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Lead: A Raw, Rugged Country‑Rock Debut from Jazz Saxophonist Zoh AmbaVeteran free‑jazz saxophonist Zoh Amba steps out of the improvisational realm with ‘Eyes Full’, a country‑rock record that feels both bruised and beautiful. The album opens with the track “OCD”, where a twinkling guitar riff gives way to a chaotic, blustering strum that mirrors the lyrical theme of a boy “diagnosed with ‘dreamin’ all the time’”.From Free Jazz to Country Rock: The Musical PivotAmba’s hometown of Kingsport, Tennessee informs the record’s lyrical landscape, with cryptic postcards recalling childhood memories. While Amba is best known for saxophone virtuosity, the new material showcases a vocal approach as daring as their instrumental work—pushing past breaking points, cracking, whinnying, and squeaking to convey raw emotion.Tracks like “Southern Soil” echo the intensity of indie folk acts such as Bright Eyes and Big Thief, while “Weed Eating” balances feral humour with despair, and “Blueberry Thorn” offers a dusty fiddle that feels as piercing as literal thorns.Why “Eyes Full” Reshapes the Indie Country LandscapeThe album’s blend of gritty guitar work and tender lyricism challenges the conventional boundaries of indie country, suggesting that genre‑fluidity can thrive when an artist brings the same fearless improvisation from jazz to a new sonic field. By marrying experimental aggression with heartfelt storytelling, Amba creates a template for future cross‑genre explorations.Looking Ahead: What This Shift Means for Amba’s Future and the GenreIf “Eyes Full” resonates with listeners, it could open doors for Amba to oscillate between jazz and country‑rock, perhaps even spawning collaborations that further blur genre lines. For the broader indie‑country scene, the record signals that authenticity rooted in personal history can coexist with avant‑garde experimentation, encouraging other artists to take similar bold detours.

Opening the Silent Corridors of Cork’s AsylumThe Guardian’s latest review spotlights *Said the Dead*, a meticulously researched yet poetically daring study of the Cork Mental Hospital – once Ireland’s longest Gothic building, shuttered in the 1990s and now being turned into apartments. Doireann Ní Ghríofa uses the archive as a portal, giving voice to women whose stories were consigned to dusty casebooks.How Doireann Ní Ghríofa Reconstructed 19th‑Century Patient LivesWorking primarily from the hospital’s massive green casebooks, the author is forced to stop a century before the present to respect confidentiality, so the narrative centers on Victorian and Edwardian voices. She extracts vivid portraits – Bridget, a pregnant emigrant turned back home; Anna Martha, a painter who brandished a gun on magistrates; Dora, a sixteen‑year‑old yearning for death; and Muriel, wife of republican lord mayor Terence MacSwiney. The book also foregrounds Lucia Strangman, the first woman psychiatrist in the British Isles, as a thematic double for the author‑reader.Archive constraint: records stop at a 100‑year distance.Key patients: Bridget, Anna Martha, Dora, Muriel.Medical language: “fairies work on her nerves”, “dull”, “intelligent”.Why Revisiting the Asylum Matters for Irish Memory and Mental‑Health DiscourseThe review argues that the book does more than recount forgotten biographies; it interrogates the ethics of reading and surveillance. By positioning herself as “the Reader”, Ní Ghríofa acknowledges the power imbalance inherent in extracting lives from institutional records, echoing contemporary debates on mental‑health stigma and historical accountability. The work thus becomes a catalyst for broader conversations about how societies remember—and often erase—marginalised voices.What This Revival Signals for Historical Narrative and Public EngagementAs the former asylum is repurposed into luxury flats, *Said the Dead* reminds readers that commercial redevelopment can obscure painful histories. The book’s blend of scholarship and imagination may inspire similar projects that rescue silenced narratives, encouraging museums, publishers, and educators to foreground archival voices before they disappear beneath modern façades.

The Sudden End of Thomson's Phillies TenureRob Thomson, who led the Philadelphia Phillies to four consecutive playoff appearances including the 2022 World Series, was unexpectedly fired as the team's manager on Tuesday. The decision came after the Phillies lost 11 of their last 12 games, dropping them to a tie for last place in Major League Baseball with a 9-19 record.A Manager's Fall from World Series GloryThomson's dismissal marks a stunning turn of events for the 62-year-old manager who had signed a contract extension through the 2027 season just this past offseason. Taking over for Joe Girardi in 2022, Thomson immediately led the team to the World Series, where they fell to the Houston Astros in six games. The Phillies continued their postseason success, reaching the NL Championship Series in 2023 and the NL Division Series in both 2024 and 2025.The High Cost of Failure in PhiladelphiaThe Phillies' struggles come despite a $300-plus million payroll that was supposed to position them as World Series contenders. The team's investment has yielded minimal returns, with regulars Alec Bohm and Kyle Schwarber hitting under .200, while key starters Jesús Luzardo, Aaron Nola and Andrew Painter have all posted ERAs above 5.00. The organization recently released high-priced pitcher Taijuan Walker, who was in the final year of a four-year, $72 million contract, and had already parted ways with outfielder Nick Castellanos in February despite him still being owed $100 million over the final year of his deal.MLB's First Major Coaching Casualty of 2026Thomson's firing makes him the second manager to lose his job this MLB season, following the Boston Red Sox's decision to part ways with Alex Cora and five coaches over the weekend. The dismissals signal a trend of zero tolerance for poor performance among high-expectation teams, particularly those with substantial payrolls. The timing is particularly noteworthy as the Phillies were set to host the All-Star Game, an event typically celebrated as a showcase for the franchise's success.Interim Leadership and Uncertain FutureWith the season already slipping away, the Phillies have turned to bench coach Don Mattingly as interim manager for the remainder of the season, while promoting third-base coach Dusty Wathan to take over as bench coach. The moves create immediate uncertainty about the team's direction, especially as they continue to underperform despite boasting star players like Bryce Harper and Trea Turner. The organization hasn't won a World Series since 2008, and this latest setback raises questions about whether their current approach to building a championship-caliber roster is sustainable.

The Guardian of the Sahara’s 'Sorbonne' In the arid heart of Mauritania, a solitary librarian is battling the dual forces of climate change and economic migration to save the fading legacy of Chinguetti, once known as the 'Sorbonne of the Sahara.' For bookkeeper Muhammad Gholam el-Habot, the responsibility of preserving his family's 1,400 manuscripts is not just a job, but a sacred duty passed down through generations. As the medieval fortress town faces existential threats from the desert, el-Habot’s quiet struggle represents the broader fight to protect human history from the ravages of a changing climate. The Crisis of the Medieval Library The el-Habot family library is one of the few remaining operational strongholds of knowledge in Chinguetti, a ksar (fortress town) that once served as a vital crossroads for trans-Saharan trade. The manuscripts, collected by ancestors who traveled from Egypt to Andalusia, cover a vast array of disciplines including Islamic jurisprudence, mathematics, medicine, and poetry. However, the physical environment of Chinguetti has become increasingly hostile to these fragile texts. The town, which follows traditional Moorish architecture with a mosque at its center, is now largely abandoned as residents seek opportunities in cities like Nouakchott, leaving the preservation of this intellectual heritage to a dwindling number of custodians. Quantifying the Threat to Heritage The threat to Chinguetti’s legacy is not merely anecdotal; it is driven by measurable environmental shifts. Mauritania is 90 percent desert, and climate change is acting as an accelerant for desertification. Researchers note that extreme heat and unpredictable rainfall are damaging texts beyond repair, while the mudbrick structures of the ksar are ill-equipped to handle sudden storms or prolonged heatwaves exceeding 40 degrees Celsius. Furthermore, annual rainfall has decreased by 35 percent since 1970, making it harder for date palms to grow and herders to sustain their livelihoods, which in turn accelerates the migration of the younger generation who are essential for the library's maintenance. The Erosion of the Sahel’s Intellectual Legacy The decline of Chinguetti marks a significant loss for the global community. Historically referred to as Islam’s seventh holiest city and the 'Sorbonne of the Sahara,' the town was a beacon of learning that attracted pilgrims and scholars from across the Muslim world. The loss of these manuscripts represents a gap in human knowledge, as many texts contain unique interpretations of Islamic law and scientific understanding that may no longer exist elsewhere. The challenge is compounded by the lack of capacity among the youth, who view the dusty, labor-intensive work of preservation as unattractive compared to modern economic opportunities. The Future of the Manuscripts The outlook for Chinguetti’s manuscripts is precarious but not entirely hopeless. Recent interventions, such as a $100,000 UNESCO restoration project in 2024 that provided air-conditioning, shelving, and storage boxes to 13 family libraries, offer a temporary reprieve. However, the long-term survival of these texts will likely depend on a hybrid approach: combining local stewardship with international digitization efforts. Without urgent action to secure the physical environment and incentivize the younger generation to return, the sands of the Sahara may eventually reclaim not just the abandoned buildings, but the history they once held.

The Duo's Definitive Musical JourneyEverything But the Girl (EBTG) have unveiled a comprehensive ranking of their 20 greatest songs, offering a retrospective look at a career defined by genre-bending and emotional resonance. The list, curated from their extensive discography spanning from 1982 to 2023, serves as a testament to the duo's ability to evolve while maintaining a distinct sonic identity.Night and Day (1982): A stunning debut single that reimagines a Cole Porter classic with a doleful, understated British charm.Mine (1984): A left turn from their jazz roots, reflecting a fascination with The Smiths and empathy for the marginalized.Wrong (1996): A pivotal house track that presaged the rise of UK garage, blending dolorous break-up themes with electronic rhythms.Before Today (1996): The Walking Wounded album's opener, featuring a drum'n'bass rhythm that captures eager anticipation.Cross My Heart (1986): A lavish orchestration that rivals Dusty Springfield, showcasing their ambition for grandiose pop.The Pivot to House and Electronic SoundscapesA significant portion of the ranking highlights the duo's successful transition from 80s jazz-pop to 90s house music. The inclusion of tracks like Wrong and Single (1996) underscores how EBTG integrated electronic production without losing their lyrical intimacy. The collaboration with Deep Dish on The Future of the Future (1998) further cemented their status as pioneers of the genre-blending sound that defined late-90s club culture.Resonance Beyond the ChartsBeyond the dancefloor, the ranking emphasizes the duo's ability to capture the nuances of British life and personal struggle. Oxford Street (1988) serves as a dry run for Tracey Thorn's memoir, while This Love (Not for Sale) (1985) reflects the weariness of post-miners' strike Britain. The recent resurgence of 25th December (1994) during their Moth Club residency proves that their ability to blend sparkling guitars with festive sentiment remains timeless.Enduring Legacy and Future RelevanceEBTG's career demonstrates that artistic integrity can coexist with commercial evolution. By refusing to be pigeonholed as a 'jazzy pop' act, they carved out a unique space in music history. Their recent work, such as No One Knows We're Dancing (2023), captures the illicit atmosphere of Sunday clubbing, suggesting that their exploration of human connection and atmosphere remains as relevant today as it was in the 80s.

Rebuilding opens on a bleak, charred horizon, introducing Dusty (Josh O’Connor), a Colorado rancher whose ancestral land has been reduced to ash by a recent wildfire. A bank official’s blunt refusal to extend a loan underscores the decade‑long bleak outlook for the barren property.Stripped of his home, Dusty relocates to a spartan, government‑funded trailer camp and takes a humbling highway‑maintenance job. The film deepens his personal stakes through interactions with his ex‑wife Ruby (Meghann Fahy), their ten‑year‑old daughter Callie‑Rose (Lily LaTorre), and his ailing mother‑in‑law Bess, portrayed by Oscar‑winner Amy Madigan. A poignant scene shows Dusty ferrying Callie‑Rose to the local library, where they share a shaky Wi‑Fi connection for her schoolwork.Amid the trailer community, Dusty forms a tentative bond with the resilient Mali (Kali Reis), hinting at a potential romance beyond mere friendship. Their collective moments around a campfire evoke the tone of Chloé Zhao’s Nomadland, positioning the film within a growing genre of American stories about displacement and survival.Notably, the narrative avoids direct references to climate change or governmental responsibility, presenting the wildfire as an isolated tragedy rather than a symptom of a broader environmental crisis. This omission mirrors a recurring pattern in U.S. cinema, where the focus remains on personal resilience rather than systemic solutions.O’Connor delivers a nuanced performance, channeling the restrained British sensibility of his earlier work into Dusty’s quiet strength and vulnerability. His portrayal anchors the film’s emotional core, while the supporting cast—particularly Madigan’s compassionate Bess and Reis’s tough‑yet‑tender Mali—adds depth to the community portrait.Rebuilding arrives in UK cinemas on 17 April, offering audiences a contemplative look at loss, renewal, and the fragile ties that bind families and strangers alike.

In a viral trend on TikTok, Londoners are reviewing upmarket bakeries and cafes in their neighborhoods, sparking conversations about gentrification and the changing face of local businesses.Moses Combe, a 21-year-old from north London, started a series of videos called the 'Endz Department for Research', where he reviews upscale cafes that he wouldn't normally visit. His goal is to investigate the changes happening in his own backyard. Combe's review of Jolene, a bakery he describes as 'giving Gail's Pro Max', comes to £14.20. He enjoys the sausage roll, saying 'They did not skimp out with that sausage, bro.'Combe isn't alone in his reviews. Kobi Coker, a 27-year-old comedian and educator, also reviews 'gentrified' spaces. He says his videos exploring these areas weren't initially intentional but were sparked by noticing new, upmarket establishments opening up on his road during his daily commute. Coker has reviewed the Dusty Knuckle bakery, Jolene, Gail's, and Pret, often joking about his experiences.The trend has led to discussions about gentrification and its impact on local businesses. Coker notes that while some new businesses bring new ideas, the problem is that long-time residents 'aren't necessarily able to participate in it.' Matthew Roberts, operations manager at Jolene, welcomes the attention, saying it's 'all very positive' and that they want to 'welcome absolutely everybody.'Other reviewers, like Daniel Poon, a 27-year-old content creator, review mainstream chains when they release products inspired by other cuisines. He reviewed Pret's ube drink, saying it didn't feel authentic to the original Filipino flavor. Poon appreciates chains' efforts to branch out and try new things, but also values diversity and trying different cuisines.

Nearly three decades after the groundbreaking debut Endtroducing….. first hit shelves, DJ Shadow is once again revisiting his back catalogue. Following a celebrated 25th‑anniversary reissue that was remastered at Abbey Road Studios, the Californian producer is preparing a new archival release.In May, Shadow will issue The Mo’Wax Singles 1993‑1997, a meticulously curated box set that compiles eight 12‑inch records of his original singles for James Lavelle’s Mo’Wax label. The collection also includes alternative mixes, brand‑new artwork, and material recovered from dusty DAT tapes and original master mixes.“This box wasn’t made for the casual listener, it was made with the hardcore fan in mind,” Shadow explained in a statement. “I’ve always felt, if something is worth doing, it’s worth doing right, and every step of the process was made with this philosophy firmly in mind.”With the release timed to a period of reflection, Shadow is opening the floor to fans and journalists alike. He invites readers to submit questions about his pioneering sampling techniques, collaborations ranging from Wong Kar‑wai and Zack de la Rocha to Danny Brown and Deftones, and even the infamous Miami Beach show that was halted for being “too future.”Submit your queries in the comments by 6 pm BST on 8 April, and the most compelling answers will be featured in an upcoming issue of Film & Music.

In a stunning turn of events, UConn eliminated No. 1 overall seed Duke from the NCAA Tournament on Sunday, courtesy of Braylon Mullins's three-pointer with 0.4 seconds left in their Elite Eight matchup. The Huskies trailed by 15 points at halftime and by two points with 10 seconds remaining, but a crucial turnover gave Mullins the opportunity to nail his three-pointer from beyond the arc, securing a spot in the Final Four.UConn will face Illinois in the national semi-finals. In the other Elite Eight game, Michigan rolled into the Final Four with a convincing 95-62 victory over Tennessee. Yaxel Lendeborg scored 27 points and Elliot Cadeau added 10 assists for the Wolverines, who posted their 11th victory of the season by at least 30 points. Michigan will face Arizona in Saturday's national semi-finals.Michigan's coach Dusty May led the Wolverines to their first Final Four since 2018 and ninth overall. Lendeborg, named the region's Most Outstanding Player, was 10 for 19 from the field and became the first Michigan player to score at least 23 points in three consecutive NCAA Tournament games since Juwan Howard in 1994. Tennessee's coach Rick Barnes acknowledged the team's progress but emphasized the need to improve to reach the next level.