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The Rise of 'AI Face' Plastic surgeons are increasingly concerned about the rise of “AI face”, as more and more clients arrive in their offices with unrealistic AI-generated visions of what they want to look like. The Unrealistic Expectations Clients are coming to surgeons with photos of themselves beautified by AI and a false expectation that those results are achievable with surgery. Dr. Nora Nugent, a cosmetic surgeon from Tunbridge Wells, has seen this first hand and says many colleagues are having similar experiences. The Impact of AI on Beauty Standards AI-generated images are creating unattainable beauty standards, with clients demanding flawless skin, sharply sculpted cheekbones, refined noses, and near-perfect symmetry. Surgeons warn that these standards are too time-consuming, prohibitively expensive, and in many cases, physically unattainable. The Risks of Cosmetic Procedures Surgeons emphasize that cosmetic surgery outcomes are far from guaranteed, and that patients must understand the risks and limitations of procedures. Dr. Alex Karidis, a surgeon based in west London, notes that AI can control every single pixel, but surgery does not work on that microscopic level. The Future of Cosmetic Surgery As AI technology continues to advance, plastic surgeons are bracing for an increase in clients with unrealistic expectations. Dr. Nugent predicts that the trend will only continue, given the rate AI has been incorporated into every aspect of life.

Executive Summary: Miliband’s Call for a Broad‑Based EU DebateOn BBC Radio 4’s Today programme, David Miliband – former foreign secretary and president of the International Rescue Committee – argued that the United Kingdom must achieve a “national consensus” before pursuing any formal re‑entry into the European Union.Milestone Remarks on the Government’s Single‑Market PitchMiliband responded to recent revelations that the UK government has been pitching a single market for goods with the EU as part of a broader trade‑reintegration strategy. He described the current “reset” as insufficient, calling for a “much higher dosage” of engagement.Financial Snapshot: £9bn Reset vs. £3tn Economy£9bn – projected value of the government’s trade‑reset by 2040.£3tn – approximate size of the UK economy.Gap highlighted: the reset represents only about 0.3% of GDP, underscoring Miliband’s criticism of its scale.Strategic Implications for Britain and EuropeThe former minister stressed that security and prosperity hinge on an “institutionalised, deep and strong relationship” with Europe. He noted that the EU’s focus is shifting toward Ukraine’s potential membership, which could reshape the bloc’s dynamics and affect any future UK accession talks.He also warned that the pre‑2016 UK‑EU deal is no longer attainable, implying that any new agreement would need to reflect contemporary geopolitical realities.Looking Ahead: Pathways to Consensus and Possible Policy ShiftsMiliband suggested that the UK must engage in a nationwide debate on wealth creation, generational investment, and the role of government. He hinted that a shift in public opinion could eventually pressure policymakers to negotiate a more ambitious EU relationship, though no specific timeline was offered.

In a dramatic cabinet reshuffle on 23 May 2026, Senegal’s President Bassirou Diomaye Faye dismissed Prime Minister Mamadou Bamba Sonko, citing an irreconcilable rift that threatened governmental stability.President Faye Dismisses Prime Minister Sonko Amid Growing Political RiftThe termination follows weeks of public disagreements over fiscal policy, security reforms, and the handling of upcoming parliamentary elections. Sources close to the presidency said the split was rooted in Sonko’s push for a more aggressive anti‑corruption agenda that clashed with factions loyal to the president’s inner circle.Numbers Behind the Power Shift: Parliamentary Seats and Approval RatingsSenegal’s National Assembly: 165 seats total; the ruling coalition currently holds 84 seats, just above the majority threshold.President Faye’s approval rating (June 2025 poll): 58%, a decline from 68% in early 2024.Sonko’s personal popularity: 45% approval, with stronger support in coastal regions.Implications for Senegal’s Governance and Regional StabilityThe dismissal could trigger a realignment of parliamentary alliances, potentially forcing the president to negotiate with opposition parties to secure a stable majority. Analysts warn that prolonged uncertainty may affect foreign investment, especially in the burgeoning renewable‑energy sector, and could embolden extremist groups operating in the Sahel.What Comes Next: Potential Scenarios for Senegal’s Political LandscapeAppointment of a technocratic PM to placate both reformists and traditionalists, aiming to restore confidence before the December elections.Early parliamentary elections called by the president to re‑establish a clear mandate, though this risks voter fatigue.Coalition renegotiation with opposition leaders, possibly leading to a broader, more centrist government.

The Literary Highlights of MayAs spring blossoms into full bloom, May brings with it a literary feast for readers. Three highly anticipated paperbacks from celebrated authors Ocean Vuong, RF Kuang, and Nick Clegg are hitting shelves, offering diverse perspectives and compelling narratives that are sure to dominate reading lists this month.New Releases from Acclaimed VoicesOcean Vuong, known for his poetic prose and poignant storytelling, returns with a new collection that explores themes of identity and belonging. RF Kuang, the bestselling author of 'Babel,' presents a new work that continues her examination of power and language. Meanwhile, former Deputy Prime Minister Nick Clegg offers political memoirs that provide insight into contemporary governance and decision-making.Why These Books Matter NowIn an increasingly polarized world, these three authors offer distinct yet complementary perspectives that address our current cultural moment. Vuong's lyrical approach to personal narrative provides emotional resonance, Kuang's speculative fiction offers critical commentary on institutional power, and Clegg's insider perspective on politics sheds light on the mechanics of governance. Together, they represent the breadth and depth of contemporary literature that speaks to our times.The Future of These Literary VoicesWith these new releases, all three authors solidify their positions as significant voices in their respective fields. Vuong's work continues to establish him as a leading literary voice exploring themes of immigration and identity. Kuang's growing body of work positions her as a key figure in speculative fiction that engages with real-world issues. Clegg's memoir adds to the growing genre of political literature that seeks to bridge the gap between policy and public understanding.

The Winning ‘People’s Tree’ Project Secures National Trust CommissionHelix Arts and George King Architects were announced as the winners of a public‑vote‑driven National Trust commission on Saturday. Their proposal, titled ‘The People’s Tree’, will repurpose preserved wood from the felled Sycamore Gap tree into a multi‑layered “living archive”.Project Blueprint: Living Archive from the Felled Sycamore Gap TreeThe initiative combines participatory storytelling, sound recordings and sculptural elements. Visitors and online contributors from Northumberland and across the UK will submit reflections on their relationship with trees, which will be stored in a national sound archive. Sections of the wood will become “seed pods” for digital recordings, a soundscape derived from growth‑ring data, and co‑created artworks for exhibitions and workshops.Numbers Behind the Initiative49 “trees of hope” saplings will be planted across the UK as part of the wider legacy programme.Public engagement is set to begin summer 2026 with completion targeted for autumn 2027.The commission was chosen from a shortlist of six proposals, receiving the highest combined public and judges’ score.The original tree was illegally felled in July 2025, prompting nationwide grief.Broader Cultural and Environmental ImpactThe project moves beyond a static memorial, fostering a dialogue between communities and nature. By embedding recordings in the wood and creating interactive installations along the full stretch of Hadrian’s Wall, it aims to increase access to nature for diverse groups, especially those historically underserved. The National Trust notes that shoots are already sprouting from the original stump for the third consecutive year, underscoring the site’s regenerative potential.Looking Ahead: Community Engagement and Legacy Through 2027 and BeyondBeyond the physical installations, a dedicated website will enable international participation, and a combined sound sculpture and time capsule near the original site will preserve the archive for future visitors. Annie Reilly, public engagement director at the National Trust, highlighted that the proposal “puts a real conversation between people and the tree at its heart”. The project is expected to shape how heritage sites respond to loss, emphasizing resilience, reflection and collective storytelling.

The Lead: A New Kind of Celebrity Hot SeatThe Assembly brings together a 28‑strong panel of autistic, neurodivergent and learning‑disabled interviewers to grill high‑profile guests for up to three hours. The result is a mix of raw emotion, humour and unexpected intimacy that has quickly become ITV's most talked‑about chatshow. How "The Assembly" Merges Neurodiversity with Celebrity InterviewsThe format, adapted from France’s Les Rencontres du Papotin, opens each episode with a clear rule‑set: no question is off‑limits and every guest must answer honestly. Rylan Clark’s first appearance set the tone with blunt queries like “Are they your real teeth?” and “Did you ever consider having a real suntan?”. Subsequent guests—including Danny Dyer, David Tennant, Jade Thirlwall and Stephen Fry—have faced probing topics ranging from personal trauma to sexual preferences, often leaving them laughing, crying or both. Viewership, Awards and International Roll‑outHalf‑million YouTube views for Danny Dyer’s debut episode, the series’ most‑watched clip.Series nominated for a Bafta and winner of an RTS award.Commissioned in 20 countries across Europe, North America and Australasia.Three‑hour recording windows give guests space for genuine connection, a stark contrast to the typical 10‑minute segment on traditional chatshows. Why the Show Is Shaking Up the Talk‑Show LandscapeBy handing editorial control to neurodivergent interviewers, the programme challenges the “sound‑bite” culture of mainstream TV. Viewers report increased awareness of autism and learning disabilities, while celebrities appreciate the chance to be seen beyond PR‑driven narratives. The blend of entertainment and representation has created a “cult following” that even attracted selfies from Bafta‑winning stars. What’s Next for "The Assembly" and the Wider TV IndustrySeason 2 has already featured Stephen Fry, whose outrageous questions sparked viral moments. Producers hint at future political guests such as Keir Starmer and Tony Blair, and a possible spin‑off with former Scottish First Minister Nicola Sturgeon. If the current trajectory holds, the format could inspire a new wave of inclusive programming, prompting rival broadcasters to experiment with longer‑form, unscripted interviews that prioritize authenticity over commercial sell‑through.

The Director’s Missed Moment: Hairy Armpits Cut from the Final EditAt the Hay Festival in Wales, Emerald Fennell explained that a scene featuring Margot Robbie's character Cathy with "extremely hairy armpits" did not survive the final cut of her 2026 adaptation of Wuthering Heights. She called the loss "unfortunate" because period pieces often sanitize female bodies.Why the Scene Was Intended and What Was LostFennell described the unshaven underarms as "so important" to her vision of a realistic 19th‑century woman.The director questioned the historical plausibility of razor‑free armpits in other period adaptations, especially those of Jane Austen.She also referenced other unconventional set details, such as the "skin room" and a controversial "fish scene" involving a dead fish.Contextual Numbers: Release Timing and Audience ReachThe film premiered on Valentine’s Day 2026, positioning it as a romantic‑gothic offering.Starring Margot Robbie and Jacob Elordi, the movie attracted attention from both literary fans and mainstream audiences.Industry Impact: Shifting Standards for Body Authenticity in Period DramaFennell’s regret underscores a broader debate about how period films portray women’s bodies. Traditional productions often present hairless, polished figures, reinforcing a modern aesthetic rather than historical accuracy. By pushing for visible body hair, Fennell challenges the industry norm and invites future creators to reconsider the balance between visual appeal and authenticity.Looking Ahead: The Future of Unvarnished Period StorytellingIf directors continue to prioritize realism, we may see more productions that retain natural body features, prompting audiences to adjust expectations. Fennell’s upcoming, undisclosed project—described as "profoundly evil"—suggests she will keep testing the boundaries of comfort and authenticity, potentially influencing a new wave of bold, unfiltered period narratives.

Lead: From On‑Screen Heroine to Real‑World SurvivorIn a candid Guardian interview, Hannah Murray reflects on the paradox of feeling liberated after quitting acting, only to be drawn into a high‑priced wellness cult that jeopardised her mental health. The experience culminated in a psychotic break, a brief hospitalisation, and a subsequent bipolar diagnosis.The cult’s promise and Murray’s descent into its underbellyAt 27, Murray joined an organisation that marketed “wisdom and specialness” for a fee running into thousands of pounds. The group’s charismatic leader, identifiable by a symbolic necklace and a giant Starbucks cup, offered a quick fix for the emptiness Murray felt after years of fame‑driven validation.Initial attraction: desire for lasting “specialness” beyond acting roles.Practices: meditation, gratitude diaries, and “spiritual” workshops.Cost: substantial financial outlay combined with escalating mental strain.The hidden price tag and mental‑health falloutThe cult’s financial demands were matched by a severe psychological toll. Murray experienced a catastrophic psychotic episode, leading to a brief stay in an acute mental‑health unit where she was diagnosed with bipolar disorder.Impact: What Murray’s story reveals about the wellness industry’s lure for young creativesHer narrative underscores a broader vulnerability: young, high‑profile individuals often seek quick‑fix solutions to the pressures of fame, making them prime targets for exploitative “wellness” enterprises. Murray notes a lack of critical scrutiny surrounding the industry’s promises, which are frequently presented as universally benign.Future outlook: Growing calls for accountability and mental‑health advocacyAs more public figures share similar experiences, the wellness sector may face increased regulatory attention and a push for transparent, evidence‑based practices. Murray’s memoir adds momentum to a cultural conversation about protecting vulnerable talent from predatory self‑help movements.

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.