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The Pavilion’s Bold Brick TurnThe 2026 Serpentine Pavilion, traditionally a showcase for experimental, often temporary materials, is being built entirely of rust‑coloured brick arranged in a sinuous crinkle‑crankle wall. Mexican studio Lanza Atelier, founded by Isabel Abascal and Alessandro Arienzo, reinterprets a 17th‑century drainage technique to create a structure that is both a wall and a gathering place.Crinkle‑Crankle Wall: A 17th‑Century Technique ReimaginedThe wall follows a sinusoidal form that provides inherent stability, allowing a single brick layer without buttressing. Originating in Suffolk’s marsh‑drainage works and known in Dutch as slangenmuur, the technique also appears in Mexican and ancient Egyptian contexts. By setting bricks back‑to‑front and threading them through reinforcing bars, the pavilion can be dismantled with minimal waste.Key Dates and Material FactsOpening period: 6 June – 25 October 2026Material source: Standard‑size bricks manufactured in SurreyHistorical note: First use of brick in the Serpentine’s 25‑year programmeDesign intent: South‑facing wall captures winter sun, extending the growing season for on‑site fruit treesBeyond Division: Walls as Climate‑Responsive Public SpacesAbascal frames the wall as an “attractor” rather than a barrier, creating a series of intimate rooms that invite gathering. The curvilinear geometry not only references the park’s pond but also provides passive solar heating, demonstrating how a traditionally defensive structure can serve ecological and social functions.Future of Temporary ArchitectureBy proving that a permanent‑looking material can be both lightweight and recyclable, Lanza Atelier sets a precedent for future pavilions to experiment with locally sourced, low‑impact building blocks. The success of this brick‑first approach may encourage other architects to revisit historic techniques, blending heritage with contemporary sustainability goals.

The Guardian reports that the 1939 painting Man in a Black Scarf, long dismissed by Lucian Freud himself, has finally been authenticated by experts and will be displayed publicly for the first time at the Garden Museum in London.The Long‑Running Dispute Over “Man in a Black Scarf”Created while Freud was a student at the East Anglian School of Painting and Drawing in Hadleigh, Suffolk, the portrait is believed to depict John Jameson, a friend of the artist and member of a prominent whiskey family. The work resurfaced on the BBC’s Fake or Fortune? in 2016, where historian Philip Mould deemed it “very likely a Freud”. Yet Freud repeatedly denied authorship, even after Christie’s initially identified it in 1985, prompting a 19‑year effort by the current owner, designer‑author Jon Lys Turner, to secure a formal authentication.Financial Stakes: From £300,000 Speculation to Multi‑Million‑Dollar BenchmarksIn 2016 the painting was speculated to be worth more than £300,000.Freud’s 2015 work Benefits Supervisor Resting sold for $56 million (£42 million).His auction record stands at $86 million.The upcoming Sotheby’s auction of Sleeping by the Lion Carpet carries an estimate of £25 million to £35 million.These figures illustrate how a single authentication can shift a work from modest speculation to a position within the multi‑million‑dollar tier of the contemporary art market.Why the Authentication Shifts the Post‑War British Art NarrativeThe confirmation links Freud’s early style directly to the teachings of Cedric Morris and Arthur Lett‑Haines at the East Anglian School, highlighting a previously under‑explored influence. Turner argues the portrait’s “confrontational gaze” and “thick, daubed paint” reveal Freud’s early adoption of Morris’s techniques, potentially prompting a reassessment of other student‑era works.What Comes Next for the Painting and the Market"Man in a Black Scarf" will open to the public in the 2 June – 20 September 2026 run of the exhibition Benton End: A Paradise of Pollen and Paint. The exposure may spur renewed provenance research on other disputed Freud pieces and could encourage collectors to revisit works from the East Anglian period, driving further market activity ahead of the Sleeping by the Lion Carpet auction.

On Monday 26 May 2026 the United Kingdom experienced a “tropical night” as minimum temperatures stayed above 20 °C, breaking the May daily‑minimum record for the second day in a row.Record‑Breaking Night Temperatures Across the UKKenley airfield (south London) recorded a minimum of 21.3 °C, the highest May night ever.Kew Gardens (south‑west London) hit 34.8 °C, setting a provisional all‑time hottest spring temperature.Previous May night record was 19.4 °C at Kenley on the preceding Sunday.12 locations, from Suffolk to Berkshire, broke their local records on Monday.97 Met Office monitoring sites reached or exceeded 30 °C.Numbers That Define the HeatwaveHighs of up to 35 °C forecast for southern England and Wales on Tuesday, with some areas approaching 36 °C.Heat‑wave threshold for this time of year is 28 °C (London and northwards to Cambridgeshire).Eight parts of England already met the three‑day heat‑wave criteria by Sunday evening, including Heathrow, Kew Gardens, Northolt, and sites in Oxfordshire, Suffolk and Essex.Implications for Climate Resilience and Public SafetyMet Office senior forecaster Greg Dewhurst warned that heatwaves are now developing “so quickly” due to the climate crisis.Firefighters battled a grass fire near Arthur’s Seat in Edinburgh as temperatures hit 25 °C.A 13‑year‑old boy died after drowning in a West Yorkshire reservoir amid the heat.Nearly 100 sites surpassing 30 °C underscores how many locations are meeting heat‑wave thresholds.What the Forecast Holds for the Rest of the SummerTemperatures are expected to gradually decline from mid‑week but remain in the high 20s with dry, sunny spells.Potential thunderstorms on Tuesday could temporarily curb peak temperatures.Continued high night‑time minima suggest that further “tropical nights” are likely as the season progresses.

Unprecedented May Heatwave Forecast for EnglandTemperatures are expected to reach 35°C on Monday across parts of England, marking the hottest May day on record in the UK.Temperature Records Set to Shatter Historical May HighsThe Met Office says the current May record of 32.8°C will be eclipsed by a margin of 2.2°C, a jump unprecedented for the season.Previous monthly maximum record broken in January 2024 by 1.6°C.July 2022 peak of 40.3°C exceeded its prior record by 1.6°C.Quantifying the Heat: Nighttime Temperatures and Tropical NightsOvernight temperatures hit 19.4°C at Kenley, London, narrowly missing a “tropical night” (≥20°C). Two tropical nights are forecast for Monday and Tuesday.Implications for Public Health and Climate Trends in the UKHeatwave conditions now cover multiple sites including Santon Downham (Suffolk), Heathrow, Kew Gardens, and several locations in Essex and Oxfordshire. The event underscores the accelerating warming trend highlighted in the European State of the Climate report, which names Europe as the fastest‑warming continent.Outlook: Summer Heatwaves and the Emerging Super El NiñoScientists warn a “super El Niño” developing this summer could intensify heat events, with global heat records expected to be challenged by 2027.

The UK's Historic Heatwave: Record May TemperaturesEngland, Wales and Northern Ireland recorded their highest temperatures of 2026 on Sunday, which was also the UK's hottest May day for at least 79 years. Kew Gardens in west London recorded 32.3C (90.1F), Cardiff 27.4C and Armagh 23.4C, while Scotland reached 23.5C in Edinburgh, just 0.1C below the record set in Aboyne on 1 May.Temperature Records Across the NationThe first area of the UK to hit the heatwave threshold was Santon Downham in Suffolk, which reached the criteria of recording temperatures of more than 27C for three consecutive days at 11.30am on Sunday. Other areas officially in heatwave conditions include Heathrow, Kew Gardens and Northolt in London, Benson in Oxfordshire, Brooms Barn in Suffolk, and High Beach and Writtle in Essex.Saturday was the UK's first 30C day of the year, the earliest date that temperature has been reached since 1952. This marks a significant shift in seasonal temperature patterns across the country.Climate Science: The Connection to Global WarmingThe climate crisis is increasing the likelihood of extreme heat events. A Met Office spokesperson stated: "Breaking the 32.8C May record is around three times more likely now in our current climate than it would have been in natural climate conditions before the Industrial Revolution. What was around a one-in-100-year event is now around a one-in-33-year event."Large parts of western Europe are experiencing similar temperature peaks, with the French national weather agency, Météo-France, noting that periods of exceptional heat are to be expected "more and more often and more and more prematurely, and to be more and more intense."Social and Practical Impacts of the HeatwaveAs temperatures soared, sunbathers flocked to beaches across the UK, and Lord's cricket ground relaxed its strict dress code for its members' pavilion. The Marylebone Cricket Club usually requires spectators there to wear lounge suits or tailored jackets and ties, but made exceptions during the extreme heat.Sports events also adapted to the conditions, with drinks breaks introduced at the League One playoff final between Bolton Wanderers and Stockport County at Wembley and during Premier League games as the top-flight football season concluded.However, the heatwave also caused practical problems, with people living in three villages in Kent experiencing no water or low pressure for a second day. The affected areas were Charing, Challock and Molash near Ashford, where South East Water reported supply problems related to pumping station issues.Health Alerts and Future Temperature ExpectationsThe UK Health Security Agency (UKHSA) issued amber heat alerts for multiple regions including the East Midlands, the West Midlands, the east of England, London and the south-east. These alerts will remain in place until 5pm on Wednesday, meaning "an increase in risk to health for individuals aged over 65 years or those with pre-existing health conditions, including respiratory and cardiovascular diseases."Temperatures could rise again on Monday, with possible highs of between 33C and 34C, potentially breaking more records and extending the duration of this exceptional heat event. Authorities continue to advise caution around open bodies of water and to stay hydrated during the prolonged period of high temperatures.

The LeadOn Friday the River Thames at Ham will host its first official swimming season as the inaugural designated bathing water in London, joining 12 other newly recognised sites across England.Thames at Ham Designated as London’s First Official Bathing WaterThe stretch of the Thames in south‑west London has been granted bathing water status after campaigners, led by Marlene Lawrence of the Teddington Bluetits, submitted evidence of year‑round swimming activity. Lawrence said, “This is amazing for the river and for the many people who enjoy it.”Nationwide Roll‑out of 13 New Bathing Water SitesEnvironmental Minister Emma Hardy announced that the new designations bring the total to 13 new monitored swimming areas across England. The sites are:Canvey Island foreshore, EssexEast Beach at West Bay, Bridport, DorsetFalcon Meadow, Bungay, SuffolkGranville Parade Beach, Sandgate, KentLittle Shore, Amble, NorthumberlandNew Brighton Beach (east), MerseysideNewton and Noss Creeks, DevonPangbourne Meadow, BerkshireQueen Elizabeth Gardens, Salisbury, WiltshireRiver Dee at Sandy Lane, Chester, CheshireRiver Fowey in Lostwithiel, CornwallRiver Swale in Richmond, YorkshireRiver Thames at Ham and Kingston, Greater LondonEnvironmental and Economic ImplicationsThe new bathing water designations expand monitoring by the Environment Agency, which will conduct weekly sampling and publish results online. Hardy highlighted the benefits: “better monitoring of our waterways, a boost for local tourism and greater confidence for local swimmers.” The move follows years of limited bathing water status, which was previously confined to coastal waters and lakes, and aims to curb sewage discharge, PFAS, and agricultural runoff.Future Outlook for River Clean‑up and MonitoringContinued oversight will involve the regulator working with communities, farmers and water companies. At Ilkley, Yorkshire Water is already investing over £85m in infrastructure to improve water quality after the Wharfe received bathing status five years ago. The Thames designation is expected to drive similar upgrades and reinforce the government’s “generational reform” of the water sector.

The Plight of Lollipop People Lollipop people in Britain are facing a crisis of abuse and aggression from drivers. Despite their crucial role in ensuring the safety of schoolchildren, they are often subjected to intimidation, swearing, and even physical threats. A Growing Problem The issue is not limited to Ipswich, where a 61-year-old lollipop person, Lynne Gorrara, has been working for 10 years. She and her colleagues have reported instances of drivers speeding towards them at 50mph, and some have even waved as they pass. The problem is part of a larger trend of rising road rage and aggressive driving in the UK. Statistics Reveal a Worrying Trend More than 3.5m motoring offences were recorded by police in England and Wales in 2024, the highest figure since records began. The number of crimes committed in the UK that mentioned "road rage" or "aggressive driving" in police logs increased by 34% in three years. There were 42m vehicles on Britain's roads in 2025, a rise of more than 5m in a decade. The Human Impact The abuse and aggression faced by lollipop people can have a profound impact on their well-being. Gorrara and her colleagues have reported feeling scared, anxious, and even traumatized by their experiences. Some have even received death threats. A Call to Action The issue of abuse and aggression towards lollipop people is a reflection of a broader societal problem. It highlights the need for greater awareness and education about road safety and the importance of respecting those who work to keep our roads safe. Suffolk county council's introduction of body-worn cameras is a step in the right direction, but more needs to be done to address the root causes of this problem. The Future Outlook As the number of vehicles on Britain's roads continues to rise, it is likely that the problem of abuse and aggression towards lollipop people will only worsen. It is essential that councils, police, and the public work together to create a safer and more respectful environment for those who work to keep our roads safe.

The Life of a Multifaceted ArtistRay Burgoyne, a painter, carpenter and musician from Essex, has died aged 80. He first exhibited his paintings in the late 1980s and spent the next 30 years organizing countless exhibitions across the Essex and Suffolk coastline. Burgoyne was self-taught and arrived in the art world with a seemingly fully realised, studied vision.An Artistic Journey of Abstract ExpressionThe extensive body of work Burgoyne produced mirrored the abstract ballad that was his life – romantic, unpredictable, filled with both childlike simplicity and dark complexity. His paintings featured carnivalesque characters, forgotten landscapes, and were painted in pure, deep colors. When viewing his more abstract paintings, typically characterised by thick oil application and conjured shapes, he was often confronted with the question: "So, what is it actually meant to be?" to which he would reply with that unmistakable Ray smile, "It's whatever you think it is."Early Life and Musical RootsBorn in Southend-on-Sea, Essex, Ray was the youngest of two children of Joseph Burgoyne, a greengrocer, and Dolly (nee Nash). His early life was characterised by fierce independence, spent trying to ride on the back of his pet pig, Rosie, pretending to be one of Alan Ladd's cowboys, fishing at the end of the pier and drinking in seafront dance halls to the soundtrack of the Shirelles.The Mod Scene and Musical CareerBy the early 60s, Ray was at the heart of the emerging mod scene in Southend as a founding member and drummer for the Flowerpots, a local rhythm and blues band who opened for the Animals and the Who. He stayed in the band until 1966, demonstrating his early artistic expression through music before transitioning to visual arts.Carpentry and Family LifeRay dreamed of going to art school, but after leaving Wentworth high school for boys, aged 14, was sent to work at a cabinet maker's as an apprentice carpenter. He continued to work as a carpenter throughout his life, at a boat-building yard in Leigh-on-Sea, doing shop fitting and antique restoration around Essex, and installing shows for the Design Centre in central London. In the mid-70s, he became master carpenter at the Palace theatre in Westcliff-on-Sea, building and constructing sets for repertory productions.Personal Relationships and Later YearsIn 1968 he married Sylvia, and they had four children, Claire, Paul, Helen and Sam. Ray and Sylvia divorced in 1986, and Ray married Gilly, a student nurse, later that same year. They had two children, Phelan and the author of this obituary. After the family moved to the village of Friston, in Suffolk, in 1999, Ray finally became a full-time artist.Artistic LegacyRay exhibited both solo and in groups, primarily in the nearby seaside town of Aldeburgh, with established and fledgling artists. He is survived by Gilly, his six children and 15 grandchildren. His artistic legacy continues through his extensive body of work that captured the romantic, unpredictable nature of his life through abstract expressionism and deep, pure colors.

The Shift from YBA Chaos to Suffolk SolitudeJohnnie Shand Kydd, once the unofficial chronicler of the Young British Artists (YBAs), has pivoted his lens from the chaotic, hedonistic nights of the 1990s art scene to the quiet, introspective landscapes of Suffolk. His new photobook, Ramsholt, captures the mundane yet profound moments of his dog-walking routine, offering a stark contrast to the explosive creativity he once documented.Documenting the Birth of the YBA MovementShand Kydd's early career was defined by his access to the inner circle of the YBAs, including Tracey Emin, Damien Hirst, Sarah Lucas, and Sam Taylor-Johnson. Unlike traditional studio portraiture, his images—collected in the 1997 book Spit Fire—showed these artists in candid, unguarded moments of partying and debauchery. He recalls that the "studio" was often a nightclub, where intense creative conversations occurred amidst the chaos.Subject Matter: Hirst balancing hats, Emin in a rubber dinghy, and the collective boozing of the era.Trust Factor: Shand Kydd leveraged his background as an art dealer to gain the trust of notoriously difficult subjects.Stamina: He admits to struggling to keep up with the 48-hour benders that defined the era's work ethic.The Legacy of the 1990s Art SceneThe YBA era was characterized by a rejection of traditional materials and a belief that "everything and anything is possible." Shand Kydd argues that these late-night revelries were actually extensions of the creative process, serving as incubators for ideas that would later define contemporary art. He notes that the optimism of that period, where Damien Hirst famously believed "No" didn't exist, was a driving force behind the movement's success.Death, Rebirth, and the Personal Cost of CreativityWhile his past work celebrated the vitality of youth, Ramsholt confronts mortality. Tracey Emin famously critiqued the new work, stating, "Your photographs are all about death." Shand Kydd embraces this, viewing the images of barren fields and rotting wood as part of a natural cycle of reincarnation. He connects this visual language to his own family history, using the landscape to process past tragedies.Future Outlook: The Enduring Artist-Photographer BondDespite the decades that have passed, the relationships forged during the YBA boom remain strong. With Tracey Emin curating his exhibition and Sam Taylor-Johnson developing a film based on his images, Shand Kydd's legacy is secure. His work suggests that while the art world changes, the fundamental human need to document life—and the inevitable cycle of life and death—remains constant.