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The Bridge Between Art and ScienceWhy do we find things beautiful? More precisely, why do some paintings of coloured dots in rippling patterns inspire in me something like revelation? The idea that beauty is the feeling you get when encountering truth is unfashionable in the arts, but lingers in the sciences. The physicist Paul Dirac once proposed that it is more important that a formula is beautiful than that it can be proven: when a perfectly beautiful theory produces results that cannot be real, he argued, then we should not discard the theory but reconsider what is real.Since the 1970s, Terry Winters has been rebuilding that bridge between art and science. Taking inspiration from disciplines including botany – his early paintings, particularly, evoke sprouting pods and tangled roots – engineering, computer modelling and cybernetics, his paintings might be understood as diagrammatic approximations of the patterns that govern everything from the division of cells to the constellation of stars. If every era has to renew its standards of beauty to reflect new understandings of how the world is constructed, then Winters comes as close to providing that model as any living painter.Mathematical Patterns in Visual ArtThese eight new works take their titles from the language of geometry and mathematics: Area, Array, Field, Locus, Point, Scope, Sequence and Set. Each is composed of overlapping patterns that pull each other out of shape according to invisible laws of attraction and repulsion. Field is indicative: on a sooty pink ground, a dense grid of dusty blue cells bends inwards like a trampoline beneath a bowling ball, while an intersecting arrangement of larger circles swells outwards. The disorienting effect of this push-pull is exaggerated by an optical illusion, created by ragged phosphorescent orange haloes around the blue circles, that makes them appear to be craters sunk into the crust of paint. You have to walk up to the surface to be reassured that it is flat.Point shows a teeming landscape of cells bulging outwards at the centre, as if a scum of frogspawn had been skimmed off a pond and placed under a paperweight microscope. In Sequence, a storm of pink interference skims through a yellow circle split like a brain into hemispheres, while a nebulous weather system sweeps in from the right. In Scope, vaguely symbolic arrangements of freshwater blue and desert orange nodules move across the familiar circle-within-a-square geometry of Leonardo's Vitruvian Man. Where that famous demonstration of sacred geometries exudes stillness and calm, the systems that run through Winters' worlds are wild and strange. Here, as much importance is given to the subjective factors of perception and consciousness as the objective principles of logic and proportion.Optical Illusions and Sensory ExperienceAll of this should not distract from the pure sensory pleasure afforded by these pictures. In Locus, another optical illusion seems to lift the red edge of the painting off the canvas like a clumsy wooden frame, squeezing the pockmarked sphere at its centre so that it balloons outwards, threatening to burst. The same cadmium red, so sandy that the pigment seems barely to have been suspended in oil, turns carmine pockets into rock formations that climb off the surface of Set. These sleights of hand evoke the more secular movement of op art, in which patterns are manipulated to exploit the idiosyncrasies of human perception rather than to uncover deeper truths. Which begs the question: is this all just a conjuring trick?Rediscovering the Renaissance ApproachThere is something magical about these works. Even though Winters is generally credited with having extended the lineage of modernist American painting into the present, his practice is in this sense pre-modern. In its rejection of the idea that art should be separated from science, it resembles the Renaissance attitude according to which painting is no less a tool for understanding the world than mathematics, and magic is just the name for things we don't yet understand. His commitment to synthesising diverse spheres of knowledge, his alchemist's commitment to materials, and his sheer technical ability certainly mark him out in a scene recently overwhelmed by chancers and charlatans, bandwagoners and snake-oil salesmen. That his work is enjoying a revival might be taken as an encouraging sign.Beauty as a Path to TruthDirac, incidentally, was proved right. He formulated a theory that was so beautiful it couldn't possibly be wrong, even though it implied the existence of phenomena that everyone agreed must be impossible. He stood by it, and a few years later, someone else discovered anti-matter. Winters' paintings likewise offer a flash of those secret patterns that underpin the physical world, and which science has yet to illuminate. Which is to say, they're beautiful.Exhibition DetailsTerry Winters: Along the River is at Modern Art, London, until 11 July

Lead: Euphoria’s third season as a mirror of a nihilistic generationThe latest season of Euphoria has turned into a relentless feed of meme‑ready moments, from OnlyFans storylines to snake attacks, that echo the outrage‑driven attention economy shaping today’s youth.Season three’s shock‑value tactics and controversial storylinesSet five years after high‑school, the series piles on sensational set‑pieces – pup play, sugar‑daddy deals, mummification fetishes, and a “Thotzilla” rampage – while foregrounding female characters who monetize their bodies for male pleasure. The narrative repeatedly pits empowerment against exploitation, most starkly in Cassie’s descent into viral OnlyFans content and the brutal assault of strip‑club dancer Kitty.Absence of hard metrics but cultural buzz indicatorsNo official viewership figures are cited in the article.The show’s moments have dominated social‑media feeds, spawning memes, discussion threads and “rage‑bait” headlines.Related coverage links to broader cultural debates about the manosphere, Andrew Tate and the Bonnie Blue documentary.Why the show resonates with the attention‑economy generationAccording to the review, the series captures how algorithms strip humanity by rewarding polarising content. Characters chase virality the way real‑world influencers chase followers, reflecting a cohort that grew up on figures like Andrew Tate and the Bonnie Blue documentary – both products of the same attention‑driven ecosystem.What this signals for future teen dramas and media criticismIf Euphoria continues to blend shock tactics with cultural critique, it may set a precedent for teen dramas to confront, rather than merely depict, the toxic mechanics of modern fame. The show’s willingness to expose the commodification of young women could spark deeper industry conversations about responsibility versus sensationalism.

In April 2024, a local wildlife ranger recorded a pale horseshoe whip snake gliding through the turquoise waters between Ibiza and the tiny islet of Santa Eulària, providing the first indisputable visual proof that the invasive snake can swim and expand its range across the Balearics.The First Video Confirms Snakes Swimming Between Ibiza and Santa EulàriaThe footage, shot on a minuscule island 450 metres off Ibiza’s east coast, validates long‑standing anecdotal reports from fishermen and tourists. Biologist Oriol Lapiedra of the Centre for Ecological Research and Forestry Applications (Creaf) noted that while snake sightings were common, this was “the first proper evidence” of a snake making the crossing.Captures and Projections Reveal a Rapidly Expanding Snake PopulationMore than 3,500 horseshoe whip snakes were captured on Ibiza in 2025 alone.Since 2016, over 16,000 individuals have been culled.Scientists forecast that the species will occupy 100 % of the island by the end of 2027.On the mainland, snakes rarely exceed 1.8 m in length, but Ibiza specimens have been recorded at over 2 m and weighing 2.5 times as much.Ecological Fallout: Endangered Wall Lizards Face Near‑ExtinctionThe Ibiza wall lizard (Podarcis pityusensis) was upgraded by the IUCN in October 2022 from “near threatened” to “endangered”, reflecting the mounting pressure from the snake. On Santa Eulària, researchers counted 72 lizards in 2016 but only three in 2023. Across the ten islets that once hosted unique lizard populations, many have now lost their native reptiles entirely, erasing thousands of years of isolated evolution.Future Outlook: Management Strategies and the Likelihood of Island‑Wide InfestationRegional authorities, in partnership with Creaf and conservation NGOs, are intensifying capture programmes and exploring “Noah’s ark” captive‑breeding projects to preserve genetic stock. However, the sheer scale of the snake invasion—driven by imported olive trees that provide hidden refuges—means that without sustained effort, the horseshoe whip snake could dominate the Balearic archipelago, reshaping its ecosystems for decades to come.

The LeadSam Campbell's new Channel 4 mockumentary, Make That Movie, has been crowned the funniest TV show of the year. The series, which follows a former big-shot director helping ordinary people create bizarre, low-budget films, is a chaotic celebration of 'outsider art' and unhinged creativity.The Surreal Premise of 'Make That Movie'At the heart of the show is a high-concept premise that defies logic. Campbell plays a version of himself who was once a successful director but now spends his time driving around in a van with a giant model film camera on top. His mission is to help people in need by producing bizarre low-budget productions based on their outlandish ideas.Snake Transformation Thriller: A Da Vinci Code-style story where a couple changes into snakes (but not simultaneously).Cyber-Thriller for Pensioners: A Lawnmower Man-style plot where seniors physically enter computers by singing songs and inserting USB cables into their mouths.Animated Feet: A project designed to cheer up a couple trapped in a cave.A Refreshing Pivot from Trauma to AbsurdityThe show arrives at a critical cultural moment. The review highlights a 'decade-long tailspin' where television was dominated by trauma-focused narratives. Had *Make That Movie* been attempted a few years ago, executives would likely have forced a subplot about dissociating from an abusive childhood. Instead, the show offers pure, unadulterated silliness.Celebrating the 'Outsider Art' of Bad CinemaSam Campbell is described as having an 'alien' quality, a stark contrast to the typical 'everyman' comedian. His stock in trade is looking like a frozen Paul McCartney, and this unique persona drives the show's success. By worshipping films like Birdemic: Shock and Terror, Campbell validates 'bad' cinema as a form of glorious outsider art.The Future of Sam Campbell's Comedy EmpireWhile the format is packed with content—23 minutes to meet characters, hear ideas, and watch the finished product—the sprinting pace is by design. The review suggests that nothing will kill the show faster than lapsing into formula. As long as Campbell and his uncomprehending face remain fixtures on television, the show is poised to become a lasting cult classic.

The Comedy LineupChannel 4 presents 'Make That Movie' at 10pm, created and written by Sam Campbell and directed by Joe Pelling. This new comedy follows a director who turns ordinary people's movie ideas into reality, beginning with Mick's pitch about a man and woman who can turn into snakes, featuring real snake auditions and a creepy intimacy coordinator.Home Renovation DramaAt 8pm, Channel 4's 'George Clarke's Beautiful Builds' returns with architect George Clarke and garden designer Luke Millard helping people realize their renovation dreams. The premiere episode features couple Mitch and Elliot in Bromley, whose plans for a curve-arched kitchen are threatened by a house flood.Real-Life MysteryBBC One's 'Reported Missing' begins its fifth series at 9pm with the story of Larissa, a 16-year-old runaway from Glasgow living with bipolar disorder. The episode explores how lockdown has contributed to mental health issues among young people, as police try to track her down.Political ProfileBBC Two airs 'Putin: In Ten Pictures' at 9pm, a documentary that explores Russia's president through 10 key photographs. Observers and exiled former insiders psychoanalyse Putin, describing him as an overlooked weakling who vowed to change how the world saw him, with everything else being one long PR stunt.Period Drama ContinuesChannel 5's 'The Hardacres' at 9pm continues the story of Mary and Sam, whose house is put in quarantine due to fears Sam has caught the deadly Russian flu. As symptoms worsen, Lady Imelda sees an opportunity in this perfect dose of period drama.Music DocumentarySky Documentaries presents 'One to One: John & Yoko' at 9pm, a documentary covering 18 months in the lives of John Lennon and Yoko Ono after they moved to New York in 1971. The film mixes home movies, contemporary TV footage, and private phone calls to follow the couple as they engage with political causes, fashion, and their new life away from Britain.Live Sports CoverageSky Sports Cricket broadcasts the first match in a three-match Women's T20 cricket series between England and India at 6pm from Chelmsford.

The Challenge: Designing Escape RoutesThe puzzle presents a scenario with two snakes of equal width but different lengths trapped in a cage. The objective is to design two distinct escape passages, A and B, that allow one snake to pass while blocking the other.Passage A: Must allow the short snake to escape but block the long snake.Passage B: Must allow the long snake to escape but block the short snake.The Logic of the SolutionThe solution relies on exploiting the physical dimensions of the snakes. For Passage A, the design features a loop that is longer than the short snake but shorter than the long one. When the long snake enters the loop and doubles back, its body blocks the exit point, trapping it. The short snake, being shorter, can navigate the loop without obstruction.Passage B utilizes a floor hole. Assuming the snakes have non-zero rigidity, the short snake cannot stretch far enough to move over the hole without falling in, whereas the long snake can bridge the gap and pass safely.Why Spatial Reasoning MattersThis puzzle underscores the critical role of spatial intelligence in problem-solving. It demonstrates how understanding the relationship between length, width, and path constraints can create solutions that are counter-intuitive yet logically sound.The Future of Logic Puzzles in AIAs AI models continue to advance in spatial reasoning, puzzles like this will likely serve as benchmarks for testing the flexibility of machine intelligence. The future of puzzle design may shift towards scenarios that require not just calculation, but a nuanced understanding of physical constraints.

The LeadToday's puzzle from The Guardian challenges readers to design escape passages for two snakes of different lengths in a cage. The puzzle requires creating two passages that allow each snake to escape independently while preventing the other from using the same passage.The Puzzle ChallengeSnakes in a cageTwo snakes of equal width are in a cage. One is long and the other is short.Design two escape passages, A and B, that lead from the bottom of the cage such that:The short snake can escape down A, but the long one can't.The long snake can escape down B, but the short one can't.The ConstraintsThe passages must have no moving parts, trapdoors or levers. Assume that the snakes have circular cross-sections, and the diameter is the same at all points along their bodies. The snakes can wiggle but they cant squeeze through passages that are narrower than they are wide.The Solution PreviewThe author will return at 5pm UK time with solutions to this intriguing puzzle. Readers are asked not to post spoilers in the comments section while they work on solving the challenge.

The Thrilling Finish Felix Rosenqvist swung to the outside of David Malukas, then found a way past the Team Penske driver to win the closest Indianapolis 500 in history by a margin of 0.0233 seconds on Sunday. The Event Details Malukas looked as if he was in position to win when he passed race leader Marcus Armstrong off the final restart with one lap to go while Meyer Shank Racing teammates Rosenqvist and Armstrong battled wheel to wheel down the back straightaway and through the fourth and final turn. But Rosenqvist had just enough power to pull away from Armstrong and snake behind Malukas before making the decisive outside pass in the final 50 feet. The Previous Record The closest previous finish came in 1992 when Al Unser Jr. beat Scott Goodyear across the yard of bricks by 0.043 seconds. The Impact Analysis The wild finish began with a red flag that came out with seven laps to go because of a scary crash involving Indy 500 rookie Caio Collet. Flames billowed out of the side of his car as it skidded to a stop in the grass. When racing resumed after a 10-minute delay, Armstrong and Malukas sped past the top two cars – Rosenqvist and Pato O’Ward. The Prediction Rosenqvist's win marks a significant moment in his career, coming in the same month he became a father. Malukas, a 24-year-old American, was consoled by his father in pit lane after the race.

Supreme Court Decision Reshapes Voting Rights LandscapeThe United States Supreme Court has voided a key provision of a landmark civil rights law by ruling that the electoral map of Louisiana had been drawn up unconstitutionally to create two Black-majority districts. The decision represents a major reinterpretation of the landmark Voting Rights Act of 1965 – in particular, its provision designed to protect minority voters from having their political power diluted.Wednesday's Supreme Court ruling is seen as a major win for Louisiana Republicans and President Donald Trump's administration and is expected to make it harder for minorities to challenge electoral maps as racially discriminatory under the 1965 law. It is unclear how much of that provision – Section 2 of the act – remains in force following this decision.The Louisiana Redistricting RulingThe court held that a map that created two Black-majority congressional districts in Louisiana was unconstitutional. The 6-3 ruling by justices blocks an electoral map that had given Louisiana a second Black-majority US congressional district.The court's conservative majority found that the Louisiana district represented by Democrat Cleo Fields relied too heavily on race. Chief Justice John Roberts described the 6th Congressional District as a "snake" that stretches more than 320km (200 miles) to link parts of Shreveport, Alexandria, Lafayette and Baton Rouge.The ruling was authored by Justice Samuel Alito and joined by his five fellow conservative justices. The dissenting justices are liberals."That map is an unconstitutional gerrymander," Alito wrote on behalf of the six conservatives.Understanding the Voting Rights ActThe Voting Rights Act was a piece of follow-up legislation to the Civil Rights Act, signed into law by President Lyndon B Johnson in 1964. It bans discrimination on the basis of race, colour, religion, sex or national origin.The 1965 law primarily ended common discriminatory practices against Black voters that were prevalent in many states, including literacy tests, that were designed to prevent them from voting.Section 2 of the act prohibits voting practices or procedures that discriminate on the basis of race, colour or membership of a language-minority group. The section has long been understood to bar electoral maps that dilute the voting strength of minority communities, even when there is no direct evidence of racist intent.How the Court Weakened the Voting Rights ActSection 2 of the act was amended by Congress in 1982 to prohibit electoral maps that would result in undermining the clout of minority voters, even without direct proof of racist intent.For more than four decades, plaintiffs could win a Section 2 claim by showing that a voting map had a racially discriminatory impact under this legal standard, known as the "results test".The Supreme Court's ruling on Wednesday, however, has in effect applied an "intent test" to Section 2, experts said. In the ruling, Alito wrote that the focus of Section 2 must now be to enforce the US Constitution's prohibition on intentional racial discrimination under its 15th Amendment.Interpreting Section 2 to "outlaw a map solely because it fails to provide a sufficient number of majority-minority districts would create a right that the amendment does not protect", Alito concluded.Political Power Shifts in CongressThe effect of the ruling may be felt more strongly in 2028 because most filing deadlines for this year's congressional races have already passed. Louisiana, though, may have to redraw its congressional districts now to comply with the decision.Republicans currently hold 217 seats in the House while Democrats hold 212. There is one independent and five vacancies in the House. In the Senate, Republicans hold 53 seats and Democrats hold 45. Two independents caucus with the Democrats.The state has primary elections set for May 16. Louisiana Governor Jeff Landry told Republican candidates for the House of Representatives that he planned to suspend next month's primary elections to allow state lawmakers time to approve a new congressional map.Erosion of Civil Rights ProtectionsReactions to the ruling have been sharply divided along political lines."I love it," Trump told reporters after hearing of the decision, adding that he believes Republican-led states will now want to reconfigure their voting maps. In a social media post, Trump praised Alito as "brilliant" and called the ruling "a BIG WIN for Equal Protection under the Law, as it returns the Voting Rights Act to its Original Intent, which was to protect against intentional Racial Discrimination".Former President Barack Obama, a Democrat, warned that the ruling will free state legislatures to reconfigure electoral districts to "systematically dilute and weaken the voting power of racial minorities – so long as they do it under the guise of 'partisanship' rather than explicit 'racial bias'"."This is a devastating and profound step backwards for American Democracy," Democratic Senator Raphael Warnock wrote on social media.Justice Elena Kagan, in a dissent joined by the two other liberal justices on the Supreme Court, said the ruling rendered the Voting Rights Act "all but a dead letter" and predicted "grave" consequences.Redistricting Battles Ahead of 2026 MidtermsWith November's congressional elections looming, the court's decision could prompt Republican-led states to seek to redraw electoral maps to weaken US House seats considered safely Democratic.The ruling comes during a wider battle over congressional redistricting before midterm elections in November. The Congressional Black Caucus, a group of African American US lawmakers, condemned the ruling."Without the protections of the VRA [Voting Rights Act], Republicans now have the ability to move forward with a nationwide scheme to rig congressional maps in their favor – to manufacture more districts for themselves by eliminating majority-Black districts, while stripping away the ability to challenge those racist, anti-Black maps in court," it said in a statement.Warnock, a member of the caucus, said the ruling gutted the protections that civil rights champion Martin Luther King Jr "marched for [and] the protections made possible by civil rights protesters who spilled blood in pursuit of a more perfect union".