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The Lead: China's AI Challenger ReturnsChinese AI startup DeepSeek has unveiled its latest artificial intelligence models, positioning itself as a formidable competitor to US tech giants like OpenAI and Google. The release comes just one year after DeepSeek's flagship model sent shockwaves through the global tech sector with capabilities comparable to established Western AI systems.The Technical Breakthrough: New Model CapabilitiesDeepSeek launched preview versions of two new models on Friday: DeepSeek-V4-Pro and DeepSeek-V4-Flash. The Hangzhou-based company touts these models as direct competitors to Western offerings, with the "pro" version specifically designed to outperform rival open-source models in mathematical and coding capabilities.Performance Claims: Benchmarking Against GiantsIn its announcement, DeepSeek claimed that the V4-Pro model beats all rival open models for math and coding, trailing only Google's Gemini-3.1-Pro in world knowledge. Meanwhile, the V4-Flash model offers similar reasoning abilities to the pro version while providing faster response times and more cost-effective pricing, potentially giving it an edge in commercial applications.Industry Impact: The AI Race IntensifiesThe release underscores the rapidly evolving global AI landscape, where Chinese companies are increasingly challenging Western dominance. DeepSeek's previous model, DeepSeek-R1, gained particular attention when its developers claimed it was built for less than $6 million in computing costs—a fraction of the multibillion-dollar budgets typical in Silicon Valley. This cost efficiency prompted Silicon Valley venture capitalist Marc Andreessen to hail the original model's release as "AI's Sputnik moment."Future Outlook: Global AI Competition and Regulatory ChallengesAs DeepSeek advances its technology, the company faces ongoing regulatory hurdles. Multiple countries including the US, Australia, Taiwan, South Korea, Denmark, and Italy imposed bans or restrictions on DeepSeek-R1 citing privacy and national security concerns. The company's ability to navigate these challenges while continuing to innovate will likely shape the future of global AI development and competition.

The rise of generative AI has sparked concerns about its impact on the art world. Artists are seeing their work stolen and used to train AI models without consent or compensation. This has led to a heated debate about the role of AI in creative industries and the need for regulation.In 2022, the author, an artist, first started to see knock-offs of their work generated by AI image generators. The tech industry's approach has been to move fast and break things, with little regard for the consequences. The author argues that this is the greatest art heist in history, with billions of images harvested from the internet without credit, compensation, or consent.The tech lords knew what they were doing, with venture capitalist Marc Andreessen claiming that enforcing copyright law would “kill” the entire industry. The industry's narrative of inevitability is a way of getting people to comply in advance. The author notes that people seemed utterly unprepared to question the impact of AI on creative industries.In response, journalist Marisa Mazria Katz and the author launched an open letter demanding to keep AI-generated images out of newsrooms. The letter attracted thousands of signatures from around the world. Other artists have fought back in more powerful ways, including a lawsuit against leading image-generation companies Midjourney and Stability AI.The author argues that the tech elite's anti-humanism is revealed in their attacks on art. They shun human interaction and its serendipities, annoyances, and joys. The author notes that friction is the basis of all pleasure and that learning to make art is also friction.The impact of AI on creative industries has been devastating, with many artists out of work and entry-level illustration gigs annihilated. The audience will have to get used to the fact that generative AI is a tool to discipline and eliminate the human worker. The author argues that this is sold as progress, but it is actually a dystopian future.The author draws parallels with the luddites, who fought against the “satanic mills” and were skilled artisans fighting for their way of life. Artists too are fighting for a way of life, and if they are too disorganised to triumph, that will be everyone’s loss. The author concludes that AI companies' scraping may have started with the work of illustrators, but it has grown to encompass everything else, including culture, education, sanity, and our very imaginations.