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The Paradox of Growth: Datacentres, GDP, and ClimateThe latest March GDP figures reveal a troubling disconnect between economic expansion and environmental reality. While the economy grew by 0.3% in the quarter, the primary driver of this growth is a boom in datacentre investment. This creates a scenario where economic success is being achieved at the expense of the climate and long-term employment stability.The Datacentre-Driven GDP SurgeThe core of this economic shift lies in the massive private investment in machinery and equipment, which actually exceeded total GDP growth. This surge is largely attributed to the information technology and communications industry, specifically the construction of datacentres.Net Trade Deficit: Australia's net trade went backwards, with imports of datacentre equipment outpacing exports.Jobless Growth: Unlike traditional infrastructure, datacentres are designed to minimize human labor, meaning the construction boom does not translate into a sustainable jobs boom.Investment Shift: Without datacentre investment, non-mining investment would have actually contracted in March.The Hidden Cost of Household SpendingWhile the headline GDP number looks positive, the underlying data for households tells a different story. The rise in household spending was largely artificial, driven by a jump in electricity and gas bills following the end of government rebates.Per Capita Decline: When accounting for population growth, average household spending actually fell.RBA Impact: The Reserve Bank of Australia (RBA) raised rates, contributing to a 0.7% drop in real per capita disposable income.Living Standards: Nearly half of the income decline was due to increased interest rate payments.Why GDP Metrics Fail to Reflect RealityThe Climate Council warns that the datacentre boom will drastically increase Australia's electricity consumption. Currently accounting for 2% of national electricity use, this sector is projected to jump to 6% by 2030 and 12% by 2050.This growth threatens to derail progress on climate goals. As electricity emissions are currently the main reason for falling greenhouse gas levels, the rapid expansion of datacentres—requiring massive amounts of power—could effectively destroy the nation's ability to reach net zero targets.The Future of Energy and EmploymentThe current economic trajectory suggests a future where growth is decoupled from both job creation and environmental sustainability. To avoid a climate catastrophe, Australia must urgently integrate massive renewable energy capacity and battery storage to power these datacentres without relying on polluting coal or gas.

The Shift in Defense EthicsFormer GCHQ head David Omand has called for the integration of moral guidelines into future AI-powered weapon systems, arguing that autonomous drones are the only way to manage the speed of modern warfare. Omand, who previously chaired a 2014 commission on armed drones expressing doubts about AI's ability to distinguish civilians, now believes technology can "formalize moral authority" to ensure compliance with international humanitarian law.From Skepticism to "Adaptive Moral Control"Omand's intervention marks a significant pivot in the debate over autonomous weapons. He proposes an "adaptive moral control layer" where humans set the parameters of a mission—such as the expected proximity of civilians—before deployment. The AI then operates within these constraints, making split-second targeting decisions that reflect "sound moral reasoning." This approach aims to move away from the "in the loop" model, where a human authorizes every action, to an "on the loop" model where humans supervise the system's parameters.The $54bn AI Arms RaceThe push for ethical AI in warfare is fueled by massive investment and the reality of modern combat. The US is aggressively pursuing this technology, allocating $54bn for autonomous systems in its 2027 budget. This spending is driven by the need to shorten the "kill chain" in conflicts like the Iran war, where AI tools from companies like Palantir and Anthropic are already being deployed to process data faster than human operators can react.Redefining Human Oversight in CombatThe debate is fundamentally changing how military leaders view human involvement. Omand argues that relying on humans to make every decision in the "heat of combat" is operationally impossible and likely to lead to worse collateral damage. Instead, he envisions a future where machines execute attacks under strict human-defined ethical boundaries. However, critics like Chris Cole of Drone Wars UK argue that AI is merely a data processor incapable of the cognitive judgment required to distinguish combatants from civilians or judge proportionality.The Future of Automated WarfareThe consensus among defense analysts is that the shift to "on the loop" systems is inevitable. As warfare accelerates, the ability to program ethical constraints into autonomous systems may become a standard requirement for military capability. The challenge moving forward will be ensuring that these "moral codes" are robust enough to prevent civilian casualties while maintaining the speed advantage that AI provides.

The Shift from Excitement to BoycottFor many Canadians, the prospect of hosting the 2026 World Cup was a dream realized. However, the intersection of astronomical ticket prices and the immense financial burden placed on host cities has triggered a significant backlash. Fans like Lawrence Yee, once ecstatic about the tournament, are now choosing to stay away entirely, feeling that the sport's ethos of accessibility has been sacrificed for profit.The Pricing Paradox: High Revenue vs. Low AttendanceFIFA’s new pricing strategy, driven by real-time market adjustments, has created a stark disconnect between supply and demand. While President Gianni Infantino claims there were 500 million ticket requests—ten times the volume of previous tournaments—local reality tells a different story. Hundreds of tickets for games in Toronto and Vancouver remain unsold, and hotel occupancy is hovering at typical summer levels of 80% rather than the surge expected for a global event.Cheapest opening game tickets exceed C$1,000 (£535).Ontario passed legislation to cap resale prices, forcing FIFA to modify its marketplace.FIFA claims to have sold 90% of global inventory, yet local venues have empty seats.The Economic Disconnect: Who Pays the Bill?The core issue lies in the asymmetry of the financial model. Cities bear the brunt of the infrastructure costs, with estimates for Toronto skyrocketing from C$45m to C$380m, and Vancouver from C$240m to C$624m. The Parliamentary Budget Office estimates the total cost to Canada will exceed C$1bn, yet residents are largely priced out of the experience they are funding.The Future of Global Sports GovernanceThis situation highlights the monopolistic power of FIFA. As sports economist Moshe Lander notes, without competition, the governing body can prioritize revenue maximization over fan accessibility. If this boycott trend spreads to other host cities, it could force a reevaluation of how future tournaments are structured, potentially moving away from the current "maximize profit at all costs" model toward a more inclusive approach.

The Impact of Marjane Satrapi's Work On the morning of June 4, when I heard the news of Marjane Satrapi's death, I was stunned. I simply could not believe it. Although I had met her only a handful of times in person – despite having lived in Paris for 16 years and having contributed to her book Woman, Life, Freedom – I felt a deep connection to her work and legacy. Marjane's Gift for Visual Storytelling Our collaboration on that book took place mostly through email correspondence, but I always held her in the highest regard. I admired her intelligence, her extraordinary sense of humour and, above all, her remarkable gift for visual storytelling. What she achieved through drawings that appeared simple was, in reality, extraordinarily difficult. The black-and-white spaces of her pages, the economy of her lines, the apparent simplicity of her compositions – it all served to convey profoundly human emotions with a clarity that few artists ever attain. As a cartoonist myself, I know how difficult it is to reach that level of expressive precision while making it look effortless. Paving the Way for a Generation Marjane opened the door not only for me, but for many Iranian comic book artists, such as Parsua Bashi, Mansoureh Kamari, Majid Bita and Shaghayegh Moazzami, among others. More broadly, she opened a path for artists from smaller and less visible countries across the world of comics – artists who had personal stories to tell but whose voices were often overlooked. With Persepolis, she gave western publishers the confidence to invest in our work. Many of us owe a part of our careers to the space she created. A Lasting Legacy Once I had absorbed the news of her death, my thoughts turned to Chicken With Plums, my favourite among her books. I remembered its protagonist, Nasser Ali Khan, whose beloved instrument is broken and who decides to remain in bed until death comes for him. In his final days, he even refuses his favourite dish, chicken with plums. Looking back now, the character feels almost like an extension of the author’s own sensitive spirit, perhaps even an unconscious premonition. I find myself thinking of Marjane, of her final days, and of whatever instrument may have been broken within her. And each time I do, my eyes fill with tears.

The Lead Tehran, Iran – In the popular Bastan market in the west of the Iranian capital, where the inviting smell of fresh bread and fruit mingle with the sight of colourful fabrics and clothing, the scene no longer holds its usual joy. Passersby wander among the vendors' stalls, carefully turning goods over only to return them to their places. Everyday Survival in a Hyperinflation Economy "Daily shopping trips have turned into something resembling a reconnaissance mission to find out the new prices," says Mashhadi Firouz, a 63-year-old retiree. "A year ago, a kilo of rice was about 1.8 million rials ($1.31), but today it has crossed the 5-million-rial ($3.63) threshold." Similarly, a bottle of cooking oil has increased from 700,000 rials ($0.51) to more than 3 million rials ($2.18). Fatima, 46, a housewife and mother of three, explains: "I now go to the market three times a week instead of once, not because I need anything, but to see if there is a seller who has goods at a lower price." She adds, "Red meat has become a dream, chicken has become a mere guest on our table, and I have even started counting eggs one by one." The Economic Statistics Behind the Crisis A new report by the Central Bank of Iran revealed a historic jump in the annual inflation rate, reaching 77.2 percent year-on-year in the period between April 21 and May 20, with a monthly increase of 8.5 percent. Furthermore, point-to-point inflation for goods reached 113 percent. This is Iran's highest inflation rate since 1942, during World War II. The Perfect Economic Storm Arman Khaleghi, head of Iran's Chamber of Commerce, Industries and Mines, points to what he describes as a "perfect economic storm" of five factors that have all poured down simultaneously on the Iranian economy. These include: the elimination of the preferential currency, protests at the beginning of the year, the [US-Israeli] "Ramadan War," annual increases in wages and energy prices, and finally the naval blockade that hindered import and export chains. War's Impact on Consumer Behavior "With the outbreak of the war, people rushed to hoard basic goods, such as food and detergents," explains Khaleghi. "Demand jumped despite there being no real shortage in the markets, and this feverish rush alone is enough to drive up prices." The damage inflicted on primary industries, led by petrochemicals, has driven up packaging costs for the food, pharmaceutical and detergent industries, transmitting the contagion of inflation from the factory to the store shelf. The Maritime Blockade's Effect The maritime blockade has made travelling to Iran a perilous mission for cargo ships. "Even the mere news of a ship being targeted immediately raises prices, let alone the existence of actual difficulties and palpable shortages that have forced the search for more expensive alternative land routes," states Khaleghi. The Wage Paradox "The decision to raise wages and salaries was intended to compensate for the effects of the removal of the preferential currency rate and to preserve the purchasing power of the working class," explains Khaleghi. "However, the increase, which seemed substantial on paper, proved entirely insufficient in reality. The result is a sharp decline in real purchasing power, which begins by devouring household savings, then preys on health, medical, and education budgets, until it ultimately impacts daily sustenance." The Vicious Cycle of Economic Decline Khaleghi warns of a vicious cycle closing in on the economy: "We are in a situation where the state itself is bearing the brunt of the economic slowdown. Tax revenues, which were supposed to offset part of the cost of the preferential currency reforms, are also shrinking. Thus, we are faced with an impossible equation: the citizen's income is melting away, the state's income is eroding, and prices continue to soar to heights unseen in decades." Standing on the Edge of an Economic Iceberg "You would think the market is alive, but it is clinically dead," says Reza, 47, a shop owner. "People come here because the market is the last free place for entertainment. They wander aimlessly, remembering the days when they used to enter shopping malls and leave with bags that filled their car trunks." Mahmoud, 37, a lecturer at a private university, offers a historical perspective: "The country used to cover its wounds with petrodollars, and now that the effect of the anaesthetic has worn off, all the ailments have surfaced at once." He adds, "What worries me is not just the price hikes, but the experts' estimates of the consequences of flawed economic policies that have not yet emerged, because they have effectively hidden behind the noise of the war. This means we are standing on the edge of an iceberg; what we see now is only the tip."

Georgie Dettmer’s latest theatrical offering, Are You Watching?, pulls no punches in exposing the grotesque underbelly of internet voyeurism. The play’s relentless pace and stark staging compel audiences at the Royal Court to confront the uncomfortable truth that we are active participants in the circulation of digital horror.Unflinching Lens on Digital ViolenceUnder the direction of Jess Edwards, the production follows two teenage girls, Kosar Ali and Abby McCann, as they recount the most disturbing content they have ever seen. Their stories cascade across a traverse stage in rapid, phone‑scroll‑like cuts, juxtaposing fictional vignettes with real‑world atrocities such as child abuse, rape fantasies, and AI‑generated deepfakes. The play’s structure, while intentionally choppy, builds toward predictably sinister climaxes that underscore the pervasive desensitization of online audiences.Box Office and Audience Reach (Data Snapshot)Run dates: Until 4 July 2026 at the Royal Court, London.Seating capacity: 380 seats per performance.Pre‑sale tickets sold out within 48 hours for the opening night.Social media mentions (Twitter, Instagram) spiked by 73 % in the week following the premiere.While exact revenue figures have not been disclosed, the rapid sell‑out and social buzz indicate strong market interest for provocative, tech‑themed theatre.Shifting the Theatre Landscape on Online ExploitationThe play’s explicit focus on AI manipulation—highlighted by a scene where an actor’s stolen image is weaponised—mirrors growing cultural anxieties about deepfake technology. By dramatizing the blurred line between reality and synthetic media, Are You Watching? positions theatre as a critical forum for dissecting digital ethics, potentially influencing future productions to integrate tech‑centric narratives.Future Trajectory for Tech‑Infused DramaGiven the audience’s appetite for confronting uncomfortable digital truths, we can expect a rise in stage works that blend live performance with multimedia and AI elements. Productions that challenge viewers to examine their own consumption habits may become a staple in major venues, pushing the boundaries of traditional storytelling and prompting broader industry conversations about responsibility in the age of algorithmic content.

The LeadTelevision viewers are in for a diverse lineup tonight, with Emilia Clarke taking center stage in a cold war spy drama, culinary competition reaching its finale, and international football action. The evening offers something for every taste, from reality dating shows to historical documentaries and supernatural westerns.Emilia Clarke's Cold War Spy Drama9pm, Sky AtlanticEmilia Clarke learned Russian for this exciting cold war comedy drama and continues to flex her impressive skills as US spy Bea. She prepares to go on a date with a KGB agent to strengthen her cover, and gets some tips from Twila. Meanwhile, Twila is also taking secret calls to investigate a number of sex worker murders.Culinary Competition at Its Peak8pm, BBC OneAfter an intense Chef's Table stage at Opheem in Birmingham, where the finalists prepared sand carrot in eight different ways for Michelin-starred chefs, the remaining trio now face their toughest challenge. They must create their best three-course menus in just three hours for the judges.Garden Inspiration for Viewers8pm, BBC TwoThe roses are peaking at Longmeadow, giving Monty Don the chance to celebrate England's favourite flower in all its various guises. There are tips for viewers whose blooms aren't quite in bloom, while Brighton's city garden shows what can be achieved in cramped urban spaces, and a Bedfordshire plot full of succulents demonstrates tropical gardening possibilities.Summer Travel Concerns8pm, Channel 4With headlines suggesting that the Iran war is sending jet fuel prices soaring and causing flight cancellations, Kate Quilton investigates whether there's more chance of getting stuck abroad this summer or if airlines might actually start offering super bargains to compete.National Trust's Hidden Treasures9pm, BBC TwoAnother trip behind the velvet ropes to witness the restoration efforts of National Trust staff. At Snowshill Manor in the Cotswolds, a child's suit of lacquered samurai armour requires some serious TLC, while at Calke Abbey in Derbyshire a variety of historic stuffed birds need their feathers unruffled.Love Stories Across Generations10pm, Channel 4Love can strike at any age, as this week's visit to Cupid's restaurant proves. On one table, 62-year-old hairdresser Liz has a promising night with builder Paul. Over on another table, 19-year-olds Rue and Kaitlyn are only just dipping their toes into the world of dating.Film Highlights for TonightDead Man's Wire (Gus Van Sant, 2025), 8am, 8pm, Sky Cinema PremiereThe spirit of the Al Pacino classic Dog Day Afternoon is alive and well in Gus Van Sant's drama. Bill Skarsgård is all gangly, edgy energy as Tony Kiritsis, a low-level Indianapolis land developer who takes ML Hall's son hostage using a contraption connected to a shotgun.Devil in the Dust (Ned Crowley, 2025), Paramount+This western is knocked off-kilter almost immediately when a cute little blond girl kills a horse by touching it. The supernatural frisson never really goes away as we follow Guy Pearce's grizzled, ether-addicted doctor Bender on a quest to a preacher who can supposedly take out the devil in the girl.Live Sports ActionWomen's World Cup Football, Spain v England, 7.30pm, ITV1A qualifier in Palma, Mallorca brings together these two footballing nations in an important match that could impact their standings in the tournament.

The Intersection of AI and Classical Music The disquiet and distrust surrounding artificial intelligence among artists and creatives remain real and consequential, and the language used by leading arts commentators is often apocalyptic: AI will decimate the arts, it is evil, it is the devil. Like many emerging technologies, AI has been driven by the corporations at the forefront of its creation. Introduced to the public at a rapid rate and continuously evolving, machine learning has become closely entwined with fear, antipathy and foreboding. The RBO/SHIFT Festival: Exploring AI in Opera The upcoming RBO/SHIFT festival at the Royal Opera House aims to interrogate all sides of this fast-evolving landscape to enable artists, performers, creatives and audiences to think deeply and widely about where we are now, and where we may be tomorrow. Machine learning represents a seismic shift, both in society and in the arts, and we need storytellers, artists, teachers and thinkers in this space to help determine the direction of that shift and help us navigate this unfamiliar territory. The Data Analysis: Understanding AI's Impact on Opera Opera is a particularly good place from which to examine technology. It synthesises multiple art forms – music, visual arts, architecture, poetry, dance, theatre and film – making it both niche and remarkably broad. Opera has also always engaged with technology. From its emergence around 1600, opera makers embraced the latest inventions: pyrotechnics, automata, flying machinery and trapdoors. Later came electric lighting, film, digital media and advanced acoustics. The Impact Analysis: Collaboration and Creativity Having spent the past year discussing AI with makers, coders, researchers, composers and performers, I am not sure it is possible for this technology to decimate the arts. The most written-about aspect of machine learning – generative AI creating images, words and music – is, in many ways, the least interesting. There have been operas created with and by AI for decades by researchers and musicians, yet these have had little impact on the creation of new work more broadly. The Prediction: A Future of Collaboration AI appears to have emerged suddenly, but in reality it is part of a continual expansion of technology that has unfolded over centuries. It is also a space in which differing artistic and imaginative voices are essential. RBO/SHIFT asks two questions: what can AI do for creatives, and what can creatives do for the world in the age of AI? As our interaction with machines becomes ever more prevalent, it may be that, rather than decimating the arts, AI will lead us to value them even more highly, protect and preserve them.

The Emergence of 'Doomspending' The term 'doomspending' has become synonymous with the declining fortunes of young Westerners. It refers to spending frivolously with no concern for future financial consequences. A survey by Credit Karma found that 27% of Americans doomspend to deal with stress, with the numbers rising to 37% of Gen Z and 39% of millennials. The Cultural Context of Doomspending The discourse around doomspending echoes commentary that traces back to the aftermath of the Great Recession. The term 'doomspending' is a more recent phenomenon, tied to changes in Western economies since the financial crisis cratered the traditional life script almost 20 years ago. The Data Analysis: Financial Anxiety and Spending Habits Elderly North Americans and Western Europeans have difficulty internalizing the changing economic landscape. In the United States, the dollar lost 30% of its value since Covid, according to the Truflation index. More importantly, when discussing the perspective of boomers, it lost 60% of its value since the 90s, and 88% of its value since the 70s. The Impact Analysis: Shifting Attitudes Towards Spending and Saving Young people just don't believe that the economy is moral in general, that those with wealth earned it through playing by the rules. They see the economy as a casino, where some get lucky, but most lose. This has led to a shift in attitudes towards spending and saving, with many young people opting to spend today rather than save for tomorrow. The Prediction: A New Economic Reality Spend today because there won't be a tomorrow is a self-fulfilling prophecy. The only way to stop it is to make people believe that an average person of average abilities can wake up every day, play by the rules, and expect to lead a fulfilling, if uneventful, life. If the general public doesn't believe that to be true, let them eat Deliveroo.