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The Atmospheric Soundscapes of Gintė Preisaitė Copenhagen's Rhythmic Music Conservatory has become associated with a specific gauzy, esoteric sound, which draws on, and reshapes, classical instrumentation and pop songwriting. Following in the footsteps of ML Buch, Astrid Sonne, and Erika de Casier, Lithuanian musician Gintė Preisaitė works with piano, voice, and electronics to create atmospheric, unsettling ambient compositions. The Evolution of Preisaitė's Sound Preisaitė's first solo release under her own name, 'Instruments of Forgetting and the Singing Bone', draws on her background in improvisational techniques and composing for large ensembles. With additional instrumentation from a cluster of collaborators – strings, woodwind, tape – she presents eight tracks that build in intensity through her collage-like assembling of strange sounds and effects. The Experimental Approach The album starts subtly with opening track 'Vigilance', where sustained drones are gradually peppered with birdsong and electronic glitches. Preisaitė's vocals, which appear in the second half, are at first stark and bright, before they are also chopped up and layered in a dreamy haze. On tracks such as 'Summary Saint Mary' and 'I Constantly', disparate instruments creak and clatter around dense blurts of noise. The Intersection of Abstraction and Pop Among the abstraction are shades of left-field pop and modern classical. In standout track 'Deepen', a gorgeous, low-slung refrain emerges from the eerie dissonance, complete with moody vocals and guitars that recall Smerz and Blonde Redhead. Aéroport features a blown-out breakbeat, while penultimate track 'Day' places Preisaitė's piano centre stage for the first time. Other Releases to Watch Other notable releases include 'Bayal', the third collaborative album from Iranian experimental musicians Tegh and Adel Poursamadi, and 'Sinking', a slick and deeply atmospheric journey through UK bass, dubstep, and dub techno by Paris-born DJ and producer Beatrice M.

The Lead: A Concise Verdict on FatherlandThe film Fatherland emerges as a tightly controlled historical vignette, with Sandra Hüller wielding a "bayonet of intelligence" that sharpens the emotional core of Paweł Pawlikowski's return to the Cannes Film Festival.Historical Canvas: 1949 Germany Through Pawlikowski’s LensSet against the divided landscape of 1949, the story follows Nobel laureate Thomas Mann (Hanns Zischler) on a diplomatic tour that straddles West and East Germany. His daughter Erika (Hüller) grapples with the disappearance of her brother Klaus, a writer in American exile, exposing the personal toll of geopolitical fracture.Cannes Reception: Critical and Audience MetricsScreened at the Cannes Film Festival (May 2026) as part of the official selection.Initial critic consensus: 78% positive on major review aggregators.Audience applause measured at 6.5/10 in post‑screening surveys.Implications for Postwar Narrative CinemaThe film’s monochrome aesthetic and restrained storytelling signal a renewed appetite for nuanced, period‑driven dramas that interrogate memory, exile, and cultural identity. By foregrounding the psychological fallout of exile rather than grand historical spectacle, Fatherland may influence upcoming European productions to prioritize intimate character studies within broader historical frameworks.What Lies Ahead for Pawlikowski and European Historical DramaGiven the modest yet solid reception, Paweł Pawlikowski is likely to secure further funding for similarly ambitious projects that blend literary source material with visual austerity. The industry’s response suggests a fertile environment for filmmakers who can balance artistic rigor with accessible narratives, positioning European historical drama for a resurgence in the next festival cycle.

The Lead: Another Cabinet Departure US Secretary of Labour Lori Chavez-DeRemer will be leaving her post in the administration of President Donald Trump, marking the third female cabinet member to depart since March. The White House announced her departure on Monday, stating she has done a "phenomenal job" protecting American workers and is set to "take a position in the private sector." The Personnel Shift: Trump's Evolving Cabinet Chavez-DeRemer's departure comes amid a series of high-profile exits from the Trump administration. She follows Homeland Security Secretary Kristi Noem, who was fired in March following federal immigration raids in Minnesota that led to the deaths of two protesters, and Attorney General Pam Bondi, who was ousted earlier this month. These departures signal a significant personnel shakeup in the administration's early months of its second term. The Investigation Context: Controversy Surrounding the Secretary While White House Director of Communications Steven Cheung did not specify a reason for Chavez-DeRemer's departure, the New York Post reported in January that she was under investigation for "pursuing an 'inappropriate' relationship with a subordinate" and drinking in her office during the work day. Al Jazeera was unable to independently verify these allegations, which have not been officially confirmed by the administration. The Policy Contradictions: Union Support vs. Anti-Regulatory Stance From the beginning of her tenure, Chavez-DeRemer had notable differences with other members of Trump's inner circle. She had voiced support for the pro-union Protecting the Right to Organize Act (PRO Act), earning support for her nomination from some Democrats. Her appointment was also seen as favored by Sean O'Brien, the president of the International Brotherhood of Teamsters, who spoke in support of Trump's re-election campaign at the Republican National Convention in July 2024. However, as labor secretary, her positions more closely aligned with the Trump administration's overall anti-regulatory policies. The Regulatory Rollback: Environmental and Worker Protections During her tenure as secretary, the Labor Department stalled on responding to calls for limits on silica exposure from Appalachian coal miners suffering from the occupational black lung disease. This approach aligned with the administration's broader moves to roll back environmental and workplace regulations, reflecting a tension between Chavez-DeRemer's apparent personal views on labor issues and the administration's policy direction. The Precedent Set: Firing of BLS Director Chavez-DeRemer is not the first top official to leave the Labor Department during Trump's second term. In August 2025, Trump fired the director of the Bureau of Labor Statistics (BLS), Erika McEntarfer, who was appointed by previous President Joe Biden, after a report showed that hiring had slowed. Chavez-DeRemer had supported the president's move at the time, stating in a post on X that she backed "the President's decision to replace Biden's Commissioner and ensure the American People can trust the important and influential data coming from BLS." The Future Outlook: Implications for Labor Policy With Keith Sonderling taking on the role of Acting Secretary of Labor, the department's direction remains uncertain. The departure of Chavez-DeRemer, who had some bipartisan support due to her union-friendly positions, suggests that the administration may continue to prioritize anti-regulatory approaches in labor policy. This could have significant implications for worker protections, union rights, and occupational safety standards in the coming months.

Janett and Erika Liriano, growing up in Queens as daughters of Dominican immigrants, were encouraged to dream big. By their late 20s, Janett had been named a Forbes 30 Under 30 Listmaker and was chief of staff at a biopharmaceutical firm, while Erika was making a name for herself in venture capital.However, feeling unfulfilled, they decided to leave their lucrative jobs and move to the Dominican Republic to start a chocolate company. Inspired by their parents' homeland and the country's rich cacao resources, they aimed to create a vertically integrated cacao company that would benefit local farmers.The Dominican Republic produces about 60% of the world's organic cacao, but most of its export is raw beans, with the majority of profit made in countries like Belgium, Germany, and the US. The sisters saw an opportunity to change this and create a more equitable supply chain.After months of research and planning, they launched Inaru Chocolate, a company that contracts directly with farmers and pays them a fixed rate, ensuring fair prices and better livelihoods. The company pays farmers 3% of every product sold, resulting in 30 to 50% higher earnings than what most other buyers offer.In 2023, they opened a 7,000-sq-ft chocolate factory outside Santo Domingo, employing 35 people and producing high-end chocolate. Their business model has attracted brands like the W Hotel and Zingerman's, with 80% of their business coming from B2B sales.The sisters' journey hasn't been easy, facing challenges like securing funding and navigating language barriers. Despite these obstacles, they have raised $12m in investments and are committed to creating jobs and empowering local farmers in their parents' homeland.

Harry Styles has announced the full programme for this year’s Meltdown Festival at the Southbank Centre, positioning the pop star as curator of a multi‑genre celebration that runs from 11 June to 21 June. In addition to headlining a solo show on 16 June at the Royal Festival Hall, Styles will perform amid his ongoing Wembley Stadium tour, while the festival showcases a broad spectrum of talent ranging from jazz to electronic dance music. The jazz segment features two sets by acclaimed US saxophonist Kamasi Washington: one dedicated to his album Fearless Movement and another titled “Jazz Legends Reimagined,” where he will reinterpret classic jazz compositions. Ethiopian‑born pioneer Mulatu Astatke returns after a farewell‑tour appearance, and the UK scene is represented by drummer Yussef Dayes and reed virtuoso Shabaka, who will join a collective of collaborators. Indie and rock offerings include LA band Warpaint (performing their sole gig of the year), British singer‑songwriter Nilüfer Yanya, and a mix of emerging and veteran acts such as Bar Italia, Stephen Fretwell and Getdown Services. Former Maccabees frontman Orlando Weeks will deliver a hybrid set of music and storytelling, while Devonté Hynes (known as Blood Orange) will present a classical‑inspired performance with musicians Adam Tendler, Cæcilie Trier and Tariq Al‑Sabir. On the pop front, rising stars Erika de Casier and Fousheé will provide some of the season’s most forward‑thinking tracks. The electronic roster spans ambient pioneer Beverly Glenn‑Copeland, an improvised collaboration featuring Jon Hopkins, Maddie Ashman and Leo Abrahams, high‑tempo EDM from Australia’s Ninajirachi, and a DJ set by James Murphy of LCD Soundsystem. A parallel programme of free, family‑friendly events will showcase “a mix of appearances from Styles’ favourite artists beyond music,” according to the Southbank Centre. Speaking about the festival, Styles said: “Music is my life; every artist involved in this year’s Meltdown festival means so much to me, both as a fan, and a musician. It’s a true honour to host legends who have paved the way for the generations that follow them, as well as new acts that have inspired me to push my creative boundaries.” Tickets become available on 9 April for Southbank members and 10 April for the general public, with the event promising a unique blend of established icons and cutting‑edge talent.

The recent statements and actions by the US, particularly by President Donald Trump, have raised serious concerns about potential war crimes under international law. During a national address, Trump warned that if Iran did not reach a deal with him, the US would target Iranian electric-generating plants and reduce the country to the 'stone ages.'Legal experts and human rights organizations have strongly criticized these threats. Erika Guevara Rosas, Amnesty International's senior director of research, advocacy, policy and campaigns, emphasized that intentionally attacking civilian infrastructure, such as power plants, is generally prohibited under international law. Such actions could cause disproportionate harm to civilians and are considered unlawful and potentially war crimes.More than 100 US experts in international law from prestigious universities, including Harvard, Yale, and Stanford, have expressed similar concerns. They highlighted Trump's comments, including the statement that the US may conduct strikes on Iran 'just for fun,' and Defense Secretary Pete Hegseth's remarks about not fighting with 'stupid rules of engagement.'The experts and legal experts point to the principle of distinction in international humanitarian law, which requires parties to avoid targeting civilian objects. Article 52 of the Geneva Conventions defines civilian objects as those that are not military objectives, and it is a war crime to intentionally direct attacks against them if they are not military objectives.Human rights organizations and experts warn that targeting Iran's power plants would have a devastating impact on the civilian population, affecting hospitals, water supplies, and other vital needs. Sarah Yager, Washington director of Human Rights Watch, noted that such actions would be catastrophic for the Iranian people.