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Plot Overview The story centers on Mack O’Brien, a young man expelled from a seminary and forced to confront a stagnant life in Port Talbot, Wales. He takes a job as a security guard at the local steelworks and is drawn into Owen Sheers's immersive community production, the Passion of Port Talbot, famously starring Michael Sheen. On the night of his debut, Mack encounters Siwan, a former schoolmate whose mother was an imprisoned environmental activist. Siwan plans to bomb the idle steel plant during a strike, using Mack’s access to place the device. Seminary exit and return to family home Participation in the Passion play as a disciple Reconnection with Siwan and her radical plan Bomb plot coinciding with a labour strike Final confrontation that frames the novel as a modern Via Dolorosa Thematic Analysis Doyle uses the narrative to explore several interlocking themes: Religious doubt: Mack’s failed priesthood highlights the tension between institutional faith and personal belief. Loneliness and alienation: The protagonist’s limited emotional connections underscore a broader sense of existential isolation. Nihilism: The decision to aid a bomb‑making plot reflects a belief that destruction offers the only escape from a dead‑end future. Community and performance: The Passion play serves as a metaphor for collective suffering and redemption, juxtaposed with individual despair. Environmental activism: Siwan’s lineage ties personal rebellion to broader ecological protest movements. Critical Reception The Guardian’s review notes that the novel is "rich and involving and emotionally charged," though it observes that some narrative strands—such as the strike and the play—fade into the background, becoming almost a McGuffin. The reviewer praises the final focus on Mack’s internal void, describing the ending as a "devastating via dolorosa." Published by Atlantic at £17.99, Communion offers a stark, regionally grounded meditation on sin, solace, and the limits of personal agency.

10 pm – ITV1: The Murder Line introduces viewers to a gritty Canadian thriller where Minnie Driver plays a formidable crime‑family matriarch. Detective Henry Roland (Stephen Amell) uncovers a link between his childhood friend and a drug ring, thrusting him into Driver’s dangerous world amid a double‑murder plot. 7 pm – Channel 4: Secret Africa: Into the Wild follows explorer Lucy Shepherd on a six‑week trek across Tanzania. She joins nomadic tribesmen, helps build shelters and even harvests honey from a hive, offering an intimate look at the region’s landscapes and cultures. 7 pm – Channel 5: Queen Elizabeth II: The Unseen Photos reveals never‑before‑published images that show the monarch in candid, relaxed moments. Historians and biographers, including Andrew Morton, discuss how these pictures contrast with the public persona of the world’s most photographed woman. 7.50 pm – BBC Two: Inside Britain’s National Parks continues its series with an episode on Dartmoor’s uplands, featuring high‑definition footage of leaping salmon, carnivorous sundew plants, and traditional sheep‑dog training. 8 pm – Channel 4: World’s Most Secret Hotels returns with sweeping drone visuals of ultra‑luxury lodges, including a remote retreat on the world’s largest salt flats and Norwegian mountain cabins delivered by helicopter. 8.30 pm – BBC Two: Black British Music at the BBC: Volume 1 offers a two‑and‑a‑half‑hour archive showcase curated by Trevor Nelson, celebrating artists from Winifred Atwell to Olivia Dean and highlighting the legacy of Soul II Soul, Neneh Cherry, Sade and So Solid Crew. Sport coverage includes the opening day of the Snooker World Championship at the Crucible Theatre (10 am, BBC Two), Premier League fixtures (Brentford v Fulham at 11 am on TNT Sports 1, Chelsea v Man Utd at 7 pm, Tottenham v Brighton at 5 pm on Sky Sports), the Scottish Grand National from Ayr (12.45 pm, ITV1), Women’s Six Nations (Scotland v England at 1 pm, BBC Two), Premiership Rugby (Exeter v Northampton at 2.30 pm, TNT Sports 2) and the Women’s International Football World Cup qualifier (Iceland v England at 4.45 pm, ITV4).

Gina Rinehart, Australia's richest person, has been dealt a significant blow with a court ruling that her company, Hancock Prospecting, must pay hundreds of millions of dollars in royalties to a rival mining family, Wright Prospecting.The Western Australian supreme court decision, which came on Wednesday, found that Wright Prospecting was entitled to a half share of royalties from the Hope Downs iron ore project, a joint venture between Rio Tinto and Hancock Prospecting.Hope Downs is a major mining project that exports around 45 million tonnes of iron ore annually from Australia's north-west. The court's ruling is a significant setback for Rinehart, who has been embroiled in a long-standing dispute with the Wright family over mining assets and royalties.The case, which began in 2010, has been a complex and lengthy battle, with multiple parties involved and over 4,000 documents submitted during the trial. The judge's findings, which ran to over 1,650 pages, noted that the dispute required a 'lengthy, diverse, and detailed reconstruction of events' dating back to the 1960s.Rinehart's company, Hancock Prospecting, has estimated that the historical payments to Wright Prospecting could be around $14 million per year, while the Wright camp estimates the amount could near $1 billion. The amount Hancock Prospecting and Rio Tinto are liable to pay will be the subject of a future hearing.The decision has been claimed as a partial victory by all parties involved, with Wright Prospecting welcoming the ruling and Hancock Prospecting declaring victory on the issue of ownership rights over the valuable assets.The 16-year court case may still have many years yet to play out, with neither side ruling out appealing against the verdict.

Heart Wall opens to the sound of a bustling karaoke session, with audience members belting out Friday‑night pub anthems before the drama even begins. The musical backdrop becomes the thread that ties together a family still haunted by a tragedy from more than twenty years ago.The story follows Franky (Rowan Robinson), who returns to her north‑west hometown after building a life in London with a boyfriend and a new job. Her parents, Dez (Deka Walmsley) and Linda (Sophie Stanton), remain trapped in their own grief – Dez appears overwhelmed by guilt, while Linda searches for happiness elsewhere. The play centres on this unprocessed grief, but also hints at a mystery surrounding Franky’s sister and the strained marriage of her parents, threads that never fully resolve.Under director Katie Greenall, the production delivers moments of genuine emotional revelation, yet the pacing feels uneven. Scenes of intensity erupt abruptly, then dissolve just as quickly, leaving the narrative feeling rushed despite its dense storytelling. Supporting characters such as Charlene (Olivia Forrest) and the pub manager Valentine (Aaron Anthony) remain under‑developed, serving more as generic placeholders than fully realised figures.Visually, the play benefits from Hazel Low’s meticulous set design, which recreates a cosy, authentic pub that grounds the audience. The karaoke framing injects warmth and musical energy, offering a lively contrast to the heavy themes.Ultimately, Heart Wall attempts to tackle a big, aching emotional core within a tight, interval‑free two‑hour run, but it bites off more than it can chew. With additional runtime – perhaps more karaoke interludes – the drama could better honour the depth of its subject matter.For those interested, the play runs at the Bush Theatre, London until 16 May.

According to an Al Jazeera report dated April 17, 2026, a displaced family in Lebanon successfully reunited with their grandfather in the historic port city of Tyre. The reunion underscores the human dimension of the broader displacement crisis affecting many communities across the country. While details of the family's journey remain limited, the event serves as a poignant reminder of the importance of family ties and community support amid ongoing humanitarian challenges.

Juba, South Sudan – Growing up, Khloe Nyanda was taught to stay small and avoid taking up space. Defying that lesson, the 21‑year‑old law student at the University of Juba pursued modeling after being inspired by South Sudanese supermodel Adut Akech, whose refugee‑to‑runway story she describes as a "crown".Nyanda’s ambition mirrors that of a new generation of South Sudanese talent, with 95% of models from the country naming Akech as their spark. She began modeling in 2023, but her family remained skeptical, fearing the clash between academic responsibilities and a fashion career.Her personal journey has been marked by familial estrangement after she rejected an arranged marriage and a modelling coach’s advances, leading to loss of support from her stepbrother and other relatives.Beyond social pressures, Nyanda faces systemic obstacles. Since 2023 she has endured multiple visa rejections despite contracts with agencies in London, Paris, and Italy. An attempt to attend Milan Fashion Week was denied by the Italian embassy in Nairobi over bank‑statement issues, while two separate applications to the French embassy in Kampala were also turned down. The absence of South Sudanese embassies in France and Italy forces hopeful models to obtain travel documents from neighboring countries, inflating costs and delays.Another emerging model, 20‑year‑old Alek Mayen Garang, balances her senior‑year studies with runway aspirations. Born in Greater Jonglei and raised in Renk, she spent part of her childhood in Kampala before returning to South Sudan amid the 2016 conflict. Garang draws inspiration from Anok Yai, the American‑South Sudanese model named Model of the Year at the 2025 British Fashion Awards.Unlike Nyanda, Garang found an ally in her elder sister, who accompanied her to her first runway show and helped negotiate parental approval. Her early challenges were technical—learning to walk in heels, maintaining strict diet and skincare regimens—and the lingering fear of rejection at auditions.Both women are part of a broader South Sudanese surge in global fashion. Nine of the world’s top 50 models on models.com hail from South Sudan, underscoring the country’s deep talent pool. Former models have transitioned to design and entrepreneurship, founding South Sudan Fashion Week and creating bespoke wedding gowns.Industry veterans now coach new talent, urging them to prioritize education alongside modeling. Yet a new anxiety looms: the potential rise of AI‑generated Black models, which could further destabilize already precarious careers.Within South Sudan, the Ministry of Culture, Museums and National Heritage has been criticized for its limited engagement with the modeling sector. Advocates argue that official endorsement could shift parental attitudes and legitimize modeling as a respectable profession.Garang recently won the “creativity” award at the national Miss Junub beauty pageant, expanding her vision from personal success to mentoring emerging designers and models. Nyanda, meanwhile, envisions a future beyond the runway: she plans to invest her earnings in establishing a credible mother agency, as well as a school and hospital for orphans, aiming to reinvest in her homeland.“South Sudan is not a place I am running from; it is the place I am running for,” Nyanda declares, embodying a resolve to reshape societal expectations and create pathways for the next generation of South Sudanese talent.

Pope Leo XIV delivered a powerful homily to an estimated 120,000 worshippers at the Japorma stadium in Douala, Cameroon’s largest economic centre. Speaking in both English and French, the pontiff urged the city’s young people to turn away from violence and corruption, emphasizing that true wealth lies in values such as faith, family, hospitality and diligent work.Security measures were stringent for the Friday Mass, and many attendees camped overnight despite harsh conditions, determined to witness the historic event. One pilgrim, Kevin Kaegam, told Reuters that the cold and mosquitoes were a small price to pay for the chance to see the “supreme pontiff”.Following the Mass, the Pope was scheduled to visit a local Catholic hospital and later travel to Yaoundé to meet students at the Catholic University of Central Africa. This stop follows a previous visit to Bamenda, a city at the heart of Cameroon’s nearly decade‑long English‑speaking separatist insurgency, where he also called for peace and condemned the exploitation of religion for political gain.Cameroon, with roughly 30 % of its population identifying as Catholic, is grappling with multiple crises, including the Anglophone conflict and lingering unrest from last year’s post‑election protests. The bishop of Obala, Leopold Bayemi Matjei, described the papal visit as a moment of great joy and a hopeful sign of divine blessing for the nation.In a more forceful tone than usual, Pope Leo criticized “neocolonial” powers for violating international law and warned that the whims of the rich and powerful threaten global peace. His comments on the war in Iran drew ire from U.S. President Donald Trump, who labelled the pontiff “weak” and “terrible for foreign policy”. Leo responded that he harbors “no fear of the Trump administration”.The Douala gathering marks the second stop of a four‑country African tour that began in Algeria and will also include Angola and Equatorial Guinea, underscoring the Pope’s broader mission to address social and political challenges across the continent.

In the midst of escalating tensions, a heart-wrenching story emerges from Gaza. Inaam al-Dahdouh, a 62-year-old mother, sits in her makeshift tent with her six grandchildren, clinging to a photograph of her three sons, who have been detained by Israeli forces for two years. As Palestinian Prisoners' Day is marked on April 17, Inaam's anguish deepens. Her sons, Mahmoud, Alaa, and Diaa, were arrested during an Israeli attack on al-Shifa Hospital in December 2023. They were bound, blindfolded, and taken away, leaving behind a family torn apart. The situation worsens with the recent approval of an Israeli law allowing the execution of Palestinian prisoners convicted of killing Israelis. This move has sparked international condemnation and fears among families like Inaam's. Over 9,600 Palestinians are currently imprisoned, a nearly 83% increase since the war began, with 350 children and over 3,530 administrative detainees held without charge. Inaam's sons are civilians; Mahmoud is a father of six, Alaa had completed his law degree, and Diaa was about to start life after high school. Despite reassurances that the new law targets specific categories of prisoners, Inaam cannot shake off the fear that her sons might be affected. “They can endure hunger … we tell ourselves they can endure it. But execution? Not to that extent,” Inaam says, fighting back her emotions. She urges a global stance to pressure Israel to reverse its decisions against prisoners, emphasizing that a prisoner has the right to live and dignity. Inaam tries to fill the void by caring for her grandchildren and teaching them the Quran, a gift for her imprisoned sons. Her story highlights the human cost of the ongoing conflict and the desperate need for a resolution to protect the rights and lives of Palestinian prisoners.

Amid a wave of Israeli air strikes that have killed hundreds and displaced roughly 20 % of Lebanon’s population from the south, Lebanese banker Antoun Sehnaoui attracted fierce criticism after being publicly praised for his pro‑Israel activities. Sehnaoui, who chairs Societe Generale de Banque au Liban (SGBL), attended an event at the United States Holocaust Memorial Museum – a venue he has financially supported. The commendation came from Morgan Ortagus, the U.S. Middle‑East envoy who, according to reports, is also Sehnaoui’s romantic partner. Ortagus framed support for Israel as a matter of "moral clarity", even when it entails personal risk. She highlighted Sehnaoui’s funding of a U.S.–Israeli opera project, noting that such transactions are technically illegal in Lebanon under the country’s ban on dealings with Israeli entities. Describing the banker’s lineage, Ortagus said he hails from generations of "committed Lebanese Christian Zionists" and that his family has been "trained to support the State of Israel and the Jewish people." She also referenced his father, Nabil Sehnaoui, a principal backer of the Lebanese Forces militia, which allied with Israel during the 1982 invasion and was implicated in the Sabra‑Shatila massacres. The timing of the endorsement proved especially contentious. Since mid‑March, Israel has been accused of employing a “quadruple‑tap” bombing technique designed to maximise civilian casualties, and more than a million southerners have fled their homes, deepening sectarian tensions. Lebanese social‑media users reacted with outrage, calling for Sehnaoui’s imprisonment, accusing him of betraying his nation, and even alleging he had converted to Judaism. One commentator, academic Makram Rabah, argued that while a museum visit should not be controversial, the overt support for Israel amid a fragile ceasefire is. Ortagus’s own record – marked by staunch opposition to Hezbollah and open advocacy for Israel since her appointment in April 2025 – has already drawn scrutiny over her suitability as a neutral broker in the region. Beyond the political backlash, Sehnaoui faces serious legal challenges. Lebanese prosecutors have filed money‑laundering charges against him and SGBL, alleging illicit currency‑trading activities that exacerbated the country’s financial crisis that began in 2019. The bank denies any wrongdoing. In the United States, a 2020 civil lawsuit filed by families of Hezbollah‑linked attack victims accuses SGBL of providing material support to the militant group – a claim the bank also rejects. Lebanese MP Paula Yacoubian warned that Sehnaoui’s recent maneuvers appear designed to secure personal immunity in exchange for facilitating Israel‑Lebanon normalisation, rather than delivering tangible benefits such as the safe return of displaced residents. While the controversy rages, a tenuous ceasefire has allowed tens of thousands of residents to return to the devastated south, many seeking the remains of loved ones or assessing the damage to their homes.