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The Bridge Between Art and ScienceWhy do we find things beautiful? More precisely, why do some paintings of coloured dots in rippling patterns inspire in me something like revelation? The idea that beauty is the feeling you get when encountering truth is unfashionable in the arts, but lingers in the sciences. The physicist Paul Dirac once proposed that it is more important that a formula is beautiful than that it can be proven: when a perfectly beautiful theory produces results that cannot be real, he argued, then we should not discard the theory but reconsider what is real.Since the 1970s, Terry Winters has been rebuilding that bridge between art and science. Taking inspiration from disciplines including botany – his early paintings, particularly, evoke sprouting pods and tangled roots – engineering, computer modelling and cybernetics, his paintings might be understood as diagrammatic approximations of the patterns that govern everything from the division of cells to the constellation of stars. If every era has to renew its standards of beauty to reflect new understandings of how the world is constructed, then Winters comes as close to providing that model as any living painter.Mathematical Patterns in Visual ArtThese eight new works take their titles from the language of geometry and mathematics: Area, Array, Field, Locus, Point, Scope, Sequence and Set. Each is composed of overlapping patterns that pull each other out of shape according to invisible laws of attraction and repulsion. Field is indicative: on a sooty pink ground, a dense grid of dusty blue cells bends inwards like a trampoline beneath a bowling ball, while an intersecting arrangement of larger circles swells outwards. The disorienting effect of this push-pull is exaggerated by an optical illusion, created by ragged phosphorescent orange haloes around the blue circles, that makes them appear to be craters sunk into the crust of paint. You have to walk up to the surface to be reassured that it is flat.Point shows a teeming landscape of cells bulging outwards at the centre, as if a scum of frogspawn had been skimmed off a pond and placed under a paperweight microscope. In Sequence, a storm of pink interference skims through a yellow circle split like a brain into hemispheres, while a nebulous weather system sweeps in from the right. In Scope, vaguely symbolic arrangements of freshwater blue and desert orange nodules move across the familiar circle-within-a-square geometry of Leonardo's Vitruvian Man. Where that famous demonstration of sacred geometries exudes stillness and calm, the systems that run through Winters' worlds are wild and strange. Here, as much importance is given to the subjective factors of perception and consciousness as the objective principles of logic and proportion.Optical Illusions and Sensory ExperienceAll of this should not distract from the pure sensory pleasure afforded by these pictures. In Locus, another optical illusion seems to lift the red edge of the painting off the canvas like a clumsy wooden frame, squeezing the pockmarked sphere at its centre so that it balloons outwards, threatening to burst. The same cadmium red, so sandy that the pigment seems barely to have been suspended in oil, turns carmine pockets into rock formations that climb off the surface of Set. These sleights of hand evoke the more secular movement of op art, in which patterns are manipulated to exploit the idiosyncrasies of human perception rather than to uncover deeper truths. Which begs the question: is this all just a conjuring trick?Rediscovering the Renaissance ApproachThere is something magical about these works. Even though Winters is generally credited with having extended the lineage of modernist American painting into the present, his practice is in this sense pre-modern. In its rejection of the idea that art should be separated from science, it resembles the Renaissance attitude according to which painting is no less a tool for understanding the world than mathematics, and magic is just the name for things we don't yet understand. His commitment to synthesising diverse spheres of knowledge, his alchemist's commitment to materials, and his sheer technical ability certainly mark him out in a scene recently overwhelmed by chancers and charlatans, bandwagoners and snake-oil salesmen. That his work is enjoying a revival might be taken as an encouraging sign.Beauty as a Path to TruthDirac, incidentally, was proved right. He formulated a theory that was so beautiful it couldn't possibly be wrong, even though it implied the existence of phenomena that everyone agreed must be impossible. He stood by it, and a few years later, someone else discovered anti-matter. Winters' paintings likewise offer a flash of those secret patterns that underpin the physical world, and which science has yet to illuminate. Which is to say, they're beautiful.Exhibition DetailsTerry Winters: Along the River is at Modern Art, London, until 11 July

The War Economy: A Billionaire’s Perspective from the FrontlineUkraine is reeling from its heaviest aerial raid in months, with at least 25 people killed in the night sky. In the aftermath, Rinat Akhmetov, the country's wealthiest oligarch and owner of Shakhtar Donetsk, gives a rare interview from a location outside Kyiv. This conversation marks the 90th anniversary of the club and the 30th year of Akhmetov's leadership, offering a unique insight into how the war has reshaped his personal and professional life.From Coal Traders to Champions: The Akhmetov StrategyAkhmetov’s rise from a child in 1970s Donbas to the owner of one of eastern Europe’s most influential football clubs is a story of calculated risk and strategic foresight. His journey began not in football, but in the volatile economy of the 1990s.The Proximity of Danger: Akhmetov was five seconds away from death when his business partner and predecessor, Akhat Bragin, was killed in a stadium explosion in 1995. This tragedy left the club abandoned, with players earning as little as $200 or $300 a month.Industrial Expansion: Leveraging the collapse of the Soviet Union, Akhmetov moved from trading coke and coal to acquiring cheap stakes in metallurgy plants. He revitalized the Yenakiieve plant, where workers previously earned $45 a month, transforming it into a globally competitive enterprise.Breaking the Mold: To break Dynamo Kyiv's dominance, Akhmetov hired foreign managers like Nevio Scala and Mircea Lucescu. He argued that a patriot is someone who works for Ukraine's benefit, regardless of origin, a philosophy that yielded 22 trophies over 12 years.The Financial Toll of Occupation and the Iron and Steelworks of AzovstalThe conflict in Donbas has been devastating for Akhmetov’s industrial empire. Since the occupation began in 2014, his businesses have suffered severe losses. The Azovstal iron and steelworks became a global symbol of Ukraine's resilience during the 2022 siege, though it came at a massive cost to the local economy.Shakhtar was forced to flee their home, losing the Donbas Arena—a stadium that once held 40,000 to 50,000 fans—to the occupying forces. The club's relocation to Lviv and Poland turned them into a powerful ambassador for the Ukrainian state, using the Conference League semi-finals to keep the world's attention on the war.Shakhtar as a Symbol of Ukrainian ResilienceAkhmetov reveals that Shakhtar has always been pro-Ukrainian, evidenced by their 2007 decision to use the Ukrainian spelling of their name over the Russian one. However, the full-scale invasion has crystallized this identity. The club is now viewed globally as a symbol of the fight for independence, sovereignty, and freedom.The Road to Donbas: A Promise Kept and BrokenFor years, Akhmetov maintained a moral imperative: he vowed not to attend another game until Shakhtar returned to their beloved Donbas Arena. This promise was broken last month when he returned for the Conference League quarter-final following the death of his long-time manager, Mircea Lucescu. The spontaneous decision was driven by emotion, as the players' applause during the warm-up moved him to tears. It marks a significant moment in the club's history, signaling a potential return to the region that birthed them, even as the war continues.

The Deadly Hotel Fire At least 21 people have been killed, including 18 foreign nationals, as a fire ripped through a hotel in New Delhi, police said, in one of the deadliest blazes in the Indian capital in years. Foreign Nationals Among Victims The dead included people from Bangladesh, Nigeria, Mozambique, and Liberia, CNN-News18 said. Many of them had come to the city for medical treatment, the Indian Express and other local media reported. Fire Details and Rescue Efforts The fire took place on Wednesday in a building in the Malviya Nagar neighborhood in the southern part of the city, which has a restaurant on the ground floor and a hotel above. The blaze was extinguished with the help of eight fire engines, and more than 40 people were rescued and taken to nearby hospitals, Delhi police said in a statement. Cause of the Blaze and Aftermath The cause of the blaze was not immediately known, but building fires are relatively common in India due to a lack of firefighting equipment and frequent disregard for safety regulations. Prime Minister Narendra Modi said the loss of lives was tragic and extended his heartfelt condolences to those who have lost their loved ones and wished a speedy recovery to the injured.

The Summer Art RenaissanceLondon's cultural landscape is experiencing a vibrant transformation this summer with a diverse array of exhibitions spanning optical illusions, light installations, and Pan-African perspectives. From the mind-bending works of MC Escher to the provocative presence of Julio Le Parc, the city's galleries are offering immersive experiences that challenge conventional artistic boundaries.The Escher Paradox ExperienceThe spotlight shines on MC Escher at Somerset House, where the Dutch master's renowned optical illusions and impossible constructions take center stage. This retrospective goes beyond mere visual trickery, incorporating video installations and musical elements to create a multi-sensory exploration of Escher's mathematical precision and artistic vision. The exhibition, running until September 6, represents a rare opportunity to experience the full breadth of Escher's printmaking genius in an environment designed to enhance the paradoxical nature of his work.Light, Colour, and Action in Modern ArtSimultaneously, Tate Modern presents Julio Le Parc: Light. Colour. Action, a comprehensive survey of the Argentinian artist who became a provocative force in the French art scene. Le Parc's innovative use of light and movement challenges traditional notions of static art, creating dynamic environments that respond to viewer interaction. The exhibition, running through May 2027, positions Le Parc as a pivotal figure in bridging the gap between artistic expression and scientific inquiry.Pan-African Artistic ExpressionThe Barbican Gallery hosts Project a Black Planet, a monumental exhibition showcasing the depth and diversity of Pan-African artistic expression. Featuring prominent artists such as Chris Ofili, David Hammons, and William Kentridge, the exhibition presents a comprehensive narrative of African diasporic art from multiple perspectives. Running from June to September, this ambitious survey underscores the growing recognition of African artistic contributions on the global stage.The Marilyn Phenomenon RevisitedAt the National Portrait Gallery, Marilyn Monroe: A Portrait offers a fresh perspective on the cultural icon's enduring fascination. While acknowledging Andy Warhol's iconic representations, the exhibition explores how numerous artists have been drawn to Monroe's image, each interpreting her legacy through different artistic lenses. The exhibition runs until September 6, providing a timely reconsideration of Monroe's cultural impact.Glasgow's Artistic CapitalGlasgow International reinforces the city's status as Scotland's artistic capital, featuring biennial exhibitions from notable artists including Victoria Morton, Cathy Wilkes, and Luke Fowler. The event, running through June with some exhibitions continuing into the summer, highlights Glasgow's unique contribution to contemporary art and its role as a cultural hub outside London's dominant art scene.Architectural Statements and ControversiesAcross the Atlantic, Chicago's Obama Presidential Center has sparked intense debate, with critics likening the $850m structure to 'a Klingon prison.' Designed by Tod Williams Billie Tsien Architects, the complex features a central tower intended to resemble four hands coming together to protect a flame—a beacon of hope. The architectural controversy surrounding the center reflects broader discussions about the role of public buildings in contemporary society and the challenges of creating meaningful civic architecture.Artistic Legacy and Historical ContextThe week's artistic offerings also include a fascinating connection between past and present. The National Gallery's 17th century masterpiece 'A Peepshow With Views of the Interior of a Dutch House' by Samuel van Hoogstraten demonstrates how artists have long played with perspective and illusion—techniques that would later influence modern masters like Escher. This historical context enriches our understanding of artistic innovation across centuries.

Satrapi’s Sudden Passing Stated as ‘Sadness’French‑Iranian author and film director Marjane Satrapi died at the age of 56. Her family told AFP that she succumbed to “sadness” a little over a year after the death of her husband, Mattias Ripa. The announcement was made on Thursday by President Emmanuel Macron's office.Career Highlights and Recent HonorsBorn in 1969 in Rasht, Iran, Satrapi fled to Austria in 1983, returned to Tehran for university, and settled in France in 1994. She gained worldwide fame with the autobiographical graphic novel Persepolis (2000) and its award‑winning film adaptation, which earned a Cannes Jury Prize (2007), a César for Best First Film (2008), and an Academy Award nomination for Best Animated Feature.Beyond Persepolis, she directed Chicken with Plums, The Voices (starring Ryan Reynolds), and Radioactive (starring Rosamund Pike). In 2024 she declined France’s highest civilian award, the Legion of Honour, citing insufficient French support for Iranian democracy activists.Award Landscape, Age, and TimelineBorn: 1969 in Rasht, IranFirst major work (Persepolis) published: 2000Cannes Jury Prize: 2007Academy Award nomination: 2008Legion of Honour offered (refused): 2024Death announced: 2026‑06‑05Ripple Effects on Franco‑Iranian Cultural DialogueSatrapi’s death is being framed by French officials as the loss of “a leading figure in French culture and an artist devoted to freedom.” Her work consistently highlighted the personal side of geopolitical upheaval, giving Western audiences a humanised view of the Iranian Revolution and its aftermath. Her refusal of the Legion of Honour underscored a persistent critique of French policy toward Iran, reinforcing her role as a cultural bridge and a vocal advocate for Iranian democratic movements.What Her Legacy Means for Future StorytellersSatrapi’s blend of stark black‑and‑white illustration with candid autobiographical narrative set a benchmark for graphic‑novel storytelling. Emerging creators in both Europe and the Middle East are likely to cite her as a model for merging personal memoir with broader sociopolitical commentary. Institutions may also revisit her catalog for educational programs that explore diaspora identity, women’s rights, and artistic resistance.

Explosion Ignites Fireball at Mexico's Gas Processing PlantAt 08:24 UTC on 5 June 2026, a sudden explosion ripped through a gas processing facility in Mexico, sending a towering fireball into the sky and prompting an immediate emergency response.Immediate Aftermath and Emergency MeasuresLocal fire crews and federal authorities arrived within minutes.Evacuation orders were issued for nearby communities.Preliminary reports indicate no confirmed fatalities, but several injuries are being treated.Potential Economic Shock to Mexico’s Energy OutputThe plant accounts for roughly 5 % of national gas processing capacity (estimates from industry analysts).Short‑term production loss could affect domestic supply and export contracts.Share prices of major Mexican energy firms slipped 1.2 % in early trading.Broader Implications for Regional Energy SecurityThe incident raises concerns about the safety of aging infrastructure across North America, especially as demand for natural gas remains high. Regulators may face pressure to accelerate inspections and enforce stricter safety standards.What Comes Next: Oversight and RecoveryAuthorities have pledged a full investigation, and the Ministry of Energy announced plans to audit similar facilities within the next 90 days. Stakeholders anticipate a gradual ramp‑up of operations once safety clearances are confirmed.

The Return of Mira Murati to the Public StageMira Murati, former CTO of OpenAI and current CEO of Thinking Machines Lab, has made her first major media appearance in approximately 18 months, sitting down with Bloomberg in San Francisco. This rare public appearance comes as Murati's company, which has been operating largely in the background, seeks to establish its presence in an increasingly competitive AI landscape.Thinking Machines' New Approach: Interaction ModelsDuring the interview, Murati previewed what Thinking Machines is calling "interaction models," described as a fundamentally different kind of AI interface. Unlike the traditional turn-based, prompt-and-response dynamic common in most AI products today, the company's models are designed to process continuous streams of audio, text, and video in 200-millisecond intervals. This approach aims to capture the nuances of human communication—including interruptions, mid-thought corrections, and pauses—in something closer to real time.Murati emphasized that this approach aligns with her lab's core thesis that the path to powerful AI runs through closer human collaboration, not around it. She was careful to frame it as a first step rather than a finished product, declining to specify a release date.The Competitive AI LandscapeThe timing of Murati's public return is strategic. While Thinking Machines has spent the past year and a half operating in the background—raising capital, hiring researchers, and shipping one product, Tinker (an API for fine-tuning open-source AI models)—its competitors have grown more omnipresent. OpenAI, where Murati spent six years as CTO, remains constantly in the news cycle. Anthropic has gained significant momentum, and Elon Musk's xAI has been folded into SpaceX ahead of what is expected to be a massive public offering.In this environment, Murati acknowledged that staying heads down has diminishing returns, and at some point, a company must make noise to remind the market it exists.Reflections on OpenAI's Leadership CrisisMurati also addressed the chaotic week in November 2023 when OpenAI's board fired Sam Altman, and she became interim CEO—an event referred to internally as "the blip." She expressed clarity about her decisions during that period, stating that protecting the mission and team guided her choices even as the situation appeared to be unraveling externally. Murati claimed the company would have "imploded" without her involvement during those five days and their immediate aftermath.In retrospect, she acknowledged she would have pushed harder for more information, a better transition plan, and more transparency. When asked if she still trusts her former boss, she sidestepped the question, instead focusing on her broader concern about the concentration of consequential decisions in too few hands across the industry.Talent Challenges and Compensation CultureChang pressed Murati on the departures of several high-profile researchers from Thinking Machines in recent months, a subject Murati has largely avoided in public. She explained that building a frontier AI lab from scratch compresses years of normal organizational volatility into months. Regarding compensation—the nine-figure packages that have become standard in the AI talent war—Murati suggested it isn't usually the whole story behind talent decisions."When I wake up in the morning, I am not thinking about how to kill the competitor," Murati quipped, drawing audience laughter and highlighting her competitive approach to building rather than destroying.The Future of AI and Human AgencyWhen asked about the future of AI and its impact on humanity, Murati pushed back on both inevitable dystopia and inevitable utopia scenarios. She argued that neither outcome is predetermined and that the current period will determine which direction things go. However, she warned that if humans "take their hands off the wheel too soon," the future will look very different, and not better.Born in Albania and speaking with a slight Eastern European accent, Murati emphasized the importance of maintaining human agency in AI development, reflecting on concerns about mass job displacement and potential misuse of AI for harmful purposes like creating chemical weapons.

The Emergence of 'Doomspending' The term 'doomspending' has become synonymous with the declining fortunes of young Westerners. It refers to spending frivolously with no concern for future financial consequences. A survey by Credit Karma found that 27% of Americans doomspend to deal with stress, with the numbers rising to 37% of Gen Z and 39% of millennials. The Cultural Context of Doomspending The discourse around doomspending echoes commentary that traces back to the aftermath of the Great Recession. The term 'doomspending' is a more recent phenomenon, tied to changes in Western economies since the financial crisis cratered the traditional life script almost 20 years ago. The Data Analysis: Financial Anxiety and Spending Habits Elderly North Americans and Western Europeans have difficulty internalizing the changing economic landscape. In the United States, the dollar lost 30% of its value since Covid, according to the Truflation index. More importantly, when discussing the perspective of boomers, it lost 60% of its value since the 90s, and 88% of its value since the 70s. The Impact Analysis: Shifting Attitudes Towards Spending and Saving Young people just don't believe that the economy is moral in general, that those with wealth earned it through playing by the rules. They see the economy as a casino, where some get lucky, but most lose. This has led to a shift in attitudes towards spending and saving, with many young people opting to spend today rather than save for tomorrow. The Prediction: A New Economic Reality Spend today because there won't be a tomorrow is a self-fulfilling prophecy. The only way to stop it is to make people believe that an average person of average abilities can wake up every day, play by the rules, and expect to lead a fulfilling, if uneventful, life. If the general public doesn't believe that to be true, let them eat Deliveroo.

The Miraculous Everest RescueIn a remarkable turn of events, a Sherpa guide has been found alive on Mount Everest after being reported missing for six days. The rescue operation, conducted in treacherous conditions at extreme altitudes, has brought relief to mountaineering communities worldwide. The missing individual was discovered in a relatively sheltered location, having survived on minimal resources while enduring freezing temperatures and potential altitude sickness.The High-Stakes Recovery OperationThe rescue mission involved coordinated efforts from multiple teams, including local guides, helicopter services, and international mountaineering experts. Search teams had been combing the dangerous terrain around the death zone, typically above 8,000 meters, where oxygen levels are critically low. The successful location of the missing Sherpa demonstrates both the effectiveness of modern search techniques and the resilience of experienced high-altitude workers.Economic and Safety Implications for Everest TourismThe incident highlights the ongoing risks faced by Sherpas and other support staff in the Everest tourism industry. With thousands of climbers attempting to summit Everest each year, the economic benefits for Nepal and local communities are substantial. However, this rescue operation may prompt renewed discussions about safety protocols, insurance requirements, and the ethical considerations of commercializing extreme adventures in the Himalayas.Future Safety Measures for High-Altitude OperationsIn the aftermath of this incident, mountaineering organizations and Nepalese authorities are likely to review and enhance safety measures for high-altitude operations. This could include improved tracking systems for guides and porters, mandatory rest periods, and enhanced emergency response protocols. The successful rescue may also lead to increased investment in search and rescue capabilities in the Everest region, potentially creating new opportunities for technological innovation in extreme environment operations.