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The Origins of 'Mogging' Until recently, if someone had said "mog" to me, I probably would have assumed they were talking about the children's book cat created by the late great Judith Kerr. If asked about "mogging" or being "mogged," I would have been completely baffled. But for many members of gen Z and gen Alpha (or anyone who is just a bit too online), the slang term, which means to outdo or outshine others, is everywhere. From Manosphere to Mainstream Mogging's origins are in the manosphere, where it began as a verb derived from the acronym "Amog" (alpha male of the group). In misogynistic forums in the 2010s, to "mog" came to mean to outdo someone in terms of sexual desirability. Mogging has been adopted by "looksmaxxing" influencers such as Braden Peters, known online as Clavicular, who encourage men to try to alter their looks – sometimes in extreme ways – to increase their "sexual market value". Such an influencer might talk of "frame mogging" another person in a photo or video – a variation on mogging that specifically refers to being more muscular. The Evolution of Competitive Language Even now, as the term has begun to be used much more widely, and in a tongue-in-cheek way, it is still typically associated with looks (a friend of mine, for example, was described by her boyfriend's younger siblings as "mogging him" in a photo). But increasingly, mogging can mean besting others at basically anything. The gold medal Olympic figure skater Alysa Liu said in an interview last year that her main competition strategy was "to mog", while a 23-year-old colleague of mine tells me that she and her friends joke about "walk-mogging" when they overtake people on the street. Linguistic Analysis of Modern Slang Tony Thorne, director of the slang and new language archive at King's College London, says a lot of new slang terms "have come recently from the same kind of male-based internet culture", referencing the words "simp" (someone who is excessively attentive), "soy boy" (a derogatory term for a man who is not stereotypically masculine) and "sigma" (someone cool and successful). Not to mention "maxxing," now such an established part of the lexicon that it was tweeted by the US Department of Defense earlier this year. The Cultural Impact of Competitive Slang Thorne thinks it is significant that "mogging" in particular has become fashionable at this time. "What it implies – hyper-competitive, hyper-individualist, aggressive selfishness" has become "mainstream behaviour", he says. Which is why Will Adolphy, a psychotherapist who was himself once an ardent follower of manosphere influencers, has concerns about the word. "Part of me can see how it's a kind of handy, even entertaining word," he says. But the idea of mogging "reinforces this sense that there are certain people that will dominate others based off their physical appearance and status", he says. Psychological Concerns About Competitive Language Dr Emily Sehmer, an NHS child and adolescent psychiatrist, worries too about the "constant sense of competition" that concepts such as mogging help to foster, especially for teenagers, who are developing their socio-emotional skills and typically "have a desire to fit in and to get peer approval". Apart from anything else, she adds, wanting to mog someone is "kind of mean, isn't it?" The Ironical Reappropriation of 'Mogging' "I think people are right to be concerned," about the rise in usage of slang that originates from a toxic subculture, Thorne says – and notes that some of his fellow linguists feel uncomfortable about researching it. But, he adds, "mogging" has moved well beyond its origins, and many people who use it now "tend to understand it and laugh at it, and they use it themselves, but ironically". Certainly, plenty of mogging content on social media now has an irreverence to it: such as the trend of posing for the photo on a rollercoaster in order to "mog" the screaming riders next to you. Making what started as an aggressive concept into something very silly pokes fun at the ridiculousness of the manosphere, my younger colleague explains. She shows me a picture of herself on a recent holiday, standing next to a statue of Napoleon, that she sent to a group chat of her friends. The caption? "I mogged Napoleon!"

Starbucks Korea’s May 18 “Tank Day” promotion backfired spectacularly, igniting protests, smashed mugs, and a steep sales drop across the country.The “Tank Day” Campaign and Its Historical MisstepOn 18 May 2026 Starbucks Korea launched the “Tank Day” marketing push for its new “Tank” coffee tumbler series. The campaign’s timing coincided with the anniversary of the 1980 Gwangju massacre (known locally as 5/18), and the slogan “thwack on the desk” echoed language used after the 1987 torture death of activist Park Jong‑chul. The insensitive imagery and wording reopened wounds from South Korea’s authoritarian past.Financial Fallout: Payment Volumes Plunge and Refund ClaimsCard‑payment volume at Starbucks stores fell 26 % in the week following the controversy.May card payments were down 10 % compared with the previous month.Customers demanded refunds for an estimated 400 bn won (≈ $260 m) held in prepaid Starbucks cards.Broader Impact: Government Pull‑back and Brand Reputation DamageIn response, several South Korean government ministries cut ties with the coffee chain, and apology notices were posted in stores. Son Jeong‑hyun, the CEO of Starbucks Korea, was dismissed on the same day the promotion was cancelled. Chung Yong‑jin, billionaire chair of Shinsegae Group (the franchise owner), issued a public apology but the outrage persisted. With more than 2,100 stores, South Korea is Starbucks’ third‑largest market globally, making the reputational hit especially costly.Looking Ahead: What Starbucks Must Do to Rebuild Trust in KoreaAnalysts suggest that Starbucks will need to undertake a multi‑phase recovery plan: a thorough audit of marketing approvals, culturally‑sensitive training for staff, transparent restitution for prepaid‑card holders, and a targeted communications campaign that acknowledges the historical trauma. Failure to restore consumer confidence could erode market share and invite further regulatory scrutiny.

The Bridge Between Art and ScienceWhy do we find things beautiful? More precisely, why do some paintings of coloured dots in rippling patterns inspire in me something like revelation? The idea that beauty is the feeling you get when encountering truth is unfashionable in the arts, but lingers in the sciences. The physicist Paul Dirac once proposed that it is more important that a formula is beautiful than that it can be proven: when a perfectly beautiful theory produces results that cannot be real, he argued, then we should not discard the theory but reconsider what is real.Since the 1970s, Terry Winters has been rebuilding that bridge between art and science. Taking inspiration from disciplines including botany – his early paintings, particularly, evoke sprouting pods and tangled roots – engineering, computer modelling and cybernetics, his paintings might be understood as diagrammatic approximations of the patterns that govern everything from the division of cells to the constellation of stars. If every era has to renew its standards of beauty to reflect new understandings of how the world is constructed, then Winters comes as close to providing that model as any living painter.Mathematical Patterns in Visual ArtThese eight new works take their titles from the language of geometry and mathematics: Area, Array, Field, Locus, Point, Scope, Sequence and Set. Each is composed of overlapping patterns that pull each other out of shape according to invisible laws of attraction and repulsion. Field is indicative: on a sooty pink ground, a dense grid of dusty blue cells bends inwards like a trampoline beneath a bowling ball, while an intersecting arrangement of larger circles swells outwards. The disorienting effect of this push-pull is exaggerated by an optical illusion, created by ragged phosphorescent orange haloes around the blue circles, that makes them appear to be craters sunk into the crust of paint. You have to walk up to the surface to be reassured that it is flat.Point shows a teeming landscape of cells bulging outwards at the centre, as if a scum of frogspawn had been skimmed off a pond and placed under a paperweight microscope. In Sequence, a storm of pink interference skims through a yellow circle split like a brain into hemispheres, while a nebulous weather system sweeps in from the right. In Scope, vaguely symbolic arrangements of freshwater blue and desert orange nodules move across the familiar circle-within-a-square geometry of Leonardo's Vitruvian Man. Where that famous demonstration of sacred geometries exudes stillness and calm, the systems that run through Winters' worlds are wild and strange. Here, as much importance is given to the subjective factors of perception and consciousness as the objective principles of logic and proportion.Optical Illusions and Sensory ExperienceAll of this should not distract from the pure sensory pleasure afforded by these pictures. In Locus, another optical illusion seems to lift the red edge of the painting off the canvas like a clumsy wooden frame, squeezing the pockmarked sphere at its centre so that it balloons outwards, threatening to burst. The same cadmium red, so sandy that the pigment seems barely to have been suspended in oil, turns carmine pockets into rock formations that climb off the surface of Set. These sleights of hand evoke the more secular movement of op art, in which patterns are manipulated to exploit the idiosyncrasies of human perception rather than to uncover deeper truths. Which begs the question: is this all just a conjuring trick?Rediscovering the Renaissance ApproachThere is something magical about these works. Even though Winters is generally credited with having extended the lineage of modernist American painting into the present, his practice is in this sense pre-modern. In its rejection of the idea that art should be separated from science, it resembles the Renaissance attitude according to which painting is no less a tool for understanding the world than mathematics, and magic is just the name for things we don't yet understand. His commitment to synthesising diverse spheres of knowledge, his alchemist's commitment to materials, and his sheer technical ability certainly mark him out in a scene recently overwhelmed by chancers and charlatans, bandwagoners and snake-oil salesmen. That his work is enjoying a revival might be taken as an encouraging sign.Beauty as a Path to TruthDirac, incidentally, was proved right. He formulated a theory that was so beautiful it couldn't possibly be wrong, even though it implied the existence of phenomena that everyone agreed must be impossible. He stood by it, and a few years later, someone else discovered anti-matter. Winters' paintings likewise offer a flash of those secret patterns that underpin the physical world, and which science has yet to illuminate. Which is to say, they're beautiful.Exhibition DetailsTerry Winters: Along the River is at Modern Art, London, until 11 July

Derby 2026: Overview of the FieldThe 2026 Epsom Derby features a deep and diverse field, with a mix of proven Group performers and outsiders bought for modest sums. Rain‑softened ground at Epsom adds an extra variable, potentially rewarding stamina‑rich pedigrees and horses that have thrived on heavy turf.Form Guide: Individual Horse ProfilesAction – Trainer/jockey: Aidan O’Brien/Wayne Lordan, stall 11. Timeform rating 125, odds 25-1. Pedigree: Frankel / Gossamer Wings (Scat Daddy). Recent form: half‑length second to Hawk Mountain in the Group One Futurity on heavy ground; credible second in the Dante Stakes.Alderman – Trainer/jockey: Richard Hannon/Pat Dobbs, stall 6. Timeform rating 97p, odds 250-1. Pedigree: Study Of Man / Alagappa (Archipenko). Recent form: fourth‑and‑a‑quarter lengths behind Water To Wine at Newbury in a maiden.Ancient Egypt – Trainer/jockey: Charlie Johnston/David Egan, stall 10. Timeform rating 123p, odds 16-1. Pedigree: Frankel / Atone (Oasis Dream). Recent form: winner of the Newmarket Stakes; previously well‑beaten in the Royal Lodge Stakes.Taste Of Glory – Trainer/jockey: Andrew Balding/Jamie Spencer, stall 7. Timeform rating 105, odds 300-1. Pedigree: Soldier Hollow / Aothea (Areion). A €20k purchase, reminiscent of past long‑shot Derby runners.Balzac – Trainer/jockey: Jane Chapple‑Hyam/Silvestre de Sousa, stall 2. Timeform rating 112, odds 150-1. Pedigree: Japan / Brit Wit (High Chaparral). Only win in an all‑weather maiden; recent defeats in the Blue Riband Trial and at Lingfield.Bay Of Brilliance – Trainer/jockey: Ralph Beckett/Hector Crouch, stall 9. Timeform rating 128p, odds 16-1. Pedigree: New Bay / Incroyable (Singspiel). Strong performance in the Lingfield Trial, narrowly beaten by Maltese Cross.Benvenuto Cellini – Trainer/jockey: Aidan O’Brien/Ryan Moore, stall 12. Timeform rating 130p, odds 9-4. Pedigree: Frankel / Newspaperofrecord (Lope De Vega). Convincing trial win; favourite with a solid pedigree.Christmas Day – Trainer/jockey: Aidan O’Brien/Ronan Whelan, stall 5. Timeform rating 125p, odds 25-1. Pedigree: Camelot / Beauly (Sea The Stars). Third in the Dante Stakes after a strong Ballysax Stakes win.Timeform Ratings, Odds and Market ValuationThe market places Benvenuto Cellini at the forefront with 9-4 odds, reflecting his high Timeform rating of 130p. Close behind are Bay Of Brilliance (16-1, rating 128p) and Ancient Egypt (16-1, rating 123p). Long‑shot entries such as Alderman and Taste Of Glory carry odds of 250-1 and 300-1 respectively, underscoring the depth of the field.Strategic Implications for Trainers and the Epsom MeetingRecent rain at Epsom favours horses with proven stamina on soft ground, benefitting runners like Action and Bay Of Brilliance who have performed well on heavy turf. Trainers with multiple entries (Aidan O’Brien fields three runners) can employ tactical pacesetting, potentially using Action as a rabbit to benefit his stablemates.Predicted Scenarios and Post‑Derby OutlookWhile Benvenuto Cellini remains the statistical favourite, the race could be decided by ground conditions, with a possible upset from Ancient Egypt or Bay Of Brilliance if the soft going persists. A strong showing from any long‑shot would boost the market for future Group races, especially the St Leger and the Prix du Jockey Club, where connections may target their Derby‑placed horses.

The Lead: OpenAI’s IPO Uncertainty Amid a Flood of AI ListingsAs the market prepares for what could be a record‑setting wave of AI‑focused IPOs, OpenAI remains on the sidelines, wrestling with weak revenue performance, internal leadership clashes, and a valuation that may no longer match investor appetite.Rival AI Firms Accelerate Toward Public MarketsWhile OpenAI hesitates, competitors are charging ahead. Elon Musk's SpaceX, owner of xAI, is slated to float this month. Anthropic confidentially filed for an IPO on Monday, a move described by the New York Times as a “once in a generation” moment for Wall Street. Meanwhile, Alphabet is raising $80 bn (£60 bn) to expand AI infrastructure, the largest equity fundraising ever recorded.Financial Snapshot: OpenAI’s Revenue, Margins, and ValuationRevenue Q1 2026: $5.7 bn (reported by The Information)Adjusted margin: –122% (loss of $1.22 for every dollar spent)Last private‑round valuation: $852 bnStargate investment: $500 bn announced for U.S. AI infrastructure (UK version shelved)These figures highlight a business that is still burning cash faster than it can generate revenue, raising doubts about its readiness for a public offering.Implications for the AI Economy and Capital MarketsThe clustering of mega‑IPOs could strain the limited pool of capital available to fund large‑scale AI ventures. Index providers are already revising rules to accommodate new entrants like SpaceX and potentially OpenAI, exposing retail investors to heightened risk. Internal tensions—most notably reported clashes between CFO Sarah Friar and CEO Sam Altman over timing—add another layer of uncertainty.Outlook: Will OpenAI’s Timing Define Its Future?Analysts such as Russ Mould (AJ Bell) and Adrian Cox (Deutsche Bank) warn that without clear revenue trajectories and cash‑flow visibility, valuation estimates remain speculative. If OpenAI proceeds now, strong retail demand could buoy the price; a delayed or failed IPO might signal broader cracks in the AI hype cycle. Conversely, a successful listing could cement OpenAI’s position as a mature, public‑market AI leader.

The Return of Heavy Metal TacticsLiverpool has officially broken the cycle of speculation by appointing Andoni Iraola as the new head coach, replacing Arne Slot. This move is not merely a personnel change but a strategic pivot designed to restore the club's legendary 'heavy metal' attacking identity. The decision comes in direct response to Mohamed Salah’s recent call for a return to a team that 'opponents fear,' suggesting the hierarchy is prioritizing direct action over patient buildup.The Tactical Shift from Possession to PressureThe choice of Iraola indicates a clear departure from the possession-heavy philosophy of his predecessor. While Slot prioritized ball retention, Iraola’s Bournemouth side operated with a much more direct approach. The appointment suggests Liverpool is moving away from the 59.3% possession average of the previous season toward a style closer to 50.1% possession, which is statistically much closer to Jürgen Klopp’s high-intensity pressing model.Comparing the Possession MetricsArne Slot's Liverpool: 59.3% possession average (Top-tier control)Andoni Iraola's Bournemouth: 50.1% possession average (Direct, aggressive style)Restoring the Club's DNAIraola inherits a squad that is arguably stronger than the one Rafa Benítez took to the Champions League final in 2005, but with a mandate to play with the same ferocity. The success of this appointment will likely depend on his ability to adapt to the immense scrutiny of the Anfield job. By choosing a coach who has already proven he can manage a top-tier squad in the Premier League, Liverpool is attempting to fast-track their transition from the Slot era back to the aggressive, trophy-winning style Salah demands.The Managerial Domino EffectThis appointment is part of a wider trend of managerial turnover across Europe. With Marco Silva expected to replace José Mourinho at Benfica, and clubs like Fulham, Manchester City, and Crystal Palace searching for new gaffers, the summer transfer window is shaping up to be defined by speed and adaptation. Liverpool's ability to secure Iraola early suggests they are ahead of the curve in defining their post-Klopp identity.

The Sound of a City in Transition: Emmy the Great’s Cantopop JourneySinger-songwriter Emma-Lee Moss, known professionally as Emmy the Great, has returned to Hong Kong to write her fourth album, driven by a deep personal and historical inquiry into the city's musical heritage. Born to an English father and a Hongkonger mother, Moss left the city at age 11 before the 1997 handover, a pivotal moment that shaped her understanding of displacement and belonging. Her new memoir, My Cantopop Nights, serves as a bridge between her mixed heritage and the city's history, using the genre of Cantopop to decode the emotional and political landscape of Hong Kong.A Personal History Through MelodyMoss’s narrative is not just a music review but a memoir woven through specific tracks that defined eras of her life. Her connection to the music is visceral and personal, often tied to rites of passage. For instance, the haircut she received in 1995 after hearing Aaron Kwok’s 'Love You Endlessly' became a symbol of her transition from a world where Kwok was a 'god' to one where he was unknown. Similarly, Faye Wong’s cover of 'Dream Person' introduced Moss to a subculture of punk and DIY bands during a childhood sleepover, fundamentally altering her teenage identity.Aaron Kwok – 'Love You Endlessly': A career-launching anthem that defined a hairstyle and a generation’s transition.Faye Wong – 'Dream Person': Introduced Moss to Western rock influences and punk culture.The Wynners – 'You're Free': Revealed a family secret where Moss’s father wrote English lyrics for the band.Beyond – 'Boundless Ocean, Vast Skies': A mourning anthem for the band's late singer, Wong Ka Kui, representing underground rock.Sam Hui – 'Half a Catty, Eight Taels': A working-class anthem that resonated with Moss during a period of political fragility in 2017.The Evolution of Cantopop: From Western Covers to Cantonese AnthemsThe article highlights the genre's evolution from a Western-influenced bubble to a distinctively Cantonese art form. The story begins with the Beatles playing in Hong Kong in 1964, sparking a wave of English-language covers. However, Sam Hui is credited with pioneering the shift to Cantonese originals, blending classical Chinese elements with pop sensibilities. Moss notes that Hui’s music, particularly the humorous yet poignant 'Half a Catty, Eight Taels,' offers a critique of the working class similar to Dolly Parton’s '9 to 5,' but grounded in the specific socio-economic context of 1970s Hong Kong.Music as a Mirror of Hong Kong’s Political LandscapeCantopop is portrayed not merely as entertainment but as a historical record of the city's resilience and fragility. Moss observed a surge in music and art in 2017 and 2019 as young people born after the handover sought to understand their identity amidst political insecurity. Songs like Beyond’s 'Boundless Ocean, Vast Skies' became anthems of mourning and underground resistance. Moss argues that the 'story of Hong Kong is the sound of it,' suggesting that the city's history is best understood through its auditory landscape rather than just its street signs or history books.The Enduring Legacy of Cantopop in a Globalized WorldAs Moss reconnects with her roots, she realizes that her independent musical style is deeply rooted in the Cantopop tradition. The genre has proven to be a powerful tool for cultural preservation, allowing the diaspora to maintain a connection to their heritage. By documenting these songs, Moss ensures that the emotional and political nuances of Hong Kong’s past are not lost. The genre continues to serve as a vessel for collective memory, proving that even in a rapidly changing globalized world, the local soundscape remains a vital anchor for identity and history.

The Shift in Clarkson's Farm By now, five series in, the fatal flaw at the heart of Clarkson’s Farm has become unignorable. Ultimately, this is meant to be a show about failure; about an oafish man who wades in to an industry he knows little about and mucks everything up. The Reality of Clarkson's Success Except, well, it isn’t that any more, is it? Because in real life, Clarkson’s Farm has become so successful that Clarkson has now essentially colonised the entire Cotswolds in his image. His Farmer’s Dog pub is now such an attraction that it recently had to turn a nearby field into a 360-space car park – the same as a large supermarket – to cope with demand. His Diddly Squat farm shop is a souvenir emporium, catering to anyone who wants to buy branded hats and cufflinks, or to own a jar of honey with Clarkson’s face on it. And this isn’t even mentioning his Hawkstone beer brand, which reported sales of £21.3m in the year to March 2025 and has a stated goal of putting Peroni “out of business”. The Impact on the Show's Format All of which makes Clarkson’s mannered whoopsie daisy clumsiness harder to take. If the point of Clarkson’s Farm is to show people how difficult it is to be a farmer, and yet Clarkson’s biggest gripe is the number of pint glasses tourists steal from his pub, that seems like a fairly difficult structural flaw to overcome. The Data Analysis The show's attempt to balance Clarkson's celebrity with farming content is evident. The series opens with iPhone footage of Clarkson in hospital with chest pains. Years of stress and bad living have caught up with him, and he reveals that he was apparently days away from a catastrophic heart attack. The Prediction Especially when the actual farming stuff is so well made. The joy of Clarkson’s Farm is that Clarkson is such an effective communicator that you find yourself swept up in his interests. Unlike Countryfile, which offers rose-tinted sentimentality as a default, there’s always something slightly thrilling about the sight of Clarkson encountering the quirks of modern agriculture. There’s a bit here where he gets someone to perform a postmortem on a dead sheep that is fascinating and disgusting in equal measure. Clarkson’s Farm is on Prime Video

The St Petersburg International Economic Forum: A Platform for Russia's Global Outreach The St Petersburg International Economic Forum (SPIEF) is a three-day annual gathering that has become a showcase for Russia's efforts to deepen ties with countries in the Global South. This year's event, attended by 20,000 guests from over 130 countries, takes place against the backdrop of the war in Ukraine and Russia's estrangement from the West. The Event Details: A Shift in Russia's Economic Strategy The SPIEF has evolved into one of Russia's most prominent international events, combining investment discussions and political debates. This year's sessions range from energy markets and artificial intelligence to information warfare and media influence. The Guest List: A Diverse Range of Attendees Notable attendees include an official US delegation, led by Rodney Mims Cook Jr, chairman of the US Commission of Fine Arts, as well as Uzbekistan President Shavkat Mirziyoyev, Tanzania's President Samia Suluhu Hassan, and China's Vice President Han Zheng. Saudi Arabia is the guest country this year, with Energy Minister Prince Abdulaziz bin Salman Al Saud expected to attend. The Impact Analysis: Russia's Economic Pivot The SPIEF serves as a platform for Moscow to present its vision of the global order and cultivate political ties abroad. The forum has become a crucial event for Russia to demonstrate its integration into parts of the global economy and to redirect trade and investment towards new partners across Asia, Africa, and South America. The Prediction: A Strengthening of Russia's Global Ties As the SPIEF continues to attract foreign officials, executives, and investors, Moscow is likely to strengthen its ties with countries in the Global South. The forum will provide a platform for Russia to outline its economic priorities and foreign policy ambitions, potentially leading to increased cooperation and investment between Russia and its new partners.