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Despite a supposed ceasefire in the Gaza Strip, thousands of families are still unable to bury their loved ones six months into the agreement. The conflict, which began in October 2023, has left about 10,000 Palestinians missing and believed to be buried under collapsed buildings.An internationally mediated agreement was signed between Israel and Hamas on October 10, 2023, aiming to end the conflict. However, for many, the war has not ended. The United Nations reports that Israeli bombardment has generated over 61 million tonnes of rubble in the besieged Gaza Strip.Al Jazeera's Hind Khoudary spoke to a Palestinian father, Abu Mohammed, who survived an Israeli attack but lost four of his children. He has been trying to retrieve their bodies for three years but faces significant challenges due to the massive concrete slabs and lack of heavy equipment.The ceasefire has not allowed heavy machinery into Gaza to begin recovery efforts and reunite families. According to Mahmoud Basal, Gaza's civil defence spokesperson, nothing has entered Gaza except limited equipment for retrieving Israeli captives. Across Gaza, thousands remain buried, with at least 50 bodies trapped beneath the rubble in one apartment block in Bureij.Conditions on the ground have barely shifted six months into the ceasefire. Families continue to wait as bodies are not yet recovered, and Israeli attacks persist. Since the ceasefire took effect, at least 738 people have been killed and 2,036 wounded. Authorities have recovered 759 bodies from the rubble.Israel's actions in Gaza have resulted in over 72,317 Palestinian deaths and 172,158 wounded. Despite the ceasefire, Israel still occupies more than half of the Gaza Strip, having levelled most buildings in these areas and forced residents out.

Oppdal, a mountain village in central Norway, hosted its first interspecies council on a snowy morning at the Bjerkeløkkja conference centre. Thirty‑eight local participants each represented a different species – from a northern bat to a birch tree – and voiced the needs of the natural world in a structured decision‑making process.The council draws on the legacy of the Council of All Beings, a practice created in the 1980s by environmentalists John Seed and Joanna Macy. Phoebe Tickell, a scientist and “moral imagination” activist mentored by Macy, adapted the ritual into a governance methodology that expands representation beyond humans.Facilitators first identified the multispecies stakeholders in the region, then briefed human representatives – chosen either randomly or for expertise – on the perspectives they would embody. The session concluded with a manifesto of principles for human governance and an impact‑evaluation plan to track participants’ connection to nature six months later.Oppdal’s mayor, Elisabeth Hals, noted that the village’s population swells from 5,000 to over 30,000 in winter as tourists flock to private cabins (hytter). The municipality plans to add 1,000 new apartments by 2035 to promote year‑round tourism, a move that has sparked debate over land use, farming, and conservation.During the council, a birch “worried there’s too much of me,” while a rockfoil flower urged humans to “slow down and listen to where nature can tolerate more activity.” The River Driva lamented being treated as a mere resource, and a fox enthusiastically pointed at a wader, highlighting the emotional range the exercise seeks to capture.Proponents argue that such empathy‑building exercises are crucial as wildlife populations have fallen by roughly 70 % over the past 50 years. Tickell contends that “imperfect representation beats exclusion” and envisions interspecies councils becoming as routine as environmental impact assessments.Across the UK, 13 councils have recognised river rights since 2023, and a coalition of artists, ecologists, lawyers and policymakers is exploring similar biodiversity governance around the North Sea. In London, multispecies assemblies have already informed stewardship of the River Roding and land‑use consultations.Oppdal’s experiment aims to create “institutional trace” – genuine decision‑making power backed by robust methodology and longitudinal research – rather than a tokenistic green‑washing exercise. If successful, the model could be replicated internationally, giving non‑human nature a formal seat at the policy table.

Aaron Ramsey, a name synonymous with Welsh football excellence, has officially retired from the sport. His career was marked by early promise, rapid rise to international stardom, and a legacy that will be remembered for generations to come.Ramsey's journey began with Wales' national team debut at just 17, a testament to his prodigious talent. He quickly became a cornerstone of the team, known for his exceptional technique, vision, and creativity on the field. His performances earned him captaincy by the age of 20, a rare honor that underscored his leadership qualities and influence.One of the defining moments of Ramsey's career was his heroic performance in Euro 2016, where Wales reached the semi-finals, a feat that rekindled the nation's passion for football. His four assists and one goal in the tournament showcased his skill and determination. Ramsey's absence in the semi-final due to suspension was deeply felt, as Wales were eventually eliminated by Portugal.Despite struggling with injuries that plagued him throughout his career, Ramsey's impact on Welsh football cannot be overstated. He was a key player in qualifying for Euro 2020, scoring crucial goals against Hungary. His partnership with Gareth Bale was particularly notable, as they inspired victories and memorable moments for Welsh fans.As Wales failed to qualify for the 2026 World Cup, fans will look back on Ramsey's contributions with gratitude and admiration. He is undoubtedly a shoo-in for Wales' all-time XI, a testament to his enduring legacy in the sport.

In an era where pop stardom is measured by a patchwork of streaming figures, award nods and high‑profile support slots, Holly Humberstone has built a credible résumé without ever cracking the singles chart. The 26‑year‑old from Lincolnshire has leveraged a Brit Rising Star award, a coveted opening for Taylor Swift, and four million monthly Spotify listeners to cement her place in the contemporary pop landscape.Her second album, ‘Cruel World’, marks a decisive shift from the gothic melancholy that defined her debut, Paint My Bedroom Black. The new record embraces an 80s‑inspired synth‑pop palette brimming with ear‑catching hooks, delivering lyrics that are both earnest and conversational, reminiscent of Swift’s confessional style.Highlights include the sun‑soaked breakup anthem ‘To Love Somebody’, which builds to a stadium‑ready pre‑chorus, and the irresistibly catchy ‘White Noise’, a nostalgic nod to disco that channels the energy of early‑2000s Kylie Minogue. Even the cheeky, self‑aware line on “Drunk Dialling” – “I’m gonna shake my nonexistent ass to this shitty song” – showcases Humberstone’s willingness to blend humor with polished production.The album’s production is consistently confident, featuring a surprising happy‑hardcore breakdown on the closing track “Make It All Better.” Combined with Humberstone’s knack for crafting crowd‑pleasing melodies, these elements suggest she is poised for a long‑term pop career that can thrive in both traditional and modern market models.

Tracey Nelson, a NYC-based singer-songwriter, is set to release his debut album 'Hercules' on July 10. His music is described as beautifully dazed, countrified indie-rock, drawing comparisons to bands like The Clean and The Feelies. Nelson's self-titled 2025 debut EP was a lesser-heard gem, featuring tracks such as 'New Years Flowers' and 'Just Shoot Me Now'.The upcoming album 'Hercules' is co-produced by MJ Lenderman and Colin Miller, and features a lineup of musicians including Lenderman, Miller, Karly Hartzman, and Jack Kraus. The album promises to amplify the country elements of Nelson's previous work while giving him more space to explore his sound.This week's best new tracksPozer – Hulk Hogan (ft AJ Tracey): A standout track in the UK scene, delivering social realism over Jersey club beats, with an excellent verse from AJ Tracey.Zoh Amba – Another Time: A remarkable free jazz saxophonist turns songwriter, blending Appalachian roots with indie rock.One Leg One Eye – Many Are My Names Besides: A haunting track that combines scratchy drone and distorted wailing.Enter Shikari – Dead in the Water: A highlight from their new album, blending rave-rock with elements of Everything Everything and The Prodigy.James K – Peel (Loidis remix): A 14-minute remix turning ethereal dancehall-pop into snappy microhouse.Ambrose Akinmusire and Mary Halvorson – Soundcheck: Disarming trumpet playing and unsettling guitar work.Max F – Dream Channel (Space Ghost Club Remix): Life-affirming piano-centred house instrumental.

Roberto De Zerbi, the new head coach of Tottenham, recently apologized for his past comments about Mason Greenwood, a forward he managed at Marseille. De Zerbi's apology was seen as insufficient by some, as it focused on his self-description rather than taking accountability for his words. Greenwood had denied charges of attempted rape, controlling and coercive behavior, and assault occasioning actual bodily harm in 2022, and the case was discontinued. The conversation around De Zerbi and Greenwood has brought the issue of male violence against women back to the center of football's public discourse. Research has shown that men who perpetrate serious harm rarely identify themselves as perpetrators, and instead displace blame onto the victim, alcohol, or circumstance. This is why character references, although sincerely offered, are often inadequate in addressing the issue. Male violence against women is not an isolated issue, but rather a product of societal norms that shape what is seen, named, and tolerated. The World Health Organization and decades of academic research on gender and masculinity have consistently identified these norms as the root cause of the problem. Football is not immune to this issue, and research has shown that strong group cultures in sport can inhibit men from speaking up against harmful behavior. Men in positions of power, such as De Zerbi, have a responsibility to use their platform to speak out against male violence and to educate others about the impact of their behavior. Genuine ownership and accountability require men to name what was wrong with their actions, accept the impact of their behavior, and commit to not repeating it. De Zerbi's response fell short of this standard, and instead offered a character reference for himself. Football has a unique influence on society, particularly among young men, and it is essential that players, managers, and clubs use this influence to shape positive attitudes and behaviors. The heat generated by this incident has put male violence against women on the front pages of sports coverage, and it is crucial that the game uses this momentum to have a serious conversation about what it teaches, tolerates, and expects of men at every level.

Winter Garden Theatre’s latest revival of Arthur Miller’s 1949 classic reimagines the Loman household as a bleak garage, its sheet‑metal doors and dust‑laden floor evoking a timeless industrial backdrop rather than a specific era. Designed by Chloe Lamford, the set’s grayscale palette and sepia‑tinted flashbacks reinforce the play’s decay‑laden atmosphere.Directed by Joe Mantello, the production leans into minimalist staging to amplify the emotional rawness of the script. Nathan Lane inhabits Willy Loman with a mix of frantic energy and tragic vulnerability, his trademark brassiness turning the character’s long‑winded rants into a hypnotic rhythm. Opposite him, Laurie Metcalf delivers a razor‑sharp Linda, whose pragmatic fury and exhausted composure anchor the family’s disintegration.The cast also includes Christopher Abbott as Biff, Ben Ahlers as Happy, and K. Todd Freeman as the Black neighbor Charley, a casting choice that subtly flips the racial dynamics explored in the 2022 revival, where the Lomans were portrayed as a Black Brooklyn family.Lane’s Willy wrestles with the collapse of the post‑war American Dream, clinging to a broken promise of prosperity while refusing Charley’s offer of work—a moment that lands with a palpable “I just can’t work for you” that resonates as a critique of white entitlement and crumbling masculinity.Metcalf’s Linda, meanwhile, embodies the often‑unseen labor of holding a family together, delivering lines with “blistering anger” that underscores the personal toll of Willy’s delusions. Their interplay creates a “stark and gutting tragedy” that, despite its familiar arc, feels freshly relevant.Beyond the performances, the revival reflects a three‑decade‑long journey for Mantello’s vision, now backed by producer Scott Rudin, whose return to Broadway follows years of controversy. The production’s success suggests that Miller’s meditation on failure and aspiration still strikes a chord with contemporary audiences.In a theater climate often wary of bleak narratives, this revival proves that the American Dream’s collapse can still command attention, especially when delivered by a duo as compelling as Lane and Metcalf.

The International Monetary Fund has cautioned that the US‑Israel war on Iran could ignite a new wave of global inflation, jeopardising the outlook for world growth even if the current cease‑fire endures. IMF Managing Director Kristalina Georgieva announced on Thursday that the Fund will lower its growth projection for the global economy at next week’s IMF‑World Bank Spring Meetings, stating that the conflict has turned a potential upgrade into a growth downgrade. Earlier this year the IMF had lifted its forecast to 3.3 % growth for the 191‑member economies. That optimism evaporated after the war erupted on 28 February, driving up oil and natural‑gas prices, damaging energy infrastructure such as refineries and tanker terminals, and disrupting fertilizer shipments essential for global agriculture. Georgieva warned that the conflict is eroding business and consumer confidence and urged member nations to “get your house in order” as heightened defence spending adds further strain to the world economy. She also expressed confidence that the IMF will secure U.S. congressional approval this year for a 50 % increase in quota‑based lending resources, unlocking more of its roughly $1 trillion lending capacity. The United States, the Fund’s largest shareholder, would thereby provide crucial financial reassurance amid uncertain future developments. In a newly released report, the IMF estimated that countries directly involved in armed conflict typically see output fall by about 3 % at the outset, accumulating to roughly 7 % losses over five years. However, the study noted that economies like the United States may avoid severe economic damage because the fighting does not physically affect their own territory. Central banks are also on alert. Georgieva emphasized that “the central bank cannot afford to let inflation spiral out of control,” a statement that precedes the U.S. Federal Reserve’s two‑day policy meeting scheduled for 28–29 April, where interest‑rate decisions will be made amid political pressure from President Trump to lower rates. Other monetary authorities, including the Bank of Mexico, warned that the Middle‑East turmoil could push inflation higher in Latin America’s second‑largest economy, underscoring the broader spill‑over risks of the conflict.

Millions of Indians have cast their votes in local elections in two states and a federally-governed territory, marking a crucial test of support for Prime Minister Narendra Modi and his right-wing Bharatiya Janata Party (BJP). The elections, held in Assam, Kerala, and the Union Territory of Puducherry, are part of five key contests scheduled this month. Voting was held on Thursday, with results due on May 4. Prime Minister Modi appealed to people to exercise their franchise in large numbers, stating, “I hope that the state’s youth and women voters participate enthusiastically and make this election a celebration of democracy and public duty.” In Assam, a BJP-led alliance has ruled the northeastern state for two successive terms and is expected to retain power. However, the BJP did not field any Muslim candidate in Assam, where the community constitutes more than 34 percent of the state’s population. In Kerala, parties opposed to the BJP are set to win, as power traditionally alternates between alliances led by the Indian National Congress and the communist parties. Modi’s party has struggled to gain ground in the state but has invested heavily to expand its presence. The elections are also crucial for opposition parties seeking to build a sustained challenge to the BJP’s dominance across the country. The outcome could show whether Modi’s party can extend its dominance by making inroads into opposition strongholds.