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Wrexham AFC, the football club co-owned by Hollywood stars Ryan Reynolds and Rob Mac, has been awarded a £3.8m government grant without a contract or a completed state aid assessment in place. This has raised questions over whether the award was lawful.The club has received a total of £18m in taxpayer-funded grants to help redevelop its stadium, the Racecourse Ground. This is significantly more than any other club in the UK.Responses to freedom of information requests suggest that Wrexham county borough council awarded the money before completing the usual steps. Alexander Rose, a partner specialising in subsidy control at law firm Ward Hadaway, stated that the lack of a final state aid assessment at the time the grant was awarded would have left it vulnerable to legal challenge by a rival.However, there is little prospect of Wrexham AFC being forced to repay the cash, as the one-month window for challenges to be filed has since closed. The leader of Wrexham council, Mark Pritchard, said: “All due diligence and checks were in place ahead of the transfer of any funding and we refute any accusations to the contrary.”Reynolds and Mac took over the club in 2021, bringing with them a wave of sponsorship and global interest via their Disney TV series Welcome to Wrexham. The club has been able to far outspend their lower-league rivals, transforming the club’s fortunes.Wrexham, which was granted city status in 2022, awarded the £18m to the star-studded club as part of its “Wrexham Gateway” urban improvement scheme. Most of the money went towards developing the stadium, despite the club having deep-pocketed owners.The first £3.8m tranche of cash was awarded on 8 February 2022, less than a year after Reynolds and Mac’s takeover. Another £14m was awarded in September 2025.Public authorities that give out grants are required by law to judge if they comply with the principles of subsidy control, to ensure taxpayer money is not misspent. However, in response to a freedom of information request, Wrexham council said it only had “draft assessments” in place before the money was awarded.The council said the final assessment it provided was submitted nearly five months later, on 6 July 2022. In response to questions, the council shared a draft assessment it said dated from 7 September 2021.Rose said: “At the time the £3.8m grant was awarded there was a duty to carry out a principles assessment. Evidence that this assessment wasn’t finalised when the grant was given would certainly have helped a challenger, for example a rival football club.”“Subsidy control rules exist to ensure there’s a level playing field in which businesses can compete,” he added. “That includes in professional football. They’re also an important protection for the taxpayer, preventing wasteful and unnecessary subsidies from being awarded.”Recipients of large grants almost always sign contracts to ensure taxpayer money is spent as promised. Yet the council said the grant was authorised by its executive board and “provided in advance of the finalisation of the grant funding agreement”.The council said the grant funding agreement – apparently covering the whole £18m – was only created in July 2023.The contract was then completed on 17 September 2025, when the £14m tranche was awarded.The two-year delay between the creation of the contract and its signing also offered another potential benefit to Wrexham council: new subsidy control laws that came into force days earlier in August raised the threshold for mandatory scrutiny of the grant by the Competition and Markets Authority.Delaying the subsidy meant the award to Wrexham AFC was not subject to this scrutiny.While it was tapping taxpayer money, the club was also able to raise huge amounts from private backers. In the year to June 2025 it raised £36m through share issues. Three months after the second grant, Reynolds and Mac announced the sale of a stake in the club to Apollo, one of the world’s largest private equity firms.Bloomberg reported that Wrexham was valued as high as £350m. The club then raised another £47.8m in January, according to corporate filings.In the year before it received the £14m grant, Wrexham was able to repay loans worth £10.6m to Ryan Reynolds’s company, according to accounts published last month. It also lost £3.8m from the collapse of Argentex, a currency brokerage that entered special administration in July 2025 because of failed foreign exchange trades.Pritchard, the council leader, said: “The grant represents a small investment compared to what the club will be investing at the Racecourse … In fact, as the club has grown in both stature, ambition and from external investment, the percentage of public investment compared to that of the club has shrunk from roughly 68% of the project costs to around 25% currently.“This demonstrates further value for money in regard to the initial investment from the public purse.”Wrexham AFC said the club is itself making a “significant financial investment with the support of our ownership group and investors”. Accounts published last month show the club has signed a £69.2m contract to build a new stand.The spokesperson said the “funding ensures the facility can be brought up to the required standard to host international sporting events, including international football and rugby matches (as opposed to just meeting domestic football criteria)”

Punchbag, a south London-based electropop duo, is making waves with their sweaty and unvarnished sound. Recommended for fans of Charli xcx, Confidence Man, and Klaxons, their music is a perfect blend of off-kilter beats and maximalist bass. Their debut single, Fuck It, was a riotous mix of 90s rave and Clara's spit-soaked vocals. Their latest EP, I Am Obsessed, takes a darker turn with tracks like Playing God, a dry ice balladry that tackles the men in power. For those who crave a glorious racket, I Love This! is a shouty, nu-rave adjacent track that channels Charli xcx's style. This week's best new tracks Tara Clerkin Trio – Silently: A relaxing song with gauzy synths, a low-slung beat, and Spanish guitar that evokes a dusky shoreline. Babyfather – Slumpz: A corroded-symphony beat with Dean Blunt's steady flow makes for a welcome return. Thistle. – Pylon: A wobbling mass of noise that rides a giant wave of pondwater surf. Katseye – Pinky Up: A brat-pop party anthem with a chant-along chorus and hyperactive production. Massive Attack – Boots on the Ground (ft Tom Waits): A long-awaited return with wheezing breath, mournful piano, and eerie wailing. Disgusting Sisters – Weirdo Magnet: A playfully creepy track with succubus-style vocals and a bassline that prowls around. PPP – Wisco: A steamy, syncopated track that recalls the harder end of DJ Koze's recent album.

The concert began with Imogen Holst's Persephone, a 12-minute tone poem written in 1929. The piece starts with a familiar, rippling woodwind passage that evokes Ravel's Daphnis and Chloé, but Holst's unique voice soon emerges, exploring texture, color, and tonality.Holst's work tells a story of rebirth, culminating in a glowing finale that references the music's beginning. The darker, uneasy sections feature a fugue-like passage for strings and muted brass, showcasing Holst's innovative approach.The program continued with Erich Wolfgang Korngold's 1945 Violin Concerto, performed by Vilde Frang. Frang's interpretation highlighted Korngold's melodiousness and the work's expressionistic roots in Vienna. Her silky, intense playing was balanced by a willingness to dispense with vibrato, revealing the music's strangeness and spikiness.The evening concluded with Dmitri Shostakovich's Fifth Symphony. Pappano's direction kept the first movement on its toes, building tension through subtle increases in speed. The second movement was a heavy-footed dance, while the slow movement was a tragic, romantic masterpiece. The orchestra reached a thrilling, ear-ringing culmination in the final movement, with Pappano coaxing even more sound from the strings when it seemed they had reached their fullest extent.

Sean Shibe's latest album, Vesper, is a masterclass in guitar virtuosity and imagination. The album features a thoughtfully curated selection of works by three British composers: Thomas Adès, Harrison Birtwistle, and James Dillon.Shibe's playing is acutely articulate and technically impeccable as he surveys the guitar's expressive potential through the lens of these composers. The album includes Thomas Adès's Forgotten Dances, a homage to the baroque dance suite, which combines stately harmonics with sneaking slides and pounces.The revelation for some will be five melodic miniatures by Harrison Birtwistle, including Berceuse de Jeanne and Sleep Song, bewitching lullabies that showcase Shibe's mastery of the guitar. Beyond the White Hand, a thorny piece that lasts over 18 minutes, is a testament to Shibe's technical skill and musicality.The album concludes with James Dillon's 12 Caprices, a series of concise meditations that explore the relationship between the structure of the instrument and its modes of expression. Overall, Vesper is a mind-expanding and imaginative recital that showcases Shibe's virtuosity and musicality.

Video released by regional media captures scenes of spontaneous jubilation across Lebanon as a ceasefire with Israel comes into force. Residents gathered in public squares, streets and coastal promenades, waving flags and expressing palpable relief after a period of heightened military alert.While detailed reports on the negotiations remain limited, the immediate public reaction underscores the deep desire for stability in a region long marked by intermittent hostilities. The footage, filmed in several Lebanese cities, shows crowds chanting, children playing, and local businesses reopening, signaling an early return to normalcy.Analysts note that the ceasefire, though fragile, offers a critical window for diplomatic engagement and humanitarian aid delivery to affected areas. The visible optimism among Lebanese citizens highlights the broader regional hope that de‑escalation can translate into lasting peace.

Alex Manninger, 48, died when his vehicle was hit by a train at a level crossing near Salzburg on Thursday morning. The accident occurred at approximately 8:20 am local time (06:20 GMT), according to Salzburg police. The former Austria goalkeeper, who earned 33 caps for his country, spent the early part of his career at Arsenal (1997‑2001), where he was part of the squad that won the league and FA Cup in the 1997‑98 season, before finishing his playing days at Liverpool in 2017. In Italy he guarded the posts for Fiorentina, Torino, Bologna, Siena, Udinese and Juventus. OEFB Sporting Director Peter Schoettel called Manninger “an outstanding ambassador of Austrian football” and praised his “professionalism, calmness and reliability” that inspired a generation of young goalkeepers. Police reports indicate the car was hit by a railcar of the Salzburger Lokalbahn while crossing the tracks and was dragged along. The driver – Manninger – was alone in the vehicle; the train driver escaped injury. First responders freed him, but resuscitation attempts were unsuccessful. Clubs paid tribute: Fiorentina announced a minute’s silence and black armbands for their Conference League match against Crystal Palace, while Arsenal expressed shock on social media. Liverpool and Juventus also released statements, with Juventus noting that Manninger will be remembered for his “humility, dedication and exceptional professionalism.” The tragic loss underscores the dangers of level‑crossing accidents and has prompted an outpouring of grief across the football community.

Former NBA player and assistant coach Damon Jones is expected to plead guilty in a landmark US gambling case, marking a significant development in a sweeping investigation that has led to the arrests of over 30 individuals, including reputed mobsters and other basketball figures.A change-of-plea hearing for Jones is scheduled for April 28 in Brooklyn federal court. He faces charges of wire fraud conspiracy and money-laundering conspiracy related to two separate indictments. The first indictment accuses him of profiting from rigged poker games, while the second charges him with providing sports bettors with non-public information about injuries to NBA stars LeBron James and Anthony Davis.Jones, 49, had previously pleaded not guilty to the charges. He was arrested last October alongside Portland Trail Blazers head coach Chauncey Billups and Miami Heat guard Terry Rozier, among others. According to prosecutors, Jones sold or attempted to sell non-public information to bettors, including a tip that James was injured and wouldn’t play in a February 9, 2023, game against the Milwaukee Bucks. He also allegedly received $2,500 for a tip that Davis would see limited playing time against the Oklahoma City Thunder.In the poker scheme, Jones was among former NBA players used to lure unwitting players into rigged poker games. He was paid $2,500 for a game in the Hamptons where he was instructed to cheat. The poker scheme often made use of illegal poker games run by New York crime families that required them to share a portion of their proceeds with the Gambino, Genovese, and Bonnano crime families.Jones, who earned more than $20m playing for 10 teams in 11 seasons from 1999 to 2009, is a native of Galveston, Texas. He played alongside James in Cleveland from 2005 to 2008 and served as an unofficial assistant coach for James’s Los Angeles Lakers during the 2022-2023 season.

Sanaa, Yemen – At 7 a.m., 14‑year‑old Qasim wakes, grabs a one‑metre‑by‑half‑metre white sack and heads out to collect plastic bottles, hoping to fill it by 11:30 a.m. A full sack can bring in up to 1,500 Yemeni riyal (≈ $3), which the family uses for daily meals. When Qasim returns home, he can briefly be a child again, playing football with neighbours. By evening, his 12‑year‑old brother Asem takes over the bottle‑collecting, selling the haul at night to cover dinner costs. For the siblings, school is a luxury they cannot afford. "I was in fourth grade in 2024, but I stopped because I needed to help my family," Qasim told Al Jazeera, wiping his cheeks. "Sitting in a classroom would not feed me," he added. The conflict that began in 2014 between Iran‑backed Houthis and the Saudi‑backed government has devastated Yemen’s education system. UNICEF estimates that 3.2 million school‑aged children are out of school, with another 1.5 million displaced children at risk of permanent dropout. Even though a cease‑fire was declared in April 2022, the war’s economic fallout persists. During the fourth Riyadh International Humanitarian Forum, Yemen’s Minister of Planning Waed Badhib said the war has cost the national economy **over $250 billion** and pushed unemployment to **35 %**. Parents like Qasim’s father, 48‑year‑old daily‑wage worker Abdu, no longer see education as a viable path. "Seeing a hungry child hurts more than seeing a child drop out," he said, noting that many university graduates now work as construction guards or porters. Experts warn that this short‑term coping strategy harms long‑term prospects. Mahmoud al‑Bukari, a Taiz academic, explained that forcing children into work “creates further social and economic problems for both individuals and society.” Sociology professor Afrah al‑Humaiqani stressed that denying education violates children’s rights and breeds anxiety, undermining future economic development. Infrastructure damage compounds the crisis: more than 2,400 schools are destroyed, partially damaged, or repurposed (Save the Children). Remaining classrooms are overcrowded, and teachers—many unpaid for years—are demotivated, leading to a decline in teaching quality. Fatima Saleh, a teacher in Sanaa, described educators as the "engine" of learning. "When that engine falters, students lose interest and drop out," she said, noting that unpaid salaries force many teachers to quit or seek other work. Journalist Mohammed Abdu al‑Samei argues that the cease‑fire alone cannot revive education without addressing the underlying economic collapse. International aid has also dwindled, leaving a critical funding gap for programs that once kept children in school. For Qasim, returning to a classroom is no longer realistic. He now aims to acquire a trade—painting, carpentry, or welding—to earn a living, saying, "I will not return to the classroom, but I will learn a skill that helps my family."

Pellegrino Matarazzo, the coach of Real Sociedad, has had an extraordinary journey from New Jersey to Seville. Born to Neapolitan émigrés, Matarazzo's love for football was ignited at a young age. He earned a degree in applied mathematics from Columbia University but chose to pursue a career in football instead of investment banking.Matarazzo's journey took him from playing in Germany's third and fourth tiers to coaching in the Bundesliga. He successfully led Stuttgart back to the Bundesliga and Hoffenheim back to Europe. His impressive track record made him an attractive candidate for Real Sociedad, a team he joined in December.Under Matarazzo's leadership, Real Sociedad has experienced a remarkable turnaround. The team had just 17 points in 17 games and was on the brink of relegation. However, Matarazzo's impact was immediate, and they are now within reach of a Champions League place and feature in a cup final, having defeated Athletic en route.Matarazzo attributes his success to his ability to adapt to different cultures and his willingness to connect with the people and history of the region. He emphasizes the importance of understanding the club's values and identity, which has earned him the appreciation of the fans.As Real Sociedad prepares to face Atlético Madrid in the Copa del Rey final, Matarazzo expresses his excitement and gratitude for the opportunity. He acknowledges the significance of the moment, not just for the team but also for the city and the fans, who have been waiting 39 years for a cup final.