Angel's Bone Review: ENO's Daring Manchester Debut

The Daring Debut of Angel's Bone

English National Opera takes a bold leap with Du Yun's Angel's Bone, a Pulitzer Prize-winning opera that tackles human trafficking head-on. This inaugural production at ENO's northern base, a collaboration with Factory International and the BBC Philharmonic Orchestra, features Kip Williams' innovative direction.

The Unsettling Allegory

The opera tells the story of two angels who fall into the clutches of a dysfunctional couple, leading to a descent into physical and sexual abuse. Du Yun's score is a genre-bending mix of contemporary classical and nightclub electronica, performed by a tireless ensemble of 10.

The Data Analysis: A Complex Soundtrack

The music operates at extremes, with key roles assigned to tuba and lute. The instrumental palette offers textural beauty, but also joyously kicks ass. The score is expertly conducted by Baldur Brönnimann.

The Impact Analysis: A Powerful Statement

The production is a powerful statement against human trafficking, with a clear and admirably clear storyline. However, the endlessly rotating walls can be problematic, forming an impenetrable barrier that obscures the screens at times.

The Prediction: A Must-See Performance

Despite some technical issues, the production is a must-see, with standout performances from Allison Cook as Mrs X E and Rodney Earl Clarke as her browbeaten husband. The production transfers to London later in the year, rejigged for the Coliseum's proscenium stage, and is one to catch.