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The Shift in Strategic Focus: From Iran to GazaIsrael has pivoted its military strategy, redirecting its firepower from Iran back to the besieged Gaza Strip following the suspension of joint US-Israel strikes. This strategic shift marks a significant escalation in the ongoing conflict, as the Israeli military shifts its primary operational focus back to the Palestinian enclave after a period of targeting Iranian assets.The ACLED Report and Rising ViolenceConflict monitor ACLED has documented a clear uptick in hostilities in the region. The report indicates that Israel has carried out 35 percent more attacks in April compared to March. This surge in activity suggests that despite the cessation of joint bombing campaigns against Iran, the intensity of the war in Gaza has not diminished.Quantifying the Surge: 35% Increase and CasualtiesAttack Frequency: A 35% increase in Israeli attacks in April versus March.Palestinian Casualties: 120 Palestinians killed since the US-Israel war on Iran halted on April 8, representing a 20 percent increase compared to the previous five weeks.Total Toll Since Ceasefire: Approximately 850 Palestinians have been killed since the ceasefire took effect.Israeli Casualties: At least 4 Israeli soldiers have been killed by Palestinian armed groups during the same period.The 'Ceasefire' Illusion: Ground Reality vs. Political DeclarationThe situation on the ground contradicts the political narrative of a truce. While a “ceasefire” agreement mediated by the US and Qatar aimed to halt major fighting, Israeli forces have not withdrawn from the territory. The military continues to occupy more than half of Gaza’s territory, demolishing buildings and ordering residents out.“It stopped in the announcement, but in reality and on the ground, the war has not stopped,” said Lafi al-Najjar, a blind Palestinian whose son was killed in an attack on April 28. Living in a shelter in the ruins of Khan Younis, al-Najjar represents the civilian reality of a population living under severe restrictions on aid and in damaged structures.The Enduring Conflict: A War Without a PauseThe conflict shows no signs of abating. With Hamas fighters maintaining de facto control and Israeli forces continuing their ground invasion and air campaign, the region remains volatile. The simultaneous escalation in Lebanon further complicates the security landscape, indicating that the broader regional war remains a persistent threat despite the temporary suspension of strikes against Iran.

The Regulatory Response to Deadly Online ContentA nihilistic internet suicide forum implicated in over 160 UK deaths has been fined £950,000 by the online regulator in its latest attempt to shut it down. Ofcom said the US-based website remains accessible in the UK despite over a year of warnings. Online safety campaigners have accused the regulator of taking an "interminable" amount of time to act.The Samaritans, mental health campaigners and the Molly Rose Foundation, have repeatedly raised concerns about the site – which promoted a particular poison – which has remained accessible despite it being cited in multiple coroners' reports regarding the deaths of UK citizens.Molly Rose was set up in the memory of Molly Russell, a 14-year-old who took her own life after descending into a vortex of negative online content, including about suicide. Its chief executive, Andy Burrows, welcomed the fine and a separate move that could block UK internet access to the site, but said it was "appalling that it has been left to bereaved families and campaign groups to press Ofcom into action".Legal Action Under the Online Safety ActOfcom has been trying to get the site to obey British laws criminalising intentionally encouraging or assisting suicide since last spring. It had some success with the site being blocked last July and then a mirror site being taken down in November. But it is now taking action because the site can be "used by people in the UK, including without a VPN, and presents a material risk of significant harm".The fine is being levied under the Online Safety Act which also allows Ofcom to seek a court for an order requiring internet service providers to block UK access to the site. It is preparing an application to have its connections effectively cut "if our concerns are not fully addressed and there continues to be an ongoing breach".It accused the provider of "serious and deliberate contraventions" and said the fine reflected the "the risk of fatal harm to people in the UK posed by the content present on the service".Human Cost and Family AdvocacyOn Wednesday, the forum was unavailable but its operator posted a page that said it was advocating for "the right to access lawful information without government overreach" and quoted Mark Twain: "Censorship is telling a man he can't have a steak just because a baby can't chew it."The Molly Rose Foundation and Together with Families and Survivors to Prevent Online Suicide Harms said coroners had warned the UK government 65 times about risks of further deaths from the forum "and a substance it promotes, glorifies and instructs for use as a suicide method". Adele Zeynap Walton, the sister of Aimee Walton who took her life after accessing suicide forums, said the wait for action had been agonising."While we've waited further lives have been lost and we've had to fight every step," she said, speaking on behalf of Families and Survivors to Prevent Online Suicide Harms. "We feel let down by the process and Ofcom's slow response to this threat to life."Regulatory Challenges and Future ActionsBurrows said: "Molly Rose Foundation submitted detailed evidence which showed scores of vulnerable young people remained at risk while Ofcom's investigation dragged on … There are real questions about why it has taken so long for the regulator to act against a forum linked to at least 164 UK deaths."Ofcom said it has "engaged extensively" with the forum provider and that last summer the forum geoblocked mirror sites in the UK and later removed information on a landing page promoting ways to circumvent the block."We share the urgency about the extreme harms that sites such as this can cause, and understand the anger felt towards them by those who have been so personally affected," a spokesperson said. "It is vital that we ensure our enforcement action is thorough, and this can take time, as is the case for any enforcement agency."Preventive Measures and Support Resources"Lucas was 16. Vlad 17. Aimee 21. Grace, Hannah and Tom 22. Immy 25. Adam 28 and Claire 41," the campaign groups said in a report last year. "They were drawn into a dark world that was allowed to exist online and continues to exist through the use of a VPN. We believe our loved ones suffered coercion, grooming, instruction on how to end their lives. Most accessed a poison that was allowed to cross borders or was readily available domestically."Suzanne Cater, director of enforcement at Ofcom, said the forum had "caused unimaginable pain and suffering … and no punishment can undo that harm"."The provider of this forum knows it's used to share illegal content encouraging and assisting suicide on their site," she said. "While they've responded to our enforcement action by making some changes to the accessibility of their service in the UK, this is not good enough and the changes they've made were not consistently applied or effective to reduce the risk of harm. Given the ongoing risk of harm, we are using all powers available to us to protect the public."

The Risks of Sharing Secrets with AI Chatbots The ongoing legal battle between Elon Musk and OpenAI has taken a dramatic turn with the revelation that OpenAI's president, Greg Brockman, kept a diary during the company's founding years. This diary has become central to the case, with one heavily cited extract reading: "Financially what will take me to $1B?" Another scrutinized passage states: "It'd be wrong to steal the non-profit from [Musk]. to convert to a b-corp without him. that'd be pretty morally bankrupt. and he's really not an idiot." The Implications of Chatbot Conversations in Court As millions of people use tools like ChatGPT as a digital confession box or therapist, experts warn that these conversations can be admissible in court. In fact, a lawyer told Axios that "within the next decade," the diary equivalent will be standard discovery in every major executive litigation in the country. This means that you shouldn't trust a chatbot with your secrets, as conversations with AI are not always private and may be retained indefinitely and shared with other humans. The Privacy Concerns of Chatbot Conversations Most chatbot conversations are not private, and users should be wary about sharing sensitive information. A recent case involving a former NFL player who allegedly asked ChatGPT for help after killing his girlfriend demonstrates the potential risks. As David Friedberg, a co-host of the All-In podcast, said: "You're just sitting here at home, like, let me write about the crime I'm committing … and by the way, let me never delete it." The Future of AI and Confidentiality As AI technology continues to evolve, it's essential to consider the implications of sharing sensitive information with chatbots. While chatbots like ChatGPT may seem like a safe space to share your thoughts, they are not a substitute for human therapists or lawyers. In fact, they can be a liability in court. As the use of AI chatbots becomes more widespread, it's crucial to prioritize confidentiality and consider the potential risks of sharing secrets with AI.

The Copyright Infringement VerdictKanye West has lost a lawsuit which alleged he infringed on other artists' copyright by playing an uncleared sample of their work during a live event. The artist, now legally known as Ye, was found liable for using a sample of MSD PT2, an instrumental composed by four musicians: Khalil Abdul-Rahman, Sam Barsh, Josh Mease and Dan Seeff.The Donda Listening Event ControversyIn July 2021, Ye played his then-unreleased album Donda to 40,000 fans at a listening party held at Atlanta's Mercedes-Benz Stadium. The version of the song Hurricane featured the sample of MSD PT2, which had been made in 2018 and had made its way to Ye via another producer. Ye removed the sample from the finished version of Hurricane when it was released to the public, instead interpolating elements of it. The four musicians were added to the songwriting credits, acknowledging the interpolation.Financial Impact of the LawsuitThe plaintiffs argued that they were owed compensation for the sample being used in the earlier version broadcast at the listening party, because the event made money for Ye via ticket sales, merchandising and more. "There was no deal, no agreement, no licence, and no clearance," their lawyer Irene Lee argued in a Los Angeles court. A jury sided with the plaintiffs, who will receive a six-figure sum. Lawyers for Ye argued to Billboard that the sum would be smaller than the plaintiffs hoped for, claiming that Ye was not liable to pay the four separate sums named in the compensation award.Legal Precedents in Music SamplingThis case highlights the ongoing legal complexities around music sampling, particularly in live performances and unreleased works. The ruling establishes that even if a sample is later removed from a final commercial release, its use in a public, revenue-generating event can still constitute copyright infringement. The decision may encourage more musicians to seek clearance for even temporary or unreleased uses of copyrighted material in live settings.Ye's Legal Troubles ContinueYe had appeared in person during the hearing. "I pride myself on giving people what they deserve," he told the court, adding: "I feel like a lot of people try to take advantage of me. As I sit in this courtroom today, I just think people are trying to make more than they otherwise would because it's me." This is the second lawsuit that Ye has lost this year, after he was ordered to pay $140,000 to a handyman who alleged he wasn't paid for renovations he carried out at a Malibu mansion owned by Ye. A representative for Ye acknowledged the outcome of the trial but described it as a "failed shakedown."Broader Implications for Ye's CareerYe has also caused widespread outrage in recent years for a series of antisemitic remarks, songs and clothing designs, though in March he was nevertheless booked to perform a three-night run at London's Wireless festival, scheduled for July. Jewish groups, and politicians including Keir Starmer and London mayor Sadiq Khan, opposed the booking, and corporate sponsors pulled out of the festival. The Home Office then banned Ye from entering the UK, and the festival was cancelled. These legal and public relations challenges continue to impact Ye's professional opportunities and public image.

The Lead: Carla Simón's Unique Approach to Family DramaFamily reunions in European arthouse cinema are almost always unhappy events, on a scale of strife that ranges from simmering resentment to spectacular score-settling. Carla Simón, however, has a rare gift: she makes you leave the cinema with renewed faith that having relatives and keeping in touch with them may actually be a wonderful thing.No film-maker working in Europe now is as capable of turning birthday gatherings, garden parties or poolside barbecues into thrillingly sprawling canvases of human virtue and vice as this 39-year-old rising star. From a riotous water fight in the Berlinale Golden Bear-winning farming drama Alcarràs to a foul-mouthed dinner table singalong in her new film Romería, Simón directs kinship meetings with the attention to detail that other film-makers may invest in action sequences or dance routines.The Event Details: Romería and the Journey to Self-DiscoveryAmong the tricks Simón employs, she explains, is to ensure her actors only read the script once before the camera starts rolling, so they have to improvise to fill the gaps. She takes her casts to parties, for walks and on shopping trips, and if there are disagreements on the way, so much the better. The ultimate secret sauce, though, is to ignore WC Fields's notorious advice and always work with children and animals."I never get bored of working with kids," she says. "When you are only working with adult actors, shooting becomes more like executing an idea that you have in your mind, and I think that is not interesting. With children, you always have this feeling that that things are going to happen in front of the camera by chance. It keeps things alive."Her new film Romería, meaning "pilgrimage" in Spanish, dives deeper into the story of the biological parents she barely got to know. Eighteen-year-old Marina travels to her relatives in Vigo, in north-western Galicia, purportedly to find the death certificate of her biological father, which she needs to study film-making in Barcelona. The initial reaction is warm, but family is a room with dark corners and locked closets.The Personal Journey: Aids, Loss and Family SecretsSimón's fascination with freewheeling scenes of family life was undoubtedly honed through her own biography. Born in Barcelona in 1986, her father died when she was three and her mother when she was six. Both of them succumbed to Aids. She was 12 when her adoptive mother told her that her parents had been infected with the autoimmune disease through their use of drugs.All of her first three films have been strongly autobiographical: Summer 1993 tells the story of a six-year-old girl who moves to an unspecified location countryside to live with her aunt after the death of her mother, while 2022's Alcarràs is specifically set in the Catalan peach-growing community of her adoptive family.In the film, a cache of letters written by her late mother opens up a portal to the time when her parents met and discovered love – for each other, the Atlantic Ocean and drugs. The letters, Simón explains, are real. "She wrote to her friends and family while she lived in Vigo. Her Catalan is full of mistakes, because teaching Catalan was banned under the Franco regime. But they are the most important thing that I have from my mother, because suddenly I can hear her talking."The Impact Analysis: Spanish Cinema and the Legacy of AidsSpanish cinema has a track record in making films where child actors take centre stage: Ana Torrent's spell-binding turn as a young girl obsessed with the Frankenstein tale in Víctor Erice's 1973 film The Spirit of the Beehive is considered an all-time great performance by a minor, and Simón describes it as "a very, very important film for me".During the transition period after Franco's rule, Madrid gave birth to la movida, a countercultural movement that celebrated lifestyles that had been banned under military rule. "All these kids who were raised under Franco and religious oppression, suddenly freedom arrived and they embraced it", Simón says. "They didn't think much about the future or the consequences of what they were experimenting with. And then the drugs came in."When we talk about this generation in Spain, people sometimes use words like shame and blame, but I feel that's really unfair: people like my parents just had bad luck.The Future Direction: Beyond Family in Simón's Next ProjectHalfway through Romería there is a stylistic shift, from the Eurorealism she favoured in her previous works toward something more magical-realist: there is a mysterious cat you might expect to encounter in a Miyazaki film, and an unforgettable dance number set to Vigo punk rocker's Siniestro Total's song Bailaré Sobre Tu Tumba ("I'll Dance on Your Grave")."These three films I've made are kind of a cycle, because they all talk about my family, adoptive and biological. But since I became a mother a few years ago, I feel that my place in the family changed. When you have kids you feel it's a new period in your life, so I feel like maybe doing something that has nothing to do with my family."Her next film, she confides, is going to be a flamenco musical.

The 1MDB Fallout: Jho Low's Bid for Presidential PardonThe fugitive Malaysian financier Jho Low, a central figure in the multibillion-dollar scandal at the state fund 1Malaysia Development Berhad (1MDB), is reportedly seeking a pardon from the US president, Donald Trump. This move comes as Low faces multiple charges including corruption and money laundering in both the US and Malaysia for his alleged role in the misappropriation of at least $4.5bn (£3.3bn) from the sovereign wealth fund.Legal Maneuvers and the White House StanceRequest Filed: Low recently filed a request for a pardon that, if granted, would remove US criminal charges against him, according to the Wall Street Journal citing people familiar with the matter.Current Status: A White House official stated that Low’s request is not currently on its radar.DOJ Record: The US Justice Department website lists a pending request for a “pardon after completion of sentence” under Taek Jho Low that was filed this year.Quantifying the Financial Damage and RecoveriesThe 1MDB scandal is considered one of the world’s biggest financial frauds, with billions plundered from the now defunct fund beginning in 2015. Despite the massive scale of the theft, some assets have been recovered through legal settlements.Recovery Amount: In 2019, the US struck a deal to recoup about $1bn from Low.Assets Seized: The fugitive agreed to give up a private jet and high-end real estate in Beverly Hills, New York, and London.Geopolitical Tensions and Asset Recovery StrategiesThe request for a pardon has sparked a diplomatic tug-of-war between the US and Malaysia. While the US has a pending pardon request, Malaysian authorities are pushing for Low's location to facilitate further investigations.Malaysian Opposition: Johari Abdul Ghani, the chair of a Malaysian taskforce seeking to recover funds, stated, “As far as I’m concerned, I’m against the pardon” and called for the US to assist in locating him.Asset Return Strategy: Malaysia temporarily lifted an Interpol red notice against Low to facilitate the return of significant assets to the country.Political Negotiations: Malaysian Prime Minister Anwar Ibrahim has indicated that the government is negotiating with other nations to speed up Low’s return, though he declined to name the specific countries involved.Future Outlook: The Odds of a Presidential ClemencyGiven the severity of the charges and the ongoing diplomatic friction, the likelihood of a pardon is currently low. With Malaysian officials publicly opposing the move and the White House indicating the request is not a priority, Low’s bid for freedom remains a complex legal and political challenge.

The Lead US President Donald Trump departed for Beijing on Tuesday for a high-stakes summit with Chinese President Xi Jinping, saying the two leaders would hold a 'long talk' on Iran even as trade remains the main focus of the visit. Iran's Stance on Peace Iran presses US on peace proposal: Iran's chief negotiator and Parliament Speaker Mohammad Bagher Ghalibaf said Washington must accept Tehran's latest peace plan or face failure. Report says Iran retains missile strength: The New York Times reported Tuesday that classified US intelligence assessments say Iran still has substantial missile capabilities, with about 70 percent of its mobile launchers and pre-war missile stockpile still in action. War Diplomacy Chinese supertanker crosses Hormuz: Chinese crude oil supertanker Yuan Hua Hu was reportedly transiting the Strait of Hormuz on Wednesday, ship-tracking data showed, passing Iran's Larak Island while heading out of the Gulf. Hezbollah rules out disarmament talks: Hezbollah chief Naim Qassem said his group's weapons were not part of forthcoming ceasefire negotiations between Lebanon and Israel. Qatar warns over Hormuz pressure: Qatar's prime minister said Iran should not use the Strait of Hormuz, blocked since early in the war, as a means of 'blackmail' against Gulf states. The Gulf UAE gas facility hit by war: The UAE's main gas processing complex, one of the world's largest, will not resume full capacity until next year, its operator said, after it was hit in the Iran war. Kuwait arrests alleged IRGC operatives: The country said it arrested four men accused of belonging to Iran's IRGC after they tried to infiltrate Bubiyan Island by sea and injured a Kuwaiti soldier. In the US Trump on Xi: Trump said he does not believe the US needs China's help to end the war involving Iran, but confirmed the issue would still feature in his talks with Xi Jinping this week. Trump says war's end will bring down inflation: Facing growing domestic pressure over rising prices linked to the conflict, Trump said the war 'will not be long' and argued its end would trigger a sharp drop in oil prices and inflation. US says Iran war has cost $29bn: Defense Secretary Pete Hegseth told lawmakers the war has cost Washington at least $29bn in munitions and equipment over 74 days, excluding damage to bases. The Impact Analysis The ongoing conflict in Iran has significant implications for the global economy, with rising oil prices and inflation being major concerns. The war has also led to a humanitarian crisis, with hundreds of thousands of students displaced and schools destroyed in Lebanon. The Prediction The future outlook for the conflict in Iran remains uncertain, with both sides showing no signs of backing down. However, with growing domestic pressure and international diplomacy, there is a possibility that the conflict could be resolved peacefully in the near future.

Jensen Huang Added to Trump’s High‑Profile China DelegationJensen Huang, chief executive of Nvidia, joined Donald Trump's 36‑hour China trip after a reported last‑minute invitation, sitting with CEOs such as Elon Musk and Tim Cook for a meeting with President Xi Jinping.Summit dates: May 13‑14, 2026Key participants: CEOs of Nvidia, Tesla, Apple, Goldman Sachs and othersAgenda items: conflict in Iran, tariffs, Taiwan, and US‑China tech cooperationFinancial Stakes: $50 bn Market Target and Billionaire Net WorthHuang has repeatedly cited the Chinese market as a $50 bn opportunity for Nvidia’s AI chips. His personal fortune surged to $191.5 bn, briefly placing him among the world’s top seven richest people, while his 2026 compensation fell to $36.6 m after a stock‑price correction.Net‑worth: $191.5 bn (based on 3 % Nvidia stake)Compensation 2026: $36.6 m (‑27 % YoY)China market potential cited: $50 bnImplications for US‑China Tech Relations and AI CompetitionThe inclusion of a leading AI hardware maker signals Washington’s intent to leverage private‑sector expertise in diplomatic talks, aiming to “open up” China for American tech firms. It also raises questions about the optics of blending corporate influence with foreign policy amid ongoing tensions over AI dominance.What the Summit Could Signal for Future Tech DiplomacyAnalysts expect the summit to set a precedent for more frequent “business‑state” delegations, potentially accelerating joint research agreements or, conversely, prompting stricter export controls if negotiations stall. The outcome may shape the pace at which US AI firms gain market access in China and influence broader geopolitical strategies.

The Cultural Phenomenon Returns On a chilly morning at a Silvertown studio behind London City airport, the sunburst intro to Jimmy Cliff's The Harder They Come is on repeat. Dancers run through a routine studded with reggae and dancehall moves. "Get high," commands associate choreographer Neisha-yen Jones with a smile. "Get low!" The ensemble rise and dip. They do the bogle and whine around each other as their watchful director Matthew Xia nods along. They circle Natey Jones who breaks out the opening line: "Well, they tell me of a pie up in the sky." In the distance, a plane leaves the ground. From Film to Theatrical Celebration It's eight months since The Harder They Come's full-throttle takeoff at Stratford East, where the musical was so popular that it is now returning for a second run which will also serve as a eulogy for Cliff who died in November. Playwright Suzan-Lori Parks' adaptation of Perry Henzell's 1972 Jamaican film is bolstered by a handful of her own songs as well as classics including Israelites and Wonderful World, Beautiful People – plus every number on the film's monumental soundtrack. Jones is reprising the role of Ivan (played on screen by Cliff and inspired by real-life outlaw Rhyging), who arrives in Kingston from the country and is dismissed and exploited, before becoming both a hit singer and a fugitive. The Evolution of a Cultural Narrative The original was akin to cinéma vérité, directly evoked spaghetti westerns and veered into blaxploitation territory; Ivan's tale has gained greater warmth, humour and protest spirit on stage. It was the best musical I saw in 2025. "The story is a tragedy but the theatrical event is a celebration," says Xia of his production. Twenty years ago, the film was adapted as a musical with a book by Henzell, also at Stratford East. "It all started at Ivan's Nine Night," Xia recalls. "There was a massive poster of Ivan on the wall, with everyone coming, and it was told in retrospect with vignettes." Choreography and Cultural Connection Shelley Maxwell, recently arrived from Jamaica, was watching the musical in the audience one night and has since become the choreographer of the new production. She has fused the folk dance forms of revivalism and pocomania, learned in her childhood, with reggae, dancehall and moves that today's teenagers can recognise. "I wanted to tap into the youth market," she says. It's brought some enthusiastic feedback from audience members who may not know the film. "Like: 'Oh my God, they did that step I always do at a party!' It allows them to form a connection." Authenticity and Cultural Representation Xia, wearing trainers in the Jamaican flag's colours, and Maxwell, whose tracksuit has the same black, green and gold trim, were intent on instantly transporting their audience to Kingston. The opening, says the director, is an "establishing shot" with characters coming and going on Simon Kenny's magnificent multi-level set, accompanied by Toots and the Maytals' hit Funky Kingston. To borrow from its lyrics, you really can believe everything they do. Even each move in the dominoes game we see is scripted, explains Maxwell, who mapped out the market scene with precision: "Where are you going to? How heavy is the item that you're holding? This is the swing of the hips." Social Commentary Through Performance Xia, whose father came to England from Jamaica in the 1970s, praises the freewheeling realism of the film. "Lots of the background performers are just whoever happened to be in the market that day, or walking through the shantytown. Lots of the actors were people that Perry knew, they had no training." Henzell, says Xia, showed "the part of Jamaica that had always been hidden, people living hand to mouth". The musical depicts a "quartet of oppression" against Ivan, as he takes a stand against individuals representing hypocrisies of the church, law, drugs trade and music industry. Universal Themes and Contemporary Relevance The Harder They Come was both a pioneering example of independent film-making for Jamaicans and a portrait of a newly independent country. Maxwell, who grew up glued to Hollywood musicals, says it was empowering to discover a film full of the Jamaican songs she loved. "I was probably way too young when I saw it. But what I saw was the world around me." She traces how different forms of music played a pivotal part in the country establishing its identity, moving from African forms and American R&B; to mento, ska, rocksteady, reggae and the rise of Bob Marley and Jimmy Cliff. Maxwell captures that chain reaction with a tantalizing question: "What's this groove becoming?" Transforming the Narrative for Modern Audiences The musical also makes its hero's actions more understandable. "In the film, Ivan becomes a kind of wanton murderer," says Xia. In the musical, "he accidentally shoots a police officer when he's under threat, is remorseful, yet also knows that if he gives himself in then that's the end of his journey". Another significant change is the depth given to the principal women – Ivan's mother Daisy and Elsa, with whom he falls in love under the eye of her authoritarian guardian, the preacher. "The moral heart of the piece now resides in those two women," says Xia. Maxwell transforms a brief sequence from the film, in which Ivan imagines a tryst with the devout Elsa, into a floor-trembling set piece when the preacher's congregation lose their robes to indulge in lustful fantasy. The male gaze of the original scene is duly excised: "it had to be like it was both of them in partnership in that fantasy world," says Maxwell, who adds that the nature of dancehall – "grinding, gyrating on another body" required her to use her skillset as an intimacy director.