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Guy Singh-Watson, founder of organic veg box company Riverford, has expressed deep regret for the decades he spent confined by traditional masculinity. On International Women's Day, he found himself in a crowd of mostly women, listening to his wife discuss her experiences. This encounter made him realize that many issues discussed on IWD relate to male behavior, and men should be paying attention. Challenging Traditional Masculinity: Singh-Watson notes that success in farming and most businesses depends on building and maintaining relationships. He recalls that when Riverford first measured its gender pay gap in 2017, women earned an average of 91p an hour compared to their male colleagues' £1. Despite efforts to address the issue, progress was slow until a new, younger female farm manager, Maddie, took charge and transformed the workplace culture. Under Maddie's leadership, Riverford became one of the few veg farms with a waiting list for pickers. The company achieved this by creating a fun, emotionally safe, and fulfilling work environment. Singh-Watson acknowledges that he and other men in leadership roles often struggle with sensitive issues and tend to turn to women for resolution. A Shift Towards Inclusivity: The cultural shift at Riverford began with its transition to employee ownership in 2018. This process required introspection and evaluation of decision-making processes. With the help of a business change coach and the company's head of HR, a genuinely inclusive culture was built. As a result, Riverford now has a negative gender pay gap, with women earning 1.56% more per hour than men. Singh-Watson emphasizes that men can change and that embracing emotional literacy – kindness, openness, empathy, and compassion – makes them stronger. He encourages men to cast off limiting beliefs around what it means to be a man and to support each other and the women in their lives. Ultimately, inclusivity benefits everyone, and men must take responsibility for creating a more equitable and compassionate work environment.

Al Jazeera reports that the armed wing of Hamas has rejected any proposal to disarm, reaffirming its commitment to continue armed resistance. At the same time, Israeli forces have maintained their series of attacks, indicating that the current cycle of violence shows no sign of abating.The refusal underscores the deepening stalemate between the two sides, with each side entrenched in its respective position. Analysts note that without a credible pathway to disarmament, the prospect of a de‑escalation remains limited, potentially prolonging the humanitarian and security challenges in the region.

John Mearsheimer has warned that the current US‑Israel war over Iran shows no signs of a rapid conclusion. The scholar’s assessment underscores the deepening complexities in the Middle East and suggests that diplomatic pathways remain limited at this stage. While specific details of the conflict’s trajectory were not disclosed, Mearsheimer’s observation points to a prolonged period of tension, with potential ramifications for regional stability and international diplomatic efforts. Analysts note that such a stance may influence policy deliberations in Washington and Jerusalem, as both nations grapple with strategic calculations amid escalating hostilities.

An estimated 15 people were injured when a vehicle struck attendees of the Lao New Year parade in New Iberia, Iberia Parish, Louisiana.The Iberia Parish Sheriff’s Office, via spokesperson Rebecca Melancon, indicated that the preliminary investigation suggests the incident was not intentional.According to Acadian Ambulance, 11 victims were transported to hospitals by ground ambulance and two were airlifted for urgent care. The response mobilized ten ambulances and two medical helicopters to the scene.The crash occurred in New Iberia, a city of over 28,000 residents, located roughly 34 km (21 mi) south of Lafayette and 214 km (130 mi) west of New Orleans.The Lao New Year Festival parade, an annual Easter‑weekend event featuring live music, food vendors, and a beauty pageant, saw its musical program cancelled while vendors were allowed to remain open until 9 p.m. local time.Festival organizers expressed deep sorrow, stating, "We are praying for the victims and their families," and indicated that, if security resources are restored, religious services would resume on Sunday.The Lao New Year celebration, rooted in Buddhist tradition and marking the transition from the dry season to the monsoon, reflects the presence of a vibrant Lao community in Louisiana, particularly in New Iberia’s Lanexang Village, which houses hundreds of Lao residents.Many members of this community trace their origins to the aftermath of the Vietnam War and the 1975 Pathet Lao takeover, which prompted large‑scale migration to the United States.

The Giuffre family has publicly asked King Charles III to sit down with survivors of Jeffrey Epstein’s sex‑trafficking network during his upcoming state visit to Washington, scheduled for April 27‑30.The appeal arrives just before the anniversary of Virginia Giuffre’s death in April 2025, which was ruled a suicide.Giuffre, who first went public in 2010, alleged that she was groomed and trafficked by Jeffrey Epstein and his associate Ghislaine Maxwell, and that she was forced to have sexual encounters with Prince Andrew, the king’s brother.Sky Roberts and his wife Amanda, Giuffre’s brother and sister‑in‑law, told Reuters that they "strongly urge King Charles to meet with us and survivors and hear what we have to say," hoping the testimony could spur further British action against Epstein’s alleged co‑conspirators.The request comes as Charles’s Washington trip follows the U.S. Department of Justice’s release of the final tranche of more than 3.5 million Epstein‑related documents, mandated by the Epstein Files Transparency Act signed by former President Donald Trump.The massive disclosure has already triggered a wave of high‑profile resignations, arrests and ongoing investigations, including charges against former UK ambassador Peter Mandelson and Prince Andrew.Prince Andrew, now styled Andrew Mountbatten‑Windsor after being stripped of his military roles, patronages and royal titles, denied the allegations, settled a civil case with Giuffre in 2022 without admitting wrongdoing, and continues to contest criminal charges.Buckingham Palace has expressed “thoughts and utmost sympathies” for victims but did not comment on the Giuffre family’s request. The family thanked the king for his “decisive action” in removing his brother’s princely status.

Martin Ho arrived at Tottenham in July, inheriting a side that had slumped to 11th place the previous season. Within months the club has risen to fifth in the Women's Super League, just three points shy of matching their record 32‑point tally from 2021‑22. With three league games remaining, Spurs are set to face Chelsea in an FA Cup quarter‑final, while a recent League Cup exit saw them lose 2‑1 to Manchester United. Ho, who began coaching at 17 after an unfulfilled stint at Everton’s academy, describes the campaign as a success so far, noting the progress from a “rudderless” squad to a more cohesive unit. He acknowledges the boldness of such a claim before the season ends, especially after consecutive 5‑2 defeats to Manchester City and Arsenal, but stresses that the club’s trajectory is positive. Only two new signings – Norway forward Cathinka Tandberg and Japan defender Toko Koga – joined the roster in the summer, a deliberate move by Ho to assess the existing squad first. "I needed to see the players with my own eyes and apply my coaching methodology," he explained. Ho’s approach draws on his experience as an assistant at Manchester United under Casey Stoney and Marc Skinner, and his earlier head‑coach role at Norwegian side SK Brann. He spent time learning the club’s culture, fanbase and values before implementing changes. Key to the transformation was a psychological reset. Ho told his players that the team must look forward and abandon the disappointment of the previous season. "We asked them to play bravely, press higher and accept that mistakes are part of growth," he said. The 5‑1 loss to Manchester City early in the season became a catalyst. Ho observed that the squad’s response demonstrated a shift in mentality, prompting him to reinforce belief and challenge the players to improve. Consistency has been elusive – three wins from eight league matches – but the side has shown signs of potential, and January brought additional reinforcements. Looking ahead, Ho warns against over‑inflated expectations. "If we promise Champions League football now and fail, it harms everyone," he cautioned, noting that European competition would be premature for a club still building its foundation. He emphasizes the need for steady, sustainable progress rather than a flash‑in‑the‑pan surge. "We must evolve the squad, staff, processes and investment together," Ho said. With a limited pool of elite talent, attracting and retaining players remains a challenge. Ho stresses creating an authentic environment that offers clear development pathways, saying, "When players see their value and a clear route forward, they stay and improve." Born in Liverpool to a Chinese father and English mother, Ho credits his upbringing for his holistic coaching philosophy. He often remarks that coaches are like thieves, constantly borrowing ideas from one another, and strives to adapt those influences into a style that reflects his own vision for Tottenham Women.

Leeds United manager Daniel Farke has promised that a large number of Leeds fans will travel to London for the team's FA Cup semi-final match against Chelsea. The team secured their spot in the semi-finals after a thrilling penalty shootout win against West Ham on Sunday.The match at the London Stadium saw West Ham mount a dramatic comeback from 2-0 down, forcing extra time with stoppage-time goals from Mateus Fernandes and Axel Disasi. However, Lucas Perri's saves in the penalty shootout sealed a 4-2 win for Leeds.Farke expressed his pride in the team's achievement, highlighting the significance of reaching the semi-finals for the first time since 1987. He emphasized that the team's journey has not been easy, but they are on a positive path after being promoted to the top flight.The Leeds manager also acknowledged that Chelsea is a top team with top players and that his side will need an outstanding performance to succeed. Despite this, Farke is confident that over 30,000 Leeds fans will travel to London to support their team.In contrast, Nuno Espírito Santo, the West Ham manager, was disappointed with the loss, stating that it will be tough for his team to recover quickly. He urged his players to prepare for their upcoming Premier League match against Wolves.

Xavier Giannoli's latest film, 'Rays and Shadows,' has ignited a firestorm of controversy in France with its portrayal of Jean Luchaire, a French journalist and press baron who collaborated with the Nazis during World War II. The film, told from the perspective of Luchaire's daughter Corinne, a former actress known as 'the new Garbo,' delves into the moral compromises and betrayals of occupied France.The film's depiction of Luchaire as a disillusioned spendthrift rather than a diehard ideologue has sparked criticism from left-leaning critics, who argue that it relativizes the actions of those who willingly served the Nazi killing machine. Historian Laurent Joly also questions the film's portrayal of Luchaire, suggesting that his path to collaboration was driven by amorality and venality rather than pacifism.Despite the controversy, the film has drawn over 300,000 spectators in its opening week in France, sparking important discussions about the Vichy period and the complexities of human behavior during times of war. Giannoli's goal was to strike a balance between fascination and indignation, and to explore the traps that a human being can fall into when faced with difficult choices.

When screenwriter Daisy Goodwin examined Prince Albert’s habit of selecting Victoria’s bonnets, she wondered whether the gesture signified tender devotion or a more unsettling dominance. The question becomes the backbone of her new stage drama, which recasts the iconic Victorian marriage as a case of coercive control rather than a model partnership. Set in the waning days of Victoria’s reign at Windsor, the production opens with Amanda Boxer portraying an aging monarch—a weary, self‑pitying figure cloaked in black bombazine. Her character, a compulsive diarist, fears that her candid journals might be released after her death, a concern that fuels the play’s tension. Designer Alex Berry creates a slanted, reflective ceiling that acts like a distorted mirror of memory, underscoring Victoria’s claim that her diaries are “the only place where I could be completely honest”. Yet the presence of Albert, played by Rowan Polonski, suggests that even these private pages were never truly safe. Jessica Rhodes brings youthful Victoria to life, initially buoyant as she waltzes with Albert. The romance quickly darkens as Albert’s behavior shifts to manipulating her ambitions and curbing her joy. He pressures her into motherhood—she dismisses the children as “invincibly tedious”—and intrudes on her official duties, from speeches to industrial tours. In a biting line, she accuses him of making “the monarchy so boring that no one was awake enough to start a revolution”. The play’s narrative moves from teasing banter to overt control, with intimate moments on the sofa devolving into fierce arguments over gifts (“You gave me a brooch made of teeth, Albert!”). A poignant scene where Victoria reads from Jane Eyre hints at a gothic destiny that Goodwin imagines Albert may have plotted. While Goodwin’s empathy clearly leans toward Victoria, the production also raises contemporary expectations of royalty, suggesting that public service—not romantic idealisation—should define modern monarchs. Director Sophie Drake’s brisk pacing navigates the play’s contradictions, ultimately unsettling the long‑held myth of a contented, untroubled royal household. The production runs at the Watermill Theatre in Newbury until 9 May, offering audiences a fresh, critical lens on a celebrated historical partnership.