Marc Isaacs’ ‘Synthetic Sincerity’ Battles AI’s Erasure of Ordinary Lives
Synthetic Sincerity exposes AI’s appropriation of documentary archives
In his latest project, Marc Isaacs reveals that a fictitious AI research lab, the University of Southern England, has “licensed” his entire body of work – a quarter‑century of observational films about ordinary Britain. The film, titled Synthetic Sincerity, follows Isaacs and writer Adam Ganz as they feed clips from titles such as Lift, The Curious World of Frinton‑on‑Sea and Philip and His Seven Wives into an AI system that generates synthetic emotions and avatars.
Quantifying the film’s scope and AI’s data appetite
- 25 years of documentary footage used as training data.
- Runtime of 70 minutes, blending real interviews with AI‑generated characters.
- In‑film example: Uyghur chef Ablikim Rahman captured by AI and turned into an avatar.
Implications for documentary practice and AI ethics
Isaacs argues that mainstream documentary is being sidelined by glossy “docbuster” productions, while AI threatens to replace authentic human stories with synthetic stand‑ins. He notes that ordinary lives are “being erased” as platforms prioritize celebrity‑driven content. The film also touches on broader geopolitical issues – Israel’s Lebanon campaign, Uyghur displacement, and pro‑China censorship in UK universities – illustrating how AI can be weaponised across narratives.
Future of hybrid documentaries in an AI‑driven media landscape
By deliberately constructing a fictional university and staging AI avatars, Isaacs demonstrates a new mode of truth‑making that blurs fact and fabrication. The approach may inspire other filmmakers to use AI as a tool for access where traditional documentary methods are blocked, but it also raises questions about consent, authenticity, and the long‑term preservation of everyday voices.