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The Lead: Norway's Funding Pause Creates Uncertainty for Global Environmental EffortsThe largest donor to the United Nations Environment Programme (Unep) has paused funding to the body before its revised budget on 12 May, triggering concern among member states and NGOs. The news carries significant implications for the already troubled plastic treaty negotiations being overseen by Unep, which have struggled to reach agreement since 2022.The Event Details: Norway's Financial Support to UnepUnep's executive director, Inger Andersen, met the director general of the Norwegian Agency for Development Cooperation (Norad) the week before last and was told that "all [funding] agreements are on hold" pending budget decisions, according to sources.Norway has been the largest overall donor to Unep in recent years, contributing approximately $12m (£9m) annually to the fund over the three years to 2025. Norway also contributed $19m in 2025 to the Planetary Fund and another $7.8m in earmarked funds in 2025, meaning that even a pause introduces significant uncertainty for future functioning of the global environment agency with the wider UN already facing severe financial pressure.In addition, the Guardian has obtained an email sent to NGOs by Norad advising them that it was postponing a funding call aimed at projects to combat plastic pollution in developing countries. The programme is valued at £4m-£6m a year and, according to Norad, the funding can be used for projects that support countries in the plastic treaty process.The Data Analysis: Financial Impact of Norway's Funding PauseNorway's financial contributions to environmental initiatives are substantial:Approximately $12m (£9m) annually to Unep's fund (2023-2025)$19m contributed to the Planetary Fund in 2025$7.8m in earmarked funds in 2025£4m-£6m annually for projects to combat plastic pollution in developing countriesPotential £79m commitment between 2025 and 2028 as previously announcedThese figures represent a significant portion of Unep's operational budget and the specific funding needed to support developing countries in the plastic treaty process.The Impact Analysis: Implications for Global Plastic Treaty NegotiationsNorway is the co-leader with Rwanda of the high-ambition coalition at the plastic treaty negotiations. The coalition says it is working for an "ambitious" and legally binding instrument on the "full life cycle of plastics". This stands in contrast to a small group of petrostates, who are widely seen as blocking moves to put a cap on plastic production.Christina Dixon, ocean campaign leader at the Environmental Investigation Agency, emphasized the timing: "Any risk to funding could not come at a worse time for the negotiations … sustained funding would reinforce Norway's longstanding leadership toward an ambitious plastics treaty."Karen Landmark, managing director at GRID-Arendal, a Norwegian environmental foundation that works closely with Unep, expressed concern that the funding pause could "give other countries an excuse to lower their level of ambition." She added: "For years, Norway has played a clear and constructive leadership role in pushing for a strong global plastics treaty. When a country in that position signals hesitation or withdraws support, the consequences can extend far beyond its own borders."The Prediction: Future Outlook for Environmental DiplomacyThe plastic treaty negotiations have faced significant challenges, with the chair of the process resigning suddenly last year after talks collapsed with little progress following three years of negotiations. A new chair was elected this year, with negotiations expected to resume in early 2027.Norway's reassessment of Unep funding comes amid a shifting domestic political and economic debate over climate and environmental spending. The country is governed by the centre-left Labour party, which has continued to position Norway internationally as a supporter of climate diplomacy, rainforest protection and efforts to negotiate a global plastics treaty.Per Fredrik Pharo, head of Norad's department for climate and nature, indicated that the assessment process for future cooperation will be finished in mid-2026. However, the vague language surrounding Norway's continued commitment to combating plastic pollution has raised concerns among environmental organizations about the future of these critical initiatives.

The Proposal for Ukraine Peace Talks Russian President Vladimir Putin has suggested that former German Chancellor Gerhard Schroeder could coordinate talks with the European Union to secure a peace deal in Ukraine. This proposal has been met with skepticism by EU officials. Who is Gerhard Schroeder? Gerhard Schroeder is an 82-year-old leader of the Social Democratic Party (SPD) who served as Germany's chancellor from 1998 to 2005. He focused on European integration, reducing unemployment, liberalizing German citizenship laws, curbing nuclear power, and rebuilding the economy. Schroeder's Relationship with Putin Schroeder has remained close to Putin since leaving office. He referred to Putin as 'a flawless democrat' in 2004 and has continued to have a close relationship with him over the years. Schroeder has faced criticism in Germany for not publicly condemning Russia's invasion of Ukraine. The Current State of Russia-Ukraine Negotiations The US-backed talks between Kyiv and Moscow have stalled. Despite Putin suggesting that the war may be 'coming to an end,' the two sides continue to carry out strikes against each other. Trust in Schroeder as a Mediator EU foreign policy chief Kaja Kallas reacted with skepticism to Putin's proposal, stating that Schroeder has been a high-level lobbyist for Russian state-owned companies. Germany has also dismissed Putin's suggestion, saying that any talks with the EU would need to be closely coordinated with member states and Ukraine.

The Legacy of a Journalistic IconShireen Abu Akleh was more than just a journalist; she was an icon who anchored the Palestinian cause firmly in the Arab conscience. For many Palestinians, including the author of this piece, her voice was a constant in an ever-shifting landscape. She began reporting on pivotal events in Palestine even before the author was born, documenting the second Intifada and the battle for Jenin in 2002. In 2005, she made history as the first Arab journalist to gain access to Ashqelon prison to interview Palestinian prisoners held there for years.During the 2014 war on Gaza, her presence on screen projected hope and resilience despite the anguish she conveyed about the situation. Shireen was loved and respected by all Palestinians, regardless of their faith or political affiliation, for her courage, moral clarity, and unwavering commitment to making Palestinian voices heard.The Assassination That Changed EverythingOn May 11, 2022, the shocking news of Shireen Abu Akleh's killing arrived. Footage showed her lying on the ground, with journalist Shatha Hanaysha by her side, as someone behind the camera desperately shouted for an ambulance. Israeli fire hampered rescue efforts, leaving Shireen bleeding on the ground as colleagues were unable to pull her to safety.The assassination in broad daylight of one of Palestine's top journalists was not just a shocking crime. It was a harbinger of what was to come. A year and a half later, Israel began a campaign of systematic targeting of Palestinian journalists in Gaza. As of today, at least 260 media workers have been killed, with Israel now recognized as the "biggest killer of journalists."A New Generation of Journalists EmergesDespite the assassinations of Shireen and other journalists—including Anas al-Sharif, Fadi al-Wahidi and Mariam Abu Daqqa—there has been no silencing effect. Instead, their deaths have motivated young people to pick up the camera, the microphone, and the pen to continue their work.The author, who was studying English literature before Shireen's killing, shifted their focus from literary fiction to the real world. They realized that while literature preserves culture, journalism defends present truth. This realization led them to enroll in journalism classes and develop new skills, even as the genocide in Gaza made journalism a deadly profession.Bearing Witness in the Face of AtrocityAs a resident of Gaza City, the author became a firsthand witness to the horrors that rained down on the north. They survived numerous Israeli attacks and were forced to flee with their family multiple times. They began journaling about the experience of genocide, often thinking of what Shireen would have said in the face of such atrocities.Remembering Shireen's words—"I chose journalism to be close to the people. It might not be easy to change reality, but at least I was able to bring that voice to the world."—the author started writing about the situation in northern Gaza, documenting the harrowing details of life and death they had witnessed through several sieges and a famine.The Siege of Silence and Breaking ThroughDue to internet blackouts, the author could not connect to the rest of the world for an extended period. After a temporary truce in January 2025 restored some connectivity, they published their first piece, "Surviving war in north Gaza," documenting the untold details of life and death they had witnessed.While this achievement brought pride and satisfaction, it also brought fear for the author's family, who worried that they too could become targets. Nevertheless, the author continued writing even as Israel was killing journalists weekly and the world failed to stop it.The Torch Continues to BurnToday, despite supposed "ceasefires," the murders of journalists have not ceased. Just last month, Israel killed Mohammed Wishah, who worked as a correspondent for Al Jazeera Mubasher. Yet, there are still so many young Palestinians who insist on writing, documenting, and screaming through their words in the face of horror and injustice.They have picked up the torch from Shireen, and they carry it forward. As the author states, "Palestine will not be silenced." Despite the extreme danger, a new generation of Palestinian journalists continues to bear witness to their reality, ensuring that the world cannot ignore their truth.

Researchers Unveil 42% Drop in Canadian Visits to U.S. CitiesA new cell‑phone tracking tool developed by the University of Toronto reveals a median year‑over‑year decline of roughly 42% in Canadian trips to U.S. metropolitan areas between 1 April 2024 and 31 March 2026. The figure dwarfs the ~25% dip recorded by official border‑crossing data, suggesting Canadians are avoiding U.S. urban centres under the second Trump administration.Methodology and Scope of the Cell‑Phone Tracking StudyThe researchers analyzed anonymised device‑level location data to count Canadian‑registered phones entering U.S. metro zones. The period covered two full years, capturing both leisure and business travel, as well as freight‑related movements that traditional border counts miss.Quantifying the 42% Decline vs Official 25% Border‑Crossing Figures42% median drop in Canadian visits to U.S. metros (cell‑phone data).~25% decline reported by government border statistics for the same period.Official Canadian‑resident return trips from the U.S. fell 25% in 2025.U.S.‑resident trips to Canada slipped 7.5% in 2025.The discrepancy is partly attributed to the tool’s ability to capture freight traffic and temporary residents who may have returned to Canada.Economic Ripple Effects on U.S. Border Towns and Tourist HubsBorder‑town economies that rely on Canadian shoppers are feeling the pinch, as are major tourist destinations such as Las Vegas, Walt Disney World, and winter recreation areas in Florida. High‑tech and financial centres like San Francisco and Houston also reported reduced business‑related travel, reflecting broader economic uncertainty.Specific city impacts highlighted by the study include:Grand Rapids, Michigan – noted for its auto‑industry links with Ontario, saw a sharp decline.New York, New Hampshire, Vermont – all experienced notable visitor drops.Potential Trajectory of Canada‑U.S. Travel Under Ongoing Tariff and Enforcement PoliciesIf heightened tariffs, immigration enforcement operations, and political rhetoric continue, the researchers expect the travel gap to widen. They warn that reduced cross‑border tourism could further strain U.S. border‑town revenues and diminish bilateral business exchanges.Monitoring cell‑phone mobility trends will provide a more granular view of future shifts than traditional border counts, offering policymakers a real‑time gauge of the economic fallout from trade and immigration policies.

The Call for Rent Controls The Institute for Public Policy Research (IPPR), a thinktank close to the Labour government, is urging ministers to introduce private sector rent controls in England to ease the surge in living costs caused by the Iran war. The Proposed 'Double Lock' Rent Cap The IPPR has published a paper calling for a rent 'double lock', which would link rent increases to either wages or inflation, depending on which was lower. This would also apply to new tenants moving into a property. The proposed cap would be based on the 12-month average of either consumer price inflation or wage growth, whichever is lower. Any new building would be exempted from the cap for the first 10 years to encourage developers to continue building new homes. A landlord who has done extensive work on their property would also be allowed to raise rents beyond the cap. The Financial Impact The IPPR has calculated that 2.4 million people in the UK now have unaffordable rents, meaning it costs more than 30% of their gross income. This number is expected to rise by another 340,000 by the end of the decade. The thinktank's plan would also involve increasing housing benefit to cover the cheapest 30% of rents, costing an additional £600m a year. The Impact Analysis The proposed rent cap aims to help millions of people struggling with unaffordable housing costs. The IPPR's extensive links inside government will increase pressure on ministers to include the idea in a cost of living package to be announced by Rachel Reeves later in May. The Prediction If implemented, the 'double lock' rent cap could help keep housing costs low and reduce the number of people struggling with unaffordable rents. However, academics have noted that rent controls can have mixed success, and rents on properties not covered by the cap may rise more quickly than they otherwise would have done.

The Unmasking of Angine de Poitrine Angine de Poitrine, the mysterious band that has taken the music world by storm, has finally been unmasked. The duo, known for their alien-like appearance and unique sound, have been making waves with their music and captivating live performances. The Band's Beginnings Khn and Klek, the two musicians behind the masks, met 21 years ago in their hometown of Saguenay, Quebec. They bonded over their shared love of music and began playing together, experimenting with different sounds and styles. Their Unique Sound Angine de Poitrine's music is a fusion of different influences, including prog rock, microtonal musicianship, and industrial sounds. Their live performances, complete with handmade papier-mache masks, have captivated audiences and earned them a loyal following. The Masks and the Mystery The masks, which have become an integral part of their image, were initially made from papier-mache and had to be replaced due to wear and tear. The duo's decision to remain anonymous has added to their mystique, with fans speculating about their identities and backstory. The Future of Angine de Poitrine As Angine de Poitrine continues to gain popularity, Khn and Klek remain committed to their music and their art. Despite the hype and attention, they remain humble and focused on their craft, inspiring fans with their creativity and passion.

The LeadIn a revealing interview, acclaimed actress Juliette Binoche opens up about the deeply personal experience that inspired her transition from acting to directing. The Academy Award winner discusses how a violent attack during her teenage years became the creative catalyst for her first film as a director, offering a rare glimpse into the personal motivations behind her new artistic venture.The Personal JourneyBinoche recounts the harrowing experience of being attacked as a teenager, describing how she told her attacker, "Go ahead, do it" during the ordeal. This traumatic event, which she kept private for decades, has unexpectedly become the foundation of her directorial debut. The actress explains how processing this past trauma has allowed her to explore complex themes of survival, resilience, and transformation through her new work.The Artistic VisionAs an actress known for her nuanced performances in films like The English Patient and Chocolat, Binoche brings a unique perspective to directing. Her directorial debut reportedly explores themes of vulnerability and strength, drawing directly from her personal experience. The film represents a departure from her on-screen roles, showcasing her ability to shape narratives from behind the camera while maintaining the emotional depth that has defined her acting career.The Industry ImpactBinoche's transition to directing represents a significant development in the film industry, particularly for established actors exploring new creative avenues. Her success could inspire other performers to venture into directing, potentially bringing fresh perspectives to filmmaking. The industry has seen similar transitions from actors to directors before, but Binoche's approach—rooted in personal trauma and healing—offers a unique narrative that may resonate with audiences seeking authentic, emotionally resonant stories.Future ProjectsFollowing her directorial debut, Binoche has indicated that she plans to continue developing projects that blend her acting experience with her growing expertise in directing. The actress has expressed interest in exploring more personal stories and collaborating with emerging talent, suggesting that her transition to directing may mark the beginning of a new chapter in her already illustrious career. As she balances both acting and directing roles, Binoche is positioning herself as a multifaceted artist with a distinctive voice in contemporary cinema.

The Triumphant ReturnIn the gloom of an underlit Barrowlands stage, a man in black is holding a large inflatable phone to his ear and chanting these words: "SFA OK. SFA OK." The man is Gruff Rhys. The band is Super Furry Animals. And the song, Wherever I Lay My Phone (That's My Home), allows them to reintroduce themselves at this, their second gig after 10 years away.Not that they need much introducing. This Glasgow date sold out fast, mostly thanks to fans – going by the age of the crowd – who loved them first time around. Signed to Creation, the label flush with Oasis money, they came to prominence in the mid-90s goldrush.The Britpop OutsidersAlan McGee thought he had found his own version of Blur, but their Welshness and weirdness put them at odds with Britpop orthodoxy. That madcap reputation has tended to obscure what they really are: a formidable songwriting force.Confirmation of their immense skill and range comes when they perform Run! Christian, Run! followed by Juxtapozed with U. The former is 70s-style country rock, the latter an immaculately crafted soul tune. Both are wonderful.The Vocal MasteryIt doesn't get said enough that Rhys is a beautiful singer. Live performance makes this clear. His voice is essentially mournful, but the songs are so sweet with melody that the impression is of Eeyore transcendent – becoming Tigger through the transforming power of pop.He's not much of a showman. Likewise the rest of the band. Mostly they let the songs sell themselves. Yet they have their moments. At the noisy climax of Receptacle for the Respectable, Rhys, Huw Bunford and Guto Pryce gather centre stage, guitars aloft, and press the necks together. It's a bit Status Quo, a bit rutting giraffe, more than a bit thrilling.The Epic PerformanceAs the two-hour show builds to its peak, they lean into epics: Mountain People, Slow Life and, of course, traditional set-closer The Man Don't Give A Fuck, extended tonight to 12 minutes. A singalong protest song against whatever evils of the world you want it to be about, it has lost none of its cathartic anger and vulgar cheer.The Road AheadThe Super Furry Animals have announced additional dates following their successful Glasgow return. Fans can catch them at Venue Cymru, Llandudno, 14 and 15 May; before they continue touring the UK. This reunion not only satisfies longtime fans but also introduces a new generation to their unique musical blend that defies easy categorization.

The Life of a Multifaceted ArtistRay Burgoyne, a painter, carpenter and musician from Essex, has died aged 80. He first exhibited his paintings in the late 1980s and spent the next 30 years organizing countless exhibitions across the Essex and Suffolk coastline. Burgoyne was self-taught and arrived in the art world with a seemingly fully realised, studied vision.An Artistic Journey of Abstract ExpressionThe extensive body of work Burgoyne produced mirrored the abstract ballad that was his life – romantic, unpredictable, filled with both childlike simplicity and dark complexity. His paintings featured carnivalesque characters, forgotten landscapes, and were painted in pure, deep colors. When viewing his more abstract paintings, typically characterised by thick oil application and conjured shapes, he was often confronted with the question: "So, what is it actually meant to be?" to which he would reply with that unmistakable Ray smile, "It's whatever you think it is."Early Life and Musical RootsBorn in Southend-on-Sea, Essex, Ray was the youngest of two children of Joseph Burgoyne, a greengrocer, and Dolly (nee Nash). His early life was characterised by fierce independence, spent trying to ride on the back of his pet pig, Rosie, pretending to be one of Alan Ladd's cowboys, fishing at the end of the pier and drinking in seafront dance halls to the soundtrack of the Shirelles.The Mod Scene and Musical CareerBy the early 60s, Ray was at the heart of the emerging mod scene in Southend as a founding member and drummer for the Flowerpots, a local rhythm and blues band who opened for the Animals and the Who. He stayed in the band until 1966, demonstrating his early artistic expression through music before transitioning to visual arts.Carpentry and Family LifeRay dreamed of going to art school, but after leaving Wentworth high school for boys, aged 14, was sent to work at a cabinet maker's as an apprentice carpenter. He continued to work as a carpenter throughout his life, at a boat-building yard in Leigh-on-Sea, doing shop fitting and antique restoration around Essex, and installing shows for the Design Centre in central London. In the mid-70s, he became master carpenter at the Palace theatre in Westcliff-on-Sea, building and constructing sets for repertory productions.Personal Relationships and Later YearsIn 1968 he married Sylvia, and they had four children, Claire, Paul, Helen and Sam. Ray and Sylvia divorced in 1986, and Ray married Gilly, a student nurse, later that same year. They had two children, Phelan and the author of this obituary. After the family moved to the village of Friston, in Suffolk, in 1999, Ray finally became a full-time artist.Artistic LegacyRay exhibited both solo and in groups, primarily in the nearby seaside town of Aldeburgh, with established and fledgling artists. He is survived by Gilly, his six children and 15 grandchildren. His artistic legacy continues through his extensive body of work that captured the romantic, unpredictable nature of his life through abstract expressionism and deep, pure colors.