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The Idiot – A fresh five‑part series from the New York Times and Serial Productions, narrated by columnist M. Gessen, follows the unsettling tale of Allen, a self‑styled “idiot” who allegedly orders a hit on his ex‑wife. The narrative blends the investigative depth of earlier Serial hits like We Were Three and S‑Town, delivering a dark, character‑driven thriller that drops new episodes weekly.Friends Keep Secrets – Pop star Selena Gomez teams up with producer Benny Blanco, rapper‑actor Lil Dicky, and his wife Kristin Batalucco for a podcast that pushes the envelope of celebrity banter. Listeners can expect unfiltered conversations that even feature an unexpected Ed Sheeran interview, complete with the kind of raw, off‑beat humor that borders on “brain‑rot” territory.Screwed by AI – Hosted by Avantika Chilkoti of The Economist, this series travels to the Adult Video Network expo in Las Vegas – dubbed the “Oscars of porn” – to explore how the adult‑entertainment sector often foreshadows broader AI trends. The podcast examines the ripple effects on human relationships and the tech landscape, releasing new installments each week.Jacob Reed and Me – Described as an “investigative comedy,” writer Jacob Reed embarks on a nationwide quest to locate every other person sharing his name. The journey becomes a quirky storytelling experiment, featuring encounters with beach‑scene painters, economists, and even porn stars, all while the show’s advertisements are humorously sourced from fellow Jacob Reeds.Raven – This character‑driven investigation follows Raven Chanticleer, the founder of the African American Wax Museum in Harlem. The series weaves together Chanticleer’s flamboyant life story with the mystery surrounding the disappearance of his wax figures after his 2002 death, delivering a richly detailed narrative that unfolds weekly.All six podcasts are widely accessible across major platforms and release new episodes on a weekly schedule, offering a broad spectrum of content for listeners seeking true‑crime intrigue, celebrity insight, technological commentary, and off‑beat humor.

China's economy is heavily reliant on oil refining, particularly in Shandong province, where independent 'teapot' refineries play a crucial role. These small refineries, often operating on thin margins, have been vital in keeping China's economy stable amidst the global energy crisis. The crisis began with US-Israel strikes on Iran, causing chaos in the Middle East and prompting Tehran to effectively close the Strait of Hormuz, a vital waterway for oil and gas flows. However, Iranian oil has continued to flow to China, with imports reaching about 1.6 million barrels per day. China's teapot refineries are now facing significant challenges due to rising crude prices. Iranian light crude, which was previously $11 cheaper than Brent crude, now has a discount as low as $2 per barrel. This has reduced the refineries' profits, with some workers fearing salary cuts. The impact is being felt across the industry, with Luqing Petrochemical, one of Shandong's prominent teapots, allegedly sanctioned by the US for buying Iranian oil. The company has started pressuring employees to quit by cutting salaries and relocating them to difficult work sites. The economic shock is also affecting ordinary people in China, with the government intervening in the retail fuel market to reduce a planned increase in petrol and diesel prices. However, if prices continue to rise, some teapot refineries may go bust. The long-term threat to the industry is not just the war but also the rise of electric vehicles, according to Uncle Wang, a petrol station owner in Weifang. As China transitions to cleaner energy sources, the demand for oil is expected to decline, posing a significant challenge to the teapot refineries and the thousands of people they employ.

Lonely lives, falling between the gaps, are at the heart of this 1935 psychological thriller by Rodney Ackland, adapted from Hugh Walpole's novel. It's an atmospheric period piece, but isn't entirely a stretch to reflect on our own concerns about solitude in an ageing population.The three ladies in an English cathedral town are without partners, families or much of an income. They eke out their genteel poverty in a rickety boarding house. They weren't raised to work; Miss Beringer, in desperate need of a job, can only imagine becoming a paid companion or, possibly, flower arranging.In Brigid Larmour's finely etched production, irritable passions ferment beneath the frowsty knits and beads. The characters are prey to spite and greed, nerves and night terrors. Voices are tremulous; eyes glance at a fearful future.Beringer is the new lodger: Catherine Cusack, whittled by anxiety, timidly nibbles on a scallop-edged biscuit. She is welcomed by Julia Watson's Mrs Amorest, flustered but keeping up appearances. Down to her last £10, she writes into the void to a long-absent son.The third lady is Agatha. Fruitily overblown in the novel, that's how Edith Evans played her in 1935. Abigail Thaw makes her disconcertingly eccentric: forbidding in jet black, she mocks and snaps at quivering Miss Beringer. She covets Beringer's one cherished possession – a translucent chunk of amber from a beloved female friend.It's a play of cross-hatched conversations and melodramatic plotting. Larmour's design team help turn the screw: the dank-toned house and clothes in tones of moth and cobweb, a bitter wind blowing.Ackland's plays about rackety lives are increasingly revived. He, Walpole and John Gielgud, the play's original director, were all queer artists, and it's tempting to imagine them drawn to these lives on the margins of British society. Though these ladies don't so much rage against the dying of the light as wait, fearfully, to be snuffed out.

Japan's national football team is gearing up to face England at Wembley Stadium, following a 1-0 win against Scotland in Glasgow. The team, led by coach Hajime Moriyasu, is looking to build on their recent successes and gain valuable experience ahead of the World Cup.The Japanese team has come a long way since their last-16 exit in the 2022 World Cup. With a focus on developing their skills and teamwork, they have won six and drawn one of their seven European tests under Moriyasu's leadership. A win against England would be a significant boost to their confidence and preparation for the World Cup.Kaoru Mitoma, a Brighton player, emphasized the team's ambitions, stating that they aim to reach the quarter-finals of the World Cup. The team's victory against Scotland was a comfortable one, with Junya Ito scoring the winning goal. Mitoma expressed his excitement about playing against England, saying, 'Against England I want us to be even more aggressive in our defending and see how much we can win the ball back.'The team faces some challenges, including injuries to key players such as Wataru Endo and Takefusa Kubo. However, with a strong squad and a desire to prove themselves, Japan is determined to make a statement against England.

Bruce Hornsby, the acclaimed pianist and musician, has experienced an unexpected resurgence in his career, releasing four studio albums in just five years. His latest album, Indigo Park, marks a significant shift towards more personal and reflective songwriting.In a recent interview with The Guardian, Hornsby shared insights into his life and music, revealing a dry and zany personality with an innocence that belies his years. He discussed his upbringing in the segregated south, where his aunt was a prominent voice in support of integration, and how these experiences influenced his music, including his hit song The Way It Is.Hornsby's musical journey has been marked by eclectic influences, from jazz and classical to rock and folk. He studied jazz in Miami and later attended the prestigious Berklee College in Boston. His respect for the everyday beauty of American music is evident in his work, which often combines atonality with satisfying resolutions.The artist has had a long and varied career, playing with notable artists such as Sheena Easton and Huey Lewis, and even being an unofficial member of the Grateful Dead. His political activism is also reflected in his music, with songs like The End of the Innocence and The Don of Dons, a satire of Donald Trump.Indigo Park, described as "an old bastard looking back on life," showcases Hornsby's musical genius and emotional depth. The album was inspired by personal experiences and dreams, including one where his late father appeared in his bedroom. Hornsby's creative process involves driving to the center of Williamsburg to play his music for friends and family, seeking their reactions and validation.As Hornsby continues to tour and perform, he remains cautious about his health and selective about his engagements. His music halls and festival tours with his jam band, the Noisemakers, are highly anticipated events.

The recent meeting of foreign ministers from Egypt, Pakistan, Saudi Arabia, and Turkey in Islamabad signals the emergence of a new four-nation bloc in the Middle East. This bloc aims to promote a ceasefire in the region and curb the dominance of Iran and Israel.The group's primary goal is to persuade all sides to stop the escalation and agree to a ceasefire. According to Yasmine Farouk, a Gulf specialist at the International Crisis Group, the group will meet more frequently to achieve this goal.The meeting in Islamabad made some progress, including an Iranian agreement to allow vessels operating under the Pakistani flag to pass through the Strait of Hormuz. The group will also act as a primary interlocutor with Iran, keeping indirect negotiating channels open between Tehran and the US.Turkey is seen as the most committed member of the group, with Hakan Fidan, Turkey's foreign minister, and İbrahim Kalın, the director of Turkish intelligence, urging Gulf states to consider the wider context of the war and the risks of encouraging an outcome in which Israel emerges stronger.The bloc's emergence is significant, as it brings together countries with different interests and perspectives on the conflict in the Middle East. The group's success will depend on its ability to navigate these complex relationships and promote a peaceful resolution to the conflict.

The US-Iran conflict, now in its fifth week, has escalated into a war of attrition with no clear strategy or end in sight. The US continues to hit Iranian targets while building up forces in the region, while Iran launches missile and drone attacks on Israel and neighboring Gulf states.The conflict has significant economic implications, with Iran's closure of the Strait of Hormuz causing oil prices to surge and disrupting global supply chains. The pain is likely to get worse, with shortages already felt across the world, from Asian factories to European diesel markets.The war should never have been started, with the threat not imminent, objectives unclear, and justification falling apart under scrutiny. Responsibility rests with Donald Trump and Israel's Benjamin Netanyahu. The delusion that force can impose a more compliant regime in Tehran has predictably given rise to a conflict that sustains itself.The only plausible exit is negotiation without preconditions. However, Mr. Trump mixes threats of escalation and claims that negotiations are progressing, with little evidence of a meaningful diplomatic track. The conflict cannot be separated from Gaza, where Mr. Netanyahu is gambling that war with Iran will restore his standing.If US ground forces are committed, the dynamic shifts, and American casualties will harden resolve among those who backed the intervention, making withdrawal politically harder. World powers can shift the incentives away from a US ground war by working together to insulate themselves from economic pain and coordinate diplomatic messaging.

Dua Lipa, the Brit award-winning pop star, has been announced as the curator of this year's London literature festival at the Southbank Centre. The festival, now in its 19th year, will run from October 21 to November 1.Lipa will shape the programme of events across the opening weekend and beyond in collaboration with her Service95 book club, which she launched in 2023. This initiative is part of the Southbank Centre's 75th anniversary programme and during the UK's National Year of Reading.Lipa has established herself as a prominent advocate for reading through her book club, where she spotlights established writers and emerging voices. She has interviewed notable authors such as Margaret Atwood, George Saunders, and Olga Tokarczuk.“Reading has anchored me through every chapter of my life,” Lipa said. “Curating the Southbank Centre’s London literature festival is a dream come true. I’m thrilled to indulge one of my greatest obsessions: books and the brilliant minds behind them.”Mark Ball, artistic director of the Southbank Centre, praised Lipa's passion for literature, stating, “Dua Lipa is a global cultural force with millions of fans around the world, and her passion for the written and spoken word has inspired a new generation of readers.”The 2026 edition will feature a mix of ticketed and free events, highlighting both Lipa's favourite writers and new literary voices. The full programme is expected to be announced over the summer.

The BBC has been plunged into a new crisis after sacking Radio 2 presenter Scott Mills over allegations about his personal conduct. Mills, who hosted Britain’s most popular radio breakfast show, was blindsided by the decision to take him off the air last Tuesday.The corporation has opted to terminate his contract after claims made against him. According to a report in the Mirror, the allegations relate to a 'historic relationship' more than 10 years ago.This dismissal is the latest crisis to hit the BBC over the alleged behaviour of one of its leading figures. The broadcaster has repeatedly said it is trying to create a culture where no one is unaccountable, after allegations against prominent presenters such as Huw Edwards and Tim Westwood.The departure took place in Tim Davie’s last week as the BBC’s director general. He announced his resignation at the end of last year after he was worn down by a series of crises including over the conduct of some BBC presenters.The BBC said: “While we do not comment on matters relating to individuals, we can confirm Scott Mills is no longer contracted and has left the BBC.”Replacing Mills is now likely to become one of the first big personnel decisions for Matt Brittin, the former Google executive chosen to replace Davie as director general.Mills, 53, took over the Radio 2 breakfast show from Zoe Ball in January 2025. Under his stewardship, the show’s audience increased to 6.5 million listeners, making it the UK’s most popular breakfast show.