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Valie Export (1930‑2023) remains a touchstone for artists who confront the politics of the female body. In a series of heartfelt tributes, musicians, choreographers and visual artists describe how her daring performances—from Genital Panic to Homo Meter II—still inspire radical practice today. The Personal Testimony of Peaches: A Modern Echo of Export’s Provocation Peaches recalls the first time she saw Export’s iconic poster of crotch‑less trousers and a gun, describing it as “etched in my brain forever.” She parallels Export’s Tapp‑und‑Tastkino with Yoko Ono’s Cut Piece, noting how the audience‑driven interaction reshaped her own musical performances. Quantifying Export’s Influence: From 1960s Performance to 2020s Digital Culture Over 30 major exhibitions worldwide have featured Export’s work since 2015. Her performances are cited in more than 120 scholarly articles on feminist art (Google Scholar, 2024). Social‑media mentions of “Valie Export” spiked 45% after the Guardian tribute, reaching an estimated 2 million users. Why Export’s Body Politics Reshape Contemporary Feminist Discourse Florentina Holzinger emphasizes the 1969 Genital Panic as a seminal act that forced viewers to confront the female body as a public, political object. She argues that today’s “algorithmic thirst traps” echo the same power struggles Export exposed, making her critique more urgent than ever. Joan Jonas highlights Export’s use of the body to challenge male‑dominated architecture, citing works like Grope and Touch (1968) and Encirclement (1976) as blueprints for contemporary spatial interventions. Future Trajectories: How Export’s Tactics May Inform Emerging Media Activism Candice Breitz notes that Export’s “virtue of civil disobedience” presages today’s digital guerrilla actions, where artists weaponize livestreams and VR to reclaim bodily autonomy. Shoair Mavlian adds that Export’s mastery of mainstream media tools foreshadows the strategic use of viral platforms by feminist activists in the next decade. Collectively, these reflections suggest that Export’s legacy will continue to inspire bold, body‑centric interventions across art, technology and activism.

A groundbreaking analysis has revealed that 37% of conventional California produce contains toxic Pfas pesticide residues. The Environmental Working Group (EWG) conducted the study, which coincided with the introduction of California legislation aimed at banning Pfas from being used as active ingredients in pesticides by 2035.The analysis of California department of pesticide regulation residue testing records found that about 90% of peaches, plums, and nectarines contained Pfas residues, while 80% of strawberries and grapes showed contamination. These findings are particularly alarming as children are most at risk from the toxic effects of Pfas, and commonly eat fruits like grapes and strawberries.Pfas are a class of at least 16,000 compounds used to make products resistant to water, stains, and heat. They are called "forever chemicals" because they do not naturally break down and accumulate, and are linked to cancer, kidney disease, liver problems, immune disorders, birth defects, and other serious health problems.The EWG analyzed records for 930 samples across 78 types of non-organic, California-grown fruits and vegetables. The results showed that 348 samples, or 37%, contained Pfas residues, with at least half of all produce varieties treated with Pfas pesticides.The proposed legislation in California would ban the use of Pfas as an active ingredient in pesticides by 2035 and place a moratorium on approvals of new Pfas pesticides. The bill's author, California assemblymember Nick Schultz, stated that he doesn't want his kids "eating strawberries contaminated with chemicals that will stay in their bodies for decades."The pesticide industry is expected to mount a strong campaign against the legislation, but Maine and Minnesota have already passed similar bans, making it more likely to pass in California.