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Michael Rosen, celebrated poet and author of titles such as We’re Going on a Bear Hunt and Chocolate Cake, has been awarded the 2026 Hans Christian Andersen Award in recognition of his lifelong impact on children’s literature.The accolade makes him the fourth Briton to receive the honor, joining the ranks of Eleanor Farjeon, Aidan Chambers and David Almond.The International Board on Books for Young People (IBBY) praised Rosen’s work for echoing the rhythms of children’s language, blending playfulness with emotional depth and social awareness. IBBY highlighted his ability to foster empathy and spark conversations about history, family, loss, identity and society across poetry, novels and non‑fiction.The companion illustration prize was bestowed upon Chinese artist Cai Gao, whose distinctive visual language and high artistic quality expand the possibilities of children’s illustration. Past illustration laureates include Quentin Blake, who won in 2002.Rosen missed the award announcement at the Bologna Children’s Book Fair after being denied boarding on a flight from Stansted to Bologna due to post‑Brexit passport regulations. The rule requires UK passports to have been issued within the previous ten years and to retain at least three months’ validity on the day of departure.He later posted on X (formerly Twitter), noting the irony of being turned away because his passport was issued in March 2016 despite an expiry in August 2026, calling it a “Brexit benefit”.Despite the setback, Rosen received a call from an Italian woman informing him of his win, which he described as a “happy ending”.From a pool of 78 candidates across 44 countries, the jury evaluated the “distinctive literary and artistic qualities” of each entrant and their capacity to view the world through a child’s eyes. The formal award ceremony is slated for August in Ottawa.

Scientists have confirmed that March 2026 was the hottest March on record in the United States, underscoring the urgency of the climate crisis. Yet, a weekend gathering in a hotel basement near the White House, organized by the climate‑denying Heartland Institute, celebrated a very different narrative.The audience—predominantly middle‑aged men in suits—cheered the claim that the world is finally “waking up” to the idea that there is no climate crisis. Heartland Institute president James Taylor described the atmosphere as “wonderful” and declared that “the truth is winning out.”The event’s headline speaker was Lee Zeldin, the EPA administrator—a figure also rumored to be under consideration for the role of attorney general. Zeldin framed the conference as a day of “vindication,” accusing a “cabal of elites” of using climate science to push a political agenda.Booths and banners, sponsored by groups such as the CO2 Coalition, displayed slogans like “CO2 is a lifesaver” and “There is no climate crisis.” Pamphlets touted fossil fuels as the “greenest energy source” and dismissed net‑zero targets as unfounded.While some attendees denied the existence of global warming outright, others conceded that temperatures were rising but insisted it was not a human‑caused emergency. Taylor later clarified that “humans have played a role in climate change, but that is not the same as a ‘climate crisis.’”Harvard historian Naomi Oreskes noted that think tanks like Heartland portray themselves as underdogs, even though they receive substantial backing from powerful interests. The institute has historically been funded by major oil companies—including Shell and ExxonMobil—and by the Mercers, a prominent Republican donor family.When asked about current funding sources, Taylor dismissed the inquiry as “curious and disappointing,” insisting that the organization is supported by individuals who value “freedom and affordable energy.” He added that the institute has not received oil money for nearly two decades, though he would “gladly accept” it again.Under the Trump administration, groups such as the Heartland Institute, the CO2 Coalition, and the Committee for a Constructive Tomorrow (CFACT) have secured unprecedented policy influence. Their agenda includes the repeal of the EPA’s “endangerment finding,” a legal basis for most U.S. climate regulations. During Zeldin’s introduction, CFACT president Craig Rucker announced the rollback to a cheering crowd.CFACT’s lobbying helped cancel a California offshore‑wind project, while the CO2 Coalition’s founder helped establish a White House committee that questioned climate science during Trump’s first term. Most recently, the coalition succeeded in placing an ophthalmologist with no air‑pollution expertise on a key EPA advisory panel.Despite the deniers’ confidence, polling consistently shows that a **vast majority of Americans**—including 42 % of young Republicans—acknowledge climate change and view it as a pressing issue. Taylor countered by citing a 2019 survey indicating limited willingness to pay higher electricity bills for climate action, but the broader data suggest strong public concern.Younger activists disrupted a youth‑focused panel, arguing that the conference’s “geriatric white‑male” audience was out of touch with the climate realities that will affect their generation. One protester shouted, “There’s no such thing as fossil‑fuel‑caused climate change!” before being removed.The clash highlighted a growing divide: while right‑wing think tanks are consolidating power within the federal government, public opinion and scientific consensus continue to affirm the reality and urgency of global warming.

Gina Rinehart, Australia's wealthiest person, faces a potentially significant loss of wealth and control over her Pilbara iron ore empire as a court verdict looms in Perth. The Western Australian supreme court judgment will determine whether Rinehart must share the spoils of some of Hancock Prospecting's most lucrative iron ore projects with the family of her late father's business partner, Peter Wright.The dispute centers on the lucrative Hope Downs mining complex near Newman in north-west Western Australia, a joint venture between Hancock Prospecting and Rio Tinto, which delivered a $832m profit to Hancock Prospecting in 2025. The Wright family heirs claim they are entitled to an equal share of the 2.5% royalties coming from Hope Downs to Hancock Prospecting.Hancock Prospecting rejects the claim, arguing it undertook all the work and bore the financial risk of development, making it the legitimate owner of the Hope Downs assets. The judgment, expected to be appealed regardless of the outcome, may also impact Rinehart's children, who have accused their mother of an 'egregious fraud' against them.Rinehart's company and Hancock Prospecting have rejected all claims, with Rinehart's lawyers arguing that her actions were done to right an historic wrong by her father. The court's decision will also inform a separate federal arbitration process that will decide how Hancock Prospecting's shares are divided between the family.In a related development, Hancock Prospecting's latest annual report shows that more than $6.4bn in dividends have been placed in reserve pending the outcome of arbitration.

Rena Effendi, a photojournalist, embarks on a poignant journey in the documentary 'Searching for Satyrus', seeking the elusive butterfly named after her father, Rustam Effendi, a lepidopterist. Her father spent seven years hunting the Satyrus effendi, a rare and endangered species found in the Caucasus mountains.Effendi's quest is intertwined with her exploration of her father's complex legacy. He was a man of many marriages – Effendi humorously notes he lasted longer in his pursuit of the butterfly than in any of his four marriages. This personal history is set against the backdrop of geopolitical tensions between Azerbaijan and Armenia, where the butterfly's habitat lies.The documentary features Effendi's interactions with lepidopterists, including Dmitrii V Morgun, who describes the unique characteristics of various butterfly species. The Satyrus is portrayed as melancholic and brooding, mirroring the complex emotions Effendi experiences as she uncovers her father's past.The film is set to release in UK cinemas on April 19, 2026, offering audiences a thoughtful exploration of family, legacy, and conservation.

Moya Brennan, the celebrated voice behind Irish folk ensemble Clannad, passed away at the age of 73 in her native County Donegal, surrounded by family. The 73‑year‑old had been living with pulmonary fibrosis and was awaiting a possible double‑lung transplant when she died peacefully. Born 4 August 1952 in Dublin as Máire Philomena Ní Bhraonáin, she grew up in a large musical family that performed in their local pub. She later honed her craft at the Royal Irish Academy of Music before co‑founding Clannad in 1970 with her brothers and two uncles. Clann2’s early breakthrough came at the Slógadh Youth Festival, where a prize‑winning performance secured a Polydor contract—though the band members were too young to sign. Their commitment to singing in the Irish language set them apart; as Brennan recalled in 2022, they felt they were “letting the language down” but fell in love with its melodies. The group’s commercial breakthrough arrived in 1983 with the album Magical Ring and its hit single “Theme from Harry’s Game.”strong> The track reached No. 5 on the UK Top 40, earned Clannad a historic appearance on Top of the Pops as the first act to perform in Irish, and paved the way for a BAFTA‑winning score for the ITV series Robin of Sherwood. Throughout the 1980s and 1990s, Brennan earned the moniker “first lady of Celtic music,” garnering praise from peers such as Bono of U2 and contributing vocals to major film soundtracks including Titanic and King Arthur. Her sister Eithne, later known as Enya, also emerged from Clannad before launching a wildly successful solo career. Beyond her musical achievements, Brennan’s personal journey was marked by hardship. She publicly discussed a 1972 abortion in England, subsequent substance use, an 18‑month marriage to fellow musician Pat Farrell, a miscarriage in 1987, and a brief relationship with U2’s Adam Clayton. A deepening Christian faith after the miscarriage helped her overcome addiction, and she later married photographer Tim Jarvis in 1990, a partnership she credited with ending her drug use. Her solo discography began with the critically acclaimed album Máire in 1992 and continued through 2024’s Voices & Harps IV with Cormac de Barra. Brennan also devoted considerable energy to philanthropy, working with Christian Blind Mission Ireland on projects across the Democratic Republic of Congo, Rwanda, Brazil, and Tanzania, and supporting programs for those battling drug and alcohol dependency. In 2002 she officially adopted the stage name Moya Brennan, formalising the change by deed poll in 2009. Over the years she collaborated with a diverse roster of artists, from Shane MacGowan and Robert Plant to Bruce Hornsb​y, the Doobie Brothers, and Ronan Keating. Brennan is survived by her husband Tim Jarvis and their two children. In a 2022 interview she attributed her resilience in the face of her lung disease to her Christian faith, stating, “I know God is with me… that’s where my strength comes from.”

The Iranian judiciary announced on Monday that the assets of Zahra Ghanbari, captain of Iran’s women’s national football team, have been released following a court decision. The assets had been frozen earlier after she was listed among alleged “traitors” for seeking asylum in Australia.According to the state‑run Mizan news agency, the release came after Ghanbari submitted a “declaration of innocence” and demonstrated a change in behaviour, prompting officials to lift the seizure.Ghanbari was part of a group of six players and one staff member who fled to Australia in March, after the team’s refusal to sing Iran’s national anthem during the AFC Women’s Asian Cup sparked a media backlash. Australian Home Affairs Minister Tony Burke had publicly offered asylum to the entire delegation, warning they could face reprisals on return.Within weeks, five of the athletes, including Ghanbari, abandoned their asylum applications and returned to Iran. They were greeted with a hero’s welcome at a ceremony in central Tehran on March 19, and the court subsequently moved to restore their frozen assets.The asset release follows a broader crackdown that began after the outbreak of the US‑Israel war on Iran on February 28, during which more than 2,000 Iranians were reported killed. Iranian state media published a list of individuals deemed “traitors,” leading to the freezing of their property and bank accounts.In interviews with Al Jazeera, two of the returning players described the intense pressure they faced, noting that any misstep could have severe personal and professional consequences. “Every decision felt like a life‑or‑death choice for my family and my career,” said Mona Hamoudi, one of the athletes.Human‑rights groups have repeatedly warned that Iranian authorities use tactics such as asset seizure, family intimidation, and legal threats to deter athletes from defecting or speaking out. The case of Ghanbari underscores how sports can become a flashpoint for broader geopolitical tensions.Only two members of the original squad remain in Australia, where they have continued training with Brisbane Roar, while the rest of the team prepares for upcoming domestic competitions under heightened scrutiny.

Peter Magyar, once a staunch supporter of Prime Minister Viktor Orban, has shattered the latter’s 16‑year grip on power after his Tisza Party won a landslide victory in Sunday’s parliamentary election. With 97.35% of precincts counted, the centre‑right Tisza Party secured 138 of the 199 parliamentary seats and 53.6% of the popular vote. By contrast, Orban’s Christian‑nationalist Fidesz obtained 55 seats with 37.8% of the vote, according to official tallies. Addressing a crowd of tens of thousands along the Danube in Budapest, the 45‑year‑old victor declared, “Tonight, truth prevailed over lies,” adding that Hungarians had chosen to ask what they could do for their homeland rather than the reverse. Who is Peter Magyar? Born in Budapest in March 1981 to a family of lawyers, he is the great‑nephew of former President Ferenc Madl (2000‑2005). After earning a law degree from Pázmány Péter Catholic University in 2004, Magyar began a career in corporate law and joined Orban’s Fidesz while the party was still in opposition. He later served as a legal aide to Fidesz during the 2006 anti‑government protests, married future justice minister Judit Varga (they have three children), and held several senior posts after Fidesz returned to power in 2010, including a stint at Hungary’s Permanent Representation to the EU in Brussels and a board seat at state‑owned road operator Magyar Közút ZRT. Why did he break with Orban? A 2024 scandal involving a presidential pardon for a man linked to a children’s‑home abuse cover‑up implicated Varga, then justice minister, prompting public outrage and Novak’s resignation. Magyar seized the moment, publishing a Facebook post accusing the government of corruption and releasing a recording of a conversation with his ex‑wife that suggested interference in a corruption case. Policy analyst Gábor Győri of Policy Solutions described Magyar’s departure as a “gradual estrangement” that accelerated after Varga’s fall from power. The exposure boosted Magyar’s domestic popularity, positioning him as a fresh opposition figure amid widespread voter fatigue with Fidesz. In April 2024, Magyar joined the centre‑right Tisza Party, won a seat in the European Parliament, and now stands poised to become Hungary’s next prime minister. Political analyst Zsuzsanna Vegh (German Marshall Fund) noted that Magyar’s win “dispels the myth that Orban cannot be defeated,” emphasizing his ability to unite a diverse electorate through a moderate, policy‑focused campaign rather than a radical right‑wing challenge. Scandals surrounding Magyar have also surfaced. His former wife Varga accused him of domestic violence and of using a secret recording for political gain. Earlier in 2026, Magyar faced allegations of a sex‑related scandal and drug use after compromising photos emerged; he denied drug use, describing the episode as a “honey‑trap” orchestrated by a “classic Russia‑style compromising situation.” He further claimed that Fidesz targeted him personally to undermine his campaign. On policy, Magyar pledges to revive Hungary’s stagnant economy, reduce dependence on Russian energy by 2035, and restore pragmatic relations with both the EU and Moscow. He aims to unlock EU funds frozen over alleged rule‑of‑law breaches and has previously expressed caution about accelerating Ukraine’s EU accession. Observers caution that while Magyar’s election fuels hope among young Hungarians, the real test will be translating opposition momentum into effective governance. As Izabella Nagy, a Budapest professional, observes, “Rebuilding a democracy is far more gruelling than dismantling one,” underscoring the challenges ahead for the new administration.

The National Gallery of Art's latest exhibition, 'Dear America: Artists Explore the American Experience', is a thought-provoking collection of over 100 works by 95 artists. This 'open letter to the nation' offers a multifaceted exploration of the American experience, delving into themes of land, community, and freedom.Upon entering the exhibition, visitors are immediately struck by the unconventional representations of iconic American symbols. The Statue of Liberty, for instance, is reimagined through the lens of South African photographer Zanele Muholi and a geometric screenprint by Roy Lichtenstein.The exhibition's curatorial approach is to create 'provocative conversations across centuries, disciplines and demographics.' E Carmen Ramos, the gallery's chief curatorial and conservation officer, notes that the show was 'years in the making' and showcases an 'embarrassment of riches' from the gallery's permanent collection of over 160,000 works.Structured around three core themes – land, community, and freedom – the exhibition presents a diverse array of works. These include Thomas Moran's idyllic watercolours of the American West juxtaposed with Thomas Hart Johnson's photographs of a landscape ravaged by coal mining and railroads. The exhibition also features poignant pieces such as Carrie Mae Weems's haunting silhouette and Gordon Parks's indelible 'American Gothic.'The show's second section, 'Community,' features Richard Avedon's massive 1976 commission 'The Family,' which comprises 69 stark, uniform portraits of the bicentennial era's political, media, and corporate elite. This is contrasted with John Wilson's tender sketches of his teenage children and their friends.The final act of the exhibition turns its lens to 'Freedom,' showcasing historical portraits of figures such as Frederick Douglass, Sojourner Truth, and George Washington, alongside powerful works by Kara Walker, Martha Rosler, and Faith Ringgold. As visitors exit, they are met with Robert Indiana's boldly coloured screenprint 'Liberty '76,' created for the 1976 bicentennial.Ramos reflects on the exhibition's significance, stating that it 'explores how artists in the United States have explored the American experience across different moments in time.' The exhibition will be on view in the National Gallery's West Building until 20 September.

The UK's housing crisis has reached a critical point, with homelessness rates among over-55s on the rise. The current housing system is failing to provide affordable options, leading to a growing number of people relying on friends and family for a roof. The issue is not just about the number of homes being built, but also about the type of housing being constructed. Currently, four-bedroom detached houses on car-dependent estates are being prioritized, which do little to address the needs of those facing rising rents and insecure tenancies. To address this crisis, there is a pressing need for genuinely affordable social housing within existing towns and cities. This means building accessible, energy-efficient homes close to shops, healthcare, green spaces, and public transport. Local authorities and housing organizations have long argued for urban densification, but planning policy still favors sprawl. The financial implications of inaction are stark. By 2029-30, local councils across England are projected to spend almost £4bn annually on temporary accommodation for those experiencing homelessness. Meanwhile, the building of new social housing, a key solution to the issue, is at historic lows. The government's intention to invest in affordable housing is welcome, but it will only deliver 300,000 new homes over a 10-year period, while there are currently 1.34m households on local authority waiting lists. To address this crisis, local councils, central government, and civil society must come together to devise an exit strategy that transforms the skyrocketing temporary accommodation bill into long-term investment in permanent social housing stock.