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The UK government has instructed HS2 Ltd to assess the feasibility of operating its high-speed trains at reduced speeds, aiming to curb escalating costs and facilitate an earlier launch in the 2030s. The proposal involves limiting train speeds to 186mph (300km/h), a significant decrease from the initially planned 224mph. Potentially billions of pounds in savings could be achieved through this adjustment, which would bring the project more in line with typical European high-speed rail standards. Currently, most UK trains operate at a maximum speed of 125mph, while HS1 trains serving Kent and the Channel tunnel reach up to 186mph. Transport Secretary Heidi Alexander has commissioned HS2 Ltd to report back on the potential savings from slower trains before the summer recess. This development follows a review by HS2's new CEO, Mark Wild, who has been working to regain control of the project's costs and delays. Alexander acknowledged the challenges facing the project, stating that previous plans significantly underestimated the work required. Despite these challenges, she praised Wild's leadership and noted that HS2 is now making progress, having completed the excavation of all 23 miles of deep tunnels needed for the initial stage of the railway. The project's overall budget is expected to be reassessed and restated in 2026 prices, with predictions that it will exceed £100bn due to soaring inflation and rising labour and steel costs. As of now, the total expenditure stands at £46.2bn at current prices. Government sources suggest that the original design for the world's fastest railway was “gold-plated” and “needlessly overspecced”, contributing to the cost overruns. Wild emphasized that speed was never the primary objective, and the railway's focus should be on delivering better journeys, increased network capacity, and economic growth.

England manager Thomas Tuchel has made two significant inclusions in his squad for the upcoming friendlies against Uruguay and Japan at Wembley. Ben White, the Arsenal right-back, has been recalled to the squad after a period of exile that began during the 2022 World Cup in Qatar. White's return comes after Jarell Quansah was forced to withdraw due to injury. White, who has four England caps, last played for the national team in March 2022 against Côte d'Ivoire. His absence from the squad was partly self-imposed, but Tuchel indicated in March that White wanted to return. This season, White has struggled for regular game time at Arsenal, starting only five Premier League games. In addition to White's recall, Tuchel has called up Harvey Barnes from Newcastle as a replacement for Eberechi Eze, who has withdrawn with a calf injury. Barnes, who has scored 14 goals in all competitions this season, is second on Newcastle's scoring charts, trailing only Anthony Gordon. He previously earned his only England cap as a substitute against Wales in October 2020 under Gareth Southgate. Notably, Scotland had been attempting to lure Barnes for their World Cup squad. Tuchel's squad selection has been influenced by injuries, particularly the hamstring injury to first-choice right-back Reece James. Trent Alexander-Arnold was not recalled, and other options at right-back include Tino Livramento and Djed Spence. England will host Uruguay on Friday, followed by Japan on Tuesday at Wembley.

Choreographer Alexander Whitley's latest works, Mirror and The Rite of Spring, are a thought-provoking exploration of the relationship between technology and human performance. In Mirror, dancers Gabriel Ciulli and Daisy Dancer move in tandem, their bodies studded with motion-capture markers, as they interact with digital doppelgangers that appear on stage.The use of technology in Mirror creates a sense of tension, as the dancers' movements are echoed and eventually upstaged by their digital counterparts. This tension raises questions about the role of technology in dance and whether it enhances or detracts from the human performance.In The Rite of Spring, Whitley reimagines Stravinsky's classic score with a glitched and layered version, accompanied by rudimentary choreography. The piece features five dancers and a makeshift maypole, but ultimately feels disjointed and lacking in energy.Whitley's use of technology in both pieces is a deliberate attempt to explore the boundaries between human and digital performance. While Mirror is a more successful exploration of this theme, The Rite of Spring feels like a missed opportunity to fully integrate technology and tradition.