Danielle de Niese on Directing Her First Opera: A New Perspective

The Leap into Opera Direction

Danielle de Niese, a renowned singer, has taken on a new challenge by directing her first opera, The Marriage of Figaro. In an interview, she shares her thoughts on what inspired her to make this career shift and how she approached the project.

An Unexpected Opportunity

de Niese explains that she was approached by Wild Arts' producer Max Parfitt to direct a new production of Figaro. With a gap in her schedule, she decided to take on the challenge. Her deep familiarity with the opera, having performed in it multiple times, made her a suitable candidate for the task.

A New Perspective on a Classic

de Niese aimed to bring a fresh perspective to the classic opera. She set her production in the 18th century, the time it was written, and focused on creating realistic characters and believable plot actions. Her goal was to make the opera feel less pantomimic and more coherent, with every moment having tension and plausibility.

Breaking Away from Tropes

de Niese wanted to avoid common tropes in Figaro productions. She sought to portray the Count as more than just a buffoon and Cherubino as a young page with more depth. By doing so, she aimed to create a more nuanced and engaging performance.

The Importance of Character Development

As a performer, de Niese understands the importance of character development. She emphasized that every character's actions must make sense and be believable. This approach allowed her to create a cohesive and engaging production.

A New Chapter in Her Career

Directing Figaro marks a new chapter in de Niese's career. While she loves her day job as a performer, she sees directing as an opportunity to explore new skills and challenge herself. With this experience, she has proven that she is capable of taking on new roles and pushing her creative boundaries.