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The Unlikely Motivation At 56, I am running my first marathon, an old, fat, bald dad surrounded by millennials in body-hugging Lycra and smiles that look AI-generated. But I am ahead of them. For they are only competing for positions and personal bests, and I am being chased by zombies. The Power of Zombies, Run! I started off accompanied by audiobooks, but when Ben Elton’s autobiography got a bit whiny, I remembered Zombies, Run! – an interactive running game for smartphones that came out years ago. That became my running companion. How the Game Works You start in the ruins of a shot-down chopper, with the voice in your ears trying to guide you to safety through the ranks of the undead. The interaction comes via short sections where you are told to run fast rather than lope. Overcoming Challenges Unfortunately, I spent the 90s playing football on hangovers and Red Bull without stretching once. My glutes and hamstrings give me constant pain after 10km, and the story is no longer enough to distract me. The Impact of Music Luckily, the best bit about Zombies, Run! is that you can link the game to a playlist on your phone, so you get a minute of narrative, then the music fades up for a bit before returning to the story. The Marathon Experience With Zombies on my back and banging tunes in the 170bpm range in my ears, I tore away, breaking my PB for 1km, 5km, 10km and half marathon as my band of apocalypse surviving chums and I investigated a weird ship and rescued a bunch of kids from an undead-strewn playground. The Unexpected Twist And then, at 15 out of 26 miles … my phone died. Suddenly, there was no distracting zombie story and no inspirational music. The Conclusion I got round. Eventually. But it was not Sonic the Hedgehog. It was more like Death Stranding, with your character carrying all of Swindon on his back.

The LeadSpotify has introduced a new AI-powered audiobook creation tool in partnership with ElevenLabs, allowing authors to self-publish audiobooks without exclusivity. The platform is expanding to support 10 more languages and aims to generate $100 million in annualized recurring revenue from its Audiobook+ subscriptions.AI Audiobook Creation Platform LaunchAlongside tools for AI-generated podcasts, Spotify on Thursday introduced a new, ElevenLabs-powered AI tool for self-publishing audiobooks within the Spotify for Authors platform. The company said at its Investor Day event that the feature will launch in beta this June on an invite-only basis, initially with support for the English language only.The AI-powered audiobook generation won't bind authors to an exclusive contract, meaning they are free to publish their generated audiobooks anywhere. This approach contrasts with some other platforms that require exclusivity for audiobook distribution.The news builds on Spotify's previous partnership with ElevenLabs, which allowed writers to submit audiobooks created on the voice AI startup's platform to Spotify. The audio streaming platform also already had a partnership with Google Play Books to allow for digitally narrated content. However, it may have wanted authors to access newer voice models that sound more expressive and human-like, like those offered by ElevenLabs. Notably, ElevenLabs had released its own self-publishing platform for authors in 2025.Financial Performance and Growth MetricsSpotify has increased its focus on audiobooks heavily in the last few years and has managed to build its catalog to 700,000 titles. Through these initiatives, the company has managed to bump up listening hours by 60% year-on-year, the company claims. Spotify also said that more than half of its audiobook listeners started in the last year.To date, Spotify has clocked in over a million Audiobook+ subscriptions, and it is on track to generate $100 million in annualized recurring revenue for the platform. The company will expand its Audiobook+ plans this year to allow for higher listening limits and will add new options for students and families in the future.Industry Transformation and Market ExpansionSpotify is also expanding its "Spotify for Authors" platform to support 10 more languages, including French, Canadian French, German, Dutch, Latin American Spanish, Swedish, Finnish, Icelandic, Danish, and Norwegian. This expansion will significantly broaden the platform's reach and accessibility to authors and listeners worldwide.The company brought the program to international markets, made an investment in non-English titles, enabled in-app purchases, and released audiobook charts. This year, it also started a program for authors to sell physical books in the U.S. and the U.K., creating a comprehensive ecosystem for content creators.Future Outlook and User Experience EnhancementsAt the event, the company introduced a new way for users to ask questions using natural language for audiobook discovery. This summer, Spotify will also expand a feature that allows users to create prompt-based playlists for podcasts and music to include audiobooks, it said.These enhancements reflect Spotify's strategy to leverage AI not just for content creation but also for improving user discovery and engagement. The integration of natural language processing for audiobook discovery could potentially revolutionize how users find and consume audiobooks, making the platform more intuitive and user-friendly.

The Lead: A Gritty Coastal Tale Finds Its Voice in AudioBenjamin Wood’s debut novel Seascraper follows Thomas Flett, a 20‑year‑old shank‑worker dredging the North‑West English shoreline. The Guardian’s review praises the audiobook’s evocative narration, which captures the smell of fish guts, the rhythm of low‑tide labor, and Thomas’s secret dream of becoming a folk singer.The Opening Scene Sets a Gritty Coastal ToneThe story begins at five‑in‑the‑morning with Thomas pulling on oilskins, a routine that feels “considerably older” than his years. The reviewer notes how the narrator’s gentle delivery underscores the contrast between the protagonist’s hard‑bitten existence and his yearning for a different future.Audible Length and Production DetailsPenguin Audio released the audiobook, running 5hr 22min.The author, Benjamin Wood, narrates his own work, adding authenticity to the coastal dialect.A pivotal plot point involves an American director, Edgar Acheson, offering Thomas £100 for a guided beach tour.Implications for Regional Storytelling in AudiobooksThis review positions Seascraper as a case study in how localized, labor‑focused narratives can thrive in the broader audiobook market. By foregrounding a centuries‑old profession and a specific English locale, the production challenges the dominance of urban‑centric stories and demonstrates listener appetite for authentic regional voices.Looking Ahead: The Future of Coastal NarrativesAs streaming platforms expand their catalogues, titles like Seascraper suggest a growing niche for maritime‑themed fiction. The Guardian’s endorsement may encourage publishers to invest in more author‑narrated works that preserve dialect and place‑based storytelling, potentially reshaping the audiobook landscape toward greater cultural diversity.

Ella Hopkins recounts her experience of walking in London while wearing noise-cancelling headphones, absorbed in her own world, until one evening when she noticed a stranger in distress on the pavement. Without her headphones, she was able to respond and call for help. The incident made her realize how much she had been missing by being isolated in her own bubble of sound. She decided to ditch her headphones and become more aware of her surroundings. As she started to notice the world around her, Hopkins discovered a new appreciation for the city. She heard hedges humming with bees, snippets of conversations between friends, and preachers shouting about saving souls. She became more open to talking to people and even started learning about bird calls. Hopkins reflects on the benefits of being present, including a greater sense of connection to her community and a newfound appreciation for the beauty of nature. While she still enjoys listening to music and audiobooks, she now does so more consciously, as a choice rather than a crutch. The experience taught her the importance of being aware of her surroundings and the positive impact it had on her life. She concludes that sometimes, it's the simple act of being present that can make all the difference.