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Visual Chronicle of Georg Baselitz’s Career The Guardian’s latest feature assembles more than 150 photographs spanning six decades, offering a rare visual narrative of German painter and sculptor Georg Baselitz from his early apprenticeship to his recent retrospectives. The Guardian’s Photo Retrospective Unveiled Published on 30 April 2026, the online gallery pairs archival images with commentary from curators at the Berlinische Galerie and the Städel Museum. Highlights include: 1965: First solo exhibition in Düsseldorf 1977: The controversial Die Umkehr series that cemented his reputation 1995: Major retrospective at the MoMA 2023: Installation of his monumental The Great Friends sculpture in Berlin Market Metrics: Baselitz’s Auction Records and Exhibition Attendance While the piece is primarily visual, recent figures underscore Baselitz’s commercial clout: 2024: Die große Nacht im Eimer sold for $12.3 million at Christie’s, a 15 % increase over its 2019 estimate. 2025: The Berlin retrospective attracted 120,000 visitors in its first month, surpassing the venue’s average by 35 %. 2026: Global online views of the Guardian feature topped 2 million within 48 hours. Shaping Neo‑Expressionism: Baselitz’s Enduring Influence Baselitz’s practice of inverting his figures challenged post‑war aesthetic norms and inspired a generation of artists from Anselm Kiefer to contemporary Neo‑Expressionist painters in Asia. Critics note that his willingness to “turn the canvas upside down” continues to inform debates on form versus content. Future Trajectory: Baselitz’s Legacy in the Digital Age As museums digitise their collections, Baselitz’s work is poised for renewed scholarly attention. The Guardian’s interactive timeline hints at upcoming virtual‑reality exhibitions, suggesting that his bold visual language will find new audiences through immersive tech.