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An estimated 15 people were injured when a vehicle struck attendees of the Lao New Year parade in New Iberia, Iberia Parish, Louisiana.The Iberia Parish Sheriff’s Office, via spokesperson Rebecca Melancon, indicated that the preliminary investigation suggests the incident was not intentional.According to Acadian Ambulance, 11 victims were transported to hospitals by ground ambulance and two were airlifted for urgent care. The response mobilized ten ambulances and two medical helicopters to the scene.The crash occurred in New Iberia, a city of over 28,000 residents, located roughly 34 km (21 mi) south of Lafayette and 214 km (130 mi) west of New Orleans.The Lao New Year Festival parade, an annual Easter‑weekend event featuring live music, food vendors, and a beauty pageant, saw its musical program cancelled while vendors were allowed to remain open until 9 p.m. local time.Festival organizers expressed deep sorrow, stating, "We are praying for the victims and their families," and indicated that, if security resources are restored, religious services would resume on Sunday.The Lao New Year celebration, rooted in Buddhist tradition and marking the transition from the dry season to the monsoon, reflects the presence of a vibrant Lao community in Louisiana, particularly in New Iberia’s Lanexang Village, which houses hundreds of Lao residents.Many members of this community trace their origins to the aftermath of the Vietnam War and the 1975 Pathet Lao takeover, which prompted large‑scale migration to the United States.

A projected ocean backdrop bathed the Hollywood High School auditorium in sunset hues as Mitski opened her five‑night residency, delivering a performance of “Dead Women” from her latest album Nothing’s About to Happen to Me. The stage, arranged like a cozy living room with a writing desk, chaise lounge and warm lamps, amplified the DIY‑style intimacy the artist sought.Addressing the crowd, Mitski quipped, “It’s dark in here – no one can see you. You can cry,” a line that resonated with the mixed‑age audience, prompting genuine emotional responses.The residency coincided with an innovative attendance challenge: students who maintained perfect attendance for two weeks were entered into a raffle for tickets. School staffer Michael Reagan called it “the most effective attendance drive in the district’s recent history.”Beyond the music, Mitski’s agreement to cover the venue’s rental fee will fund caps and gowns for graduating seniors, while she pledged to donate $2 from each ticket to a local youth‑focused music‑education nonprofit.The event attracted students from across Los Angeles and beyond. One senior, Sophia Barrios, traveled by train from the Central Valley after receiving tickets for her 18th birthday, praising Mitski’s genre‑spanning sound and personal lyrics. Fellow attendees echoed the sentiment, noting how the artist’s words gave voice to feelings they struggled to articulate.Former alumna Jessica Torres Vicente, now a therapist, described the experience as “a healthier dose of memory lane,” recalling the unchanged gold‑lettered welcome sign and vintage school‑production posters that still adorn the auditorium.Mitski’s decision to perform in a high‑school setting harks back to the venue’s history of hosting notable acts, such as Morrissey in 2013, and reflects her desire to recapture the raw connection of early‑career punk and DIY shows.The concert retained the hallmarks of a Mitski show—precise, balletic movement, immersive visuals, and a sound that enveloped the crowd—while the unique setting left an indelible impression. When she sang “Two Slow Dancers,” the audience shouted back, “Yes!” in unison, underscoring the shared intimacy of the night.

On Sunday, Slovenian star Tadej Pogacar captured his third Tour of Flanders title, matching the historic record after dropping his main rival Mathieu van der Poel with 18 km left to ride.Van der Poel had been chasing a fourth victory in the Monument, but Pogacar, fresh from a Milan‑San Remo win last month, completed a flawless spring‑classic double.The triumph raises Pogacar’s Monument tally to 12 victories, cementing his place second on the all‑time list behind Eddy Merckx. Having won all three of his races this season, a Paris‑Roubaix win next weekend would make him only the fourth rider ever to claim all five Monuments.Describing the race as “crazy” and “super‑hard”, Pogacar told Belgian TV that limited racing opportunities increase the pressure to win, but he was “more than happy” with how the day unfolded and will head to Roubaix “motivated” while trying to enjoy the cobbles.Last year’s Roubaix debut saw Pogacar finish runner‑up to Van der Poel, who secured his third consecutive victory there.Double Olympic champion Remco Evenepoel secured third place, ahead of fellow Belgian Wout van Aert, after more than six hours covering 278 km of Flanders’ hilly, cobbled terrain.The event unfolded as a showdown among four of cycling’s biggest stars. Pogacar’s decisive move came on the second ascent of the Oude Kwaremont, 57 km from the finish, where he shed all rivals except Van der Poel and Evenepoel.Evenepoel was subsequently left behind on the next climb, the Paterberg, eventually finishing over a minute after Pogacar.After riding together for roughly 40 km, Pogacar launched his race‑winning attack on the final climb of the Oude Kwaremont, gaining a six‑second edge that expanded to a comfortable margin at the line.In the women’s race, European champion Demi Vollering mirrored Pogacar’s tactics, breaking away on the Oude Kwaremont and winning by 19 seconds, with a 45‑second gap to second‑placed Pauline Ferrand‑Prévot.Vollering’s victory marks her third Monument win, adding to two Liège‑Bastogne‑Liège titles, while Lotte Kopecky finished fourth.

Pep Lijnders revealed that Bernardo Silva will depart Manchester City this summer, urging the club to give the veteran a proper send‑off as his contract runs out in June.The Portuguese international, now 31, has enjoyed an impressive campaign but, according to the assistant manager, this will be his final season in the Sky Blue jersey.Speaking candidly, Lijnders said, "When he is not playing you will see how he is missed – that’s one game. Every good story comes to an end, and I hope he enjoys the last months – there are only six weeks – and has a good farewell. He deserves all that attention as well."Silva arrived from Monaco in July 2017 for a reported £43.5 million fee and quickly became integral to Pep Guardiola’s era of dominance, collecting six Premier League titles, two FA Cups, five League Cups, a Champions League trophy and two FIFA Club World Cups. He was also appointed captain for the current season.Lijnders, who previously served under Jürgen Klopp at Liverpool before joining City, praised Silva’s footballing intellect: "I didn’t like him before. Now I love him. The way he feels the game, what’s needed – there aren’t many like him. He knows when to drop, when to make a move 20 metres away from Rodri."He added, "Bernardo Silva is unique. The way he controls games, moves, receives the ball and leads is unparalleled. You never replace a player of his type because they simply don’t exist." Lijnders emphasized the club’s focus on nurturing academy talent to fill midfield roles rather than seeking a direct replica.Silva, who has previously spoken of wanting to end his career at Benfica, will become a free agent this summer. Barcelona have reportedly shown interest, though neither the player nor Manchester City have issued an official statement regarding his next move.

Xavier Giannoli's latest film, 'Rays and Shadows,' has ignited a firestorm of controversy in France with its portrayal of Jean Luchaire, a French journalist and press baron who collaborated with the Nazis during World War II. The film, told from the perspective of Luchaire's daughter Corinne, a former actress known as 'the new Garbo,' delves into the moral compromises and betrayals of occupied France.The film's depiction of Luchaire as a disillusioned spendthrift rather than a diehard ideologue has sparked criticism from left-leaning critics, who argue that it relativizes the actions of those who willingly served the Nazi killing machine. Historian Laurent Joly also questions the film's portrayal of Luchaire, suggesting that his path to collaboration was driven by amorality and venality rather than pacifism.Despite the controversy, the film has drawn over 300,000 spectators in its opening week in France, sparking important discussions about the Vichy period and the complexities of human behavior during times of war. Giannoli's goal was to strike a balance between fascination and indignation, and to explore the traps that a human being can fall into when faced with difficult choices.

Bordeaux Bégles thrashed Leicester 64-14 in a one-sided Champions Cup match, highlighting the significant gap between French and English club rugby. Salesi Rayasi scored a hat-trick as Bordeaux's potent attack proved too much for the depleted Leicester side.The French team's victory was never in doubt, even when Leicester was at full strength. However, the visitors were severely weakened by missing several first-choice forwards, including Ollie Chessum and Nicky Smith. This allowed Bordeaux to assert their dominance, scoring nine tries in a commanding performance.The hosts' attack was led by Cameron Woki and Louis Bielle-Biarrey, who provided crucial assists and scored tries. Maxime Lucu also contributed with a penalty and a try. The team's depth and skill were on full display as they ran in try after try, leaving Leicester struggling to keep up.The win reaffirms Bordeaux's status as continental champions and sets up a quarter-final clash with domestic rivals Toulouse next weekend. This match promises to be a thrilling encounter between two of France's top teams.The result also highlights the financial disparity between French and English club rugby. A recent TV deal in France is worth over £120m annually, allowing top teams to attract and retain top talent. This investment is reflected in the quality of play and the gap between the two ecosystems.For Leicester, the defeat was a disappointing display, especially considering their next league game is against Newcastle Red Bulls, currently bottom of the table. The team's coach, Andrew Brace, will need to regroup and refocus his team for their upcoming challenges.

As the final minutes ticked away at St Mary’s Stadium on Saturday, even the stray yellow balloons seemed to mock Arsenal’s faltering performance.Despite a season that once promised an unprecedented English quadruple, the Gunners have now suffered six consecutive losses, including a Carabao Cup final defeat and an FA Cup exit at Southampton. The double blow has turned a potential historic haul into a looming “quad‑lapse”.Two weeks later, a home loss to Bournemouth followed by a defeat at Manchester City’s Etihad has erased the nine‑point cushion Arsenal once enjoyed at the top of the league. With only 16 games left in the campaign, the club teeters between a title challenge and a mid‑season collapse.Arturial optimism remains, however. The manager’s emphasis on a cohesive, system‑based approach still gives Arsenal a realistic shot at the Premier League crown, even if the broader quadruple dream appears increasingly distant.What makes this season noteworthy is the sheer difficulty of competing on multiple fronts without the financial firepower of a “galactico” squad. Arsenal’s progress underscores that building a balanced, strategically disciplined team can still challenge the traditional spend‑and‑win model.Yet the narrative surrounding Arsenal’s struggles is amplified by the cultural appetite for drama. In today’s social‑media‑driven landscape, each stumble is dissected in slow‑motion, feeding a collective schadenfreude that often eclipses genuine appreciation for the club’s achievements.Arteta’s weekly press conferences have become iconic, his frustration palpable as he urges his side to “win the Champions League because we’ve thrown it away”. This raw emotion, amplified across platforms, reflects both the pressure on the manager and the public’s fascination with the club’s roller‑coaster journey.From a tactical standpoint, Arsenal’s current dilemma lies in a lack of creativity when opponents neutralise their prescribed patterns. Despite leading the league, the team ranks fourth in chances created from open play after 31 matches, and the figure has slipped further in recent weeks.Key attacking statistics highlight the problem: Gabriel Martinelli has not scored in the Premier League since September 2025; Noni Madueke has one league goal since January; Gabriel Jesus, Declan Rice, Leandro Trossard, Martin Ødegaard, and Kai Havertz are all goalless; and Bukayo Saka has managed only three league goals since November. These numbers illustrate a broader creative entropy that hampers Arsenal’s ability to break down well‑organised defenses.The team’s attacking blueprint—characterised by lateral passing, pre‑programmed overloads and a reliance on set patterns—has become predictable. Without the dynamism of players like Saka or the emerging spark of 16‑year‑old Eze, Arsenal lack the spontaneity needed to unlock stubborn opponents.Comparisons with Pep Guardiola’s Manchester City are inevitable. While Guardiola’s philosophy also hinges on possession and positional control, his side integrates moments of individual flair and improvisation, a balance Arsenal’s current iteration seems to miss. Critics have dubbed Arteta’s approach a “ChatGPT‑style Guardiola‑ism”: technically flawless yet devoid of the human edge that makes football unpredictable.Nevertheless, the squad’s underlying talent and the progress made this season should not be dismissed. If Arteta can re‑inject creativity and adapt his system to the evolving challenges, Arsenal remain well‑placed to contest the league title, even as rivals like City continue to demonstrate both brilliance and vulnerability.

The former boss of the Co-op collected almost £2m before her sudden departure last month despite a difficult year when the retailer was pushed into the red by a damaging cyber hack.Shirine Khoury-Haq’s total annual pay package amounted to £1.9m in 2025, including a £165,000 “rewarding growth” bonus that was approved by the mutual’s board despite falling sales and the slide to an underlying loss of £125m.Khoury-Haq and other executives did not receive their regular annual bonus as the board said the company had not met an “affordability underpin” to make the payout. However, Khoury-Haq’s total pay did include a long-term performance bonus linked to earlier years.In the Co-op Group’s annual report, the remuneration committee said it had decided to pay out 10% of the three-year potential total for the new “rewarding growth” incentive plan, which goes to all staff. Full-time, frontline workers, such as shop floor staff, who were employed for all of 2025 received £100 each under the scheme.The report did not say if Khoury-Haq would receive any compensation for loss of office on her departure but did make clear she would not receive any more from the “rewarding growth” scheme. Kate Allum, a board member and former boss of the dairy group First Milk, will step in as the interim chief executive while a permanent replacement is sought.Khoury-Haq’s departure after four years heading the company, and almost seven at the business, came a month after reports of concerns about the culture at the top of the group. Last week, Khoury-Haq denied that her resignation was linked to the allegations of a toxic culture. “My decision to leave was very much a personal decision,” she said. “The reason is I want to go and do something else.”

Prime Minister Keir Starmer seized the launch of a new package of workers’ rights, due to take effect on Monday, to launch a direct attack on the Green Party and Reform UK. He warned that supporting any rival would place recent gains in sick pay, parental leave and the curbing of zero‑hours contracts in jeopardy. Speaking ahead of the May 7 local elections, Starmer framed Labour’s agenda as the only one offering a "serious, credible economic strategy" capable of delivering the reforms. He dismissed business critics as "vested interests" who had warned against the measures. The reforms include several headline‑making changes: the two‑child benefit cap is lifted – a demand long championed by child‑poverty advocates – and the government touts this as one of its proudest achievements. A 4.8% rise in the state pension will raise weekly payments to £241.30, while the standard allowance for Universal Credit climbs by 2.3%. Under the Employment Rights Act 2025, statutory sick pay becomes a right from the first day of illness, and workers will be entitled to paternity and unpaid parental leave immediately upon starting a job. These "day‑one rights" are presented as the most significant strengthening of workers’ protections in a generation. Labour is positioning these policies as a bulwark against potential losses in English council and mayoral contests, where it faces challenges from Reform on the right and the Greens on the left. Recent YouGov data placed the Greens and Reform each at 21%** of voting intention, with Labour trailing at **17%**. Starmer’s rhetoric signals a leftward shift within Labour, amid pressure from potential leadership rivals such as Angela Rayner and Andy Burnham. He acknowledged past opposition from business leaders who warned of costs and disruption, but asserted that Labour chose to stand with "working people". Not all left‑wing allies are satisfied. Unite’s General Secretary Sharon Graham criticised the Employment Rights Act as "a shell of its former self," while the union recently slashed its membership fees to Labour over disputes like the Birmingham bin strike. The Conservative Party, represented by Kemi Badenoch, condemned the removal of the two‑child benefit cap, claiming it would cost billions and "reward worklessness". Government analysis estimates the change will channel at least £1 billion annually to 186,000 work‑less households, with a typical family of two unemployed adults and three children seeing a **£6,400** income boost. The bulk of the benefit is projected to flow to a handful of cities – Leeds, Manchester, Birmingham, Bradford and Glasgow – each set to receive over **£200 million** per year. Starmer likened the current reforms to the Blair government’s introduction of the minimum wage 27 years ago, positioning them as a historic step forward for the UK labour market.