poppy as you were to me then I’ll know I’ve done a good job.'