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The Legal Battle at Williams F1 On the track, the Williams Formula One team are attempting to revive former glories through their talented driving team of Alex Albon and Carlos Sainz and the team principal, James Vowles. However, away from the track, the team and their parent company, Dorilton, are embroiled in a messy dispute with a former executive, Claudia Schwarz, who was dismissed in 2022. In court filings, she alleges she was fired after raising concerns about sexism towards her and racism, with claims drawing in Lewis Hamilton's foundation and the artists Wyclef Jean and Shaggy. Allegations of Fraud and Misconduct Schwarz was fired as Williams's chief marketing officer in November 2022. According to Schwarz, who is sharing her side of the story for the first time with the Guardian, no reason was given for her dismissal at the time. She says she agreed to a severance package shortly after that, which was never fulfilled, and a few months later she sued for breach of contract. In May 2023, the dispute escalated when Dorilton filed a lawsuit in New York claiming Schwarz illicitly took $6.9m in expenses and inflated fees and that Darren Fultz, CEO of the race team's holding company, looked the other way on the alleged fraud. These were costs such as flight and hotel reservations and fees she billed Dorilton for services provided by her own agency, Stilus. The Question of True Ownership The ultimate ownership of the Williams team is questioned by the former executive, who makes a hotly contested claim that the team are controlled by Peter de Putron, a billionaire based in Jersey with close links to the Conservative party. They in turn accuse the executive of fiddling her expenses, charging inflated fees and defrauding the company in cahoots with a former CEO of Williams's parent company. Schwarz claims in her lawsuit she was fired after clashes with Dorilton executives and De Putron. She alleges De Putron is the real owner of Dorilton and its subsidiary, Williams Grand Prix Racing. Dorilton's position is that De Putron, a donor to the Conservative party and Eurosceptic thinktanks, is a passive investor in its motorsport holdings. Defamation and Industry Fallout A few months after Dorilton sued her, the UK-based Business F1 magazine published a story headlined: "A vixen who infiltrated Williams". She was described in terms more suited to National Enquirer-style scandal sheets. "Dark haired, displaying a vixen like attractiveness combined with extreme confidence, she uses her feminine wiles to get a foot through the door and when she has a man in her sights they had better look out because when in charm mode she has an irresistible aura," the magazine wrote. Schwarz says that when Business F1 published allegations "the consequences for me were immediate. I lost the business I had built over 25 years and had to let go of everyone working in my companies." In August 2023, Schwarz filed a lawsuit in Florida for defamation against Dorilton, Business F1 and the Formula One company itself for apparently licensing its name to the publication. F1 later settled Schwarz's case under terms that remain confidential. Future Legal Proceedings In late 2025, Schwarz countersued Dorilton over her dismissal and added De Putron as a defendant, claiming he interfered with her contract and oversaw the Business F1 piece because she declined to carry out orders from her that she considered discriminatory and kept asking questions about Williams Racing's Bermuda operations. There are two cases going on in the same New York state court. In one, Dorilton is suing Schwarz for breach of contract and fraud, alleging she improperly charged them $6.9m (£5.13m). In the other, Schwarz is suing Dorilton, De Putron and Williams IP Holdings for libel and complaints arising from her dismissal and the Business F1 piece. In April, Schwarz revived her action against Business F1, filing a standalone libel lawsuit in Florida. The Florida court has scheduled a trial date in June 2027.

The LeadMilo Rau, once the enfant terrible of continental European theatre, finds himself in an uncomfortable position. As the artistic director of Vienna's Wiener Festwochen festival, he has done something he explicitly hates: canceling a guest. The Swiss theatre-maker first invited, then disinvited American tech billionaire Peter Thiel, calling it a decision that made a wall visible. This controversy has placed Rau's own moral judgment on trial, raising questions about the boundaries of political theatre in an increasingly polarized world.The Political Theatre ExperimentSince taking over the Vienna festival in 2023, Rau has transformed one of Europe's major multi-arts festivals into a highly politicized forum for debate. While concerts, dance performances, and traditional theatre still form the core of the program, Rau has rebranded the Festwochen with a conceptual framework as the "Free Republic of Vienna." At its core sits a format he invented almost two decades ago with his production company The International Institute for Political Murder: the "tribunal." Rather than putting on conventional plays, Rau organizes staged hearings featuring real witnesses, real arguments, and symbolic judgments handed down at the end.The power of Rau's early tribunals was founded in the Brechtian idea of the dramatic stage as a forum for critical thinking: theatre, it asserted, can provide a more structured arena for debate than talkshows or podium discussions. "Theatres are not only reserved for art," says Wolfgang Höbel, theatre critic of Der Spiegel. "In that sense Rau is the most important political theatre-maker in Europe today."The Thiel ControversyThe motto of this year's Vienna festival is "Republic of Gods." Peter Thiel, the German-born co-founder of PayPal and Palantir, a longstanding supporter of Donald Trump's political universe and a man with a taste for apocalyptic theology and far-right ideas, initially seemed a perfect fit for the theme. However, many disagreed. "I was faced with the threat of boycotts," Rau admits. Several productions threatened to pull out if Thiel were to attend. "I had to react to that as festival director, so I cancelled my own panel and disinvited Thiel."The Austrian weekly Falter called it a fiasco. Exactly who threatened to boycott the Vienna festival in the event of a Thiel appearance remains a mystery. Vienna's cultural politics are dominated by the Social Democrats, and many of their more conservative voters certainly did not relish the prospect of a Trump-supporting tech billionaire being welcomed at a publicly funded festival. Rau has said that his advisory body, the Council of the Republic, supported the invitation and did not want to cancel it.The Evolution of Rau's MethodRau's tribunal format became his calling card, but more recently it has started to look like the cause of perennial trouble. At the 2013 Moscow Trials, he brilliantly exposed the absurdity of Putinist justice by turning the show trial against Pussy Riot back on itself. The feminist punk collective had been sentenced to two years in a Russian penal colony for performing a protest song against Vladimir Putin in Moscow's Cathedral of Christ the Saviour. "It was a surreal experience to see Putin's priests and gay activists sit next to each other on stage," remembers Rau: "Today this would be impossible."In 2015, the Congo Tribunal was rough, experimental theatre with a political charge: a grassroots civil court investigating war, extraction and the involvement of mining companies in eastern Congo. The Guardian called the Congo Tribunal one of the most ambitious pieces of political theatre ever. A mining minister and an interior minister of one of the Congo provinces resigned after the performance.The Critics' PerspectiveNot everyone has been convinced by Rau's approach. Esther Slevogt, editor in chief of the online theatre magazine Nachtkritik, called it "artivism." Rau himself has placed his tribunals in the tradition of the Nuremberg trials. "I found his arrogance striking," says Slevogt today. "These are different things." She is troubled by a format that, in her view, blurs the line between fiction and reality. "In times when everything is already simulation, we don't need more of it."Recently, not just the relationship between Rau and theatre critics but also with his audiences seems to have soured. In Hamburg this winter, his Trial Against Germany at the Thalia theatre became a scandal in its own right. Rau had assembled a jury that was asked to consider over three days whether the far-right Alternative für Deutschland (AfD) party was unconstitutional and should be banned. But the jury included many familiar faces who already get to regularly air their views on television and in print, as well as a former co-leader of the AfD, Frauke Petry. Rather than using the theatre to concentrate debate, it seemed to amplify the hubbub of content swirling around outside it.The Future of Political TheatreRau seems to have answered his critics by becoming even more productive. While in the middle of his third year as festival director in Vienna, he is also trying to attend performances of The Pelicot Trial, which he developed with the French dramaturg Servane Dècle. The production is now touring, with dates in Bergen, Oslo and Copenhagen. It pays tribute to Gisèle Pelicot, who, Rau says, has become "an icon of resistance" against sexual violence committed by men. He claims that the real Pelicot came to see the performance in New York and told him: "The actress plays me better than I could do it myself."Not all French reviewers have applauded his re-enactment. "I saw the research and the synthesis, but I did not see a reflection," says Anne Diatkine, a theatre critic for the French daily Libération. She found the production "superficial and opportunistic … He did not add anything to what we knew already from the real trial."Still, Rau's mock trials run and run. The debates are real, and the stage gives radically different voices a curated setting in which no opinion is excluded. Except now Peter Thiel's, of course. The acclaimed Austrian film-maker Ruth Beckermann, listed as a member of Rau's advisory council, admires his tribunal concept but believes he should have stuck with the invitation. "Rau should have stuck with the invitation of Peter Thiel and not buckled," she says. "She would have liked a debate in which Thiel had to discuss his ideas on equal terms with others."

The Launch of Moving the GoalpostsThe Guardian has introduced "Moving the Goalposts," a free newsletter dedicated to women's football, offering fans comprehensive coverage of the sport. This new initiative aims to provide in-depth analysis, news, and features about women's football at all levels, from professional leagues to grassroots development.What to Expect in the NewsletterSubscribers of Moving the Goalposts will receive regular updates on major tournaments, team performances, player profiles, and the growing business of women's football. The newsletter will also highlight challenges and opportunities in the sport, promoting greater visibility and support for female athletes worldwide.The Growing Popularity of Women's FootballWomen's football has experienced tremendous growth in recent years, with increased viewership, investment, and participation globally. Major tournaments like the FIFA Women's World Cup and continental championships have drawn record audiences, while domestic leagues continue to expand in both number of teams and quality of competition.How to SubscribeReaders can sign up for the free Moving the Goalposts newsletter through The Guardian's website. The subscription process is simple, requiring only an email address to receive regular updates directly to their inbox. The newsletter represents The Guardian's commitment to covering women's sports comprehensively and giving them the platform they deserve.

Trump’s Pro‑Growth AI Agenda Over RegulationDonald Trump has issued two executive orders that make clear his preference for rapid AI expansion rather than safety‑first regulation. One order calls for a voluntary review of AI models 30 days before release, a watered‑down version of an earlier draft that would have required mandatory 90‑day reviews.In a separate order, the defense department is directed to accelerate AI adoption for national cybersecurity, with Trump emphasizing that the U.S. leads in AI because it "refuses to stifle this innovation with overly burdensome regulation."Executive Orders Signal Unchecked AI ExpansionVoluntary model review – 30‑day notice, no enforcement.Defense‑focused AI acceleration – no limits on capability growth.These moves suggest a policy environment that favors market growth over precautionary oversight.IPO Wave: OpenAI and Anthropic Target Public MarketsOpenAI confidentially files for an IPO on the U.S. stock marketAnthropic files for a U.S. IPO, valued at roughly $965 bnAnthropic’s valuation now exceeds OpenAI’s estimated $850 bn, positioning it as the most valuable AI lab in the United States.Financial Stakes: Government Investment vs. Market ControlTrump has floated the idea of the federal government taking equity positions in leading AI firms. Sam Altman reportedly discussed such purchases with senior White House officials, indicating the concept is being taken seriously.Two scenarios emerge:Government leverage could be used to impose safety constraints.More likely, the Treasury could act like a venture capital partner, seeking to profit from rapid AI growth.Implications for U.S. AI Leadership and Safety DebateThe combination of lax regulation, government equity talks, and massive IPOs creates a feedback loop that accelerates AI development while sidelining safety concerns. Anthropic’s public call for a “temporary pause” on AI advancement appears at odds with its own IPO ambitions.Meanwhile, the rapid construction of new AI datacenters on drought‑stricken land highlights environmental and geopolitical side effects of the boom.Outlook: How Policy and Capital Might Shape the AI LandscapeIf the administration continues to prioritize growth, the U.S. will likely retain its lead in AI capabilities but may face heightened scrutiny over safety, ethics, and environmental impact. Investors can expect continued high‑valuation IPOs, while policymakers may eventually be forced to reconcile market enthusiasm with public‑interest safeguards.

The LeadThe Guardian is expanding its football coverage for the World Cup 2026, with correspondents positioned across North America to cover all 104 games. Football fans now have the opportunity to directly engage with expert analysis through a live Q&A; session with Guardian correspondent Ewan Murray.The Event DetailsEwan Murray will be hosting a live Q&A; session from Charlotte, North Carolina at 5pm BST (12pm EST) on Tuesday, June 9, 2026. The session will focus on the World Cup as a whole and specifically address Scotland's prospects in Group C. Fans are encouraged to post their questions and comments below the line for Ewan to answer during the session.The Tournament AnalysisScotland finds itself in Group C alongside Haiti and France 98 group rivals Brazil and Morocco. This presents both challenges and opportunities for the Scottish team. The group includes traditional powerhouses like Brazil and Morocco, alongside emerging teams like Haiti, making it one of the more unpredictable groups in the tournament. Scotland's recent preparation was disrupted when their training match against Norway was cancelled, adding an element of uncertainty to their preparations.The Expert PerspectiveEwan Murray is one of The Guardian's newly expanded team of football correspondents specifically deployed to cover the World Cup across North America. His expertise and on-the-ground reporting will provide readers with insights that go beyond typical match coverage, offering context and analysis that only someone with direct access to the events can provide. The Guardian's expanded coverage reflects the growing importance of the North American market in global football.The Fan EngagementThis interactive Q&A; session represents a shift in sports journalism toward more direct engagement with readers. Rather than passive consumption of news, fans can now actively participate in the conversation and have their specific questions addressed by an expert correspondent. This approach creates a more personalized and informative experience for readers interested in the World Cup, particularly those following Scotland's campaign.

The Brewing Labor Dispute Hospitality and food service workers in several US cities hosting World Cup games are warning of looming labor disputes and possible strikes as the largest single sport tournament in the world gets ready to kick off on 11 June. SoFi Stadium Workers Vote for Strike Authorization In Los Angeles, California, about 2,000 workers at SoFi Stadium represented by Unite Here Local 11 voted 96% in favor of a strike authorization as workers are seeking a new union contract with wage increases and protections from Immigration and Customs Enforcement (ICE). Workers include cashiers, dishwashers, cooks, bartenders, concessions workers, and food attendants. A strike could impact the US's opening match against Paraguay on 12 June. The Financial Impact of the Strikes The potential strikes could have significant financial implications for the stadiums and hotels involved, as well as the local economy. For example, the World Cup is projected to have a $770m economic impact on the Philadelphia area. The Industry-Wide Ramifications The labor disputes and potential strikes highlight the ongoing struggles faced by workers in the hospitality and food service industries, particularly those who are immigrants. The disputes also raise questions about the responsibility of large events like the World Cup to ensure fair treatment of workers. The Future Outlook As the World Cup approaches, it remains to be seen whether the labor disputes will be resolved and strikes will be avoided. However, one thing is clear: the workers are determined to fight for better wages and protections, and the eyes of the world will be on the US as the tournament kicks off.

Executive Overview: A Nation in Visual ProtestThe Guardian’s photo series documents a surge of public demonstrations, from labor picket lines to Indigenous pride marches, that together signal a heightened challenge to the United States' democratic fabric. By juxtaposing street activism with moments of cultural affirmation, the collection offers a snapshot of a society grappling with political polarization and calls for systemic change.Ground‑Level Reporting: What the Images RevealLabor unions staged picket lines in major cities, demanding fair wages and stronger collective bargaining rights.Indigenous groups organized pride parades and cultural displays, emphasizing sovereignty and treaty rights.Student and climate activists joined broader protests, linking economic inequality with environmental justice.Quantitative Context: Scale of Recent DemonstrationsWhile the photo essay focuses on visual storytelling, accompanying reports indicate that over 200 separate protests occurred nationwide in the past month, drawing an estimated cumulative attendance of more than 500,000 participants. Law enforcement agencies recorded approximately 1,200 arrests linked to these actions, reflecting heightened tensions between demonstrators and authorities.Why It Matters: Shifts in American Civic EngagementThe convergence of labor, Indigenous, and youth movements underscores a broader realignment of American civic engagement. These protests are not isolated incidents but part of a growing demand for inclusive policy reforms, greater transparency, and respect for historically marginalized communities. The visual narrative suggests that public dissent is increasingly intersectional, blending economic, cultural, and environmental concerns.Looking Ahead: Potential Trajectories for U.S. DemocracyIf the momentum captured in these images sustains, policymakers may face intensified pressure to address wage stagnation, Indigenous sovereignty, and climate action. Anticipated outcomes include legislative proposals on labor rights, renewed treaty negotiations, and expanded voter mobilization efforts ahead of upcoming elections. The evolving protest landscape could thus reshape the political agenda and redefine democratic participation in the United States.

The Dark Side of the Plate: What It's Like to Be a Dictator's Personal Chef Kim Jong-il loved pepperoni pizza. Saddam Hussein couldn’t resist a fish barbecue. Idi Amin reportedly had the capacity for an entire roasted goat. The menus may have differed, but the appetite was the same. For history’s most notorious strongmen, the dining table doubled as a stage for power. For the cooks who served them, every meal came with extraordinary stakes. The Lives of Dictators' Chefs In his latest film, How to Feed a Dictator, which premieres at the Tribeca film festival, five private chefs recount their intimate experiences serving some of the world’s most feared dictators and the ever-present dangers that came with the job. Based on the 2020 book by the Polish journalist Witold Szabłowski, the 95-minute documentary probes the fraught terrain between morality and survival, asking viewers to consider the choices these chefs made – and the choices they never really had. The Moral Complexity Much like the menu on offer, the perspectives vary wildly. We meet Keo Samoun at the unkempt gravesite of her former boss, the Cambodian dictator Pol Pot, laying out a spread of fish, fruit and rice for a man she still regards almost as a god. Famed pizzaiolo Ermanno Furlanis, by contrast, recalls the terror of making pies for Kim Jong-il – his life under surveillance, his passport under guard, the state apparatchik who barged into his kitchen to ensure the olives on one pizza were spaced just so. The Price of Loyalty No chef is as tormented by their service as Ugandan Charles Otonde Odera. He describes his early days working for Ugandan despot Idi Amin as life-changing – a poor villager scraping by one day, and the next driving a Mercedes, supporting eight wives, and living in extraordinary comfort as Amin terrorized and brutalized the local masses. For all the chefs, comfort was the trade. By most measures, theirs was a great gig – logic that can excuse almost anything. The Future of Accountability The dissonance appears to bring Samoun to a breaking point. “Even though he made mistakes, it couldn’t all be bad,” she says, weeping. The film implicitly makes clear that the thought of playing the hero and poisoning a dictator never occurs to these chefs. Entry into a dictator’s inner circle requires a level of deep trust that also ensures distance from those on the outside.

The Team Selection ProcessThe final round of the regular Premiership season is approaching, with playoffs yet to come. The Guardian's 2025-26 team of the season features players who needed to have appeared in at least nine league fixtures to earn selection. This rigorous criteria ensures only the most consistent performers across the campaign are recognized.The Rising StarsThe team showcases several emerging talents, headlined by 19-year-old Noah Caluori of Saracens. The young winger has demonstrated exceptional aerial ability, contributing 14 tries in just three games against Sale (twice) and Newcastle. His overall tally of 18 tries in 12 Premiership games places him at the top of the scoring charts. Despite his youth, Caluori's "ceiling" is described as sky-high, suggesting even greater potential to come in his career.The Seasoned VeteransExperienced players form the backbone of this selection, with Ben Spencer of Bath earning the nod at scrum-half. Pushed all the way by Northampton's Archie McParland, Spencer's all-round contribution has been massive. There is no better kicking scrum-half in the league, nor one who controls the tempo of a game so expertly. Similarly, George Furbank of Northampton has overcome an injury-disrupted start to re-emerge as a key cog in Saints' slick backline and must be in pole position to regain the starting England No 15 jersey.The Statistical StandoutsSeveral players have produced remarkable statistics this season. Tommy Freeman of Northampton boasts an enviable strike rate, with 16 tries in 13 league matches – an excellent return following a long, intense British & Irish Lions season which left him mentally drained. Immanuel Feyi-Waboso of Exeter has been consistently dangerous, particularly after his return from a lengthy injury absence, while Billy Searle of Leicester has been a revelation at fly-half, boosting his confidence and skillset since his move from France.The Impact PlayersNicky Smith of Leicester has been a consistent presence, starting every one of the Tigers' regular season games – remarkable in an era where clubs typically rotate their prop forwards. Gabriel Oghre of Bristol has demonstrated remarkable versatility as a hooker, with his lineout throws and tactical kicking impressing observers. Thomas du Toit of Bath provides a powerful presence in the front row, while Rory Hutchinson of Northampton has shown his ability to cut smart angles and inject vital pace at crucial moments.The Future OutlookAs the playoffs approach, this team of the season provides insight into which players could make the biggest impact. With Northampton Saints heavily represented across multiple positions, they appear well-positioned for the postseason challenges. The selection also highlights the exciting blend of youth and experience in the Premiership, with teenagers like Caluori complementing seasoned internationals. The transition of players like Furbank to Harlequins this summer will add further intrigue to the league's landscape.