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Three longtime FBI special agents—Michelle Ball, Jamie Garman and Blaire Toleman—have initiated a class‑action lawsuit asserting that they were dismissed without cause in October and November 2025 as part of a "retribution campaign" orchestrated by the Trump administration.The complaint, filed on Tuesday, contends that the termination letters, signed by FBI Director Kash Patel, falsely accused the agents of "weaponising" their positions and were intended to punish them for their work on a special‑counsel investigation into Donald Trump’s efforts to remain in power after the 2020 election.Each agent brings between eight and fourteen years of service to the case, underscoring their status as career, non‑partisan law‑enforcement professionals. In their statement, they emphasized that they "took an oath to uphold the Constitution" and that their removal "without due process" constitutes a "profound injustice" that threatens the apolitical nature of federal policing.The lawsuit references a 48‑page complaint that details how the agents were abruptly terminated after being assigned to support Special Counsel Jack Smith’s probe, which ultimately led to Trump’s 2023 indictment for alleged illegal attempts to overturn his electoral defeat. Although that case was later dropped following Trump’s 2024 re‑election—citing a DOJ policy barring prosecution of sitting presidents—the agents argue that the subsequent firings were retaliatory.Legal analysts note that the suit could set a precedent for other former law‑enforcement officials who claim they were ousted for perceived disloyalty. A separate group of twelve ex‑FBI employees previously sued over alleged wrongful termination after kneeling during a 2020 protest, highlighting a broader pattern of disputes over political interference.By alleging that the administration’s actions "impugned the professional reputation" of the plaintiffs and the broader class of agents, the filing seeks not only reinstatement but also damages for defamation and wrongful termination.

Just days after his 15th birthday, Rajasthan Royals’ opening batsman Vaibhav Sooryavanshi celebrated with a blistering 15‑ball fifty, steering his side to an eight‑wicket victory against Chennai Super Kings on Monday.Following a debut‑season knock of 100 off 35 balls against Gujarat Titans last year, the teenager continued his aggressive form, reaching 52 runs from only 17 deliveries – a spell that featured five sixes and four fours. His innings, paired with a rapid 75‑run partnership alongside fellow opener Yashasvi Jaiswal, propelled Rajasthan to a target of 128 in just 12.1 overs."Our strategy was to dominate the powerplay and set the tone early," Sooryavanshi explained. "If the opposition had bowled better in those first overs, the match could have swung the other way, but we chose to attack from the start."The young batter credited the backing of coach Kumar Sangakkara and the support staff for encouraging his instinctive attacking approach, noting that they urged him to read the situation and trust his game.Rajasthan’s chase was underpinned by a disciplined bowling display. South Africa pacer Nandre Burger led the attack with figures of 2‑26 and was named player of the match. Both Jofra Archer and Ravindra Jadeja contributed two wickets each, helping restrict Chennai to 127 all out in 19.4 overs after a shaky 41‑4 start.Looking ahead, the Royals will meet the Gujarat Titans in Ahmedabad on Saturday, while Chennai prepares to host Punjab Kings on Friday.

Brandy's highly anticipated memoir, Phases, co-written with Gerrick Kennedy, provides an intimate look at the singer's life, detailing her formative years, meteoric rise to fame, and struggles with addiction, bullying, and trauma.Brandy, known as the 'Vocal Bible,' has been in the music industry for over 30 years, with a discography that includes undeniable classics like 'Sittin’ Up in My Room', 'The Boy Is Mine', and 'What About Us?'. Despite her success, she has often been underrated, and her memoir aims to set the record straight.The book delves into Brandy's early life in Mississippi and California, where she developed her singing skills in church choirs and youth groups. It also explores her experiences as a teenage superstar, including her role on the hit sitcom Moesha and her struggles with addiction.Brandy shares stories of bullying, including being targeted by a bully named Shanice, and her complicated relationships with musical idols like Whitney Houston and Michael Jackson. She also opens up about a toxic relationship with Wanya Morris of Boyz II Men and her side of the story about her highly publicized feud with Monica.The memoir also touches on Brandy's involvement in a fatal car accident in 2006, which left her with survivor's guilt and a deep sense of responsibility. Through it all, Brandy's love for music remained a constant, and she reflects on her journey to becoming one of the most respected vocalists in the industry.Phases is now available on HarperCollins in the US and will be released in Australia on April 1 and in the UK on April 23.

The recent ruling that Meta and YouTube are liable for creating addictive products has intensified the debate on restricting social media use for under-16s. However, there's another crucial aspect to consider: 85% of kids and teens interact online through video games. The suggestion to curb online gaming alongside social media restrictions raises significant concerns about feasibility and impact.Some online games, like Roblox, have proven to be unsafe environments for children, with cases of grooming and child exploitation. Nevertheless, implementing a ban on online gaming would be a regulatory nightmare. Games like Minecraft or EA Sports FC have different online components, making a blanket restriction difficult to enforce.Banning teens from playing games online entirely would be detrimental. Online games are vital social spaces for millions of teens, offering a few arenas where they can interact without adult surveillance. With two-thirds of council-run youth centers lost since 2010, video games fill a critical gap.The core problem lies in the internet's heterogeneous nature. Games, social media, and YouTube are distinct, making it hard to cancel out potential harms without also eliminating benefits. Instead of banning young people, the focus should be on taking back the internet from manipulative big tech companies.Parents concerned about their children's safety can use existing parental controls to mitigate risks. Features like chat restrictions, time limits, and age-appropriate settings can ensure children enjoy games while staying safe. A ban would introduce no further benefit and could cause significant harm.

Jurors in two separate U.S. courts delivered historic rulings that, for the first time, hold major social‑media platforms financially accountable for designs that allegedly harm young users. In New Mexico, a jury ordered Meta to pay $375 million for claims that its products contributed to child sexual exploitation and other harms. The following day, a California jury found both Meta and YouTube liable, imposing $6 million in damages for deliberately engineering addictive experiences. The verdicts arrive amid a wave of lawsuits filed by more than 2,000 plaintiffs—including families, school districts, and state attorneys general—targeting Meta, YouTube, TikTok and Snap. While both companies have announced intentions to appeal, the judgments signal a shift from public criticism to concrete legal exposure. During the trials, Meta’s defense repeatedly cited the American Psychiatric Association’s position that “social media addiction is not a thing” in the DSM‑5‑TR. The APA countered that the absence of a formal diagnosis does not negate the phenomenon’s existence, emphasizing growing research on the mental‑health impacts of compulsive platform use. Internal communications presented as evidence painted a starkly different picture. A 2020 Meta email exchange described Instagram as “a drug” and likened the company’s role to that of “pushers,” while another message warned that targeting 11‑year‑olds resembled tactics once used by tobacco firms. Similar concerns emerged from YouTube, where an internal document explicitly stated the goal was “not viewership, it’s viewer addiction.” TikTok’s own research echoed these findings, concluding that users could become addicted in under 35 minutes and that compulsive usage correlates with a range of negative mental‑health outcomes. Moody’s, a risk‑assessment firm, warned that the dual verdicts establish a precedent whereby design‑driven user harm can trigger liability. In an analysis, analysts Adam Grossman and Taro Ramberg noted that insurers should focus on the emerging “design‑centered liability theory,” which links engagement‑driven features—such as infinite scrolling and autoplay—to compensable injuries. They cautioned that the current cases are merely the first data points in a broader legal trend. Beyond social media, the same design principles appear in video games, sports‑betting platforms, AI chatbots and online retail. Moody’s tracker lists over 1,100 pending cases in Los Angeles alone and estimates roughly 4,000 lawsuits targeting 166 U.S. companies for allegedly addictive software design. Both Meta and YouTube maintain that they disagree with the verdicts. YouTube’s spokesperson called the California decision a “misunderstanding” of the platform’s nature, while Meta emphasized the complexity of teen mental health and the non‑unanimous nature of the California jury’s finding. Nevertheless, the courts have signaled that even without a settled clinical definition of “social‑media addiction,” companies can be held responsible for the foreseeable harms of their product designs.

The Australian government has accused major tech firms, including Meta, TikTok, and Google, of failing to comply with a landmark ban on under-16s using social media. The ban, which came into effect last December, aims to protect children from the potential harms of social media.A survey of 900 Australian parents found that around a third (31%) said their children still had one or more social media accounts after the ban, compared to 49% before the laws. Specifically, the survey revealed that 70% of under-16s who had accounts on Instagram, Snapchat, and TikTok before the ban maintained access.The eSafety Commission claimed that the technology being used by these companies, such as facial age estimation, was not effective enough. The commission alleged that the firms had lax guardrails which allowed teens to repeatedly attempt age verification until they were successful. 'None of this is impossible. None of this is even difficult for big tech who are innovative billion-dollar companies. What this update shows is unacceptable,' said Australia's communications minister, Anika Wells.The social media minimum age laws specify that Facebook, Instagram, Snapchat, Threads, TikTok, Twitch, X, YouTube, Kick, and Reddit are 'age-restricted platforms', banning under-16s from holding accounts and requiring those companies to take reasonable steps to prevent children from opening or holding accounts. The laws carry a maximum A$49.5m (US$33.9m, £25.7m) penalty.In response, Meta said it was committed to complying with the social media ban and working with eSafety and the government. The company highlighted the challenge of accurately determining age online, particularly at the age-16 boundary. 'The most effective, privacy-protective and consistent approach is to require robust age verification and parental approval at the app store and operating system level before a teen can download an app or create an account,' Meta stated.TikTok and Google were contacted for comment but did not respond by publication time. The government said in January that more than 4.7m social media accounts were deactivated, removed, or restricted in the first days after the ban came into effect.

After clinching the 2026 Asian Cup in Australia, 35‑year‑old defender Saki Kumagai was asked to rank the trophy among the many she has collected over a 17‑year career. She smiled, shook her head and said, “I never compare my titles… this team is from a different generation, so winning this tournament means a lot.” Kumagai is the sole remaining player who lifted the Women’s World Cup in 2011 – the first and only Asian nation to do so. At 21, she scored the decisive penalty in the shoot‑out against the United States, a victory that came just months after the devastating earthquake and tsunami that struck Japan. Today, the squad she captains features teenagers who were toddlers when she made history: forward Maika Hamano was seven, centre‑back Toko Koga five, and top scorer Riko Ueki twelve when Kumagai’s winning penalty was replayed on TV. Kumagai admits she offers little direct advice, but she leads by example, saying, “I try to pass the baton to the next generation to show them how to perform in these moments.” The transition is no accident. In 2005 the Japanese Football Association unveiled a 50‑year vision aimed at expanding participation, climbing FIFA rankings and eventually hosting – and winning – a World Cup. Halfway through that plan, Japan now sits fifth in the FIFA women’s rankings, having added an Olympic silver medal (2021), a second World Cup final (2015), and three Asian Cup titles (2014, 2018, 2026) to its résumé. While the men’s game has progressed more slowly, the women’s side has surged ahead, bolstered by the launch of Asia’s first full‑time professional women’s league in 2021. This structural backbone has produced a squad “propelled by young stars,” as Kumagai notes. Currently playing for the London City Lionesses after spells at Olympique Lyonnais, Bayern Munich and Roma, Kumagai sees herself as a bridge between eras. She hopes her experience will help Japan reclaim the sport’s summit. “We have a lot of good young players,” she says. “They have confidence, they’re gaining experience in Europe, and as an experienced player I want to create a supportive environment for them.”

Demonstrators took to the streets of cities across the United States for the first 'No Kings' protest since the joint US and Israeli war against Iran began one month ago. The protests, which mark the third round of nationwide 'No Kings' demonstrations, saw over 3,300 events planned across all 50 states, with large crowds expected in cities such as New York, Los Angeles, and Washington, DC.The main event was scheduled for the Minneapolis-St Paul area in Minnesota, known as the Twin Cities, which became a focal point for Trump's hardline immigration crackdown in December. More than 3,000 federal immigration agents descended on the Twin Cities, leading to accusations of excessive force during deportation raids.In January, agents shot and killed two US citizens, Alex Pretti and Renee Nicole Good, prompting nationwide outrage and calls for reform. Dozens of lawsuits have been filed as a result of the operation, which was wound down in February.Progressive Senator Bernie Sanders addressed attendees, and rock icon Bruce Springsteen performed at the event, along with folk singer Joan Baez. Actor Robert De Niro told the crowd in Minnesota in a pre-recorded address, 'You've shown bravery in the face of armed attack by government thugs, and you stood together and ran them out of town'.The previous two 'No Kings' marches took place in June and October and drew millions of people. Trump responded to the October protest by posting an AI-generated video depicting himself dumping faeces on the protesters. The US is currently in the midst of campaigns for its pivotal midterm elections in November, which will see Trump's Republican Party seek to defend its majorities in both chambers of Congress.Democrats are hoping to gain seats as Trump's popularity droops. Sanders was among the speakers who reminded protest attendees of the importance of the upcoming vote, saying, 'We will not allow this country to descend into authoritarianism or oligarchy. In America, we the people will rule'.

Meta's attempt to shift the blame for a young user's mental health issues away from its platforms and onto her family and offline social problems has backfired in a landmark social media addiction trial. The company, parent of Facebook and Instagram, employed a aggressive defense strategy that included highlighting the plaintiff's complaints about her mother in her teenage text messages and personal writings.The jurors, however, were not convinced by Meta's arguments and decided 10-2 in favor of the plaintiffs, awarding $4.2m in damages from Meta and $1.8m from co-defendant YouTube. This verdict could set a precedent for thousands of similar trials already in the works against social media companies.Meta's defense strategy drew backlash from parental advocates, who argued that the company was attempting to shift the blame away from its own design choices and onto parents and users. "For the biggest tech executives, I want to say something: stop blaming the parents. It's on you," said Julianna Arnold, a co-founder of advocacy group Parents Rise!.The trial's outcome reflects a growing distrust of social media companies and their impact on society. A Pew Research Survey found that around 64% of US adults believe that social media platforms have a negative impact on the country, and around two-thirds of Americans have a negative view of Meta CEO Mark Zuckerberg.The verdict has been celebrated by advocates for reining in big tech, who see it as a significant step towards holding social media companies accountable for their role in shaping societal harms. "This trial was proof that if you put CEOs like Mark Zuckerberg on the stand before a judge and jury of their peers, the tech industry's wanton disregard for people will be on full display," said Sacha Haworth, executive director of The Tech Oversight Project.