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The Crisis Facing Keir Starmer's Leadership Britain's Prime Minister Keir Starmer is facing the biggest crisis of his leadership after Labour's bruising council election losses caused panic inside the party. As Nigel Farage and Reform UK gain ground, we examine why Starmer's authority appears to be slipping before any formal challenge has even begun and whether Britain is entering another period of political instability. The Impact of Council Election Losses The losses have raised concerns about Starmer's ability to lead the party and maintain stability in British politics. With Reform UK gaining momentum, the situation is becoming increasingly challenging for Starmer. The Future of Labour and UK Politics As the situation continues to unfold, it remains to be seen how Starmer will address the challenges facing his leadership and whether Labour can recover from these losses. One thing is certain, however: the outcome will have significant implications for the future of UK politics. Credits and Connections Kieren Andrieu (@kieran_andrieu), Political Economist Episode credits: This episode was produced by Noor Wazwaz and Sari el-Khalili, with Spencer Cline, Tuleen Barakat, Catherine Nouhan and our host, Malika Bilal. It was edited by Tamara Khandakar. Our sound designer is Alex Roldan. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take's executive producer. Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

At the Cannes premiere of his new film “Bitter Christmas”, acclaimed Spanish director Pedro Almodóvar warned that filmmakers have a moral duty to speak out against the rise of far‑right politics, citing recent threats to free speech in Europe and the United States.Almodóvar’s Cannes Speech Highlights Growing Political TensionsSpeaking to reporters after the screening, the 76‑year‑old auteur emphasized that artists must address the political climate they inhabit, brandishing a Free Palestine badge as a visual cue. He warned that Europe “must never be subjected to Trump” and linked the silence of cultural figures to a broader erosion of democratic norms.Absence of Protest Numbers Underscores Cultural SilenceAlmodóvar noted the lack of visible protests at this year’s Oscars, contrasting it with a solitary “No to war and free Palestine” chant by Javier Bardem. While no concrete statistics were offered, the anecdotal evidence points to a shrinking space for public dissent within high‑profile entertainment events.Implications for European Film Industry and Free ExpressionIndustry leaders, such as Canal+ chief, face accusations of blacklisting actors who oppose right‑wing billionaire Vincent Bolloré.Far‑right parties are leading polls in France, Germany and the UK, raising concerns about future censorship.Almodóvar’s stance may embolden other directors to use festivals as platforms for political commentary.These dynamics suggest a potential clash between commercial interests and artistic freedom across Europe’s film sector.What This Means for Future Artistic ActivismIf Almodóvar’s call resonates, we may see a surge in politically charged premieres, open letters, and coordinated protests at major festivals. Conversely, studios wary of market backlash could tighten control over content, deepening the very self‑censorship Almodóvar decries. The coming months will reveal whether the moral duty he espouses becomes a catalyst for change or a rallying cry for industry pushback.

Google DeepMind's Shift in Labor Relations Google DeepMind, the artificial intelligence arm of Google, has agreed to enter formal talks with UK tech workers that could lead to trade union representation. This move comes amid growing staff concerns about the use of its AI by the US and Israeli governments' defence and intelligence. The Concerns Driving Unionization Hundreds of workers have signed petitions raising concerns about the application of the technology, with concern rising since the company's 2025 decision to drop a promise not to allow its technologies to be used in harmful weapons or surveillance that violated international norms. The Impact of AI on Labor Rights The move comes as Google is facing a court challenge from a DeepMind AI researcher of Palestinian heritage who alleges he was wrongfully dismissed after protesting against its work for the Israeli government. Israeli officials have credited Google's cloud computing with enabling 'phenomenal things [to] happen in combat' during the Gaza conflict. The Path Forward Google DeepMind declined to voluntarily recognise the unions for collective bargaining purposes, but said in a staff email on Wednesday that talks at Acas 'may lead to a formal ballot in a few months' time, giving all eligible employees the opportunity to vote on whether they want to be represented by the unions.' The Future of AI Development and Labor Relations A CWU source said: 'It's a concession that they need to address some of the serious issues on the shop floor. There's clearly a groundswell of opinion about the contracts they are expected to serve, for example the relationship with drone technology and the Israeli government and the relationship with the US military. This is definitely a step forward and they are not just shutting this off.'

The Lead: A New Global OrderRussian President Vladimir Putin and his Chinese counterpart, Xi Jinping, have signed a joint declaration following their meeting in Beijing, focusing on building a "multipolar world and a new type of international relations". The two countries also announced that they had signed a large package of deals solidifying bilateral cooperation in the future.The meeting came just days after United States President Donald Trump completed his own visit to China for a two-day summit with Xi.Establishing a Multipolar World OrderOn Wednesday, the Chinese Foreign Ministry said: "The two countries will also issue a joint statement on advocating for a multipolar world and a new type of international relations." Russian presidential aide Yuri Ushakov described this declaration as a 47-page policy document.A "multipolar world" is understood as one in which economic, military and diplomatic power and influence are placed in the hands of three or more countries, rather than just one or two."Xi is calling for a more multipolar world, where the US has less power and influence," Al Jazeera's Katrina Yu reported from Beijing as the meeting was under way.Both Putin and Xi have spoken out against the "unipolar" hegemony that they say the US has over the world.In 2022, shortly after the beginning of Russia's war with Ukraine, Putin accused the US of stoking hostilities in Ukraine to maintain its global influence."They need conflicts to retain their hegemony," Putin said during a speech. "The era of the unipolar world order is nearing its end."Chinese state media reported that during the latest meeting, Xi said to Putin: "The tide of unilateral hegemony is running rampant."Russia-China Relations Reach Unprecedented LevelA press statement posted on the Kremlin website said relations between Russia and China had reached "a truly unprecedented level and continue to develop".The Chinese Foreign Ministry statement said: "Both sides should follow the trend of peace, development, cooperation, and win-win results to promote higher-quality development of China-Russia relations."The statements added that bilateral cooperation extends to the worlds of economics, sport, education and the media.The Kremlin statement adds that this year marks the 70th anniversary of partnership between the Russian TASS news agency and the Chinese Xinhua news agency.Deepening Economic Cooperation and Moving Away from the US DollarThe Kremlin statement said Beijing and Moscow had signed around 40 intergovernmental, interagency and corporate documents. "Many of these focus on the further deepening of our economic cooperation," it noted.The statement added that, last year, trade between the two countries reached almost $240bn, while the Chinese statement said bilateral trade grew by 20 percent in the first four months of this year.Since the war in Ukraine broke out in February 2022, Russia has become increasingly reliant on Chinese technology and manufacturing. Last month, Bloomberg reported that Russia now imports more than 90 percent of the technology targeted by US and European Union sanctions via China, using Chinese suppliers and intermediaries to obtain components with military and dual‑use applications vital to drone production and other defence industries."Both sides should build on this momentum, deepen the alignment of China's 15th Five-Year Plan with Russia's development strategy until 2030, promote the upgrading of mutually beneficial cooperation in various fields, and serve the development and revitalization of both countries," the Chinese ministry statement said.The Kremlin statement said that nearly all import and export transactions between Russia and China are in roubles and yuan. "In other words, we have actually created a stable system of mutual trade that is protected from external influence and negative trends in the global markets," it said.Securing Energy Supplies Through Siberia 2 PipelineThe Kremlin said on Wednesday that an understanding had been reached for the route and construction of the long-delayed joint Siberia 2 pipeline, but details are still being negotiated. Once completed, the pipeline will transport 50 billion cubic metres of Russian gas annually to China via Mongolia, significantly expanding energy flows between the two countries.The Kremlin's statement said that Russia and China are actively cooperating in the sphere of energy."Our country is one of the largest exporters of oil, natural gas (including LNG) and coal to China. We are definitely ready to continue to ensure reliable and uninterrupted supplies of these types of fuel to the rapidly growing Chinese market," the statement said.As European markets have largely closed to Russia as a result of the war in Ukraine, China has emerged as a crucial buyer of Russian oil and other energy products, benefitting from steep discounts on Russian products.In December 2022, the Group of Seven (G7), the EU and Australia placed a cap on the price of Russian oil at $60 per barrel, ostensibly to reduce Russia's ability to fund its war in Ukraine. The cap was later reduced to around $48 by the EU and the United Kingdom.Expanding Educational and Scientific TiesBoth statements said Xi and Putin had agreed to expand student exchange programmes and cooperation between universities and research platforms to boost joint scientific research.

North Korea’s Naegohyang Women FC became the first North Korean team to visit the South in eight years, securing a 2‑1 semi‑final victory over Suwon FC Women to reach the Asian Women’s Champions League final.The Semi‑Final Comeback in Torrential RainThe match in Suwon on Wednesday, 20 May 2026 was played under heavy rain. Suwon took the lead in the 49th minute through Japanese striker Haruhi Suzuki. Six minutes later, Choe Kum Ok equalised for Naegohyang with a free‑kick header. In the 67th minute, prolific striker Kim Kyong Yong gave Naegohyang the lead with a header. A late penalty awarded to Suwon was missed by captain Ji So‑yun, sealing a 2‑1 win for the North Koreans. The two sides had already met in the group stage, where Naegohyang won 3‑0.Ticket Demand and Weather‑Hit Attendance7,087 general‑admission tickets sold out within hours of release.Cross‑Border Sports Diplomacy in a Charged AtmosphereThe semi‑final marked a rare North‑South sporting encounter, drawing a large contingent of spectators from civic groups backed by Seoul’s unification ministry. While many supporters remained silent, the event highlighted the unifying potential of women’s football amid political sensitivities.Final Preview: Naegohyang vs Tokyo Verdy BelezaNaegohyang will remain in the South for the Saturday final, where they will face Japan’s Tokyo Verdy Beleza at the same venue. The upcoming clash will test whether the North Korean side can sustain their momentum against a seasoned Japanese champion.

The Birth of a Musical Union Wagner Ribeiro de Souza, known as DJ Patife, embarked on a mission to bring Brazilian drum'n'bass to the UK in 1998. With a local compilation of techno, house, and jungle hits, news clippings, and a VHS tape of his club performances, he pitched his idea to Movement, a prominent drum'n'bass night in Britain. The energetic footage caught the attention of Bryan Gee, leading to a historic collaboration between Brazilian and UK electronic music scenes. The Evolution of Drum'n'Bass By the late 1990s, drum'n'bass in the UK had become stagnant, with the chaos of jungle being codified into rigid tracks. The Brazilian style, characterized by its ginga or swing, rooted in bossa nova samples and melodious instrumentation, revitalized the scene. This fusion brought together two distinct musical elements: Brazilian music and electronic music. The Cultural Exchange The exchange between Brazil and the UK not only influenced music but also opened doors to other electronic music genres. The UK introduced the Latin world to speed garage, two-step, and grime, while Brazil shared its rich musical heritage. This cross-cultural interaction paved the way for new artists and sounds. A New Generation of Artists Today, artists like Sherelle, a British producer and DJ, are at the forefront of this musical exchange. Sherelle's performance in São Paulo at the Gop Tun festival exemplifies the thriving connection between the two countries. The new generation of Brazilian artists, such as Spy, L-Side, and Level 2, are also making waves in the drum'n'bass scene, blending traditional Brazilian sounds with modern electronic music. The Future of Drum'n'Bass As drum'n'bass continues to evolve, the fusion of Brazilian and UK styles remains a vital part of its identity. With artists pushing boundaries and experimenting with new sounds, the genre is poised for further growth and innovation. The unlikely union of Brazil and the UK through drum'n'bass serves as a testament to the power of music to unite cultures and transcend borders.

The Apology and Investigation Channel 4's chief executive, Priya Dogra, has stood by the broadcaster's treatment of concerns raised by contestants on Married at First Sight, as she said she was “deeply sorry” for the distress of female participants making allegations of rape and sexual misconduct. Dogra said she believed the channel had acted appropriately at the time of the allegations, but had commissioned an external review to ensure the show was safe for those taking part. Allegations and Concerns An edition of the BBC's Panorama aired allegations by two women that they were raped by their on-screen husbands on Married at First Sight (MAFS) UK. They have not been named. A third woman, who agreed to be identified, Shona Manderson, accused her on-screen husband of subjecting her to a non-consensual sex act. All the men deny the claims. The BBC has since been contacted by a number of former MAFS UK cast members raising concerns, according to its culture and media editor, Katie Razzall. Response from Authorities The Metropolitan police also reiterated its appeal to anyone with allegations of abuse during the show to come forward. They are already in touch with Channel 4 and CPL, the independent production company that makes the show for the broadcaster. “We are ready to listen to them,” said the Met assistant commissioner Matt Twist. “We are ready to investigate.” Future Actions and Review Speaking at Channel 4's annual report, Dogra said that while she believed the broadcaster had acted appropriately, she had ordered external reviews to take a “second look”, given she only took up her role in March. “I have watched the programme and heard the women's accounts, which are very troubling,” she said. “Their distress is clear, and for that I am, of course, deeply sorry. Ian Katz, Channel 4's chief content officer, said: “I am very confident that, based on the knowledge that we had at the time, that we made the right decisions, that we ensured that women involved were kept safe when any issues were raised to us, that we gave them the appropriate support – and that we took the right decisions through the production process and beyond that. “But obviously these are serious allegations, and it's clearly right to take a second look at them and make sure that we got it right at the time and more importantly to look at whether there's anything we need to learn about how to make the show in future.” Reaction from MPs MPs on the Commons culture select committee have now written to Channel 4 about its handling and to Ofcom about its involvement, as well as the timeline for launching its own investigation into the allegations. Caroline Dinenage, the Conservative chair of the committee, said: “The horrifying allegations about Married at First Sight raise serious concerns over whether enough is being done to protect people taking part in reality television. Both Channel 4 and Ofcom, as the broadcasting regulator, have urgent questions to answer.”

The Mismatch of Mythologies This expensively rendered, eye-searingly bright animated feature from China rests on a truly weird premise. Tom and Jerry, the cartoon foes of yore, are chasing each other around a museum in present-day New York City when they are supernaturally transported, thanks to a magic compass doodah, to a quasi-medieval China where humans mix freely with gods and cryptozoological animals including phoenixes, gargoyles and talking rats. The Cultural Mashup So Tom and Jerry fall out of the sky in this brave new world, and the local residents of Golden City assume at first they must be gods, and Tom at least isn’t in any rush to disabuse them of this notion. Partly it’s because his newfound fame has helped catch the attention of Jade (voiced in the English dub by Janice Kawaye), a white-furred, blue-eyed opera cat in a red cheongsam dress. A Lack of Inventiveness Ultimately, this iteration of Tom and Jerry owes more to Kung Fu Panda and its orientalist coevals from the contemporary animated feature slop machine, and has none of the relentless inventiveness and pleasing amorality of the originals. Instead, we get lots of didactic lessons wrapped in candy-coated visuals about community and collectivist philosophy, eased down with a lot of frenetic action. The Climax and Conclusion The climax is all airborne dragons and fireworks; the fact it makes little sense doesn’t matter because it’s all about sensationalism, stimulating the amygdala with bright colours and noise to the point of overload. Tom and Jerry: Forbidden Compass is in UK and Irish cinemas from 22 May.

Shelagh Stephenson stages a spiky, after‑life comedy that pairs Mary Astell—England’s first feminist—with the canonical novelist Virginia Woolf. The two women, played by Phillippa Wilson and Tessa Parr, sip sherry, argue about religion, science and patriarchy, and ultimately expose how far feminist battles have come and how far they still have to go.The Play’s Premise: Aster and Woolf in a Shared AfterlifeThe narrative drops Astell into a liminal space that is neither purgatory nor heaven, a repository for women on the brink of historical oblivion. Woolf, already cemented in the literary canon, roams freely. Their contrasting fates—Astell shackled to a rope, Woolf unbound—set up a witty double act that explores independence, the silencing of women, and a surprisingly late‑developing taste for sherry.Production Details and Run InformationVenue: Live Theatre, NewcastleRun: Until 6 June 2026Director: Karen TraynorCast: Phillippa Wilson (Astell) & Tessa Parr (Woolf)Critical Assessment: Wit Over DramaStephenson’s script, the third in her “Cullercoats trilogy,” uses rapid banter and sharp humor to trace feminist progress from the 17th‑century treatise A Serious Proposal to the Ladies to modern literary discourse. While the dialogue is brisk and often silly, the play leans more toward conversation than high drama, leaving the deeper urgency of the feminist struggle somewhat under‑explored.Impact on Contemporary Feminist TheatreBy juxtaposing two women separated by centuries, the production spotlights enduring themes—patriarchal oppression, the fight for education, and the reclamation of agency. It signals a growing appetite in UK theatre for works that revisit historical feminist figures, encouraging audiences to reconsider the lineage of women’s rights activism on stage.Looking Ahead: The Future of Feminist Narratives on the UK StageIf the mixed critical response translates into audience interest, theatres may commission more plays that blend historical scholarship with contemporary humor. Expect a rise in productions that pair archival research with accessible comedy, using familiar literary icons to draw new, diverse audiences into feminist conversations.