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The Origins of 'Mogging' Until recently, if someone had said "mog" to me, I probably would have assumed they were talking about the children's book cat created by the late great Judith Kerr. If asked about "mogging" or being "mogged," I would have been completely baffled. But for many members of gen Z and gen Alpha (or anyone who is just a bit too online), the slang term, which means to outdo or outshine others, is everywhere. From Manosphere to Mainstream Mogging's origins are in the manosphere, where it began as a verb derived from the acronym "Amog" (alpha male of the group). In misogynistic forums in the 2010s, to "mog" came to mean to outdo someone in terms of sexual desirability. Mogging has been adopted by "looksmaxxing" influencers such as Braden Peters, known online as Clavicular, who encourage men to try to alter their looks – sometimes in extreme ways – to increase their "sexual market value". Such an influencer might talk of "frame mogging" another person in a photo or video – a variation on mogging that specifically refers to being more muscular. The Evolution of Competitive Language Even now, as the term has begun to be used much more widely, and in a tongue-in-cheek way, it is still typically associated with looks (a friend of mine, for example, was described by her boyfriend's younger siblings as "mogging him" in a photo). But increasingly, mogging can mean besting others at basically anything. The gold medal Olympic figure skater Alysa Liu said in an interview last year that her main competition strategy was "to mog", while a 23-year-old colleague of mine tells me that she and her friends joke about "walk-mogging" when they overtake people on the street. Linguistic Analysis of Modern Slang Tony Thorne, director of the slang and new language archive at King's College London, says a lot of new slang terms "have come recently from the same kind of male-based internet culture", referencing the words "simp" (someone who is excessively attentive), "soy boy" (a derogatory term for a man who is not stereotypically masculine) and "sigma" (someone cool and successful). Not to mention "maxxing," now such an established part of the lexicon that it was tweeted by the US Department of Defense earlier this year. The Cultural Impact of Competitive Slang Thorne thinks it is significant that "mogging" in particular has become fashionable at this time. "What it implies – hyper-competitive, hyper-individualist, aggressive selfishness" has become "mainstream behaviour", he says. Which is why Will Adolphy, a psychotherapist who was himself once an ardent follower of manosphere influencers, has concerns about the word. "Part of me can see how it's a kind of handy, even entertaining word," he says. But the idea of mogging "reinforces this sense that there are certain people that will dominate others based off their physical appearance and status", he says. Psychological Concerns About Competitive Language Dr Emily Sehmer, an NHS child and adolescent psychiatrist, worries too about the "constant sense of competition" that concepts such as mogging help to foster, especially for teenagers, who are developing their socio-emotional skills and typically "have a desire to fit in and to get peer approval". Apart from anything else, she adds, wanting to mog someone is "kind of mean, isn't it?" The Ironical Reappropriation of 'Mogging' "I think people are right to be concerned," about the rise in usage of slang that originates from a toxic subculture, Thorne says – and notes that some of his fellow linguists feel uncomfortable about researching it. But, he adds, "mogging" has moved well beyond its origins, and many people who use it now "tend to understand it and laugh at it, and they use it themselves, but ironically". Certainly, plenty of mogging content on social media now has an irreverence to it: such as the trend of posing for the photo on a rollercoaster in order to "mog" the screaming riders next to you. Making what started as an aggressive concept into something very silly pokes fun at the ridiculousness of the manosphere, my younger colleague explains. She shows me a picture of herself on a recent holiday, standing next to a statue of Napoleon, that she sent to a group chat of her friends. The caption? "I mogged Napoleon!"

The 'Non-Earner' Trap in Clinical PlacementsRoberta Leem-Bruggen’s letter highlights a critical flaw in the UK’s social safety net for parents in higher education. The 'nerd tax' creates a financial trap where students working full-time hours in clinical placements lose eligibility for childcare support, forcing them to repay thousands of pounds.Leem-Bruggen recounts her experience as a single parent on an NHS placement. Despite working over 40 hours a week, the Department for Work and Pensions (DWP) classified her as a 'non-earner' because she wasn't receiving a salary. This resulted in a retroactive demand to repay nearly £10,000 in childcare support, despite the initial assessment confirming her eligibility.The Economic Cost of Academic ProgressionThe case illustrates a severe financial bottleneck for postgraduate students who are also primary caregivers.Repayment Burden: Students can face retroactive repayments of up to £10,000 for a single academic year.Time Commitment: Clinical placements often require over 40 hours of unpaid work per week, effectively mimicking full-time employment.Current Status: The author is now a PhD student with three children, relying entirely on a stipend and a partner's income, highlighting the precarious nature of funding for families.Systemic Exclusion of Parental FiguresThis issue extends beyond a single case; it signals a systemic failure to support the demographic of parents pursuing postgraduate education. The current framework assumes that higher education is a luxury reserved for those without dependents or financial backing. This creates a 'binary choice' for parents: sacrifice academic advancement or rely on family wealth, effectively widening the gap in social mobility.Policy Reform or Continued Exclusion?As the cost of living rises and the demand for skilled professionals in sectors like healthcare grows, the exclusion of parents from childcare support could lead to a shortage of qualified staff. Future policy reforms will likely need to address the definition of 'earning' to include stipends and clinical placements, or risk losing a generation of potential experts in critical fields.

The Lead The new reality show 'The Vardys' has been panned as very bad and very boring, disappointing fans of Leicester City's Jamie Vardy and those interested in the 'Wagatha Christie' libel case. The Reality Check The three-part reality show, which aired on ITV1 and is now available on ITVX, follows the lives of Jamie Vardy and his wife Rebekah Vardy as they move to Italy. However, the show fails to deliver on its promises, instead focusing on mundane tasks like packing up a house and moving to Italy. The Content Critique For fans of Jamie Vardy, the show doesn't provide much insight into his life as a footballer. Leicester fans won't get much of Jamie or any footage they haven't seen before. And much of what is shown in the first two episodes is to do with the troughs of his early days at the Italian club Cremonese – injury, stress, failing to dazzle in his debut, failing to score many goals thereafter – rather than his glory days at home. The Wagatha Christie Factor For fans of the 2022 legal case (also known as “The Scousetrap”, for Coleen is Liverpudlian, and “Roodunnit?” because the whole thing played out in private, then on social media and then in court like the neatest mystery novel you ever read), here is pretty much everything Rebekah has to say about the private, public and court verdict that she did exactly what she was claiming Rooney had wrongly accused her of: “Never, ever, ever will I apologise for something I didn’t do. Hell will freeze over before I do that. “I’m not going to carry on living in the past. I’m so fucking tired of it,” says Rebekah, on a show almost certainly commissioned because of what happened in the past and in the hope that she would discuss it in great detail. The Verdict The show is a slow, slow grind through the minutiae of packing up a house and moving a family to Italy once Jamie takes his leave of Leicester City and signs with the then Serie A Cremonese. Watching people move house, try to find school places for five children (the oldest of the Vardys’ six is staying in England), moan about getting visas and finding a house to rent is about as interesting as listening to people describe their dreams.

Liz Kendall has insisted Labour will make artificial intelligence “work for workers”, promising targeted training and support for those displaced by rapid AI adoption. Labour’s AI Strategy Unveiled Ahead of London Tech Week Speaking from her Whitehall office before the London Tech Week (8‑12 June), Kendall outlined a distinctly Labour approach to AI adoption, contrasting it with what she described as the Conservative government’s hands‑off attitude. Funding Allocation and Target Numbers for AI Training £187 million TechFirst AI training scheme, revised to reach 1 million children. At least 40 % of participants will come from disadvantaged schools. New regional summer skills camps: 60 places in the north‑west and 20 in the north‑east, aimed at NEETs. These pilots are intended to scale up and link participants to apprenticeship opportunities. Potential Effects on Youth Employment and Regional Skills Gaps The initiatives tie into Labour’s Youth Guarantee, which supports young people out of work for 18 months or more, and complement plans for an AI growth zone in the north‑east. By focusing on NEETs, the government hopes to reverse the recent surge past 1 million young people without education, employment or training, a figure highlighted in Alan Milburn’s interim report. What This Means for Britain’s AI Landscape and Labour’s Political Position Kendall argued that AI will create and transform jobs rather than cause mass unemployment, positioning Labour as proactive in shaping technology for the public good. The stance also signals a broader regulatory intent, including possible restrictions on under‑16 social‑media use and tighter oversight of AI chatbots, to differentiate Labour from the Conservatives and appeal to younger voters ahead of upcoming elections.

A Lost Literary Treasure EmergesA never-before-published short story by Edith Wharton, the first female Pulitzer prize winner who encapsulated the so-called gilded age of US society in bestselling novels including The Age of Innocence, has received its first public airing more than a century after it was written.The Discovery of "The Men Who Saved the World"The story, discovered in the author's archives at Yale University, appears in The Strand, a quarterly magazine that has previously turned up lost or previously unknown works by literary luminaries such as Raymond Chandler, Graham Greene and Tennessee Williams. Believed to have been written no earlier than July 1918, the story was found "incomplete and unpublished" in the Edith Wharton Collection at Yale's Beinecke Rare Book and Manuscript Library.A Tale of Contrasting RealitiesSet during a dinner party in a French chateau towards the end of the first world war, the story tells of the country's wealthiest residents attempting to move on from the conflict that recently scarred them, even as guns are heard still booming and soldiers dying only miles away. The tale is punctuated by the meal being served on a grand dining room table that was used as an operating table for amputations only months before when the chateau was used as a field hospital.Wharton's War Experience Reflected in FictionA main character is a young American nurse called Milly Arden, who observes the household's easy return to its privileged prewar days as she wrestles with the horrors of war and the injuries she has seen and treated. Arden's character appears to be at least in part autobiographical: Wharton, who died in 1937 aged 75, had extensive experience of field hospitals during the conflict also known as the Great War, and helped set up medical care and facilities for affected women and children.Modern Parallels in a Century-Old NarrativeAndrew Gulli, editor-in-chief of The Strand, said the story from more than a century ago has parallels in global events of today. "We live in a time where we're very far away from a lot of horrific events that are happening around the world, and this story sort of encapsulates that mood where there's this beautiful chateau, and people are trying to go back to the old prewar era with the chandeliers and this wonderful dancing, and a dinner party, and not far away the war's still happening," he said.Scholarly Significance and Future DiscoveriesProfessor Isabelle Parsons, a British Open University professor and Wharton scholar who first uncovered the manuscripts, noted that "in the past decade, news of fresh archival discoveries has frequently thrilled Wharton's casual and critical readers." She described the story as "casting a satirical eye over the volunteer efforts of privileged women" and "reads like an experimental attempt – ultimately abandoned by Wharton – at confronting the traumatic effects of warfare through its explicit references to amputation as medical care at the front."

The Profit-Driven Care CrisisChildren in England's care system have become the country's most lucrative commodity, with private providers charging the state astronomical fees while placing vulnerable young people in facilities far from their home communities. This highly profitable market, driven by neoliberal ideology that favors private over public services, has created a system where children are treated as assets rather than vulnerable human beings needing protection and stability.The Financial Scale of ExploitationThe Financial Times investigation reveals that the average charge to the state by a private provider for a child in "care" is now £384,020 a year—six times what Eton College charges. Some providers now levy more than £1m per child per year, with cases reaching over £3m for children with complex needs. This financial windfall has attracted individuals with no care experience, including "plumbers, hairdressers and Airbnb landlords," to open "homes" for profit, while potentially drawing organized crime elements who can make more from children than from drugs.Geographic Displacement and Its ConsequencesWhile there's a shortage of provision in southern England, there's a glut in the north-west where property is cheaper. Lancashire has 17 places for every local child needing care, leading to children from Devon being transported 300 miles across the country. Research published in Child Abuse & Neglect finds a consistent association between profit-making and placing children outside their local authority area, with commercial provision linked to more frequent moves and greater instability. This displacement makes children "more vulnerable to exploitation and grooming," yet those with the greatest needs are often placed furthest from home.The Rise of Illegal and Dangerous PlacementsDesperate councils are sending children to providers who are not only unqualified but in some cases unregistered, breaking the law by using "homes" that haven't met basic regulatory requirements. These private oubliettes are "beyond easy reach of the authorities, where children can be dumped and forgotten." Investigations have found unregistered placements are even more expensive than legal ones, with an estimated 669 young people, mostly with special needs, including some preschoolers, in these illegal facilities. In one case, two "care" workers with seven convictions between them (including four for violent offences) sexually assaulted a 15-year-old girl in their care.Comparative Analysis and Ideological DriversWhile only 5% of care places in France are run for profit, in England the figure is 84%, a direct result of successive governments' neoliberal ideology that views public services as inherently inferior. This ideological commitment has left local authorities without capital budgets to provide their own care, forcing them into a market that costs far more for a demonstrably worse service. The consequences are stark: though fewer than 1% of all children in England are in care, 62% of people in young offender institutions have been in "care".Toward a Solution: Public Ownership and Child-Centered CareWales has banned profit-making in this sector and is phasing out the practice entirely, offering a contrasting approach to England's continued embrace of the market model. The solution, according to experts, is public ownership of care services—a model that has proven more effective and less costly with other essential services like water, energy, and railways. As journalist and foster carer Martin Barrow notes, "Foster care, children's homes, supported accommodation and adoption are not interchangeable. Each can be the right option for different children at different times in their lives." Children's homes remain essential, but they must be owned and operated by the state, not treated as profit centers in a market that has no place for human vulnerability.

The Rollercoaster of Graham Potter’s Managerial CareerIn a candid interview, the 51‑year‑old English coach admits that “you’ve got to face the bad stuff” after a series of highs and lows that saw him leave Brighton’s stability, endure a seven‑month stint at Chelsea, and later struggle at West Ham before finding a new purpose with the Sweden national team. From Brighton Stability to Chelsea’s Short‑Lived TenurePotter departed the comfort of Brighton in September 2022 to take over at Chelsea. The move lasted only seven months, ending in a mutual parting as the club failed to meet expectations. West Ham Struggles: Six Wins from Twenty‑Five MatchesGames managed: 25Victories: 6Result: Dismissed in September 2025 after a poor start to the seasonThe spell at West Ham was described by Potter as “lost in dysfunction”, with the team unable to translate his ideas into results. Sweden’s World‑Cup Revival Under Potter’s Swedish‑Style EthosAfter his club setbacks, Potter accepted a short‑term role with Sweden in October 2025. The team, previously stuck in a “doldrums” qualifying group, earned a playoff spot via Nations League performance. Key moments included:Viktor Gyökeres’ hat‑trick in the 3‑1 semi‑final win over UkraineGyökeres’ 88th‑minute winner in the 3‑2 playoff final against PolandThese victories secured Sweden’s place at the 2026 World Cup, and Potter’s contract was subsequently extended to 2030. He says he “feels very Swedish” and notes that two of his children were born in Sweden. Looking Ahead: Potter’s Contract to 2030 and Sweden’s Group‑F ChallengeSweden will open the tournament against Tunisia in Monterrey on 14 June 2026, then face Japan, the Netherlands and Tunisia in Group F. Potter highlights the importance of set‑pieces and squad harmony, especially with key players like Alexander Isak and Gyökeres available, while coping with the injury to Dejan Kulusevski.With a contract secured until 2030, Potter’s “Swedish” methodology will be tested on football’s biggest stage, offering a chance to rewrite his managerial narrative after the club disappointments.

Volodymyr Zelenskyy published an open letter on June 5, 2026 inviting Vladimir Putin to meet and discuss ending the four‑year war, a move that coincides with fresh casualties on both sides and renewed diplomatic activity.The Open Letter Proposing Direct TalksThe letter, posted on the Ukrainian president’s website and sent through diplomatic channels, outlines several key points:Russia’s prolonged war is causing “negative consequences” for its own people, including inflation and fuel shortages.Zelenskyy warns that Putin’s personal position could be threatened by war fatigue.Ukraine seeks a meeting in a neutral venue – suggesting Switzerland, Turkey, or Arab‑world countries – with the United States and Europe also participating.The proposal frames the talks as a step toward a new security architecture for the region.Ukrainian Foreign Minister Andrii Sybiha described the letter as “a serious and meaningful proposal to end the war … with clear, doable steps.”Casualties and Recent Military Actions Highlighting the StakesOn the day the letter was released, Russian attacks killed at least 12 people and injured dozens across Ukraine, while Ukrainian forces reported:Four civilian deaths in Russian‑occupied territories from Ukrainian drone strikes.Strikes on an oil complex and a naval base in St. Petersburg.The conflict has already claimed over 707 children, according to Zelenskyy’s commemoration.Strategic Significance of Public DiplomacySenior fellow Markus Ziener (German Marshall Fund) notes that publishing the letter forces Moscow to respond publicly, shifting the moral high ground to Kyiv. He adds that Zelenskyy’s confidence stems from recent successful Ukrainian counter‑offensives that have targeted Russian infrastructure deep inside Russia.However, Ziener cautions that accepting the proposal while Russian forces continue advances could be perceived as Kremlin weakness, potentially undermining years of Russian propaganda that delegitimises the Ukrainian leadership.Potential Paths Forward and International InvolvementU.S. President Donald Trump has met both leaders separately but has not secured a breakthrough. Recent statements from U.S. Secretary of State Marco Rubio indicate readiness to organise a new round of peace talks.European leaders—particularly the United Kingdom, France, Germany, and Poland—have expressed support for Ukrainian initiatives, though Putin has rejected EU mediation, questioning its neutrality.Analysts suggest three possible scenarios:Continued stalemate: Moscow maintains its territorial claims, and talks remain stalled.Conditional engagement: Russia agrees to indirect talks only after securing further battlefield gains.Direct summit: A neutral‑hosted meeting involving the U.S. and key European powers could open a pathway to a ceasefire, provided both sides make concessions on territory and security guarantees.The coming weeks will reveal whether Zelenskyy’s diplomatic gamble can translate into a tangible peace process or remain a symbolic gesture amid ongoing hostilities.

The Lead: A Reunion in the Toy BoxTaylor Swift has officially entered the Toy Story universe with "I Knew It, I Knew You," a new track for the upcoming Toy Story 5. The song serves as an emotional answer to the beloved Jessie theme "When She Loved Me," capturing a moment of gentle elation as the toy reunites with her former owner. This release marks a significant creative pivot for Swift, moving away from the complex pop structures of her recent albums toward a more nostalgic, rootsy sound.The Challenge of Replacing a LegendWriting a song for Jessie presented a unique challenge: outdoing the devastating performance of Randy Newman. Swift acknowledged this "incomparable" feat in her post, admitting that Newman created the musical world of the franchise. However, the new track avoids direct imitation. Instead of a ballad, it offers a moment of "giddy up" energy, focusing on the tactile details of recognition—the sound of footsteps and the smile of a former owner.Source Material: An answer song to "When She Loved Me" from Toy Story 2.Production: Organic instrumentation produced by Jack Antonoff, contrasting with the film's themes of AI obsolescence.Lyrics: Uses metaphors like "mood ring changing colours" to describe emotional depth.Creative Analysis: Organic Soundscapes vs. AIThe production of "I Knew It, I Knew You" offers a stark contrast to the film's plot, which revolves around toys facing obsolescence at the hands of AI. The song features handcrafted care, including a beautiful room sound on the drums and a saxophone solo, signaling a return to "human" artistry in an increasingly digital landscape. This aligns with Swift's recent interview about the technicalities of songwriting, where she emphasizes the placement of words and sounds.The Emotional Resonance of NostalgiaThe impact of this release extends beyond the music charts; it taps into the generational bond between Swift and her audience. Many fans grew up with the Toy Story movies and are now parents watching the franchise with their own children. The song's themes of being a "favourite toy" and the fear of being discarded resonate with Swift's own history of personal songwriting, suggesting a shift toward fictional narratives where she thrives.Future Outlook: Soundtracks in the Digital AgeThis collaboration signals a potential trend where major artists use soundtracks to reclaim emotional authenticity. As the film industry grapples with the rise of AI in media, Swift's choice to deliver a human-centric performance highlights the enduring value of genuine connection. It suggests that for the foreseeable future, the most powerful storytelling will come from artists willing to honor the past while navigating the future.