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The Lead Dame Judi Dench is to have a West End theatre renamed after her, becoming only the second non-royal woman to be honoured in such a way. The Shaftesbury theatre will be known as the Judi Dench theatre from February 2027 in celebration of the actor’s “unparalleled contribution to British theatre and the performing arts”. The Renaming of Shaftesbury Theatre The theatre said Dench was “one of the greatest actors of our time” and that the name change would “ensure Dame Judi’s legacy continues to inspire future generations of performers and audiences alike”. Dench has a long association with the Shaftesbury, which is one of the largest independent theatre in London and is the only West End location with a dome that opens. The Significance of the Renaming The Shaftesbury theatre was originally called New Princes theatre, but its name was changed in 1962 to honour the original Shaftesbury theatre, which was destroyed in the Blitz. The renaming will follow a renovation, including restoration of the building’s dome and backstage area. It is unusual for a theatre to be named after a living person. The vast majority were named posthumously to honour men, including John Gielgud, Harold Pinter and Noël Coward. The Impact on the Theatre Community Dench said: “The Shaftesbury theatre has always held a special place in my heart. My relationship to the Theatre of Comedy and to the Taffner family goes back many years, and to have this beautiful theatre renamed after me is truly overwhelming. Live theatre continues to be so important as a way of telling stories and entertaining audiences, something I have aimed to do all my working life.” The Future Outlook The Shaftesbury renaming is more firmly tied to Dench’s career, with the theatre’s chief executive, Eleanor Lang, saying: “We don’t celebrate brilliant women enough in our West End theatre names, so we are delighted that her name will be forever in lights above our doorway.” Dench, 91, has been vocal about ageing and has talked about how macular degeneration has affected her career.

The Life and Legacy of Michael Pennington The actor Michael Pennington, known for his Shakespearean work and his role in the original Star Wars trilogy, has died aged 82, his agent has said. Shakespearean Career and Achievements Pennington, who is listed as an honorary associate artist with the Royal Shakespeare Company, also founded and ran the English Shakespeare Company alongside the theatre director Michael Bogdanov. He played Hamlet, Mercutio and Macbeth, as well as King Lear, Richard II and Henry V. He appeared as Coriolanus, Timon of Athens, Angelo, Leontes and Jack Cade across a 60-year career. He directed Twelfth Night in the UK, Tokyo and Chicago and the Hamlet Project for the National Theatre Bucharest. Tributes and Reflections His fellow actor Miriam Margolyes remembered him as an “old friend, from Cambridge days, a very fine actor, brilliant, wise, clear”. She said: “I am sad beyond measure,” adding: “Bless your dear memory, old chum.” Giving the 2004 British Academy Shakespeare lecture, Pennington described how he had first developed a fascination with the playwright’s work. “Like trying to establish the moment when one first stood up and walked, it is hard for many of us to remember when Shakespeare first entered our lives; but my own memory is extremely precise. Shakespearean verse hit me like a hammer when I was 11. Impact on Theatre and Film Pennington had a long-running association with Bogdanov, who cast him as the lead in Seán O’Casey’s The Shadow of a Gunman in 1980, and in Tolstoy’s Strider: The Story of a Horse, three years later. He worked with Dame Judi Dench and her husband, Michael Williams, starring in King Lear together in the 1970s, among other productions. Alongside his stage work, Pennington appeared in more than 70 onscreen productions – including the third instalment in the original Star Wars trilogy, Return of the Jedi, as the Death Star commander Moff Jerjerrod. Cause of Death and Final Tribute Pennington’s agent, Lesley Duff, said: “After a long and wonderful life and career, Michael Pennington died peacefully in the early hours of Thursday 7 May at Denville Hall.”

The author spent a month testing Meta's smartglasses, which feature an integrated AI assistant voiced by Judi Dench. The glasses can take photos, provide directions, and answer questions, but the author found them to be unreliable and frustrating to use.The glasses raise significant privacy concerns, with the author noting that they can be used for covert recording and that people may not be aware when they are being filmed. The author also experienced creepy feelings while wearing the glasses, particularly when they were used to record strangers without their consent.The author concludes that while smartglasses have the potential to be useful assistive technology for people with disabilities, they are not yet reliable or functional enough to be widely adopted. The author also notes that Meta's plans for facial recognition and data collection raise significant concerns about privacy and surveillance.Experts warn that smartglasses may become a flashpoint in a bigger, existential discussion about how much integration we want with technology, and that regulation is needed to protect bystanders' privacy. The author ultimately decides that the glasses are not worth the risks and drawbacks, and that people should think carefully before adopting this technology.