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The LeadLegendary actor Laurence Olivier has been posthumously honored with an English Heritage blue plaque at his former London home in Pimlico, where he discovered his acting talent as a child. The plaque was unveiled by fellow acting legend Ian McKellen, marking a significant tribute to one of Britain's most celebrated theatrical figures.A Historic HomecomingThe blue plaque was installed at 22 Lupus Street in Pimlico, the very residence where Olivier lived from the age of five to twelve. It was during this formative period that the young Olivier discovered his talent for acting under the guidance of his father, who served as a curate at St Saviour's church across the road. This location now joins the prestigious list of homes honored with English Heritage blue plaques, including those of David Garrick, Henry Irving, Oscar Wilde, and Noël Coward.Tributes from a Fellow LegendIn a heartfelt ceremony, Ian McKellen delivered a moving tribute to Olivier, acknowledging the actor's enduring impact on British theatre. McKellen reflected on the transient nature of theatrical fame, noting that actors are often forgotten within two decades of their death, but emphasized that Olivier's memory continues through multiple channels: not only through having a theatre and an awards ceremony named after him, but more significantly through the timeless glow of his performances.McKellen shared personal anecdotes, revealing that although he never had the opportunity to act alongside Olivier, he was briefly part of his National Theatre company at the Old Vic. He recounted how Olivier had sent a message to his agent expressing that he was 'haunted by the spectre of lost opportunities' when McKellen left the company. McKellen also performed a rousing rendition of the 'once more unto the breach' speech from Henry V, a performance Olivier had recorded as part of a campaign to save the Rose theatre.Olivier's Enduring LegacyThe ceremony highlighted Olivier's profound influence on British theatre and culture. Indhu Rubasingham, the National Theatre's artistic director, spoke movingly of Olivier's courage and vision in creating a National Theatre company from scratch, despite never having the opportunity to see him perform on stage. The Olivier Theatre and the prestigious Olivier Awards stand as testaments to his lasting impact on the theatrical world.Those who attended the ceremony, including McKellen himself, shared memories of having witnessed Olivier's performances during their youth, underscoring the generational nature of his influence. The actor's ability to captivate audiences across decades continues to inspire new generations of performers.The Making of a MasterThe plaque unveiling also brought attention to the formative influences that shaped Olivier's extraordinary talent. As a child living in Pimlico, Olivier was not only a choirboy at St Saviour's church but was deeply influenced by the powerful sermons delivered by his father and other preachers. Olivier later recalled how these religious orators demonstrated masterful techniques: 'They knew when to drop the voice, when to bellow about the perils of hellfire, when to slip in a gag, when to suddenly wax sentimental, when to turn solemn, when to pronounce the blessing.'These early experiences in Pimlico likely contributed to Olivier's understanding of dramatic timing and emotional delivery—qualities that would later define his legendary performances on stage and screen. The church, incidentally, is also notable as the place where a young Diana, Princess of Wales, worked as a kindergarten assistant, adding another layer of historical significance to this corner of London.

The LeadRenowned actress Linda Bassett reflects on her distinguished career spanning decades of theatre work, her celebrated collaboration with playwright Caryl Churchill, and her upcoming role in Alexander Zeldin's "Care" at the Young Vic. Known for her understated yet powerful performances, Bassett shares insights into her approach to acting and the profound impact of theatre on her life.The Career JourneyBassett's path to acting wasn't conventional. Despite coming from a non-theatrical family, she discovered her passion at age four when she was unexpectedly thrust into a Sunday school Easter play. "I was in bliss," she recalls. Her formative years included ushering at the Old Vic during Laurence Olivier's legendary tenure, where she witnessed groundbreaking performances and even sold ice creams during intermissions.After briefly studying English at Leeds University, where she focused on drama rather than academics, Bassett began creating devised work in Leeds and Coventry. This experience, she suggests, "made me a bit gobby," developing her confidence to make suggestions as an actor, though she admits she sometimes oversteps when working with certain playwrights.The Churchill ConnectionBassett's most significant artistic relationship has been with playwright Caryl Churchill, beginning with "Fen" in 1983 and continuing through to "What If If Only" in 2021. She describes auditioning for Churchill as "enormous" because it launched her on a particular trajectory. Her disconcerting clarity has made her a peerless interpreter of Churchill's work, which some audiences find forbidding."They're not hard to watch," Bassett protests of Churchill's plays. She recalls her iconic monologue in "Escaped Alone" where the phrase "terrible rage" is repeated 25 times in succession. "It was the only thing to say at that point. The words fed the feeling, and it was the audience who felt it, not me, which is ideal." Churchill's writing, she notes, is "so distilled, no excess baggage," requiring actors to find "the one way" to play them.From Call the Midwife to CareDespite notable film roles including "East Is East" and "Calendar Girls," many audiences know Bassett as stern nurse Phyllis in the BBC's "Call the Midwife." "Complete strangers come up and say, I love you. My wife loves you, my mother loves you. It's extraordinary," she remarks of the public's connection to the character. Despite playing Phyllis for over a decade, she found fresh aspects to explore, learning "how to be" more matter-of-fact and practical than her natural disposition.Currently rehearsing Alexander Zeldin's "Care" at the Young Vic, Bassett plays Joan, a woman who after caring for her family begins showing signs of dementia and needs care herself. "She's convinced, as many people are, that she's just in for respite. She never loses the idea that she's going home," Bassett explains. The role draws from personal experience; after a heart attack, she spent two weeks recuperating in a care home, giving her "an insight into what it's like when you become helpless."The Actor's Philosophy"Every part is an education," Bassett states. "That's the glory of being an actor. You learn about human feelings and frailty and rottenness. The writer puts their soul on the page, and you inhabit that. I've always felt I was a writer's actor." This philosophy has guided her selective approach to roles, resulting in a "remarkably free of crap" CV despite turning down numerous opportunities.Though she hasn't performed as many classics as she might have hoped—"I think I'm seen as a working-class actress"—Bassett values the authenticity she brings to her roles. With Zeldin directing "Care," she appreciates his desire for "absolute truthfulness," which "suits me down to the ground." As she prepares for this new challenge, she acknowledges the nerves: "Every new part you're starting again. It's a bit scary, but I think we'll be all right."The Future of TheatreAs a veteran performer who has witnessed theatre's evolution, Bassett remains committed to the medium's power. She recalls the impact of Ronald Pickup's messenger speech in Peter Brook's production of Seneca's "Oedipus": "People fainted every night. You didn't see anything, his voice was enough. That's the power of theatre, isn't it?"Looking ahead, Bassett continues to seek roles that challenge her and explore the human condition. Whether through her meticulous interpretation of complex playwrights like Churchill or her willingness to portray the vulnerability of aging in "Care," she remains dedicated to the craft that has defined her life. "Every part is an education," she reiterates, and with each new role, Linda Bassett continues to learn, grow, and enrich the theatrical landscape.