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The Rise of Tech-Savvy Farmers in KenyaKericho County, Kenya – A typical Saturday morning starts before sunrise for Chepkorir Rotich, a farmer in Kiboito village in western Kenya's Kericho County. By then, Rotich has already milked her cows and sold the milk, fed her chickens, and headed back to pluck vegetables for orders already placed. Her work starts this way every day, and she does it with passion.When the 33-year-old mother of two left college more than a decade ago, she was excited and ready to join the formal employment sector and secure a full-time job."I thought I would be employed as a business administrator, but after looking for a job for too long, I accepted contract offers in three different companies," she says. "The highest paid me about $200 in a month. While living in Nairobi, that wasn't enough."From Job Seekers to Agricultural EntrepreneursA lack of white-collar jobs has kept young Kenyans like Rotich out of employment, leaving them to innovate ways to survive and earn a living. In doing so, many youths have resorted to agriculture and other fields, with many using digital as well as vocational skills to stay ahead of the game.Digital Transformation of Kenyan AgricultureRotich, for example, uses social media to market her produce and to learn how to practice agriculture using modern methods. Social media helps her share knowledge with young people who comprise a large portion of her nearly 50,000 followers. She also runs a YouTube channel where she shares her knowledge of farming.The Food and Agriculture Organization of the United Nations (FAO) reports that the average African farmer is 60 years old, something Rotich refutes, saying the presumed age of farmers has made many young people shun agriculture instead of embracing it as a way to earn a living going into the future."I think the reason they say that is because of access to land on which to do agriculture, which is mostly owned by older people," Rotich tells Al Jazeera. "In my case, I started farming in the compound of my rented house, and by the end of each month, my landlord owed me money after settling the rent because I sold him milk and vegetables. So, it's all about passion and consistency among the youth."Kiringai Kamau, a lecturer at the University of Nairobi with expertise in agricultural economics, agribusiness, and food systems, says young people should take up agriculture as full-time employment since they are the ones who can effectively understand and deploy technology."To do this, we have established the devolution agroecology and AI learning centre in Murang'a University, where we will be pushing to have the centre train the youth who will be going into agriculture to be able to link with the agricultural data ecosystem, deriving from the infrastructure that will be provided, and also giving information to the county and country, and any other professionals that may be interested in data coming there," he tells Al Jazeera.Derrick Ngigi, the technical head at Global Open Data for Agriculture and Nutrition (GODAN), says that while youth are embracing agriculture, technology also plays a role in providing them with opportunities."For example, content creation in agriculture brings a lot of opportunities, such as creating content around modern farming methods, which has been generating revenue for the youth," Ngigi says.AI Tools Revolutionizing Farming PracticesAbout five kilometres outside Kiboito, at Kaptoroi village, Geoffrey Kiprop is busy cleaning his cowshed after feeding his cattle for the early morning. The 32-year-old earned a bachelor's degree in information technology in 2017 but has never secured formal employment.Like Rotich, Kiprop has been surviving on contract work, such as jobs doing systems development and maintenance for schools. He says that the highest-paid contract was for 15,000 Kenyan shillings ($116). But now, he makes about 7,000 Kenyan shillings ($54) a day through farming.Kiprop also practices mixed farming, rearing cows for milk and chickens for eggs and meat, while also planting crops such as tea, coffee, capsicum, cabbage, and beans.He uses modern technologies to raise his crops and livestock and takes advantage of his IT training, which he utilises to ensure maximum profits.Examples of the tools he uses include the Plantix app, which he says helps detect crop disease and malnutrition using AI after he simply takes a photo of the crop and uploads it. The app also gives the farmer the weather forecast and the best crop practices to perform in line with current weather conditions."My favourite is the Virtual Agronomist. This is an AI-enabled platform where I use Google Maps to capture the coordinates of my crop field and then specify the types of crops I am growing," Kiprop explains. "In return, the Virtual Agronomist will enable me to know the size of the plots under farming. It also generates a nutrient plan by sampling the soil in the farm, guiding me in what the soil is missing in terms of nutrients and the exact amount to add," he tells Al Jazeera.For his cows, Kiprop also uses an AI tool to manage their health and production."Also, I use the Digicow app, which assists the farmer in managing dairy farm practices by tracking all the day-to-day activities in the dairy farm, which includes recording the amount of milk sold and used by the farmer, dairy inputs like feed and health practices, thus allowing the farmer to know if he's making a profit or not," Kiprop says.Financial Benefits of Tech-Enhanced FarmingBoth Rotich and Kiprop demonstrate that farming with AI tools can be more financially rewarding than traditional employment paths for educated young Kenyans. While contract work offered Rotich a maximum of $200 per month and Kiprop's highest contract paid 15,000 Kenyan shillings ($116), Kiprop now earns approximately 7,000 Kenyan shillings ($54) daily through his tech-enhanced farming operations.The Future of Agriculture in KenyaBoth Rotich and Kiprop agree on one thing: agriculture also comes with its own challenges, and one has to be deeply passionate and consistent to make something out of it."Consistency is key," says Rotich. "It's something that many young people lack, and they quit very early before they can break even and realise profits. One has to do things many times to be able to finally get it and learn from the mistakes made before."

The Perfect World Cup Send-offIn a last outing before a first World Cup appearance in 28 years, Scotland dismantled Bolivia with a commanding 4-0 victory. The performance, featuring goals from Lawrence Shankland, Scott McTominay and a brace from Ché Adams, suddenly worries over a potentially tournament defining joust with Haiti next weekend evaporated. If Steve Clarke's men are this ruthless and efficient when the proper stuff starts, they have a serious chance of emerging from the group phase for the first time in Scotland's international history.First Half DominationIn sweltering New Jersey heat, the Scots made a fine start. Andy Robertson completed a one-two with Ryan Christie before chipping a cross to the back post. The Bolivia goalkeeper, Guillermo Viscarra, should have done better with Shankland's header but Scotland's No 20 had no cause to care. This marked his third goal in two games. Adams, who was lively, tested Viscarra before firing a shot only narrowly wide.A second goal was soon forthcoming anyway. Shankland nudged the ball back to McTominay, whose low drive from 18 yards beat the highly unconvincing Viscarra. Scotland's third was a fine goal too, with Aaron Hickey feeding the marauding Ben Gannon-Doak, who put in a perfect cross to the feet of Adams. The Torino man could not miss.Scotland's Attacking ProwessScotland were to match a first-half scoreline margin feat first achieved against England in 1878 and, until now, last versus the Faroe Islands 20 years ago. Gannon-Doak, staking a huge claim for a World Cup start, drove from midfield. The Bournemouth man smoothly found Adams, who beat Viscarra at the second attempt. The Scots were 4-0 to the good at the break. This also meant they had scored a quartet of goals in successive games.Unlike Ally MacLeod's infamous hubris of 1978, Steve Clarke has never been prone to bold or rash predictions. Excitement will be left to everyone else. Who can reasonably deny them that? This friendly, in theory an exercise in box ticking, instead gave reasons for huge Scottish confidence. Scotland will remember their first ever game against Bolivia with great fondness.Tactical ConsiderationsShankland can now be considered a guaranteed Scotland starter for the Haiti clash. He joins Robertson, Hickey, McTominay and John McGinn in that bracket. The likelihood is that Clarke would be keen to deploy Adams in attack alongside Shankland, but the impact made by Lyndon Dykes during last weekend's win over Curaçao inserted doubt to that scenario.Clarke has tough calls over who starts in goal and at centre half in Boston. Christie excelled against Bolivia, which should enhance his Haiti prospects. Scott McKenna, Dykes and Nathan Patterson were the only outfield Scots not to feature at all. This was now a game they only had to manage adequately, including without the injury distress that ended Billy Gilmour's World Cup dream seven days earlier.World Cup OutlookBolivia are ranked above Haiti, whom Scotland will surely have to defeat for the opportunity to reach the World Cup's last 32. The performance against Bolivia suggests Clarke's team has the quality to achieve this objective. While it is fair to point towards limited opposition, that is precisely what Scotland will face in game one of Group C.Foot was removed from gas in the second period but there was still something hugely admirable about Scotland's approach. Now for the key question; will it be alright on the night? This time, there was no sour note. Clarke will have no desire to summon his inner or outer MacLeod. Nonetheless, Scotland head to the World Cup with collective spring in step.

Quick Synopsis: A Pandemic‑Era Road Trip to CornwallBonnie & Clive follows three twenty‑somethings who set off from south London for a grandparents’ house in Cornwall at the start of a Covid lockdown. Eleanor May Blackburn plays Bonnie, who bumps into homeless busker Clive (Michael Kodi Farrow) and a hitchhiking anthropology student Wilco (James Jip) as they cruise in a retro 1990s camper van.Low‑Budget Charm or Over‑Played Quirk?The film leans heavily on whimsical ukulele‑accompanied songs and deliberately “naff” humor, but the novelty wears off within minutes. Performances feel exaggerated, reminiscent of children’s TV, and the comedic beats—such as a dead body in a wheelchair at the Eden Project—feel forced rather than funny.Box‑Office Outlook and Release TimingDistributed in UK cinemas from 3 June 2026, the movie’s modest budget and niche premise limit its mainstream appeal. Without strong word‑of‑mouth or critical buzz, opening weekend revenues are likely to be modest.What This Means for British Indie ComedyShows the challenge of balancing low‑budget creativity with audience expectations.Highlights the risk of relying on pandemic‑themed nostalgia.May push indie makers to seek sharper scripts over gimmicky charm.Looking Ahead: Potential Cult Following?Despite its flaws, the film’s earnestness and quirky set‑pieces could endear it to a small cult audience, especially among viewers who appreciate off‑beat British humor.

The LeadSony has released the WH-1000XX the Collexion, a premium anniversary edition of its popular 1000X series headphones that celebrates a decade of noise-cancelling excellence. These headphones offer exceptional comfort, luxurious materials, and superior sound quality while positioning themselves as direct competitors to high-end rivals like Apple's AirPods Max 2 and B&W;'s Px8 S2.The Anniversary Evolution: Design and ComfortThe original 1000X launched in 2016, igniting a fierce rivalry with Bose and its QuietComfort line, which would push noise-cancelling technology dramatically forward as each tried to outdo the other with subsequent releases. Now Sony has taken the best elements from the last six 1000X iterations to create something more refined—not to replace the current WH-1000XM6, but to offer a more luxurious set with plusher materials and sleeker design.The form of the 1000XX isn't a complete departure from its siblings, but they do not fold for travel and are less bulky, with 5.3mm thinner ear cups and a more slender-looking headband. The headphones are covered in high-quality pleather material and feature highly polished and sandblasted stainless steel arms—no hard plastic in sight.Everything about them is smooth, from the sliding of the resizing arms to the feel of the metal. The redesigned ear cups have more space for your ear and plusher cushions than standard Sony headphones. The sleek headband spreads across your head when you put them on to distribute weight, while a lighter clamping force keeps the headphones in place without any undue pressure.The result is one of the most comfortable sets of headphones available, matching the very best from Bose and surpassing higher-priced rivals.Market Positioning and Price AnalysisThe WH-1000XX the Collexion cost £549 (€629/$649/A$1,000), sitting above the £349 1000XM6 and directly competing with high-priced luxury headphone rivals. This premium pricing positions Sony in the luxury audio segment, challenging established players like Apple's £499 AirPods Max 2 and B&W;'s £629 Px8 S2. The price reflects the use of premium materials, including pleather and stainless steel, which replace the standard hard plastics used in most headphones.The battery lasts for about 24 hours of listening with noise cancelling active or up to 32 hours with it off, which is more than enough for any plane journey or commute, but is short of the regular 1000XM6. A five-minute charge adds up to 90 minutes of playback, with a full charge taking about 3.5 hours.Audio Excellence in the Luxury Headphone MarketThe 1000XX feature the QN3 chip and noise-cancelling hardware from the 1000XM6, which produces a really good ambient sound mode and similar but not quite as capable noise cancelling. They can easily handle engine roar and other low and mid-tone noise but can't quite reach the same high bar set by the 1000XM6 on higher-pitch irritations of background chatter, keyboard clicks, and other commute or office sounds.Instead, sound quality is really where the 1000XX shine. The headphones support Android's super-high-quality LDAC Bluetooth audio format but also have a new, more capable AI music upscaling tech called DSEE Ultimate powered by the new V3 companion chip. That system rebuilds the data lost in compressed music and makes quite a difference to standard-quality streaming music and the AAC Bluetooth audio format used on the iPhone.The Future of Premium Audio TechnologySony's release of the 1000XX the Collexion signals the company's commitment to both technological advancement and premium materials in the competitive headphone market. As consumers increasingly demand both superior sound quality and comfortable, aesthetically pleasing designs, we can expect other manufacturers to follow suit with their own luxury offerings.The integration of AI upscaling technology like DSEE Ultimate represents the future direction of audio processing, where algorithms enhance compressed audio to deliver richer listening experiences. This trend will likely accelerate as companion chips become more powerful and AI algorithms become more sophisticated.As the premium headphone market continues to grow, we may see more specialization within the category, with different models targeting specific use cases while maintaining the high standards of comfort and audio quality that consumers now expect from luxury audio products.

The Lead The Edinburgh Festival 2026 promises to be an exciting event with a wide range of theatre productions. From feminist explorations to epic dramas, there's something for everyone. Roleplay and Mayflies Producer Francesca Moody brings 'Roleplay', a new offering by Australia's Hannah Reilly, about a feminist podcaster who becomes an online 'slutfluencer'. Meanwhile, Andrew O'Hagan's coming-of-age novel 'Mayflies' is adapted by Ben Harrison and directed by Grid Iron. 'Roleplay' - Summerhall, 6-31 August 'Mayflies' - Brown's of Leith, 7-30 August Epic Dramas Paines Plough's Katie Posner directs 'After Party', an epic drama by Morna Young, which explores family secrets on the night of an actor's 80th birthday celebrations. Additionally, Internationaal Theater Amsterdam revives Tony Kushner's 'Angels in America', a masterpiece about AIDS in the 1980s, directed by Ivo van Hove. 'After Party' - Traverse, 6-30 August 'Angels in America' - King's theatre, 15-20 August Unique Performances Other notable productions include '116 Grams: A Play to Lose Weight' by Letícia Rodrigues, 'Cathy' starring Elaine C Smith, and 'The Jolly Fisherman' by John Dinneen. '116 Grams: A Play to Lose Weight' - Zoo Southside, 7-30 August 'Cathy' - Traverse, 31 July-30 August 'The Jolly Fisherman' - Underbelly, 5-31 August Experimental and Innovative The festival also features experimental and innovative productions like 'Bigfoot Ripped My Dog in Half I Saw It' by Xhloe and Natasha, 'The Singer' with music and lyrics by KT Tunstall, and 'Concerts of the Future' by Ciaran Frame. 'Bigfoot Ripped My Dog in Half I Saw It' - Summerhall, 6-30 August 'The Singer' - Traverse, 4-30 August 'Concerts of the Future' - Summerhall, 6-31 August Powerful Messages Lastly, productions like 'Hang Time' by Zora Howard and 'A Trial – After An Enemy of the People' tackle serious issues like racialised violence and social justice. 'Hang Time' - Royal Lyceum, 20-23 August

On a grey, rain‑spattered Saturday at Lord’s, the much‑talked‑about steam‑treated surface behaved like a mystery, offering erratic bounce and variable movement that left batters struggling and spectators disappointed. A Rain‑Soaked Day Turns Lord’s Pitch into a Nightmare London’s turn‑around weather forced a brief window of play around midday, only for clouds to return as soon as the lunch break ended. The limited sunshine was spent largely on a 40‑minute early lunch, after which intermittent showers dictated the rhythm of the game. Steam Treatment Backfires: The Pitch’s Unpredictable Bounce Despite recent outfield relaying, the playing strip felt “like something rolled up by the bins”. The MCC’s attempt to “purify the soil” with steam has produced the worst conditions yet, with variable bounce that saw a ball hit Jacob Bethell on the head at one end and an ankle‑height delivery at the other. Numbers on the Day: 58 Balls, 2 Wickets, 80 Minutes of Play 58 balls bowled over 80 minutes of intermittent cricket 2 wickets fell – Rachin Ravindra clean‑bowled and Daryl Mitchell lbw, both to Ollie Robinson Target of 218 runs for New Zealand remained out of reach What This Means for MCC and International Cricket The pitch has been described as the most unpredictable wicket in England since records began. Its failure undermines the reputation of MCC as the custodian of the game and raises concerns for upcoming international fixtures at the venue. Looking Ahead: Drop‑In Pitches and the 2028 Solution In response, the MCC is developing “drop‑in” pitches to be stored on the Nursery Ground and installed for future Tests. The rollout is targeted for 2028, a timeline the club hopes will restore confidence in Lord’s as the home of cricket.

The Week's Entertainment LandscapeThis week offers a diverse range of cultural experiences for both home and out-of-home entertainment. From blockbuster movies and live music performances to art exhibitions and streaming content, there's something for every taste and preference.Cinema HighlightsTheaters are featuring several notable releases this week. Nicholas Galitzine stars in Masters of the Universe, bringing the 1980s Mattel hero to life with Jared Leto as the evil Skeletor. Erupcja offers a lo-fi hipster film experience directed by Pete Ohs, while the original team behind Scary Movie returns with a new parody. Robin Campillo completes his friend Laurent Cantet's final film Enzo, a coming-of-age story.Live Music PerformancesFKA twigs brings her brain-melting art-pop spectacular to The O2 in London, featuring material from her recent albums. Gottwood festival celebrates its 15th year with electronic music performances. Norwegian bassist Arild Andersen joins Rob Luft and Daniel Sommer for a European jazz tour. Garsington Opera presents Monteverdi's Il Ritorno d'Ulisse, directed by John Caird.Art ExhibitionsTate Modern hosts a major retrospective of Argentinian artist Julio Le Parc, showcasing his immersive installations and light sculptures from the 1950s to 2020s. Nottingham Contemporary presents Chico da Silva, exploring the Brazilian artist's psychedelic world of mythical creatures.Stage ProductionsThe week offers diverse theatrical experiences, including Garsington Opera's Monteverdi production and various performances across the UK.Streaming ContentHome entertainment options include new releases across various streaming platforms, catering to diverse tastes and preferences.Gaming ReleasesNew gaming options become available this week, offering entertainment for gaming enthusiasts across various platforms.Music AlbumsNew album releases provide fresh listening experiences for music fans across multiple genres.Intellectual EntertainmentFor those seeking brain food, the week offers various options including documentaries, podcasts, and educational content that stimulate the mind.

The Origins of 'Mogging' Until recently, if someone had said "mog" to me, I probably would have assumed they were talking about the children's book cat created by the late great Judith Kerr. If asked about "mogging" or being "mogged," I would have been completely baffled. But for many members of gen Z and gen Alpha (or anyone who is just a bit too online), the slang term, which means to outdo or outshine others, is everywhere. From Manosphere to Mainstream Mogging's origins are in the manosphere, where it began as a verb derived from the acronym "Amog" (alpha male of the group). In misogynistic forums in the 2010s, to "mog" came to mean to outdo someone in terms of sexual desirability. Mogging has been adopted by "looksmaxxing" influencers such as Braden Peters, known online as Clavicular, who encourage men to try to alter their looks – sometimes in extreme ways – to increase their "sexual market value". Such an influencer might talk of "frame mogging" another person in a photo or video – a variation on mogging that specifically refers to being more muscular. The Evolution of Competitive Language Even now, as the term has begun to be used much more widely, and in a tongue-in-cheek way, it is still typically associated with looks (a friend of mine, for example, was described by her boyfriend's younger siblings as "mogging him" in a photo). But increasingly, mogging can mean besting others at basically anything. The gold medal Olympic figure skater Alysa Liu said in an interview last year that her main competition strategy was "to mog", while a 23-year-old colleague of mine tells me that she and her friends joke about "walk-mogging" when they overtake people on the street. Linguistic Analysis of Modern Slang Tony Thorne, director of the slang and new language archive at King's College London, says a lot of new slang terms "have come recently from the same kind of male-based internet culture", referencing the words "simp" (someone who is excessively attentive), "soy boy" (a derogatory term for a man who is not stereotypically masculine) and "sigma" (someone cool and successful). Not to mention "maxxing," now such an established part of the lexicon that it was tweeted by the US Department of Defense earlier this year. The Cultural Impact of Competitive Slang Thorne thinks it is significant that "mogging" in particular has become fashionable at this time. "What it implies – hyper-competitive, hyper-individualist, aggressive selfishness" has become "mainstream behaviour", he says. Which is why Will Adolphy, a psychotherapist who was himself once an ardent follower of manosphere influencers, has concerns about the word. "Part of me can see how it's a kind of handy, even entertaining word," he says. But the idea of mogging "reinforces this sense that there are certain people that will dominate others based off their physical appearance and status", he says. Psychological Concerns About Competitive Language Dr Emily Sehmer, an NHS child and adolescent psychiatrist, worries too about the "constant sense of competition" that concepts such as mogging help to foster, especially for teenagers, who are developing their socio-emotional skills and typically "have a desire to fit in and to get peer approval". Apart from anything else, she adds, wanting to mog someone is "kind of mean, isn't it?" The Ironical Reappropriation of 'Mogging' "I think people are right to be concerned," about the rise in usage of slang that originates from a toxic subculture, Thorne says – and notes that some of his fellow linguists feel uncomfortable about researching it. But, he adds, "mogging" has moved well beyond its origins, and many people who use it now "tend to understand it and laugh at it, and they use it themselves, but ironically". Certainly, plenty of mogging content on social media now has an irreverence to it: such as the trend of posing for the photo on a rollercoaster in order to "mog" the screaming riders next to you. Making what started as an aggressive concept into something very silly pokes fun at the ridiculousness of the manosphere, my younger colleague explains. She shows me a picture of herself on a recent holiday, standing next to a statue of Napoleon, that she sent to a group chat of her friends. The caption? "I mogged Napoleon!"

The Bridge Between Art and ScienceWhy do we find things beautiful? More precisely, why do some paintings of coloured dots in rippling patterns inspire in me something like revelation? The idea that beauty is the feeling you get when encountering truth is unfashionable in the arts, but lingers in the sciences. The physicist Paul Dirac once proposed that it is more important that a formula is beautiful than that it can be proven: when a perfectly beautiful theory produces results that cannot be real, he argued, then we should not discard the theory but reconsider what is real.Since the 1970s, Terry Winters has been rebuilding that bridge between art and science. Taking inspiration from disciplines including botany – his early paintings, particularly, evoke sprouting pods and tangled roots – engineering, computer modelling and cybernetics, his paintings might be understood as diagrammatic approximations of the patterns that govern everything from the division of cells to the constellation of stars. If every era has to renew its standards of beauty to reflect new understandings of how the world is constructed, then Winters comes as close to providing that model as any living painter.Mathematical Patterns in Visual ArtThese eight new works take their titles from the language of geometry and mathematics: Area, Array, Field, Locus, Point, Scope, Sequence and Set. Each is composed of overlapping patterns that pull each other out of shape according to invisible laws of attraction and repulsion. Field is indicative: on a sooty pink ground, a dense grid of dusty blue cells bends inwards like a trampoline beneath a bowling ball, while an intersecting arrangement of larger circles swells outwards. The disorienting effect of this push-pull is exaggerated by an optical illusion, created by ragged phosphorescent orange haloes around the blue circles, that makes them appear to be craters sunk into the crust of paint. You have to walk up to the surface to be reassured that it is flat.Point shows a teeming landscape of cells bulging outwards at the centre, as if a scum of frogspawn had been skimmed off a pond and placed under a paperweight microscope. In Sequence, a storm of pink interference skims through a yellow circle split like a brain into hemispheres, while a nebulous weather system sweeps in from the right. In Scope, vaguely symbolic arrangements of freshwater blue and desert orange nodules move across the familiar circle-within-a-square geometry of Leonardo's Vitruvian Man. Where that famous demonstration of sacred geometries exudes stillness and calm, the systems that run through Winters' worlds are wild and strange. Here, as much importance is given to the subjective factors of perception and consciousness as the objective principles of logic and proportion.Optical Illusions and Sensory ExperienceAll of this should not distract from the pure sensory pleasure afforded by these pictures. In Locus, another optical illusion seems to lift the red edge of the painting off the canvas like a clumsy wooden frame, squeezing the pockmarked sphere at its centre so that it balloons outwards, threatening to burst. The same cadmium red, so sandy that the pigment seems barely to have been suspended in oil, turns carmine pockets into rock formations that climb off the surface of Set. These sleights of hand evoke the more secular movement of op art, in which patterns are manipulated to exploit the idiosyncrasies of human perception rather than to uncover deeper truths. Which begs the question: is this all just a conjuring trick?Rediscovering the Renaissance ApproachThere is something magical about these works. Even though Winters is generally credited with having extended the lineage of modernist American painting into the present, his practice is in this sense pre-modern. In its rejection of the idea that art should be separated from science, it resembles the Renaissance attitude according to which painting is no less a tool for understanding the world than mathematics, and magic is just the name for things we don't yet understand. His commitment to synthesising diverse spheres of knowledge, his alchemist's commitment to materials, and his sheer technical ability certainly mark him out in a scene recently overwhelmed by chancers and charlatans, bandwagoners and snake-oil salesmen. That his work is enjoying a revival might be taken as an encouraging sign.Beauty as a Path to TruthDirac, incidentally, was proved right. He formulated a theory that was so beautiful it couldn't possibly be wrong, even though it implied the existence of phenomena that everyone agreed must be impossible. He stood by it, and a few years later, someone else discovered anti-matter. Winters' paintings likewise offer a flash of those secret patterns that underpin the physical world, and which science has yet to illuminate. Which is to say, they're beautiful.Exhibition DetailsTerry Winters: Along the River is at Modern Art, London, until 11 July