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E-Scooter Safety Crisis in Great BritainNearly 500 people were seriously injured in collisions involving e-scooters in Great Britain last year, government statistics have shown. The Department for Transport (DfT) reported an estimated 1,484 casualties in crashes involving electric scooters, marking an increase from 1,390 in 2024.Rising Casualties in Electric Scooter IncidentsThe DfT stated: "Our best estimate, after adjusting for changes in reporting by police, is that there were 485 seriously injured and 989 slightly injured in collisions involving e-scooters. This compares to 428 and 956 respectively in 2024." The statistics also revealed that 10 people, all of whom were e-scooter riders, were killed in collisions compared with six in 2024.Statistical Overview of Road Safety TrendsProvisional figures for all types of road casualties in 2025 indicated a "broad continuation of recent trends," with both the overall number of casualties and fatalities declining over the past decade. There were an estimated 1,556 fatalities in reported road collisions in Great Britain in 2025, representing a decline of 3% compared with 2024.Last year, 29,911 people were seriously injured or killed, representing an increase of 4% compared with 2024 – with 127,870 casualties of all severities. Demographically, 77% of fatalities were male and 61% of casualties of all severities were male. Twenty-three per cent of fatalities and 28% of casualties involved people aged 17 to 29; and 24% of fatalities and 8% of casualties involved those aged 70 and over.Implications for Urban Transportation PoliciesRod Dennis, the RAC's senior policy officer, commented: "Once again, this data shows that precious little progress has been made in reducing harm caused on our roads – and firmly underlines why the government's road safety strategy is so critical. Frighteningly, on average four people still lose their lives on the roads every single day. If this number of people lost their lives on any other form of transport, serious questions would be being asked."Under current legislation, the use of private e-scooters is illegal in any public space, including roads and pavements – rental e-scooters can be used, but only as part of the government's national rental e-scooter trials.Future Regulatory Landscape for E-ScootersIn January, the Department for Transport announced a road safety strategy setting a target of reducing the number of people killed or seriously injured on British roads by 65%, and 70% for children under 16, by 2035.A government spokesperson stated: "We know the law needs updating to make sure e-scooters are safe for everyone on the road and will be consulting on e-scooter regulations in the next year. Our new road safety strategy, the first in over a decade, will save lives by tackling the root causes of deaths on our roads. We have set an ambitious target to reduce deaths and serious injuries by 65% by 2035 and have consulted on multiple new measures, including a lower drink‑drive limit and a minimum learning period."

The Approval of the AmendmentMexico's lower house has approved a constitutional amendment to allow the nullification of elections in cases of foreign interference. The proposal passed the Chamber of Deputies with 307 votes in favour, 128 against, and one abstention.Defining Foreign InterferenceThe reform defines foreign interference as "illicit financing, propaganda, the systematic dissemination of disinformation, digital manipulation, and the intervention of foreign governments or agencies". It also covers acts of political, economic, diplomatic, or media pressure intended to influence public opinion.The Impact on ElectionsThe amendment, which is unlikely to affect the next federal elections in June 2027, still requires Senate approval to take effect. Electoral reforms must be enacted at least 90 days before the start of the election process in order to apply.Reactions from PoliticiansRicardo Monreal, the leader of the ruling Morena party in the lower house, defended the measure as a necessary safeguard of Mexico's democracy. Opposition lawmakers accused the governing party of overstating the threat to justify the reform.Concerns and CriticismsPresident Claudia Sheinbaum recognised previous instances of foreign funding for local candidates and organisations in Mexico. However, some politicians questioned how the new rules would be applied in practice, warning that the broad language of the amendment could create uncertainty.

The LeadUS Secretary of the Treasury Scott Bessent has confirmed that preparations are underway to print a new $250 banknote featuring President Donald Trump's face, marking a significant departure from long-standing US currency traditions. The move comes as lawmakers consider legislation that would create an exception to a law prohibiting living persons from appearing on US currency.The Proposed Currency DesignA design mockup obtained by The Washington Post shows the words "America 250 anniversary" on the proposed banknote, a nod to the US declaring its independence on July 4, 1776. The Treasury Department has prepared the design in anticipation of a change in the law that would allow current and former presidents to be featured on currency.Legal and Political ImplicationsUS law currently bars any living person from appearing on US currency, but legislation was introduced last year to create an exception for current and former presidents. Speaking at the White House, Bessent confirmed: "Right now, there is proposed legislation – front of the House, in front of the Senate – to change the first requirement so that a living person, Donald J Trump, could be on a $250 bill."Broader Presidential Branding EffortsThe proposed banknote would be the latest example of President Trump expanding his personal brand in his official capacity since returning to the White House in 2025. Other initiatives include banners featuring Trump's portrait on federal buildings, adding his name to the Kennedy Center, and having his signature appear on US currency – a first for a sitting president.Historical Context and ControversyThe announcement has drawn criticism from some who liken the move to the behavior of dictators and monarchs. In March, the US Commission of Fine Arts approved the minting of a commemorative gold coin bearing Trump's image, prompting similar backlash. The Treasury Department has not yet responded to requests for comment on the banknote proposal.Future OutlookThe fate of the proposed $250 Trump banknote now rests with lawmakers who must decide whether to amend the currency law. If approved, it would represent a significant departure from US currency traditions and establish a precedent for featuring living presidents on money. The development comes as the Trump administration continues to implement various symbolic changes to federal institutions and properties.

The Rise of Tim Payne New Zealand defender Tim Payne has become an unlikely star after an influencer from Argentina called on his followers to unite and make the little-known 32-year-old a “hero” of the upcoming World Cup. The Social Media Campaign El Scarso, a football influencer also known as Valen Scarsini, identified Payne as the least-known player at the World Cup in Canada, the United States and Mexico based on his small social media following. Payne had around 4,700 followers on Instagram earlier this week, but his following has grown at a rate of almost 1,000 per minute to more than a million by Friday. The Impact on Payne's Fame Payne’s following is now six times greater than New Zealand’s captain and best-known player, Nottingham Forest forward Chris Wood. Scarsini, who has more than 500,000 followers, implored his base to “start mentioning Tim Payne everywhere.” The Future of Tim Payne's Career Now there is even a song supporting Payne, who recently made his 50th appearance for New Zealand after making his debut at 18. Payne, who plays his club football for Wellington Phoenix in the A-League Men, responded Friday to his new-found social media fandom, expressing his gratitude to Scarsini and his fans.

The Escalation at Delaney Hall: Hunger Strikes and Police ClashesThe Delaney Hall detention facility has re-emerged as a critical flashpoint in President Donald Trump’s second-term immigration agenda. After reopening in February 2025, the center outside Newark, New Jersey, is now the epicenter of a volatile standoff involving detainees, protesters, and federal authorities. The immediate trigger for the unrest has been reports that detainees are staging a hunger strike, prompting local officials to demand answers.On Wednesday night, the situation turned physical as protesters attempted to block access to the facility. Demonstrators, some wearing gas masks, erected makeshift barriers and formed a human chain to prevent law enforcement entry. The Department of Homeland Security reported that six demonstrators were arrested for allegedly assaulting federal agents, a move the administration framed as a necessary response to criminal obstruction.The Human Cost and Political FalloutThe protests have exposed a widening rift between the federal government and local oversight bodies. New Jersey Governor Mikie Sherrill has been a vocal critic, stating that health authorities seeking to inspect the facility were denied full access. “Refusing to provide full access raises serious questions about what ICE is trying to hide from public view,” Sherrill said in a statement.Arrests and Charges: Six protesters were arrested for allegedly assaulting federal agents during the Wednesday night clash.Political Targeting: Mayor Ras Baraka was arrested last year for trespassing during a protest, while Congressmember LaMonica McIver faces assault charges she calls “purely political.”Detainee Conditions: Congressional inspections revealed moldy food and a lack of medical attention, with Representative Jerry Nadler describing the conditions as “dire.”The Erosion of Oversight and Private ContractingThe Delaney Hall crisis underscores the administration's strategy of bypassing local oversight through private contractors. The facility is run by the GEO Group under a contract with ICE, a model that allows the federal government to outsource detention operations while maintaining plausible deniability regarding conditions.Resistance to this model is intensifying. Not only are local officials like Sherrill and Baraka demanding closure, but members of Congress are also exercising their oversight duties despite being turned away at the gates. The administration's refusal to grant access to elected officials and health inspectors suggests a deliberate effort to conceal the realities of the detention network.A Flashpoint for the Second TermThe events at Delaney Hall are likely to become a recurring theme in the political landscape of the second term. With reports indicating that 50 immigrants have died in detention nationwide during this administration—the highest in at least two decades—the facility has become a symbol of the administration's hardline stance.As the hunger strike continues and legal battles over the facility's operation and the arrests of protesters unfold, Delaney Hall serves as a microcosm of the broader conflict over immigration policy. The clash between the administration's push for mass deportation and the constitutional rights of oversight and protest suggests that these flashpoints will continue to escalate in the coming months.

The LeadSam Campbell's new Channel 4 mockumentary, Make That Movie, has been crowned the funniest TV show of the year. The series, which follows a former big-shot director helping ordinary people create bizarre, low-budget films, is a chaotic celebration of 'outsider art' and unhinged creativity.The Surreal Premise of 'Make That Movie'At the heart of the show is a high-concept premise that defies logic. Campbell plays a version of himself who was once a successful director but now spends his time driving around in a van with a giant model film camera on top. His mission is to help people in need by producing bizarre low-budget productions based on their outlandish ideas.Snake Transformation Thriller: A Da Vinci Code-style story where a couple changes into snakes (but not simultaneously).Cyber-Thriller for Pensioners: A Lawnmower Man-style plot where seniors physically enter computers by singing songs and inserting USB cables into their mouths.Animated Feet: A project designed to cheer up a couple trapped in a cave.A Refreshing Pivot from Trauma to AbsurdityThe show arrives at a critical cultural moment. The review highlights a 'decade-long tailspin' where television was dominated by trauma-focused narratives. Had *Make That Movie* been attempted a few years ago, executives would likely have forced a subplot about dissociating from an abusive childhood. Instead, the show offers pure, unadulterated silliness.Celebrating the 'Outsider Art' of Bad CinemaSam Campbell is described as having an 'alien' quality, a stark contrast to the typical 'everyman' comedian. His stock in trade is looking like a frozen Paul McCartney, and this unique persona drives the show's success. By worshipping films like Birdemic: Shock and Terror, Campbell validates 'bad' cinema as a form of glorious outsider art.The Future of Sam Campbell's Comedy EmpireWhile the format is packed with content—23 minutes to meet characters, hear ideas, and watch the finished product—the sprinting pace is by design. The review suggests that nothing will kill the show faster than lapsing into formula. As long as Campbell and his uncomprehending face remain fixtures on television, the show is poised to become a lasting cult classic.

The Rise of Machine-Generated Traffic Cloud infrastructure has long been designed around humans who search, click, scroll, and stream in a steady and predictable fashion. However, AI agents behave differently. They can unleash a swell of activity, spinning up multiple sub-agents that query hundreds of databases, search documents, and call APIs in seconds and then disappear as quickly as they arrived. AWS's Next-Gen OpenSearch Serverless Under that premise, Amazon is redesigning a core piece of its cloud infrastructure. On Thursday, AWS launched its next generation of OpenSearch Serverless, a fully managed search and vector database — essentially a system for storing and retrieving information at scale — that's designed specifically for agentic workloads. AWS says the new system can instantly scale up when agents trigger tasks and scale back down to zero when idle. The Data Analysis Cloudflare says bots accounted for 31% of overall HTTP traffic over the last six months. AI crawlers, search engines, and assistants made up roughly a quarter of all bot requests during that period. 'Non-human traffic will exceed human traffic sometime in the first half of 2027,' said Lai Yi Ohlsen, senior product manager at Cloudflare. The Impact Analysis The launch reflects a growing realization across the tech industry: Infrastructure originally designed for a human-driven internet doesn't work as well in a world increasingly populated by agents. As AI agents still represent a relatively small portion of internet activity, machine-generated traffic is already significant, and poised to grow. The Prediction As a result, cloud providers and infrastructure companies have been reckoning with how to adapt systems built for humans to a world of agents that are constantly and autonomously retrieving information, invoking tools, and generating machine-to-machine traffic. The more companies deploy AI agents, the more pressure there will be to redesign infrastructure around machine-generated workloads, which in turn could make agents cheaper and easier to deploy at larger scales.

The Art of Provocation T Venkanna's paintings are like a sucker-punch. His first institutional solo show at London's Studio Voltaire features an overbearing altarpiece, modified by two squat side panels, depicting an orgasmic thicket of desire. The artwork is a commentary on the disparity between puritanical religious doctrine and licentious reality. The Intersection of Myth and Reality Venkanna's work is a way to consider many things, including the myth of religions. He draws inspiration from ancient Indian temples, where people touch the breasts of sculptures, making them smooth and shiny over time. His paintings are not about shocking, but about showing things around us. The Impact of Upbringing Venkanna's childhood in a small town in south-central India, where his father was a Hindu priest, had a significant impact on his work. He grew up in a one-room home with five other family members, and village people would come to ask about rituals and expectations of appropriate behavior. However, Venkanna discovered that these rules had a convenient degree of flexibility. The Evolution of Style Venkanna's artistic journey began with painting and drawing naked figures at home. He was sent to train as a drawing teacher and later enrolled in a fine art college, where he learned printmaking, miniature painting, and how to make and work with tempera. His early work was met with criticism, but he has since gained recognition, including a gold medal and support from teachers who donated their spare materials. The Future of Art Venkanna's work continues to push boundaries, exploring themes of intimacy, isolation, consent, and violation. His paintings are a counterpoint to gender inequality and prejudice, foregrounding women's experiences and depicting them as satiating their sexual appetite. As Venkanna says, 'I don't want to shock. What I'm showing are things around us.' T Venkanna: Sculpture Garden is at Studio Voltaire, London, until 23 August

Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.