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The Art of Provocation T Venkanna's paintings are like a sucker-punch. His first institutional solo show at London's Studio Voltaire features an overbearing altarpiece, modified by two squat side panels, depicting an orgasmic thicket of desire. The artwork is a commentary on the disparity between puritanical religious doctrine and licentious reality. The Intersection of Myth and Reality Venkanna's work is a way to consider many things, including the myth of religions. He draws inspiration from ancient Indian temples, where people touch the breasts of sculptures, making them smooth and shiny over time. His paintings are not about shocking, but about showing things around us. The Impact of Upbringing Venkanna's childhood in a small town in south-central India, where his father was a Hindu priest, had a significant impact on his work. He grew up in a one-room home with five other family members, and village people would come to ask about rituals and expectations of appropriate behavior. However, Venkanna discovered that these rules had a convenient degree of flexibility. The Evolution of Style Venkanna's artistic journey began with painting and drawing naked figures at home. He was sent to train as a drawing teacher and later enrolled in a fine art college, where he learned printmaking, miniature painting, and how to make and work with tempera. His early work was met with criticism, but he has since gained recognition, including a gold medal and support from teachers who donated their spare materials. The Future of Art Venkanna's work continues to push boundaries, exploring themes of intimacy, isolation, consent, and violation. His paintings are a counterpoint to gender inequality and prejudice, foregrounding women's experiences and depicting them as satiating their sexual appetite. As Venkanna says, 'I don't want to shock. What I'm showing are things around us.' T Venkanna: Sculpture Garden is at Studio Voltaire, London, until 23 August

Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.

The Filmmaker's Foray into Documentary Lucrecia Martel, the celebrated director of films like La Ciénaga and The Headless Woman, has expanded her creative horizons with Landmarks, a documentary that scrutinizes a murder trial with far-reaching implications. The film navigates the intricate dynamics between Indigenous communities and the descendants of colonists, set against the backdrop of Argentina's Tucumán province. The Case at the Heart of the Story The documentary centers on the tragic killing of Javier Chocobar, a 68-year-old member of the Indigenous Chuchagasta people. Chocobar was fatally shot during a confrontation with men claiming rights to mine the land. Martel weaves the grainy, shaky footage of the incident into her narrative, juxtaposing it with breathtaking drone shots that capture the vast, poetic landscapes. Exploring Themes of Land and Legacy Martel's concerns extend beyond aesthetics; she places people at the core of her story. Through interviews and personal stories, the film sheds light on Chocobar's life, his family, and the struggles of the Chuchagasta community. A particularly chilling aspect of the documentary reveals how the state and local landowners have attempted to erase the Chuchagasta people, claiming they became extinct in the 19th century. A Quiet yet Powerful Testimony Martel allows the subjects of her film to present their case with quiet dignity, steering clear of strident rhetoric. The documentary is described as beautiful yet occasionally soporific, with a stately pace that allows for deep reflection on the issues presented. What's Next for Landmarks Landmarks is set to screen at Bertha DocHouse in London starting from May 29. This documentary promises to be a significant cultural and cinematic event, offering viewers a chance to engage with pressing social issues through Martel's unique lens.

The Unlikely World of Greenland Football In a world where football often conjures images of packed stadiums and international superstars, 'No Place for Football' offers a refreshing look at the sport's fringes. The documentary focuses on Greenland's eight-team championship playoff, bringing to light the struggles of the country's football enthusiasts. The Challenges of Playing Football in Greenland The film highlights the difficulties faced by Greenland's footballers, from battling ice and snow to dealing with travel issues that make it hard to arrange matches against teams from outside the island. The team captain, Patrick Frederiksen, is shown hunting for seals, while giant icebergs float near the football pitch. The short playing season, due to the country's harsh climate, is a significant obstacle. The Data Behind Greenland's Football Struggles Greenland has only a few short summer weeks where the weather thaws enough for outdoor matches. Travel issues make it almost impossible to arrange games against teams other than local sides. The country's national side has been turned down by Fifa's North and Central Americas organisation Concacaf. The Impact on Greenland's Football Community Despite the challenges, there seems to be plenty of enthusiasm for football in Greenland. However, the country's footballing powers-that-be appear reluctant to give official sanction to the national side. The documentary offers an interesting insight into the fringes of the global game, showcasing the determination and passion of Greenland's footballers. The Future of Greenland Football As climate change continues to affect Greenland, it's possible that warmer weather could increase the country's chances of developing its football scene. For now, 'No Place for Football' provides a unique perspective on the sport's grassroots level, highlighting the struggles and triumphs of Greenland's football community. The film is available on digital platforms from May 29.

The Enduring Appeal of Sherlock Holmes In 1893, Sherlock Holmes' older brother, Mycroft, was introduced in The Adventure of the Greek Interpreter by Arthur Conan Doyle. Over a century later, Sherlock Holmes has achieved near-ubiquity, spawning numerous adaptations that stretch his life in various directions. The Recent Surge in Remakes This year alone has seen the release of Prime Video's Young Sherlock and an Enola Holmes threequel. Work has begun on a second series of Sherlock & Daughter, starring David Thewlis, and there are rumors of Robert Downey Jr reprising his role for a third big-screen adventure. The Data Analysis More than 100 years of Sherlock Holmes adaptations have shown no signs of slowing down. Recent adaptations include Sherlock Holmes films by Guy Ritchie, Benedict Cumberbatch's modern-day Sherlock, and Ian McKellen's Mr Holmes. The Impact Analysis The article questions whether the world has reached a Sherlock saturation point, given the numerous adaptations. However, Steven Moffat believes there's always been adaptations of Sherlock Holmes and no loss of appetite for them. The Prediction Despite concerns about saturation, the iconic detective's enduring appeal and the rich characters created by Conan Doyle ensure that Sherlock Holmes will continue to inspire original work. The Sherlock Holmes Society of London welcomes reinterpretations that respect the original texts, suggesting that Sherlock will remain a beloved character for years to come.

The LeadIndia's Zee Entertainment is in talks with FIFA to stream and broadcast the 2026 World Cup in the country, the company announced in a statement. The announcement comes as talks between a Reliance-Disney joint venture and the football body are at a deadlock, just weeks before the tournament kicks off on June 11.The Broadcast Rights BattleFIFA has concluded agreements with broadcasters in more than 180 territories globally, but India remains without a confirmed broadcaster. Zee Entertainment disclosed its talks with FIFA as part of its launch of Unite8 Sports, a dedicated portfolio of sports channels to strengthen its sports offerings to consumers. Sony also held talks but decided not to make an offer for FIFA rights for India.The Market ValueFIFA, which had initially sought $100m for broadcast rights for the 2026 and 2030 World Cups in India, was last looking for no less than about $60m, according to Reuters. The expected amount still far exceeds the $20m offered by Reliance-Disney, led by billionaire Mukesh Ambani's Reliance. This significant valuation gap has contributed to the current deadlock in negotiations.The Indian Football AudienceIndia accounted for 2.9 percent of the global linear TV reach of the Qatar World Cup in 2022, trailing only China in overall engagement figures. The country had more than 745 million fans following the action across all media platforms, according to figures released by FIFA. In television viewing numbers, India was among the top 10 countries – ahead of World Cup participants Germany, France and England – with nearly 84 million viewers.The Future OutlookWith the World Cup just weeks away, Zee Entertainment's potential entry as a broadcast partner could reshape the sports media landscape in India. The company's Unite8 Sports initiative signals a strategic push into sports content, capitalizing on India's massive football audience. If successful, this deal could establish a new benchmark for sports broadcasting rights in the Indian market and potentially influence future negotiations for other major sporting events.

The Upset at Roland Garros Jannik Sinner, the No 1 men’s tennis player in the world, was still leading by two sets and serving for a place in the third round of the French Open when it became clear he was in significant danger on the baking clay in Paris on Thursday afternoon. He was undone in the second round of the only Grand Slam he has yet to win, not by the ingenuity of his opponent or even the immense pressure that comes with being the prohibitive favourite, but rather by his own body. The Impact of Extreme Heat The Italian – who had not lost a match since February – said afterward that he had been struggling with an illness. Despite waving away suggestions he had wilted in the high temperatures, the unprecedented heat wave in the first week of the French Open this year could not have helped his cause. He fell 3-6, 2-6, 7-5, 6-1, 6-1 to Juan Manuel Cerúndolo before a stunned, packed audience on Court Philippe-Chatrier. Player Reactions to the Heat His defeat represents one of the most shocking results in recent years. The 24-year-old had entered the court on a 30-match winning streak and earlier this month he became the only man other than Rafael Nadal, the greatest clay court player in history, to win all three clay court ATP Masters 1000 titles in the buildup to the French Open. Most players are used to disruptive weather at Roland Garros coming in the form of rain delays and damp courts, but this year in Paris the heat has changed the state of play and divided the locker room over its intensity. The Tournament's Heat Rules The temperature has consistently ranged between 32 and 35C most afternoons so far. Such conditions are so rare in the second Grand Slam of the year that there was significant confusion about the tournament’s heat rules at the start of the week. When asked about them on Wednesday, Novak Djokovic incorrectly thought that they did not exist: “I really don’t understand why they don’t have the heat rule,” he said. “I actually didn’t know. I thought that there is in every slam, but then someone told me that Roland Garros has no heat rule.” Adapting to the Conditions The actual rules are based around the tournament organisers using wet bulb sensors to monitor the temperature, and a match could be suspended when it crosses 32.2C. To date, however, no match has ever been suspended at Roland Garros due to the heat. The scorching temperatures also make a significant difference to the way matches are played on clay. Wet, damp and colder conditions make balls heavier, leading to longer rallies and a lower bounce, the hot weather hardens the court and allow the ball to fly more quickly.

The Rise of AI Financial MarketsThe most important market of the future could be in LLM tokens — and financial groups are rushing to build new infrastructure for them. China's Shanghai Futures Exchange is currently designing a derivatives market for AI tokens, while major derivatives exchanges CME Group and the Intercontinental Exchange (the owner of the NYSE) have separately announced they're working on launching futures contracts for renting GPUs.Building the AI Derivatives InfrastructureGPU markets are still maturing, but given the wide range of companies using, selling, and renting GPUs, there's already a robust market for spot prices on GPU rental, typically charged by the hour. This has prompted major financial players to develop futures contracts that would allow businesses to hedge against fluctuating compute costs.Enterprise plans for major AI companies are commonly denominated in tokens: OpenAI, for example, charges $5 per million input tokens, and $30 per million output tokens if you want to use the API for its latest GPT-5.5 model. Even cloud providers are increasingly offering the opportunity to charge per token, as in Amazon's Bedrock system.The Economics of GPU and Token PricingAccording to data from AI Mining Co., which tracks daily GPU rental pricing across 28 marketplaces and cloud providers, median prices for Nvidia H100 GPUs ranged from $1.40 to $4.27 per hour across 13 marketplaces, while the average price for H200 GPUs were between $2.34 and $5 per hour across 10 marketplaces.Just over the past seven days, average H100 prices ranged from $2.79 to $3.33, showing the volatility that makes futures contracts attractive for risk management.Transforming the AI Investment LandscapeThe effort comes amid an unprecedented buildout of AI infrastructure. Cloud service providers, private equity firms, and infrastructure players alike have poured hundreds of billions into building data centers, anticipating that demand for GPUs and compute will continue to rise.An emerging crop of global neocloud companies is also vying for a piece of this demand. Some of these new entrants are specializing, focusing on inference, while others are competing with cloud giants like Oracle, AWS, and Google Cloud to offer their services to AI companies.The Future of AI Financial InstrumentsBy targeting AI tokens, the Shanghai exchange's derivative product would be tied to how AI companies price their services, giving businesses, investors, and data center operators a way to hedge against the cost of compute. As AI becomes increasingly central to business operations, these financial instruments will likely become essential components of the technology investment ecosystem.

The Shift in Eid TraditionsTraditionally, Eid al-Fitr in Lebanon is a vibrant celebration featuring family gatherings, elaborate feasts, and visits to mosques. However, the current geopolitical climate has forced a drastic pivot. Instead of traditional prayers in open spaces, many worshippers are gathering in underground shelters or makeshift prayer rooms to avoid aerial threats. The customary visits to relatives have been replaced by a focus on immediate family units, often confined to a single room due to the destruction of homes.The Human Cost of CelebrationThe economic and physical toll of the war has stripped the holiday of its festive elements. The traditional "Eid breakfast" or "Eid lunch" has been reduced to rationed meals, with many unable to afford the usual abundance. Furthermore, the displacement of millions has meant that Eid is no longer a time of return to one's roots, but a moment of uncertainty regarding where one will sleep that night. The joy of the holiday is overshadowed by the collective trauma of the population.Resilience Amidst AdversityDespite the grim circumstances, the Lebanese people continue to observe the religious significance of Eid. The spirit of the holiday has shifted from hedonism to solidarity. Communities are finding ways to maintain a sense of normalcy, often through digital connections or small, private acts of charity. The war has not erased the holiday, but it has forced a maturation of the cultural experience, prioritizing spiritual connection over material celebration.