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As a 10-day ceasefire between Israel and Hezbollah took effect, displaced Lebanese people expressed skepticism about returning home. The agreement's terms are still unclear, and many doubt Israel's commitment to upholding the ceasefire.Abu Haidar, who has been displaced for six weeks, planned to return to his village, Kherbet Selem, near the border. However, he acknowledged the challenges, including a bombed bridge, and decided to leave before the midnight deadline.Others, like Fadal Alawi and Haytham Dandash, whose homes were destroyed, were more cautious. They chose to stay in Beirut until a longer-term agreement is in place, citing concerns over Israel's history of violating agreements.The Israeli military's recent intensification of attacks in southern Lebanon added to the uncertainty. Hezbollah and its ally, Nabih Berri, urged supporters not to return home until the situation clarifies.The unclear terms of the agreement and Israel's Prime Minister Benjamin Netanyahu's statement that troops would not withdraw from southern Lebanon during the ceasefire contributed to the skepticism. Hezbollah responded by asserting its right to resist if Israel continues to occupy Lebanese territory.In the meantime, displaced people like Dandash and his wife, Ruwayda Zaiter, faced desperate living conditions, with limited aid and no support from the state or political parties.

Sanaa, Yemen – At 7 a.m., 14‑year‑old Qasim wakes, grabs a one‑metre‑by‑half‑metre white sack and heads out to collect plastic bottles, hoping to fill it by 11:30 a.m. A full sack can bring in up to 1,500 Yemeni riyal (≈ $3), which the family uses for daily meals. When Qasim returns home, he can briefly be a child again, playing football with neighbours. By evening, his 12‑year‑old brother Asem takes over the bottle‑collecting, selling the haul at night to cover dinner costs. For the siblings, school is a luxury they cannot afford. "I was in fourth grade in 2024, but I stopped because I needed to help my family," Qasim told Al Jazeera, wiping his cheeks. "Sitting in a classroom would not feed me," he added. The conflict that began in 2014 between Iran‑backed Houthis and the Saudi‑backed government has devastated Yemen’s education system. UNICEF estimates that 3.2 million school‑aged children are out of school, with another 1.5 million displaced children at risk of permanent dropout. Even though a cease‑fire was declared in April 2022, the war’s economic fallout persists. During the fourth Riyadh International Humanitarian Forum, Yemen’s Minister of Planning Waed Badhib said the war has cost the national economy **over $250 billion** and pushed unemployment to **35 %**. Parents like Qasim’s father, 48‑year‑old daily‑wage worker Abdu, no longer see education as a viable path. "Seeing a hungry child hurts more than seeing a child drop out," he said, noting that many university graduates now work as construction guards or porters. Experts warn that this short‑term coping strategy harms long‑term prospects. Mahmoud al‑Bukari, a Taiz academic, explained that forcing children into work “creates further social and economic problems for both individuals and society.” Sociology professor Afrah al‑Humaiqani stressed that denying education violates children’s rights and breeds anxiety, undermining future economic development. Infrastructure damage compounds the crisis: more than 2,400 schools are destroyed, partially damaged, or repurposed (Save the Children). Remaining classrooms are overcrowded, and teachers—many unpaid for years—are demotivated, leading to a decline in teaching quality. Fatima Saleh, a teacher in Sanaa, described educators as the "engine" of learning. "When that engine falters, students lose interest and drop out," she said, noting that unpaid salaries force many teachers to quit or seek other work. Journalist Mohammed Abdu al‑Samei argues that the cease‑fire alone cannot revive education without addressing the underlying economic collapse. International aid has also dwindled, leaving a critical funding gap for programs that once kept children in school. For Qasim, returning to a classroom is no longer realistic. He now aims to acquire a trade—painting, carpentry, or welding—to earn a living, saying, "I will not return to the classroom, but I will learn a skill that helps my family."

Alexandre Ramagem, the former head of Brazil’s intelligence agency, was released from U.S. Immigration and Customs Enforcement (ICE) custody on Wednesday, ending a brief detention that began after a traffic stop in Orlando, Florida.Far‑right Brazilian commentator Paulo Figueiredo confirmed the release in a post on X, stating simply, “Alexandre Ramagem is free.” A source from Brazil’s federal police, cited by Reuters, also verified the news.Ramagem, who was sentenced in September 2025 to 16 years in prison for his involvement in a coup attempt supporting former President Jair Bolsonaro, fled Brazil before beginning his term. He allegedly crossed into Guyana illegally before boarding a flight to the United States.In the United States, he was initially detained for a minor traffic violation in Orlando and subsequently transferred to ICE – a routine procedure in Florida, according to Figueiredo. The former intelligence chief also has a pending asylum application, complicating the legal landscape.The Brazilian government has long sought his return. The Brazilian embassy in Washington, D.C., filed an extradition request with the U.S. Department of State on December 30, 2025. President Luiz Inácio Lula da Silva publicly urged Washington to hand Ramagem over so he can serve his sentence.Despite the extradition request, ICE has not commented on the release, and Ramagem’s name was removed from the agency’s online detention list as of Wednesday.Ramagem’s conviction also led to his removal from Brazil’s Congress in December 2025, underscoring the political fallout of the coup case. The episode highlights ongoing diplomatic friction between Brazil and the United States, especially as the two nations navigate cooperation on security, immigration, and legal cooperation.For context, former President Bolsonaro is currently serving a 27‑year prison term for related offenses, a case that has drawn international attention, including past criticism from former U.S. President Donald Trump.

Pope Leo has received a warm welcome in Cameroon, two decades after his first visit aimed at outreach. The massive crowds gathered to greet him reflect the significance of his return, highlighting the enduring impact of his previous trip.The Pope's visit underscores the continued importance of his message and the strong connection between the Vatican and Cameroon. Details about the Pope's itinerary and specific events during his visit are not provided, but the enthusiastic reception is a testament to his lasting influence.

Ollie Watkins opened the scoring in the 16th minute, marking his 100th goal for Aston Villa and giving Unai Emery’s side a decisive edge in the Europa League quarter‑final second leg against Bologna.The England striker, still hoping for a late recall to Thomas Tuchel’s World Cup squad, added to a first‑leg 3‑1 advantage that had already put Villa in a strong position. Goals from Emiliano Buendía and Morgan Rogers – the latter converting after a missed penalty – extended the lead, while Ezri Konsa capped the aggregate triumph with a late volley after a corner from Tammy Abraham.Villa’s 6‑1 aggregate victory sets up an all‑English semi‑final against Nottingham Forest, while the club also prepares for a crucial Premier League clash with Sunderland as they chase a top‑five finish.Emery, who is chasing his fifth Europa League title, fielded an unchanged XI – a first in his tenure – and maintained an unbeaten European record when John McGinn and Youri Tielemans start. The 4‑4‑2 formation saw Rogers drop deep to link play, delivering a low cross that Watkins turned into his simplest strike of the season.Watkins’ goal was his fifth in seven games and a club‑record 10th in European competition, underscoring his resurgence after being omitted from the England squad. He hinted that a strong showing could bolster his case as a potential deputy for Harry Kane.Villa’s dominance at home in Europe is evident – they have won 15 of their last 17 major continental matches. Financially, the club reported a modest £9.5 million loss for the year ending June 2025, making a swift return to the Champions League both a sporting and economic priority.Emery’s ambition remains clear: while the Europa League trophy is within reach, the ultimate goal is to lift the Champions League and secure the club’s future. As he wrote in his programme notes, “All of you fully deserve to have your team showing up when the best teams are still competing.”

Big Mood returns for a second season on Channel 4, aiming to blend a serious look at bipolar disorder with broad‑scale comedy. Lead actress Nicola Coughlan reprises Maggie, now emerging from a harrowing episode of lithium poisoning that left her hallucinating and confused. The debut series introduced Maggie in the throes of a manic episode, followed by a depressive crash after she stopped her medication to protect her creative output. While the first season earned praise for its insightful depiction of mental illness, the new installment quickly pivots toward slapstick scenarios – from a militant maid of honour to a secret‑husband extortion plot – that dilute the original emotional weight. Central to the drama is Maggie’s strained bond with best friend Eddie, played by Lydia West. Their friendship, already intense in season one, becomes increasingly implausible as Eddie abandons London for California without explanation. In season two, Eddie resurfaces under the control of a dubious wellness guru named Whitney, who has siphoned her finances and seeks to erase any lingering connection with Maggie. Rather than deepening the exploration of mental health, the series now focuses on a far‑cical showdown between the two women. Maggie, now in a “stable girl” routine of retinol and Hello Fresh meals, obsessively attempts to expose Whitney as a fraud, enlisting Eddie’s friend Will – a character described as “incorrigibly nice” yet treated with contempt by both protagonists. The tonal shift raises questions about the show’s core ambition. While Coughlan delivers an empathetic performance that captures Maggie’s inner turmoil, the surrounding plotlines feel disjointed and at times toxic, especially in the portrayal of the once‑intoxicating platonic romance that now appears more destructive than supportive. Humor, inherently subjective, may still resonate with viewers who appreciate the series’ millennial‑centric chaos. However, the blend of “knockabout farce” with moments of genuine drama feels uneven, suggesting that the show’s initial promise of a heartfelt, realistic bipolar narrative has been eclipsed by over‑reaching comedic contrivances. In conclusion, Big Mood season two struggles to reconcile its dual aims. The ambitious premise that once offered a nuanced look at mental illness now feels buried beneath a barrage of gimmicks, leaving audiences to wonder whether it’s time for the characters – and perhaps the series itself – to move on.

LIV Golf, a breakaway tour backed by Saudi Arabia's Public Investment Fund (PIF), is facing an uncertain future as the fund is expected to withdraw its support in 2026. This development has significant implications for the careers of several leading golfers who made lucrative switches to LIV. The PIF's expected withdrawal could leave many golfers in career limbo, with some, such as Bryson DeChambeau and Jon Rahm, potentially having a pathway back to the PGA Tour. However, the future for others who joined LIV is far more uncertain. The tour's executives recently attended a summit with the PIF in New York, where the financial impact of the Middle East crisis was discussed. LIV's chief executive, Scott O'Neil, has attempted to reassure staff and players that the tour's season will continue as planned, but the lack of commitment beyond 2026 has fueled speculation and concern. Since its inception in 2021, LIV is understood to have burned through more than $5bn of PIF money. Despite this, the tour has made strides towards becoming more commercially viable, attracting blue-chip sponsors such as Rolex and HSBC. The PGA Tour has smoothed a path for some LIV golfers to return, including Brooks Koepka and Patrick Reed. However, the scenario for others is far less obvious, particularly for those who lack the pull to return to the PGA Tour. The DP World Tour, formerly European Tour, may benefit from LIV's potential demise, given its willingness to re-engage with LIV players. The uncertainty surrounding LIV's future also has implications for women's golf in Europe, with the PIF Saudi Ladies International and other events potentially being affected if the kingdom diverts attention away from the sport.

After Bournemouth’s 2‑1 triumph over Arsenal at the Emirates on Saturday, manager Andoni Iraola celebrated with a broad smile, acknowledging the win as the third victory in four encounters with the league leaders and a clear sign that his project is gaining momentum. Having risen from administration to the Premier League under Eddie Howe, the Cherries have long been viewed through the lens of Howe’s legacy. Iconic moments such as the 2019 4‑0 demolition of Chelsea cemented that era. Following Howe’s 2020 relegation, a succession of domestic appointments – Jason Tindall, Jonathan Woodgate, Scott Parker and Gary O’Neil – produced mixed outcomes, with O’Neil’s dismissal after a respectable finish highlighting the club’s desire for a new direction under owner Bill Foley. Iraola arrived from Athletic Bilbao, where he amassed over 500 appearances, bringing a philosophy that blends Bilbao’s directness with a British‑style width. Early on, his tenure appeared rocky: the first nine league games yielded no wins and left Bournemouth in 19th place, punctuated by a heavy 6‑1 loss to Manchester City. Yet a narrow victory over Burnley sparked a turnaround, culminating in a seven‑match unbeaten run that added 19 crucial points. Statistically, the Cherries have become more than occasional spoilers. While they previously earned just 0.42 points per game against the traditional ‘big six’, under Iraola they have improved to 1.5 points per game in both the 2024‑25 season and the current campaign, recording nine wins and seven defeats against top opposition. Their current 11th‑place standing reflects a blend of competitive resilience and entertaining football built on athleticism, work rate and on‑ball daring. The club’s on‑field evolution has translated into a remarkable transfer market windfall. Key departures include Dominic Solanke to Tottenham for £55 million, Dean Huijsen to Real Madrid for £50 million, Illia Zabarnyi to Paris Saint‑Germain for £54.5 million, Milos Kerkez to Liverpool for £40 million, Dango Ouattara to Brentford for £42 million and Antoine Semenyo to Manchester City for £62.5 million. Collectively, these sales amount to a staggering £304 million, underscoring Bournemouth’s emergence as a premier talent factory alongside clubs like Brighton and Brentford. Looking ahead, Iraola is set to depart at the end of the season, with speculation linking him to high‑profile roles at Manchester United, his native Athletic Bilbao or other continental giants. Bournemouth’s board has already identified Marco Rose – renowned for his high‑intensity approach that benefitted Erling Haaland and Jude Bellingham – as a potential successor, signaling a commitment to maintain the club’s dynamic style. In the broader context, Bournemouth’s transformation illustrates how a mid‑table Premier League side can leverage strategic coaching, a clear playing identity and savvy player development to generate both on‑field success and substantial financial returns, effectively moving beyond the shadow of Eddie Howe.

Warner Bros' new take on The Mummy, directed by Lee Cronin, has been met with criticism for its grandiose approach and lackluster execution. The film's attempt to distance itself from Universal's upcoming return to the franchise and capitalize on the current trend of auteur-driven horror films has been seen as unearned and indulgent. Cronin, an Irish filmmaker with only two previous films under his belt, has been praised for his visual talent, but his Mummy has been criticized for being absurdly overlong at 134 minutes and tonally unsure. The film's attempt to blend elements of classic monster movies with modern horror tropes has resulted in a messy and unoriginal product. The film's plot, which revolves around a creepy kid who returns from the dead with a malevolent presence, has been compared to other horror films such as The Exorcist and The Omen. However, the execution falls short, with rubbery prosthetics and an exhaustingly loud finale that fails to deliver scares. Despite its bold ambition and stunning visuals, the film ultimately feels like a lesser imitation of other horror films. The lack of character development, suspense, and logic makes it difficult to become invested in the story. The Mummy is set to release in Australian cinemas on April 16 and in the US and UK on April 17.