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The United Nations’ Under‑Secretary‑General for Humanitarian Affairs, Tom Fletcher, warned the Security Council on Friday that South Sudan is at a dangerous crossroads, facing the prospect of a full‑scale famine and national collapse.Fletcher stressed that “hunger across South Sudan is tightening its grip,” noting that emergency‑level food insecurity is projected for all ten states during the lean season, which runs until the end of July.After a week‑long visit, he reported that humanitarian compounds have been looted and nutrition centres destroyed around Akobo in Jonglei State, where more than 140,000 people are in “dire need of help.” He warned that his next briefing could be dominated by famine warnings.According to the UN official, over 7.5 million South Sudanese will require food assistance this year. The situation is compounded by expected floods that will further isolate communities and damage livelihoods.Escalating violence fuels the crisisUNMISS head Anita Kiki Gbeho told the council that civilians continue to bear the brunt of intensifying clashes between the South Sudan People’s Defence Forces and the Sudan People’s Liberation Movement/Army in Opposition (SPLM/A‑IO), especially in Jonglei.Fighting surged late last year after a 2018 peace deal ended a five‑year civil war. In December, opposition forces seized government outposts in Jonglei, prompting a retaliatory operation in January that forced more than 280,000 civilians to flee.Fletcher urged the Security Council to secure unhindered humanitarian access, increase flexible funding, and demand that all parties fully respect humanitarian law and protect civilians and infrastructure.As the council deliberates the renewal of the UNMISS mandate—currently set to expire on 30 April—Gbeho warned that “the scale and urgency of needs on the ground are not yet matched by the type of sustained commitment and investment required to fully meet the shared ambition of a sustainable path to peace.”

The United Nations refugee agency has revealed that nearly 900 Rohingya refugees were reported dead or missing in the Bay of Bengal and the Andaman Sea in 2025. This was the deadliest year on record for maritime movements in South and South East Asia.Thousands of people continue to make the dangerous journeys in 2026, with the UNHCR describing the area as an “unmarked graveyard for thousands of desperate Rohingya refugees”. Over the last decade, some 5,000 Rohingya are thought to have drowned at sea.Hundreds of thousands of Rohingya refugees began fleeing Myanmar in 2017 amid an ethnic cleansing campaign. They largely settled in refugee camps in Bangladesh, which continues to give refuge to those fleeing today. However, humanitarian aid in the country has been reduced due to funding shortfalls, and there is limited access to education and opportunities in the camps, prompting people to attempt the dangerous sea crossings.More than 2,800 Rohingya have made the sea journeys this year, with the majority leaving from Cox’s Bazar in Bangladesh or Rakhine State in Myanmar in the hope of reaching Malaysia or Indonesia. The UNHCR hopes that highlighting the record death toll will make people aware of “what the Rohingyas are going through inside Myanmar and in the refugee camps and in the wider region” and prompt solutions to avoid another record toll in 2026.

Bulgaria is set to hold a snap parliamentary election on Sunday, April 19, a vote that comes after a series of short‑lived coalitions and widespread anti‑corruption protests that have eroded public confidence in the democratic process. The poll marks the eighth national election in just five years for the 6.5 million‑strong Black Sea nation, following the resignation of Prime Minister Rosen Zhelyazkov’s cabinet in December amid street demonstrations against endemic corruption and a controversial 2026 budget. According to Alpha Research, more than 3.3 million Bulgarians – roughly 60 % of eligible voters – are expected at the polls, a sharp rise from the 2.57 million who turned out in the October 2024 election. Voter sentiment is shifting toward a desire for decisive governance: 49 % of respondents say a single party should hold a majority and assume full responsibility, while only 33 % still favor coalition oversight. Rumen Radev, the former president and a former fighter pilot with pro‑Russian leanings, is contesting the premiership under the Progressive Bulgaria banner. His main rival is former prime minister Boyko Borissov, leading the centre‑right GERB‑UDF alliance. Polls show Radev’s party currently ahead with 34.2 % support, followed by GERB‑UDF at 19.5 %. The pro‑Western bloc “We Continue the Change‑Democratic Bulgaria” is projected third with 12‑14 % and could become a coalition partner for Radev if he wins. Radev has ruled out any alliance with GERB or the Movement for Rights and Freedoms (MRF), whose leader Delyan Peevski is under UK and US sanctions for corruption. Analysts warn that while coalition‑building appears inevitable, the durability of any future government remains uncertain. Should Radev secure a mandate, his campaign promises to eradicate the “corrupt, oligarchic model” that he claims dominates Bulgarian politics. A Radev‑led administration could also recalibrate Bulgaria’s foreign policy, potentially challenging recent EU‑aligned moves such as joining the eurozone in January 2026 and signing a security pact with Ukraine – both of which Radev has publicly opposed. Despite denouncing Russia’s aggression in Ukraine, Radev has repeatedly advocated for renewed dialogue with Moscow, positioning Bulgaria as a unique Slavic and Eastern‑Orthodox bridge between the EU and Russia. Domestic priorities remain pressing: while life expectancy and employment indicators have improved since EU accession in 2007, the country still needs political stability to unlock EU funds for infrastructure, attract foreign investment, and dismantle systemic corruption. Rural communities, such as those in southern Bulgaria, voice a desperate need for change. Farmer Nikolay Vasiliev told Reuters he sees Radev as a potential saviour capable of delivering security and decisive reforms. Concerns about foreign interference have also surfaced. Bulgaria recently asked the EU diplomatic service to counter Russian disinformation campaigns, after a think‑tank warned of coordinated Russian influencer networks seeking to sow division. Radev counters these accusations, asserting that “no one from outside can tell us how to vote – that decision belongs to us, the Bulgarian people.” Experts, however, caution that even if Radev wins, his ties to Moscow may not translate into a dramatic shift toward Russia, given Bulgaria’s recent progress in EU integration and the broader strategic interests of its populace.

The concert began with Imogen Holst's Persephone, a 12-minute tone poem written in 1929. The piece starts with a familiar, rippling woodwind passage that evokes Ravel's Daphnis and Chloé, but Holst's unique voice soon emerges, exploring texture, color, and tonality.Holst's work tells a story of rebirth, culminating in a glowing finale that references the music's beginning. The darker, uneasy sections feature a fugue-like passage for strings and muted brass, showcasing Holst's innovative approach.The program continued with Erich Wolfgang Korngold's 1945 Violin Concerto, performed by Vilde Frang. Frang's interpretation highlighted Korngold's melodiousness and the work's expressionistic roots in Vienna. Her silky, intense playing was balanced by a willingness to dispense with vibrato, revealing the music's strangeness and spikiness.The evening concluded with Dmitri Shostakovich's Fifth Symphony. Pappano's direction kept the first movement on its toes, building tension through subtle increases in speed. The second movement was a heavy-footed dance, while the slow movement was a tragic, romantic masterpiece. The orchestra reached a thrilling, ear-ringing culmination in the final movement, with Pappano coaxing even more sound from the strings when it seemed they had reached their fullest extent.

Richard Wagner’s near‑death at sea in 1839 inspired the legend of the cursed ghost ship that underpins The Flying Dutchman. The Welsh National Opera (WNO) brings this myth to life in a fresh production that treats the libretto as a poetic meditation on birth, love, and mortality. Directed by Jack Furness, the opening scene intertwines a woman’s labor with the overture’s turbulent surges, symbolising the birth of Senta—destined to lose her mother and become haunted by the Dutchman’s promise of redemption, which can surface only once every seven years. Visual motifs—circling movements, blood‑red dresses echoing the ship’s sails—reinforce the cyclical fate of both protagonists. Designer Elin Steele and lighting designer Lizzie Powell conjure stormy seas and mist without literal ships, allowing the audience to focus on the raw emotions conveyed by the singers. Minimalist set pieces, occasional gold‑dust flourishes, and precise costume changes keep the drama tight and immersive. The cast delivers a musically rewarding performance. James Creswell shines as Daland with crystal‑clear German diction, while Simon Bailey portrays the tormented Dutchman with a compelling blend of menace and sympathy, especially in the final act. Rachel Nicholls as Senta offers a believable, passionately deluded love, delivering bel canto lines with immaculate pitch. Tenors Trystan Llŷr Griffiths (the Steersman) and Leonardo Caimi (Erik) make strong impressions, though the opera’s numerous choruses feel over‑extended. The WNO orchestra, under the authoritative baton of outgoing music director Tomáš Hanus, creates a convincing tempest that underpins the drama. Facing a thin 2026/27 season, the company is eager to prove its vitality, making these performances a must‑see—though audiences should not anticipate a conventional resolution. Staging dates include the Wales Millennium Centre in Cardiff (19 April), Theatre Royal Plymouth (24 April), Birmingham Hippodrome (7 May) and Milton Keynes Theatre (15 May).Review by Rian Evans, The Guardian, 17 April 2026.

Equity’s Choreographers and Movement Directors Network (CMDN) says that theatre’s physical storytellers are still marginalised by awards bodies and should receive dedicated recognition.At the recent Olivier Awards, Fabian Aloise secured the best theatre choreographer prize for "Evita" at the London Palladium. While the network welcomed the visibility, it pointed out that the movement directors behind the nominated productions were omitted from any specific category, sparking a broader debate about the language used to credit theatrical creation.CMDN highlighted several movement directors whose work shaped this season’s most impactful shows, naming Leanne Pinder ("Punch"), Sarah Golding ("Kenrex"), Imogen Knight ("Dead Man Walking"), Jenny Ogilvie ("Into the Woods"), Sung Im Her ("The Glass Menagerie"), Lucy Hind ("Inter Alia") and Kloé Dean ("The Boy at the Back of the Class").Movement direction, the network explains, is not always dance but is essential to a production’s physical language, characterisation and dramatic flow. "If we celebrate the impact of physical storytelling, we must also evolve how we acknowledge the artists behind it," CMDN said.The network praised the Black British Theatre Awards for expanding their choreography category in 2022 to include movement direction, but noted that the UK Theatre Awards and Critics’ Circle Awards still lack dedicated categories for either choreography or movement direction.Founded in 2023 by movement director and choreographer Polly Bennett, CMDN now counts over 200 members. In a 2025 interview, steering‑group member Ellen Kane asked, "Why aren’t there Oscars or BAFTAs for choreography? Why aren’t we being credited?"Last month, more than a hundred theatre professionals signed a petition urging the Olivier Awards to create a separate video‑design category, arguing that the current system lumps video designers with other disciplines. This year’s Olivier winners illustrate the overlap: Tom Pye (set) and Ash J Woodward (video) shared the best set‑design award for "Paddington: The Musical", while Aideen Malone (lighting) and Roland Horvath (video) shared best lighting‑design for "Into the Woods".

A new report has found that media coverage of violence against women and girls has reached a 'dismal' low, despite a proliferation of high-profile cases of men abusing women and children, and a rise in AI-assisted violence against women and girls. The analysis of 1.14bn online stories published worldwide between 2017 and 2025 found that the proportion of articles including terms related to misogynistic abuse dropped to 1.3% of all global online news in 2025, the lowest level in that period.Coverage peaked at 2.2% in 2018, the height of the #MeToo movement. In Africa, where multiple conflicts have involved extreme levels of sexual violence, coverage sank to a nine-year low of 1.18% in 2024. The report also found that when misogyny-related stories are covered, men's perspectives and opinions dominate, with 1.5 men quoted for every one woman in stories about misogyny.The research identified a failure to address the structural nature of misogyny that enables abuse through long-standing prejudices and power imbalances. One in nine women worldwide have experienced violence from men in the last 12 months and one in three women have been subject to physical or sexual violence in their lifetime. The report recommended solutions to improving coverage of violence against women and girls, including putting female journalists and editors in charge of shaping coverage, and victims and survivors of violence at the heart of the story.

In a rare display of bipartisan cooperation, lawmakers across the US Congress are demanding greater accountability for sexual misconduct. This week, two US representatives, Eric Swalwell and Tony Gonzales, resigned amid a flood of allegations. Their departures have been hailed as a significant step towards addressing the issue.Representatives Alexandria Ocasio-Cortez, a Democrat, and Lauren Boebert, a Republican, have been at the forefront of the calls for accountability. Ocasio-Cortez described the resignations as “an important turning point” and emphasized that “abuse of power should never be accepted, especially in public office”. She also named Republican Cory Mills, who is under investigation for sexual misconduct, as the next lawmaker who should resign.Boebert has taken steps to strip Swalwell and Gonzales of their federal pensions and has urged those facing harassment in Congress to come forward. She said, “If your boss is mistreating you, or someone else in the office, tell somebody – come to my office. If you want to remain anonymous, remain anonymous”.The allegations against Swalwell and Gonzales are serious. Five women have publicly accused Swalwell of sexual abuse, with one accuser claiming he drugged and raped her in 2018. Gonzales admitted to having an affair with a staff member in 2024, which is prohibited by the House code of conduct.Lawmakers are now pushing for stricter rules and a safer environment for reporting misconduct. Representative Jackie Speier condemned the tendency for Congress to “basically look the other way” and called on leadership to take action.This movement towards accountability has been likened to the bipartisan push to compel the administration of US President Donald Trump to release investigative documents related to Jeffrey Epstein. The effort to hold lawmakers accountable for their actions marks a significant shift in the culture of Congress.

Pope Leo XIV has strongly denounced a 'handful of tyrants' ravaging the Earth with war and exploitation, while preaching a message of peace in Cameroon, a region plagued by a longstanding separatist conflict. During his visit to the western Cameroon city of Bamenda, Leo presided over a peace meeting involving leaders from various faiths, aiming to highlight the interfaith movement seeking to end the conflict and support its victims. In his remarks at the St Joseph Cathedral, Leo praised the peace movement and warned against using religion to justify conflicts. He emphasized that 'Blessed are the peacemakers!' but expressed concern over those who manipulate religion for military, economic, or political gain. The pope called for a 'decisive change of course' away from conflict and exploitation, stating, 'The world is being ravaged by a handful of tyrants, yet it is held together by a multitude of supportive brothers and sisters!' His comments come amid an ongoing feud with US President Donald Trump, who recently attacked the pope on social media. The conflict in Cameroon has resulted in over 6,000 deaths and displaced more than 600,000 people since 2017. Cameroon, rich in natural resources such as oil, natural gas, cobalt, and gold, has seen its extraction industry dominated by French, English, and increasingly Chinese companies. The pope criticized the exploitation of these resources, saying, 'Those who rob your land of its resources generally invest much of the profit in weapons, thus perpetuating an endless cycle of destabilisation and death.' Despite a temporary pause in fighting by separatist fighters to ensure the pope's safe passage, the conflict shows no signs of resolution, with peace talks stalled due to mutual accusations of bad faith.