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The LeadPresident Donald Trump has made a surprising appointment, naming businessman and federal housing regulator Bill Pulte as the new acting director of national intelligence (DNI), replacing former Hawaii congresswoman Tulsi Gabbard who resigned last month. The announcement came via Trump's social media platform, with the president highlighting Pulte's experience in managing large financial matters while overlooking his complete lack of intelligence background.The Appointment DetailsTrump's announcement on Tuesday revealed that Pulte will continue to serve as director of the Federal Housing Finance Agency (FHFA) and chair of federally supported mortgage giants Fannie Mae and Freddie Mac while taking on the DNI role. The president emphasized Pulte's experience with what he called "the most sensitive matters in America, the safety and soundness of the Markets, and over 10 Trillion Dollars at Fannie Mae/Freddie Mac."As acting DNI, Pulte will oversee 18 intelligence departments including the Central Intelligence Agency (CIA) and the National Security Agency (NSA), which monitors foreign communications and helps defend the US against cyberattacks. The appointment is temporary, allowing Pulte to serve for up to 210 days without needing Senate confirmation, potentially through the November midterm elections.The BackgroundBill Pulte, 38, is a graduate of Northwestern University and heir to his family's residential development firm, PulteGroup—one of the largest homebuilders in the US, founded by his grandfather in the 1950s. He previously founded a private equity firm called Pulte Capital and is involved in large-scale philanthropic activities.Pulte has positioned himself as a loyal Trump supporter, having encouraged prosecutions of the president's perceived political enemies. He has accused New York Attorney General Letitia James and California's US Senator Adam Schiff, both Democrats, and Federal Reserve Governor Lisa Cook, an appointee of Democratic former President Joe Biden, of mortgage fraud. However, federal grand juries have refused to indict James, and no charges have been brought against Schiff or Cook, who all deny the allegations.Notably, Pulte has no experience in intelligence operations, a fact that has drawn significant criticism. During his vetting process for the FHFA position, Senator Elizabeth Warren, a Democrat, revealed that Pulte had deleted 25,000 social media posts before Trump nominated him.The Political ReactionsThe appointment has drawn widespread skepticism from lawmakers and intelligence officials across party lines. Senate Democratic Leader Charles Schumer called Pulte a "partisan thug," stating that "a guy who can file such baseless, political and outrageous charges against political office holders he doesn't like can't be entrusted to protect our national security."Several Republican senators have also expressed concerns about Pulte's qualifications. Republican Senator John Cornyn, a member of the Senate Intelligence Committee, stated: "I don't see any evidence of qualifications for that job." Arkansas Senator Tom Cotton, who chairs the Senate Intelligence Committee, declined to comment on Pulte's national security credentials, saying "I have no observations on the matter."Other Republican senators including Thom Tillis of North Carolina, Bill Cassidy of Louisiana, and Cornyn of Texas joined the criticism. "Doesn't seem qualified," Cassidy said. "When we looked at his background for the current confirmation, I thought most of his experience was in the building industry. I didn't know he had any national security experience," Tillis added.Senator Mark Warner, a Democrat from Virginia and vice chair of the Senate Intelligence Committee, expressed concerns that Pulte was selected "precisely because the White House believes he will provide the narrative it wants, not the intelligence we need." Senator Warren similarly criticized the appointment, stating that Trump is "rewarding his lackey – who has no national security experience – with a perch atop our nation's intelligence community."The Future OutlookPulte can serve in the DNI position for up to 210 days without Senate confirmation, a timeframe that would allow him to remain in the post through the November midterm elections. However, if Trump decides to nominate him for the position permanently, Pulte faces a challenging confirmation process in the narrowly divided Senate.Republican Senator John Thune acknowledged this challenge, stating: "If he's somebody we want in that position permanently, he's got a lengthy road ahead of him." The skepticism from both Democratic and Republican lawmakers suggests that Pulte would face significant opposition in any permanent confirmation process.The appointment comes at a critical time for US intelligence agencies, which are responsible for providing unbiased assessments of global threats. Critics worry that Pulte's lack of experience and perceived political motivations could compromise the independence and effectiveness of the intelligence community.

The Lead Sophie Green's photography exhibition, 'Tangerine Dreams: Rituals of Belonging in Contemporary British Life', showcases her vibrant and colorful captures of the British seaside, highlighting the joy and sense of community that comes with it. Sophie Green's Seaside Inspiration Green's love for the seaside stems from her childhood experiences visiting her grandfather in Pembrokeshire. She finds the seaside to be a space that unlocks the connection to nature, inspiring freedom and fun. The seaside environment, with its bright colors and playful atmosphere, is a perfect setting for her photography. The Data Analysis Green's project began during the Covid lockdown, when she started photographing people at the seaside. She has since returned to the project every summer, capturing the essence of the British seaside and its people. Her work highlights the diversity and richness of British society, showcasing subcultures and communities that are often overlooked. The Impact Analysis Green's photography has a significant impact on how we perceive the British seaside and its culture. Her work challenges the mainstream social narrative, presenting a more nuanced and multifaceted view of British society. By capturing the vibrant colors and joy of the seaside, Green's photography encourages us to appreciate the beauty in everyday life. The Prediction As Green's exhibition continues to showcase her work, it is likely that her photography will inspire a new generation of artists and photographers to explore the British seaside and its culture. Her work will continue to challenge our perceptions and encourage us to appreciate the beauty in everyday life.

The Lead: A Literary Vision Brought to LifeHere is an adaptation, written by Justine Waddell, of Virginia Woolf's peculiar and tonally elusive work that is all about the quarterlife crisis of a headstrong, well-born young woman in Edwardian London faced with the necessity of getting married. What emerges is a wayward, unworldly fantasia, a four-leaf clover of a film – or even five-leaf; rather beautifully designed and photographed, flavoured with a wistful, unexpectedly Germanic kind of romanticism.The Event Details: A Creative ReimaginingWaddell and Iranian-born director and Bafta nominee Tina Gharavi have creatively gone against the grain of the novel, amplifying Woolf's single glancing reference to astronomy and making that the centre of the heroine's yearning, perhaps playfully implanting a subconscious memory of Cole Porter's lyrics to the song of the same title: "You are the one, only you beneath the moon, under the sun …." And – thankfully, in my view – the film removes Woolf's supercilious condescension towards the self-betterment of newly educated lower and middle classes, and instead focuses on a sweet-natured story, performed with conviction by its all-star ensemble cast, interspersed with dreamlike set pieces. The result is not precisely Virginia Woolf's Night and Day; maybe more EM Forster's Night and Day or even Ronald Firbank's Night and Day.The Data Analysis: Cast and Release InformationWith spirit and charm, Haley Bennett plays headstrong young Katharine Hilbery, the only child of wealthy parents (Timothy Spall and Jennifer Saunders), who are burdened by the reputation of Katharine's late grandfather, an illustrious poet and critic like a B-division Ruskin or Carlyle, whose unwieldy biography her mother is in fact trying to write. Katharine is a self-taught astronomer trying to gain admission to the University of Cambridge to read maths, and battling academia's anti-women attitudes (women students were being refused degrees in those days even if they were admitted).The Impact Analysis: A New Perspective on WoolfRealising that her intellectual ambitions are only possible as a married woman, Katharine impulsively gets engaged to her clueless childhood friend William Rodney, amusingly played by Jack Whitehall: Rodney is a complete chump of a man who writes insufferable essays about Elizabethan poetry and Sir Philip Sidney's Astrophel and Stella. But it is at this moment Katharine realises she might have feelings for Ralph Denham (Elyas M'Barek), the young writer that her mother has hired as her personal secretary to edit that sprawling biography.The Prediction: Future of the AdaptationVirginia Woolf's Night and Day screened at SXSW London; it is in UK and Irish cinemas from 19 June and is released in the US later this year. It is such a sweet story and guilelessly eccentric – a butterfly fluttering just beyond the wheel of realism.

Uncovering Family History Through Fiction Maggie O'Farrell's journey into her family's past began with a childhood myth about an ancestor who worked on the first maps of Ireland. Years later, a hand-drawn map and an old photograph led her to discover the truth about her great-great-grandfather's role in the Ordnance Survey. The Mapper's Story O'Farrell's ancestor was a labourer and translator who worked on mapping divisions in Ireland during the aftermath of the great famine. His task was to ensure that the changes caused by the disaster were marked on the new post-famine versions of Ireland's maps. A Window into the Past The photograph showed O'Farrell's great-great-grandfather with a child on his knee, wearing a worn jacket and a low-brimmed hat. A hand-drawn map, beautifully rendered in coloured inks, revealed a tiny medallion with a red-jacketed soldier and O'Farrell's ancestor. The discovery sparked O'Farrell's curiosity about her family's history and the history of Ireland. The Impact of the Great Famine The great famine, which occurred between 1846 and 1852, had a devastating impact on Ireland, with over a million people dying of starvation or famine-related disease, and another million forced to emigrate. Fiction as a Tool for Discovery O'Farrell believes that fiction comes from what you don't know, and her book 'Land' is a testament to this. The novel tells the story of a man, Tomás, and his family, striving to emerge from the long shadow of the great famine. A New Perspective O'Farrell's book offers a new perspective on the history of Ireland and the impact of the great famine on families. Her research and writing have shed light on a little-known aspect of her family's history and the history of Ireland.

The Story Behind The Balloonists Here is a blow-by-blow account of the first nonstop round-the-world flight in a hot-air balloon, in 1999. The pilots were not alone; the rivalry to circumnavigate the globe was the 90s equivalent of the billionaire space race, with tycoons Richard Branson and Steve Fossett also chasing the dream. The Winning Flight of Piccard and Jones It was Piccard's third attempt. The first was a disaster, with Piccard ditching his balloon in the Mediterranean just hours in: “I felt completely ashamed,” he remembers. He did not have the deep pockets of Branson or Fossett, but he was born into a family of inventors and explorers; in 1931 his grandfather was the first person to reach the stratosphere, in a hydrogen balloon. The Challenges Faced During the Journey Things hot up by Piccard's third and successful balloon flight in March 1999, with co-pilot Brian Jones. A couple of months before their takeoff, Branson's latest effort ditched in the Pacific off Hawaii (“one of the best Christmas gifts,” says Piccard). It was touch and go for the Breitling Orbiter 3. They lost satellite communication with mission control for two days and, after a heating system failure caused issues with oxygen levels, Jones found Piccard slumped over his desk. The Legacy of The Balloonists Their balloon finally bounced to back down to Earth in the Egyptian desert after 19 days, 21 hours and 55 minutes. It’s a gripping story – though perhaps those involved have told it so many times over the years, they’ve lost their sense of excitement; this may well be for aviation fans only. The Film's Release The Balloonists is in UK and Irish cinemas from 22 May.

The Madhya Pradesh High Court on Friday declared the medieval Kamal Maula mosque in Dhar, Madhya Pradesh, a Hindu temple dedicated to the goddess Vagdevi, sparking a saffron‑flag ceremony and reviving long‑standing Hindutva claims over historic religious sites.High Court Verdict Reclassifies Kamal Maula Mosque as a Hindu TempleThe court, acting on a petition that argued a temple pre‑dated the mosque, dismissed the Muslim community’s claim and ordered the site to be opened for Hindu worship. A temporary idol of the goddess was installed on Sunday, and large crowds gathered amid heavy police deployment.Numbers Behind the Dispute: Timeline and Legal Framework78‑year‑old Mohammad Rafiq has been the muezzin for 50 years, following his grandfather Hafiz Naziruddin who served before 1947.The monument dates to the 13th‑14th century and is part of the protected Bhojshala complex.Under a 2003 agreement with the Archaeological Survey of India, Hindus could visit on Tuesdays and Muslims could pray on Fridays.The Places of Worship Act, 1991 freezes the religious character of sites as they existed at independence (August 1947).The Supreme Court’s 2019 Babri Mosque ruling is frequently cited as a precedent for the current case.Implications for India’s Secular Fabric and Hindutva MomentumThe ruling aligns with a pattern of Hindutva‑driven claims that intensified after Narendra Modi became prime minister in 2014. Similar disputes have emerged in Varanasi (Gyanvapi Mosque) and Mathura (Shahi Eidgah). Critics, including historian Audrey Truschke and MP Asaduddin Owaisi, warn that the decision erodes religious freedom and emboldens further challenges to Muslim heritage sites.What the Ruling Signals for Future Religious Site ClaimsLegal experts note that the court’s reliance on a recent ASI survey—despite objections about methodological rigor—could set a precedent for re‑examining other contested monuments. While the judgment allows the Muslim community to seek alternative land for a new mosque, the broader message appears to be that historic claims can be overturned if they serve a Hindutva narrative. Observers anticipate more petitions targeting centuries‑old mosques, potentially prompting further Supreme Court interventions.

The LeadFalling seriously ill, like falling in love, can happen all of a sudden – although this film is not exactly about either. Ryusuke Hamaguchi's new movie, co-scripted with the Franco-Japanese screenwriter Léa Le Dimna and his first not set entirely in Japan, is a bold and high-minded if rather pedagogic work that spreads itself over three hours. It's tender and sometimes beautifully made, but also contrived and occasionally features some too-good-to-be-true caring characters. Frankly, it's rather precious.The Film's International VisionHamaguchi and Le Dimna have taken as their starting point the nonfiction book "You and I: The Illness Suddenly Get Worse" by Makiko Miyano and Maho Isono, a meditative correspondence between a philosopher and medical professional on the subjects of love and mortality. Hamaguchi has opened this out to create a drama set in Paris and Kyoto, and it's incidentally hard not to suspect that Hamaguchi, like many a celebrated movie director spending so much time on the international festival circuit, has been led to create an uneasy international mixture.Care Home Dynamics and CharactersMarie-Lou (Virginie Efira) is the director of a private care home in Paris called the Garden of Freedom, where they practise a care technique called "humanitude," a time-consuming patient-centred approach that exasperates old-fashioned nurse Sophie (Marie Bunel). It needs more staffing facilities than the home is prepared to provide and, in any case, Marie-Lou has a bad habit of being patronising to those who question her. For all that, there are some lovely scenes with caregivers and patients, and these observant, unfussily compassionate moments are where the film works best.Cross-Cultural ConnectionsMarie-Lou is stressed and overworked, and her life is upended when she encounters an autistic Japanese teen called Tomoki (Kodai Kurosaki) in the street, apparently lost; he is being looked after by his grandfather, Gorô (Kyōzō Nagatsuka), an actor in town performing in an experimental piece about psychiatric care in which Tomoki is encouraged to take part if he feels like it. The show is directed by Mari (Tao Okamoto), and her stylish calm and intelligence entrances Marie-Lou; they are clearly on the verge of an intense friendship and perhaps more, although the film is reticent on this last point.Philosophical Exchanges and Narrative ConcernsMarie-Lou comes to a performance, stays for the Q&A; afterwards and reveals herself to be fluent in Japanese, asking questions of Mari in that language which touch on Mari's very serious illness. Some in the audience rather plaintively – and understandably – call for the conversation to be in French, though this film comes close to being insufferable when Gorô solemnly tells everyone that their exchange was so intimate and meaningful that the audience should be content with simply sensing that.The Film's Strengths and WeaknessesAll of a Sudden works best entirely outside the exotically overwritten, overthought bond between Mari and Marie-Lou. The realist set pieces are very moving, showing us patients with dementia surrounded by their families, and also showing us, often with photos of their younger selves in demanding jobs, how these patients have changed. The film's high concept is a little self conscious.All of a Sudden screened at the Cannes film festival.

The LeadThere will be plenty that Bernardo Silva will miss about Manchester City but driving rain in May and playing against the lowest of blocks will not be two of them. The midfielder's penultimate game at the Etihad Stadium after nine years at the club was a reminder of how difficult it will be to replace him.The Versatile FoundationAmid six changes, as Pep Guardiola rested and rotated, keeping "grandfather" Silva in the team was imperative. Without Rodri, the head coach needed someone he could rely on and no one better fits the category than the 31-year-old. Playing alongside Phil Foden in midfield, as the deeper of the two, one of a plethora of roles he's taken on down the years, he utilised his mix of steel and finesse to set an example.The Architect of ControlVersatility is not the reason Silva will go down as one of City's greats, but it shows that in a world of egos, he is willing to adapt for the sake of the team. From left-back to false 9, Silva has covered a lot of ground, making him hard to define in the modern game. What Guardiola has always loved about him is his ability to dictate a match, replacing Joy Division as the leading author of control in the north-west of England.The Statistical LegacyOver the past nine seasons, no one has won more Premier League games than Silva – 217 to be precise – and he has been Guardiola's most used player in the period, making 457 appearances in all competitions, 85 more than Ederson, his closest rival. It is a testament to his longevity and fitness, not to mention rarely dipping in form. Even in the matches he was not at his best, there was always a desire to succeed and Silva's attitude never dampened.The Mentor's RoleIt seems inevitable that Silva will go into coaching once his playing days have ended, probably somewhere warmer than Manchester on Wednesday night. He coaches others through the game, ensuring they know their role in the team. Considering Foden's poor form this season, he looked very comfortable alongside Silva, offering more spark than has regularly been witnessed in recent times, proving it with a magical backheel to create Antoine Semenyo's opener.The Selfless ActsNatural instincts make Silva want to join every attack but he knows City are susceptible to the counterattack, forcing him to be constrained. Holding back to assist those behind him should a positive quickly turn into a negative is a selfless act, one much appreciated by what is a relatively inexperienced pairing. Intelligent use of the ball is integral to the Silva repertoire.The Cool ComposureIntelligent use of the ball is integral to the Silva repertoire. Ten minutes into the second half there was a sublime touch and simple pass to a teammate, something that goes relatively unnoticed in the grand scheme of things but it was on the edge of his own box, with Palace shirts all around. Silva was not panicked, he never is, and this coolness radiates around his teammates. Without Rodri, there is always a little more trepidation in the ranks, so the comfort of Silva is welcome. Should the two be absent at any point, one wonders who could fill the void.The Final Standing OvationWith 11 minutes to go, Guardiola relented and brought his metronome off for a break, with more key fixtures to come. It gave the supporters a second-to-last chance to give their hero a thoroughly deserved standing ovation. Passing on the captain's armband to Nathan Aké was Silva's easiest task of the night but felt ceremonial considering his impending departure.The Final Trophy HopesSaturday at Wembley gives Silva the chance of a third FA Cup medal, to add to the Champions League crown and six Premier League titles, with a seventh still a possibility. Guardiola insists he does not have an archetypal player but if he did, they would resemble Silva. "Everything is replaceable in football life," Guardiola said. "But there are players that it's even more difficult."

The 2026 Australian federal budget, unveiled by Treasurer Jim Chalmers, delivers a mix of modest deficit improvements and bold tax reforms, most notably the removal of the 50 % capital gains tax discount and a $36.2 bn cut to the NDIS. The Budget’s Core Ambitious Tax Reforms The government is ending the long‑standing 50 % CGT discount and introducing a minimum 30 % tax rate on capital gains. Negative gearing is limited to new‑build properties, with existing investors grandfathered. Meanwhile, the National Disability Insurance Scheme (NDIS) will see spending flat‑lined in nominal terms, falling about 10 % in real terms by 2029‑30. Fiscal Numbers: Deficit Forecasts and Revenue Shifts Deficit projected to be smaller over the next four years than in the December mid‑year outlook. Unemployment forecast capped at 4.5 %. CGT reform expected to raise $2.3 bn in 2029‑30. NDIS cuts total $36.2 bn over four years. Potential revenue from a 25 % gas export tax estimated at $17 bn, but not pursued. Petroleum Resource Rent Tax (PRRT) revenue remains modest, lower than beer and spirits excise. Policy Impact: Housing, NDIS, and Gas Revenue Choices Housing affordability remains a challenge; ending the CGT discount and restricting negative gearing aim to curb speculative demand, though the $2.3 bn revenue gain is modest relative to the 26‑year legacy of the discount. NDIS cuts will reduce real‑term support for people with disability, potentially widening inequality. The decision to forego a gas export tax in favour of a modest PRRT increase reflects reliance on volatile oil prices rather than a stable revenue stream. Outlook: What the Next Four Years May Hold If economic parameters hold—higher oil prices and inflation sustaining tax receipts—the deficit trajectory could stay on a downward path. However, any slowdown in commodity markets or a resurgence in unemployment could erode the modest fiscal gains. The housing reforms may gradually temper price growth, but significant affordability improvements will likely require further policy action beyond 2029‑30.