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Ibrahima Konaté appears set to depart Liverpool FC after the club and his representatives failed to reach a new contract agreement, meaning the 27‑year‑old defender could leave on a free transfer at the end of his current deal.Contract Stalemate Sends Konaté Toward Free AgencyNegotiations over a fresh deal for Konaté, who has been at Anfield for five seasons, have broken down despite “extensive talks” between his camp and the club. The defender hinted in April that an agreement was close, but no formal offer materialised.Financial Implications of Losing a First‑Choice Centre‑BackAge: 27Contract length remaining: 0 (expires summer 2026)Potential fee: None – free transferRecent precedent: Trent Alexander‑Arnold left for £10 million after his contract ran downStrategic Blow to Liverpool’s Defensive RebuildingThe club’s sporting director Richard Hughes now faces a depleted back‑line, with new signing Jérémy Jacquet and Giovanni Leoni still recovering from injuries and uncertainty surrounding Joe Gomez. The loss compounds the departure of Mohamed Salah and Andy Robertson, marking a significant turnover from the Jürgen Klopp era.What Lies Ahead for Konaté and LiverpoolReports link the Paris‑born centre‑back with a possible move to Paris Saint‑Germain, while Chelsea are also mentioned as suitors. Liverpool will need to rely on emerging talents and the market to fill the void, and the free‑transfer exit could free up wage budget for new acquisitions.

Havertz Relives 2021 Triumph as Arsenal Gears Up for Budapest Final Kai Havertz says the memory of scoring the winning goal in the 2021 Champions League final still feels like yesterday, and he hopes to recreate that magic as Arsenal face Paris Saint-Germain in Budapest on Saturday. From Chelsea Heroics to Arsenal’s Premier League Victory After helping Chelsea pull off a surprise 1‑0 win over Manchester City in Porto, Havertz joined Arsenal for a reported £65m fee in 2024. The German striker has already contributed crucial goals in the Champions League knockout stages and was part of the squad that secured Arsenal’s first Premier League title since 2004. Financial Stakes and Transfer Figures Transfer fee to Arsenal: £65m Club’s summer signing Viktor Gyökeres: £64m Arsenal’s Premier League title prize money boost (estimated): £150m Havertz missed five months with a knee injury, undergoing two surgeries. How Havertz’s Experience Shapes Arsenal’s European Ambitions The striker’s under‑dog narrative mirrors Arsenal’s own season, turning a late‑year slump into a title‑winning campaign. His familiarity with high‑pressure finals is expected to lift the squad’s confidence, especially after a recent Carabao Cup loss that sparked a turning point. Outlook for the Budapest Showpiece Analysts suggest Arsenal’s blend of youthful energy and Havertz’s big‑match pedigree could neutralise PSG’s firepower. While Paris Saint-Germain remain favourites, Havertz believes we are going to beat them, hinting at a tightly contested final.

The Rise of Machine-Generated Traffic Cloud infrastructure has long been designed around humans who search, click, scroll, and stream in a steady and predictable fashion. However, AI agents behave differently. They can unleash a swell of activity, spinning up multiple sub-agents that query hundreds of databases, search documents, and call APIs in seconds and then disappear as quickly as they arrived. AWS's Next-Gen OpenSearch Serverless Under that premise, Amazon is redesigning a core piece of its cloud infrastructure. On Thursday, AWS launched its next generation of OpenSearch Serverless, a fully managed search and vector database — essentially a system for storing and retrieving information at scale — that's designed specifically for agentic workloads. AWS says the new system can instantly scale up when agents trigger tasks and scale back down to zero when idle. The Data Analysis Cloudflare says bots accounted for 31% of overall HTTP traffic over the last six months. AI crawlers, search engines, and assistants made up roughly a quarter of all bot requests during that period. 'Non-human traffic will exceed human traffic sometime in the first half of 2027,' said Lai Yi Ohlsen, senior product manager at Cloudflare. The Impact Analysis The launch reflects a growing realization across the tech industry: Infrastructure originally designed for a human-driven internet doesn't work as well in a world increasingly populated by agents. As AI agents still represent a relatively small portion of internet activity, machine-generated traffic is already significant, and poised to grow. The Prediction As a result, cloud providers and infrastructure companies have been reckoning with how to adapt systems built for humans to a world of agents that are constantly and autonomously retrieving information, invoking tools, and generating machine-to-machine traffic. The more companies deploy AI agents, the more pressure there will be to redesign infrastructure around machine-generated workloads, which in turn could make agents cheaper and easier to deploy at larger scales.

Lead: NASA’s New Moon‑Base MilestoneNASA revealed that Blue Origin will conduct the first uncrewed lunar lander mission in a series of three scheduled for 2026, marking the agency’s initial move toward a $20 bn moon base. The decision, announced by NASA Administrator Jared Isaacman, places Bezos’s company ahead of SpaceX for this critical early contract.Blue Origin Secures First Uncrewed Moon Base MissionThe award designates Blue Origin’s Endurance cryogenic cargo lander to deliver scientific payloads to the Shackleton‑de Gerlache Ridge at the lunar south pole. The mission, targeted for launch as early as fall 2026, will be the first privately funded lunar lander flight in history.Contract awarded to Blue Origin over competing bids.Mission to test critical capabilities for future human‑landing systems.Part of a broader NASA roadmap that includes more than a dozen additional lunar missions through the decade.Financial Terms and Timeline of the 2026 Lunar MissionsNASA has allocated $230.4 million for each of the first two moon‑base missions, with the agency covering the majority of operational costs.Funding per mission: $230.4 million.2026 schedule: Three uncrewed missions, followed by “more than a dozen” missions in subsequent years.Related contracts: Smaller awards to Lunar Outpost, Firefly Aerospace, and other private firms supporting lunar‑to‑Mars projects.Strategic Implications for U.S. Lunar Ambitions and Private Space CompetitionThe selection underscores the Trump administration’s push to accelerate the Artemis program and establish a permanent lunar presence ahead of China. By leveraging private industry, NASA aims to lower taxpayer costs, stimulate a space‑economy job market, and maintain U.S. leadership in deep‑space exploration.Creates a direct competitive dynamic between Blue Origin and SpaceX for future crewed lander contracts (Artemis III, Artemis IV).Supports the “blueprint for an enduring lunar presence” with a target of operational capability by 2029‑2032.Aligns with national space policy goals of a “golden age of exploration” and a semi‑permanent lunar settlement.What Lies Ahead for NASA’s Moon Base and Commercial Lander DevelopmentFollowing the 2026 uncrewed flights, NASA will evaluate the performance of both Blue Origin’s Blue Moon lander and SpaceX’s Starship HLS during the Artemis III test mission in low‑Earth orbit. Successful demonstrations are expected to pave the way for crewed landings on Artemis IV (planned for 2028) and the eventual construction of Moon Base One.Industry observers anticipate that continued private‑sector involvement will accelerate technology maturation, reduce launch costs, and expand the commercial market for lunar payload services, setting the stage for a sustained human presence on the Moon.

The Rise of AI-generated History Influencers “I have just arrived in Tudor London, 1536,” a young woman in a green puffer jacket tells the camera. “I’m going to check in at my room in the inn, get into the market. Then, later I am meeting the actual king – yep, Henry VIII – in person.” On YouTube and other social platforms, users are flocking to watch AI-generated “history influencers”, characters that vlog their travels to historical settings. The Popularity of Chloe VS History One of the most popular channels is Chloe VS History, with more than 610,000 Instagram followers and 15m views on YouTube. Viewers can watch Chloe try eel pie at a Tudor market, explore the first-class suites on the Titanic and take a plunge in an ancient Roman bath. The format has been replicated by other channels, such as Janella Through Time, Nova VS History and Esmetimetravels. Popular destinations include ancient Rome, Pompeii, the wild west and England during the Black Death. The Creator's Vision The creator of Chloe VS History, 32-year-old Jonathan Laramy, said the goal was to “get younger people more interested” in different periods of history. “History is a very visual experience, but it’s just not taught that way,” he said. “It’s taught via a textbook. And that is not compatible with lots of students. So why not use the technology we have to bring that to life in a really visceral way? The Impact on History Education Adam Smith, a historian at Oxford University, believes the format could “massively enhance” how history is taught to young people. “What these AI [videos] are doing is connecting with that visceral, tangible sense of: ‘Oh my God, that could have been me, that was an earlier version of me.’ It’s quite a deep-seated psychological need in many people, to understand themselves in time.”

A rapid expansion of data‑centres around Santiago’s Quilicura wetland is siphoning billions of litres of water, turning one of Chile’s largest swamps into a dry plain and intensifying a 15‑year mega‑drought. The Wetland’s Vanishing: On‑the‑Ground Observations in Quilicura Rodrigo Vallejos, a final‑year law student, first noticed the change five years ago when the once‑lush Quilicura wetland – spanning 468.4 hectares (about 1,200 acres) – began to dry out. He now works with the activist group Resistencia Socioambiental de Quilicura, documenting how the area, once a key urban biodiversity zone, is turning into “a wetland without water.” Water Consumption Numbers: Billions of Litres Drained Annually Experts estimate that the largest data‑centres in the district – operated by Google, Microsoft, Brazilian Ascenty and Chilean Sonda – consume roughly 1.5 bn litres of water each year. The scale is illustrated by the following figures: 33 data‑centres are currently operating, with 34 more planned. Google’s water rights allow extraction of up to 50 litres per second, equivalent to the annual use of 8,500 Chilean households. Water‑based cooling systems dominate, using far more water than air‑cooled alternatives. Ecological and Social Fallout: Why Chile’s Tech Push Risks a Mega‑Drought Crisis The water draw aggravates a national mega‑drought that has persisted for over 15 years. Climate scientist Pablo Sarricolea warns that by 2070 precipitation could fall sharply while average temperatures rise from 15.6 °C to 17.4 °C, increasing evaporation and further stressing water supplies. Residents also point to limited job creation and the lack of transparent reporting on water extraction. Company statements differ: Microsoft claims its Chilean sites rely on air‑based cooling, reducing water use, while Ascenty argues its water consumption equals that of only 16 households. Nonetheless, activists argue that prioritising water for tech firms over local communities raises ethical concerns. Looking Ahead: Relocation, Regulation, and the Future of Chile’s Data‑Centre Strategy Chile’s national data‑centre plan, launched under former President Gabriel Boric, aims to position the country as Latin America’s tech hub. Experts suggest a shift to water‑rich southern regions to balance growth with ecological limits. Stronger industry regulation, transparent water‑use reporting, and investment in air‑cooled or renewable‑energy‑based cooling could mitigate the crisis. Without such measures, the Quilicura wetland may become a stark symbol of how unchecked digital infrastructure can deepen climate vulnerability in already water‑scarce regions.

The Art of Provocation T Venkanna's paintings are like a sucker-punch. His first institutional solo show at London's Studio Voltaire features an overbearing altarpiece, modified by two squat side panels, depicting an orgasmic thicket of desire. The artwork is a commentary on the disparity between puritanical religious doctrine and licentious reality. The Intersection of Myth and Reality Venkanna's work is a way to consider many things, including the myth of religions. He draws inspiration from ancient Indian temples, where people touch the breasts of sculptures, making them smooth and shiny over time. His paintings are not about shocking, but about showing things around us. The Impact of Upbringing Venkanna's childhood in a small town in south-central India, where his father was a Hindu priest, had a significant impact on his work. He grew up in a one-room home with five other family members, and village people would come to ask about rituals and expectations of appropriate behavior. However, Venkanna discovered that these rules had a convenient degree of flexibility. The Evolution of Style Venkanna's artistic journey began with painting and drawing naked figures at home. He was sent to train as a drawing teacher and later enrolled in a fine art college, where he learned printmaking, miniature painting, and how to make and work with tempera. His early work was met with criticism, but he has since gained recognition, including a gold medal and support from teachers who donated their spare materials. The Future of Art Venkanna's work continues to push boundaries, exploring themes of intimacy, isolation, consent, and violation. His paintings are a counterpoint to gender inequality and prejudice, foregrounding women's experiences and depicting them as satiating their sexual appetite. As Venkanna says, 'I don't want to shock. What I'm showing are things around us.' T Venkanna: Sculpture Garden is at Studio Voltaire, London, until 23 August

The Wigmore Hall's 125th Anniversary Celebration Wigmore Hall, a renowned venue for classical music, marked its 125th anniversary with a special gala concert. The event was a partial recreation of the hall's inaugural concert in May 1901, which featured a starry lineup including Ferruccio Busoni and Eugène Ysaÿe. A Tribute to the Past The concert began with a performance of the national anthem, 'God Save the King,' followed by a new piano version of Thomas Adès' 2023 guitar piece 'Vesper (for Henry Purcell).' Adès also performed Beethoven's Op. 109 piano sonata, which showcased his dramatic and polished style. Musical Highlights Thomas Adès performed a new piano version of his 2023 guitar piece 'Vesper (for Henry Purcell)' and Beethoven's Op. 109 piano sonata. Louise Alder and pianist Joseph Middleton performed three Schubert songs, ending with 'Erlkönig,' which was almost like a mini-opera. Alina Ibragimova played the second half of Bach's first Partita for solo violin, in B minor, with freshness, precision, and elegance. Cédric Tiberghien joined Ibragimova for Beethoven's Romance in G and performed Brahms's Paganini Variations. The Venue's Legacy Wigmore Hall has a rich history dating back to 1901 when it was built by Bechstein, a piano manufacturer. The hall has continued to host concerts through the years, including performances by notable artists like David Bowie. Despite facing economic challenges, the venue remains a London home for solo recitals, chamber music, and song. Looking to the Future The Wigmore Hall's 125th anniversary festival continues until June 7, with all concerts being broadcast on BBC Radio 3 and available on BBC Sounds for 30 days. This celebration is a testament to the venue's enduring legacy and its commitment to showcasing classical music.

Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.