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The Discovery of a Lost Musical MasterpieceThe discovery of a new work by Ralph Vaughan Williams has set the world alight this week. In a box in the archives of London's Morley College, Elaine Andrews came across a previously unknown Vaughan Williams song titled "Before the Mirror," which sets a Swinburne poem inspired by a Whistler painting. The manuscript's workings, its crossings-out and corrections, offer a fascinating insight into Vaughan Williams's creative process, revealing music of surprising tonal adventure and expressive ambiguity written shortly after his marriage in 1897.The Vast Landscape of Lost Musical WorksBut a single song pales into comparison compared to the musical riches that may be lying dormant in libraries, archives and lofts all over the world. One of the most significant musical finds of all time was the treasure-trove of manuscripts by Florence Price found in a derelict house in Illinois in 2009, which included her two violin concertos, Fourth Symphony and dozens of other pieces. This discovery revealed not only wonderful music, but also pointed to the priorities – and prejudices – of music historians.The Systematic Erasure of Female ComposersThat discovery revealed not only wonderful music, but also pointed to the priorities – and prejudices – of music historians. The discovery of previous unknown manuscripts by the most familiar composers – a single page of Mozart, an exercise by Beethoven, a sketch by Haydn – often happen because historians know where to look for ephemera of lives whose every artefact has been combed over for centuries. But that had not been the case for Price, or for other composers who have been musicologically marginalised. Their work is supposed to be "lost" simply because no one had been looking for it.Rediscovering Forgotten Female VoicesThat's why some of the deepest holes in musical history – works that we know composers wrote and that were performed in their lifetimes, but which their biographies say are now "lost" – are by female composers. Francesca Caccini wrote more than 13 stage works in her lifetime in 17th-century Italy, but only one survives today. Caccini's dozen other operas may currently be "lost," but have researchers been looking for them as assiduously as they search for a page by Bruckner or a letter by Mahler?The Case of Joseph BologneThe same goes for at least three complete operas by Joseph Bologne, who lived an extraordinary life in 18th-century France, as composer, violinist, orchestral leader, fencer and soldier, becoming a colonel in the revolution's only all-black regiment. But Bologne's legacy suffered the prejudices of a culture that reinstated slavery and which erased his contribution to the revolution and to musical society after his death in 1799. Now that Bologne's work is at last finding its place there must be renewed focus on recovering these vital "lost" operas from the oblivion that they never deserved.Legendary Lost Works We Can Only Dream OfMind you, there is also lost music whose absence has been known of for centuries – we can only dream of what could be. Bach's St Mark Passion and scores of his cantatas, Monteverdi's Arianna and other stage works, the dozens of quartets and sonatas that Brahms threw out as unworthy, or Sibelius's Eighth Symphony, likely consigned to the flames by Sibelius himself.New Leadership in Classical MusicIn other classical music news, the Royal Scottish National Orchestra has announced that Lithuanian conductor Giedrė Šlekytė is to be their next music director, succeeding Thomas Søndergård from the 2027 season. The appointment comes after just two projects: a well-received week of Mahler's First Symphony, and a subsequent recording session. As the RSNO's chief executive Alistair Mackie said: "When she joined us last year, her musical ideas and the way she works with players spoke for themselves. Giedrė gives the orchestra room to breathe and to play."

The Daring Debut of Angel's Bone English National Opera takes a bold leap with Du Yun's Angel's Bone, a Pulitzer Prize-winning opera that tackles human trafficking head-on. This inaugural production at ENO's northern base, a collaboration with Factory International and the BBC Philharmonic Orchestra, features Kip Williams' innovative direction. The Unsettling Allegory The opera tells the story of two angels who fall into the clutches of a dysfunctional couple, leading to a descent into physical and sexual abuse. Du Yun's score is a genre-bending mix of contemporary classical and nightclub electronica, performed by a tireless ensemble of 10. The Data Analysis: A Complex Soundtrack The music operates at extremes, with key roles assigned to tuba and lute. The instrumental palette offers textural beauty, but also joyously kicks ass. The score is expertly conducted by Baldur Brönnimann. The Impact Analysis: A Powerful Statement The production is a powerful statement against human trafficking, with a clear and admirably clear storyline. However, the endlessly rotating walls can be problematic, forming an impenetrable barrier that obscures the screens at times. The Prediction: A Must-See Performance Despite some technical issues, the production is a must-see, with standout performances from Allison Cook as Mrs X E and Rodney Earl Clarke as her browbeaten husband. The production transfers to London later in the year, rejigged for the Coliseum's proscenium stage, and is one to catch.

Andriy Yermak, former chief of staff to Ukrainian President Volodymyr Zelenskyy, has been named an official suspect in a multi‑million‑dollar money‑laundering investigation linked to a luxury housing development near Kyiv. The probe, the largest since Russia’s 2022 invasion, also implicates other senior allies and raises fresh concerns for Ukraine’s EU bid.The Alleged $10.5 Million Money‑Laundering Scheme Tied to a Kyiv Luxury ProjectUkraine’s National Anti‑Corruption Bureau (NABU) and the Specialized Anti‑Corruption Prosecutor’s Office (SAPO) allege that Yermak participated in an organised criminal group that laundered roughly 460 million hryvnias ($10.5 m) through a high‑end real‑estate venture outside the capital. Yermak, who resigned in November, appeared before a Kyiv court on May 12, 2026 and denied the accusations, calling them “unfounded” in a Telegram post. His lawyer, Ihor Fomin, described the case as “groundless” and suggested it was provoked by public pressure.Other figures mentioned in the expanding probe include:Timur Mindich – businessman and former entertainment‑industry partner of Zelenskyy, now under investigation for a separate $100 m kick‑back scheme.Rustem Umerov – head of the National Security and Defence Council, interviewed as a witness in the same real‑estate case.Financial Stakes: 460 Million Hryvnias and $5.4 Million Bail DemandProsecutors are seeking preventive bail of about $5.4 million for the 54‑year‑old Yermak while the investigation continues. The alleged laundering amount of 460 million hryvnias underscores the scale of the alleged scheme and the potential financial exposure for the Ukrainian state.Political Repercussions for Zelenskyy's Administration and EU Accession ProspectsAlthough President Zelenskyy is not personally accused, the scandal arrives at a critical juncture as Kyiv pushes for deeper Western support and EU membership. U.S. senators Jeanne Shaheen and Lindsey Graham have warned that corruption narratives could erode aid. German Chancellor Friedrich Merz recently cautioned against a rapid EU accession, citing corruption among other concerns. Domestic opposition leader Oleksiy Goncharenko warned that the allegations have reached a point Zelenskyy “personally cannot ignore.”Public sentiment mirrors the political pressure: a May 6 survey by the Kyiv International Institute of Sociology found that 54 % of Ukrainians view corruption as a greater threat than the war itself.What Lies Ahead: Legal Outcomes and Ukraine’s Anti‑Corruption TrajectoryThe case is part of the broader “Midas” anti‑corruption operation launched by NABU and SAPO. If Yermak is convicted, it could set a precedent for the independence of Ukraine’s anti‑corruption institutions, which were briefly threatened by a July law aimed at curbing their autonomy. Anti‑corruption advocates, such as Olena Halushka of the Anti‑Corruption Action Centre, argue the investigation demonstrates that “checks and balances really work.” The next steps will likely include further court hearings, possible asset freezes, and continued scrutiny of other senior officials linked to the scheme.

The Regulatory Response to Deadly Online ContentA nihilistic internet suicide forum implicated in over 160 UK deaths has been fined £950,000 by the online regulator in its latest attempt to shut it down. Ofcom said the US-based website remains accessible in the UK despite over a year of warnings. Online safety campaigners have accused the regulator of taking an "interminable" amount of time to act.The Samaritans, mental health campaigners and the Molly Rose Foundation, have repeatedly raised concerns about the site – which promoted a particular poison – which has remained accessible despite it being cited in multiple coroners' reports regarding the deaths of UK citizens.Molly Rose was set up in the memory of Molly Russell, a 14-year-old who took her own life after descending into a vortex of negative online content, including about suicide. Its chief executive, Andy Burrows, welcomed the fine and a separate move that could block UK internet access to the site, but said it was "appalling that it has been left to bereaved families and campaign groups to press Ofcom into action".Legal Action Under the Online Safety ActOfcom has been trying to get the site to obey British laws criminalising intentionally encouraging or assisting suicide since last spring. It had some success with the site being blocked last July and then a mirror site being taken down in November. But it is now taking action because the site can be "used by people in the UK, including without a VPN, and presents a material risk of significant harm".The fine is being levied under the Online Safety Act which also allows Ofcom to seek a court for an order requiring internet service providers to block UK access to the site. It is preparing an application to have its connections effectively cut "if our concerns are not fully addressed and there continues to be an ongoing breach".It accused the provider of "serious and deliberate contraventions" and said the fine reflected the "the risk of fatal harm to people in the UK posed by the content present on the service".Human Cost and Family AdvocacyOn Wednesday, the forum was unavailable but its operator posted a page that said it was advocating for "the right to access lawful information without government overreach" and quoted Mark Twain: "Censorship is telling a man he can't have a steak just because a baby can't chew it."The Molly Rose Foundation and Together with Families and Survivors to Prevent Online Suicide Harms said coroners had warned the UK government 65 times about risks of further deaths from the forum "and a substance it promotes, glorifies and instructs for use as a suicide method". Adele Zeynap Walton, the sister of Aimee Walton who took her life after accessing suicide forums, said the wait for action had been agonising."While we've waited further lives have been lost and we've had to fight every step," she said, speaking on behalf of Families and Survivors to Prevent Online Suicide Harms. "We feel let down by the process and Ofcom's slow response to this threat to life."Regulatory Challenges and Future ActionsBurrows said: "Molly Rose Foundation submitted detailed evidence which showed scores of vulnerable young people remained at risk while Ofcom's investigation dragged on … There are real questions about why it has taken so long for the regulator to act against a forum linked to at least 164 UK deaths."Ofcom said it has "engaged extensively" with the forum provider and that last summer the forum geoblocked mirror sites in the UK and later removed information on a landing page promoting ways to circumvent the block."We share the urgency about the extreme harms that sites such as this can cause, and understand the anger felt towards them by those who have been so personally affected," a spokesperson said. "It is vital that we ensure our enforcement action is thorough, and this can take time, as is the case for any enforcement agency."Preventive Measures and Support Resources"Lucas was 16. Vlad 17. Aimee 21. Grace, Hannah and Tom 22. Immy 25. Adam 28 and Claire 41," the campaign groups said in a report last year. "They were drawn into a dark world that was allowed to exist online and continues to exist through the use of a VPN. We believe our loved ones suffered coercion, grooming, instruction on how to end their lives. Most accessed a poison that was allowed to cross borders or was readily available domestically."Suzanne Cater, director of enforcement at Ofcom, said the forum had "caused unimaginable pain and suffering … and no punishment can undo that harm"."The provider of this forum knows it's used to share illegal content encouraging and assisting suicide on their site," she said. "While they've responded to our enforcement action by making some changes to the accessibility of their service in the UK, this is not good enough and the changes they've made were not consistently applied or effective to reduce the risk of harm. Given the ongoing risk of harm, we are using all powers available to us to protect the public."

Live Overview: England vs New Zealand Second Women’s ODI Wednesday, 13 May 2026 – The live feed launches with a brief welcome, reminding readers of the first ODI’s nail‑biting finish and setting the stage for today’s encounter at Northampton. Match Context: Recap of the First ODI and Team Line‑ups The opening match ended in a one‑wicket victory for England, chased down 211 runs. Charlie Dean (stand‑in captain) remained unbeaten on 31 runs. Debutant Tilly Corteen‑Coleman (18) contributed 3 runs and bowled 2/49 in 10 overs. New Zealand, led by Melie Kerr, await a sunny spell; the forecast is “dodgy”. Key Numbers: First‑Match Scorecard and Weather Outlook England’s target: 212 runs (211 chased). Bowling figures: Corteen‑Coleman 2/49; other bowlers yet to make a mark. Start time for today: 1 pm BST, pending weather clearance. Weather: Rain showers expected; a delayed toss was reported at 12:34 BST. Implications for the Series and Women’s Cricket Landscape The tight finish in the first ODI raises the stakes for the series decider. A win for England would give them a 2‑0 lead, reinforcing their growing depth in the women’s game, while New Zealand will aim to level the series and showcase emerging talent such as Kerr’s side. What to Watch: Forecast for the Rest of the Day Potential interruptions – keep an eye on the rain radar. Key battles: Charlie Dean with the bat vs New Zealand’s top order; Tilly Corteen‑Coleman with the ball. Series momentum – a win for either side could shift confidence heading into the final ODI.

Boos at Anfield Signal a Season of Unmet ExpectationsAfter a 1-1 draw with Chelsea on Saturday, Liverpool supporters erupted in boos, echoing the discontent that followed earlier defeats to Manchester United, Tottenham and Burnley. The criticism centers on Arne Slot's perceived lack of ambition and the team's inability to finish games strongly.Season Snapshot: Results, Injuries and Transfer WoesLeague record: 11 losses – the most since 2014‑15.Away performance: 1 point from 7 games against top‑nine Premier League opponents.Cup setbacks: 3-0 loss to Crystal Palace (League Cup) and 4-1 defeat by PSV (Champions League), marking nine defeats in 12 European matches.Key injuries: Alexander Isak (broken leg), Hugo Ekitiké (Achilles), and limited minutes for new signings.Why Liverpool’s Struggles Matter Beyond the ScoreboardThe club’s under‑performance threatens its Champions League qualification, financial inflows, and the morale of a fan base accustomed to success. Persistent defensive lapses – highlighted by woodwork hits from Dominik Szoboszlai and Virgil van Dijk – expose tactical rigidity, while the heavy investment in the summer transfer window has yet to yield returns.Potential Paths Forward: Retain or Replace?Supporters of Slot argue his league title in his debut season and the competitive nature of the current campaign justify patience. Critics point to the downward trend, injury‑plagued signings and a lack of clear playing identity as reasons to consider a change before the next season.Looking Ahead: What Could Shape Liverpool’s Next Chapter?If Slot remains, the focus will be on integrating new signings, reducing injury risk and sharpening attacking intent to convert draws into wins. A managerial change would likely aim to restore a proactive style and re‑energise the squad ahead of the crucial final league fixtures and next season’s transfer window.

New research from the International Data Center Association (IDCA) reveals that datacentres are now responsible for roughly 6% of electricity consumption in the United Kingdom and the United States, intensifying public and political scrutiny over the sector’s rapid energy growth.Datacentre Power Demand Hits 6% of UK and US GridsThe study notes a 15% worldwide increase in datacentre electricity use over the past two years, driven by the surge in AI workloads and internet traffic. Annual global investment in new facilities is approaching $1tn (£740bn), equivalent to nearly 1% of the global economy. In the UK, datacentre electricity share has risen to 5.9%, while the US sits at 6%, far above the global average of 2%. Smaller nations such as Singapore and Lithuania face even higher pressures, with datacentres consuming 19% and 11% of their national grids respectively.Financial and Energy Metrics Highlight Rapid GrowthGlobal investment: ~$1tn in 2025UK grid‑connection queue: grew 460% in H1 2025US “zombie” services: account for 13% of datacentre load, equating to over 3 GW of wasted powerProjected UK demand: could quadruple by 2030These figures align with the International Energy Agency’s estimate that global energy use by datacentres rose 17% in 2025, outpacing overall electricity demand growth of 3%.Community Pushback and Policy Implications Across NationsThe IDCA warns that once a country’s datacentre footprint reaches the 5%‑6% threshold, “significant community and political pushback” becomes inevitable. In the UK, activists and groups such as Greenpeace UK have warned of an “unchecked AI boom” leading to higher energy bills, water‑stress, and renewed reliance on fossil fuels. The report calls for:Greater transparency from tech firms on future datacentre plansMandatory environmental impact assessmentsA ban on new polluting power plants dedicated to AI workloadsAdditionally, the study highlights emerging security concerns, noting that recent attacks on datacentres in the Middle East have underscored the need for integrated cyber‑physical protection strategies.Outlook: Regulation, Transparency, and Security Challenges AheadLooking forward, the IDCA predicts that pressure will mount for:Stricter national grid connection policies to curb the 460% surge in pending requestsIndustry‑wide standards to eliminate “zombie” services and improve energy efficiencyCoordinated security frameworks that address both cyber threats and physical vulnerabilitiesIf policymakers act swiftly, the sector could mitigate its environmental footprint while sustaining the growth of AI and cloud services. Failure to do so may trigger broader societal resistance and accelerate regulatory clampdowns.

The Lead: Carla Simón's Unique Approach to Family DramaFamily reunions in European arthouse cinema are almost always unhappy events, on a scale of strife that ranges from simmering resentment to spectacular score-settling. Carla Simón, however, has a rare gift: she makes you leave the cinema with renewed faith that having relatives and keeping in touch with them may actually be a wonderful thing.No film-maker working in Europe now is as capable of turning birthday gatherings, garden parties or poolside barbecues into thrillingly sprawling canvases of human virtue and vice as this 39-year-old rising star. From a riotous water fight in the Berlinale Golden Bear-winning farming drama Alcarràs to a foul-mouthed dinner table singalong in her new film Romería, Simón directs kinship meetings with the attention to detail that other film-makers may invest in action sequences or dance routines.The Event Details: Romería and the Journey to Self-DiscoveryAmong the tricks Simón employs, she explains, is to ensure her actors only read the script once before the camera starts rolling, so they have to improvise to fill the gaps. She takes her casts to parties, for walks and on shopping trips, and if there are disagreements on the way, so much the better. The ultimate secret sauce, though, is to ignore WC Fields's notorious advice and always work with children and animals."I never get bored of working with kids," she says. "When you are only working with adult actors, shooting becomes more like executing an idea that you have in your mind, and I think that is not interesting. With children, you always have this feeling that that things are going to happen in front of the camera by chance. It keeps things alive."Her new film Romería, meaning "pilgrimage" in Spanish, dives deeper into the story of the biological parents she barely got to know. Eighteen-year-old Marina travels to her relatives in Vigo, in north-western Galicia, purportedly to find the death certificate of her biological father, which she needs to study film-making in Barcelona. The initial reaction is warm, but family is a room with dark corners and locked closets.The Personal Journey: Aids, Loss and Family SecretsSimón's fascination with freewheeling scenes of family life was undoubtedly honed through her own biography. Born in Barcelona in 1986, her father died when she was three and her mother when she was six. Both of them succumbed to Aids. She was 12 when her adoptive mother told her that her parents had been infected with the autoimmune disease through their use of drugs.All of her first three films have been strongly autobiographical: Summer 1993 tells the story of a six-year-old girl who moves to an unspecified location countryside to live with her aunt after the death of her mother, while 2022's Alcarràs is specifically set in the Catalan peach-growing community of her adoptive family.In the film, a cache of letters written by her late mother opens up a portal to the time when her parents met and discovered love – for each other, the Atlantic Ocean and drugs. The letters, Simón explains, are real. "She wrote to her friends and family while she lived in Vigo. Her Catalan is full of mistakes, because teaching Catalan was banned under the Franco regime. But they are the most important thing that I have from my mother, because suddenly I can hear her talking."The Impact Analysis: Spanish Cinema and the Legacy of AidsSpanish cinema has a track record in making films where child actors take centre stage: Ana Torrent's spell-binding turn as a young girl obsessed with the Frankenstein tale in Víctor Erice's 1973 film The Spirit of the Beehive is considered an all-time great performance by a minor, and Simón describes it as "a very, very important film for me".During the transition period after Franco's rule, Madrid gave birth to la movida, a countercultural movement that celebrated lifestyles that had been banned under military rule. "All these kids who were raised under Franco and religious oppression, suddenly freedom arrived and they embraced it", Simón says. "They didn't think much about the future or the consequences of what they were experimenting with. And then the drugs came in."When we talk about this generation in Spain, people sometimes use words like shame and blame, but I feel that's really unfair: people like my parents just had bad luck.The Future Direction: Beyond Family in Simón's Next ProjectHalfway through Romería there is a stylistic shift, from the Eurorealism she favoured in her previous works toward something more magical-realist: there is a mysterious cat you might expect to encounter in a Miyazaki film, and an unforgettable dance number set to Vigo punk rocker's Siniestro Total's song Bailaré Sobre Tu Tumba ("I'll Dance on Your Grave")."These three films I've made are kind of a cycle, because they all talk about my family, adoptive and biological. But since I became a mother a few years ago, I feel that my place in the family changed. When you have kids you feel it's a new period in your life, so I feel like maybe doing something that has nothing to do with my family."Her next film, she confides, is going to be a flamenco musical.

Messi’s Contract Extension Doubles Base SalaryLionel Messi remains the highest‑paid player in Major League Soccer after his base salary was increased from $12.5 million to $25 million. The extension, signed in October and running through the 2028 season, guarantees him $28.3 million in total compensation.Financial Scale of MLS Salaries After Messi’s DealNext‑highest salary: Son Heung‑min – base $10.36 million, total $11.2 million.Inter Miami payroll: $54.6 million, up from $46.8 million last season.League‑wide guaranteed compensation: $631 million total, average $688,816 (8.9% YoY rise).LAFC payroll: $32.7 million; Philadelphia lowest at $11.7 million.How Messi’s Pay Reshapes MLS Market and Club StrategiesThe disparity between Messi’s earnings and the rest of the league underscores the growing commercial pull of marquee talent. Miami’s payroll now exceeds the second‑largest club by more than $20 million, giving the franchise a financial edge in attracting additional stars and sponsors. The deal also highlights the value of ownership stakes, as Messi’s contract includes an option to acquire equity in the Beckham‑co‑owned club.What This Means for MLS Growth and Player CompensationAnalysts expect Messi’s salary to act as a catalyst for higher wage benchmarks across MLS, especially as clubs vie for global names. The league’s total compensation rise suggests expanding revenue streams, but smaller‑market teams may face pressure to close the gap or risk talent drain. Continued investment in star players could accelerate MLS’s push toward parity with top European leagues, while also testing the sustainability of salary growth.