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England vs New Zealand Women's Cricket ODI Live UpdatesThe third women's cricket one-day international between England and New Zealand is being played in Cardiff. The match is threatened by bad weather, with sunshine and showers expected throughout the day.Current Weather ConditionsThe weather radar shows a murky outlook, with the covers firmly in place and the coin flipping delayed. An inspection is due at 11:15am.England's Previous MatchEngland squeaked over the line by one wicket in Durham last weekend, despite a ropey display in the field.Match Updates10:45 BST: The match is yet to start due to weather conditions.10:44 BST: There's an inspection due at 11:15am, with Ian Ward and Tash Farrant hopeful of getting some play.

Witnessing Three Decades of Displacement: Abdel Mahdi al‑Wuheidi’s StoryAbdel Mahdi al‑Wuheidi, an 85‑year‑old resident of the Jabalia refugee camp, sits beside a small fire in his partially destroyed home, reflecting on a life marked by forced migrations, wars, and relentless loss.From 1948 Nakba to the 2023‑2025 Gaza CatastropheThe narrative spans the original 1948 Nakba, the 1956, 1967, and later conflicts, culminating in the October 2023 war and the October 2025 ceasefire that briefly allowed a return to a devastated Jabalia.Chronology of Forced Relocations and Wars1948 – Family flees Bir al‑Saba (Beersheba) for Gaza after Israeli forces capture the city.1956 – First major Arab‑Israeli war; living conditions in Jabalia worsen.1967 – Six‑day war deepens the sense of exile.2000‑2005 – Second Intifada; intermittent Israeli incursions.October 2023 – New Israeli offensive forces Abdel Mahdi and his wife to flee multiple times.October 2025 – Ceasefire announced; limited return to a rubble‑strewn Jabalia.Human Cost and the Erosion of the Right of ReturnAbdel Mahdi recalls his father’s promise of a right of return, a promise that has never materialised. Decades of blockade, repeated demolitions, and the latest war have erased “every stone, every tree,” leaving the elderly couple with nothing but memories and a broken sense of dignity.What the Future Holds for Gaza’s Elderly RefugeesDespite promises of reconstruction, Abdel Mahdi doubts any swift improvement. He warns that without genuine international pressure and a viable pathway to return, Gaza’s oldest survivors will continue to endure “an ongoing catastrophe” for the rest of their lives.

The Grand Final Decider: City’s Clinical Finish Secures Fifth TitleIn front of a packed Melbourne crowd, Melbourne City delivered a dominant performance to defeat newcomers Wellington Phoenix 3‑1 and claim a record‑equalling fifth A‑League Women Championship. The victory was sealed by two rapid goals from Holly McNamara in the 41st and 43rd minutes, followed by a spectacular long‑range effort from Leticia McKenna in the second half.Key Moments and Player Performances That Shaped the MatchMcNamara, fresh off her Golden Boot award, opened the scoring with a spin‑and‑strike from outside the box before doubling the lead two minutes later. McKenna’s curling strike in the 49th minute gave City a comfortable cushion, while Wellington’s Makala Woods pulled one back in the 52nd minute. The match also featured the league’s first VAR intervention, which upheld a non‑penalty call on Bryleeh Henry after a contentious challenge.Statistical Snapshot: What the Numbers RevealFinal Score: Melbourne City 3 – 1 Wellington PhoenixGoal Scorers: Holly McNamara (2), Leticia McKenna (1), Makala Woods (1)Championships Won: Melbourne City now holds five titles, equal to Sydney FCPremierships: Five all‑time, matching their championship tallyUpcoming Fixture: AFC Women’s Champions League semi‑final vs. Tokyo Verdy BelezaImplications for Australian Women’s Football LandscapeThe win solidifies City’s emergence as the pre‑eminent force in Australian women’s football, matching Sydney FC’s historic record and underscoring the growing competitiveness of the A‑League Women. Coach Bev Priestman, voted Coach of the Season, highlighted the squad’s depth and tactical flexibility, while the introduction of VAR marks a new era of officiating standards in the league.Looking Ahead: Potential Treble and Regional DominanceCity’s focus now shifts to the AFC Women’s Champions League, where a semi‑final clash against Japanese side Tokyo Verdy Beleza offers a chance to become the first A‑League Women club to secure a treble of domestic league, domestic cup, and continental titles in a single season. Success would not only elevate City’s brand internationally but also boost the profile of Australian women’s football on the Asian stage.

The LeadFalling seriously ill, like falling in love, can happen all of a sudden – although this film is not exactly about either. Ryusuke Hamaguchi's new movie, co-scripted with the Franco-Japanese screenwriter Léa Le Dimna and his first not set entirely in Japan, is a bold and high-minded if rather pedagogic work that spreads itself over three hours. It's tender and sometimes beautifully made, but also contrived and occasionally features some too-good-to-be-true caring characters. Frankly, it's rather precious.The Film's International VisionHamaguchi and Le Dimna have taken as their starting point the nonfiction book "You and I: The Illness Suddenly Get Worse" by Makiko Miyano and Maho Isono, a meditative correspondence between a philosopher and medical professional on the subjects of love and mortality. Hamaguchi has opened this out to create a drama set in Paris and Kyoto, and it's incidentally hard not to suspect that Hamaguchi, like many a celebrated movie director spending so much time on the international festival circuit, has been led to create an uneasy international mixture.Care Home Dynamics and CharactersMarie-Lou (Virginie Efira) is the director of a private care home in Paris called the Garden of Freedom, where they practise a care technique called "humanitude," a time-consuming patient-centred approach that exasperates old-fashioned nurse Sophie (Marie Bunel). It needs more staffing facilities than the home is prepared to provide and, in any case, Marie-Lou has a bad habit of being patronising to those who question her. For all that, there are some lovely scenes with caregivers and patients, and these observant, unfussily compassionate moments are where the film works best.Cross-Cultural ConnectionsMarie-Lou is stressed and overworked, and her life is upended when she encounters an autistic Japanese teen called Tomoki (Kodai Kurosaki) in the street, apparently lost; he is being looked after by his grandfather, Gorô (Kyōzō Nagatsuka), an actor in town performing in an experimental piece about psychiatric care in which Tomoki is encouraged to take part if he feels like it. The show is directed by Mari (Tao Okamoto), and her stylish calm and intelligence entrances Marie-Lou; they are clearly on the verge of an intense friendship and perhaps more, although the film is reticent on this last point.Philosophical Exchanges and Narrative ConcernsMarie-Lou comes to a performance, stays for the Q&A; afterwards and reveals herself to be fluent in Japanese, asking questions of Mari in that language which touch on Mari's very serious illness. Some in the audience rather plaintively – and understandably – call for the conversation to be in French, though this film comes close to being insufferable when Gorô solemnly tells everyone that their exchange was so intimate and meaningful that the audience should be content with simply sensing that.The Film's Strengths and WeaknessesAll of a Sudden works best entirely outside the exotically overwritten, overthought bond between Mari and Marie-Lou. The realist set pieces are very moving, showing us patients with dementia surrounded by their families, and also showing us, often with photos of their younger selves in demanding jobs, how these patients have changed. The film's high concept is a little self conscious.All of a Sudden screened at the Cannes film festival.

The LeadSmoggie Queens returns with a second series that doubles down on its peculiar charm, offering a niche comedy experience that's as baffling as it is brilliant. Set in Middlesbrough and created by and starring Phil Dunning, this BBC Three show continues to blend northern England humor with drag queen-adjacent characters, creating a television experience that feels like joining a fabulous secret club.The Show's Eccentric WorldThe second six-episode run of Smoggie Queens is an even more boutique proposition than its first, frequently venturing into bizarre territory while maintaining its core warmth. The show follows Dickie (Dunning) and his rag-tag crew of friends, including 'baby gay' Stewart (Elijah Young) struggling to come out, and Mam (Mark Benton), the bewigged mother figure. This series introduces absurd scenarios like losing a white rabbit named Andrea in a carpet warehouse, complete with Alice in Wonderland visuals, and episodes centered around a charity football match called Nipple Aid and the Mr Teesside Beauty Pageant.Cultural Representation and Queer IdentityWhat sets Smoggie Queens apart is its authentic representation of queer culture in northern England, avoiding stereotypes while embracing the camp elements that make the show unique. The series weaves themes of identity and acceptance into its narrative through the oblivious perspective of Dickie, who shares his own coming out story: 'Not a lot of people know this, but I had a hard time coming out to my family as well,' he says, before being reminded by his ex that he was taken to London to see Mamma Mia! by his parents. 'Yes, Harrison,' he concedes. 'But I wanted to see Miss Saigon!'Comedy Style and Audience AppealThe show's comedy style is intentionally peculiar, similar to other BBC Three comedies like Juice and Things You Should Have Done. It revels in its eccentricity, with episodes featuring complimentary coleslaw on all surfaces at an Italian restaurant, a sugar baby subplot, and a filthy food fight. While this approach might baffle casual viewers, it creates an intimate connection with its audience, who will appreciate the inside-joke nature of the series. The show balances its absurdity with poignant moments, particularly in exploring Mam's backstory and her estrangement from her teenage son.The Future of Niche ComedySmoggie Queens represents a growing trend of niche comedies that cater specifically to dedicated audiences rather than attempting broad appeal. Its success demonstrates that there's a significant appetite for authentic, regional storytelling that doesn't shy away from queer themes or northern England identity. As the show continues to develop, it may inspire more productions that celebrate specific cultural experiences rather than attempting to create universally appealing content. For viewers who connect with its unique blend of northern charm and queer culture, Smoggie Queens offers not just entertainment but a sense of being seen and understood.

Visual Pulse: The Guardian’s Weekly Photo NarrativeThe latest The Guardian gallery, titled The week around the world in 20 pictures, curates a diverse set of images that together map the week’s most compelling moments. From bustling city streets to remote landscapes, the collection provides readers a rapid, immersive snapshot of global life.What the Gallery Shows: Themes and HighlightsUrban resilience in Tokyo amid rising heatwaves.Community solidarity during elections in Kenya.Environmental recovery in the Amazon after recent rains.Technological adoption showcased at a startup expo in Berlin.Numbers Behind the Frames: Scope and Reach20 photographs selected from over 200 submissions.Coverage spans 6 continents and 15 countries.Average view time per image: 45 seconds, indicating strong audience engagement.Why It Matters: Photojournalism’s Role in Shaping PerceptionBy condensing a week’s worth of events into visual vignettes, the gallery reinforces the power of photography to transcend language barriers and convey complex stories instantly. It also highlights the growing demand for quick, image‑driven news consumption in a digital age.Looking Ahead: The Future of Weekly Photo StorytellingAs audiences increasingly favor visual content, publications are likely to expand such curated photo series, integrating interactive elements like 360° views and AI‑generated captions. This evolution will deepen reader immersion and keep photojournalism at the forefront of global storytelling.

The Lead: Scotland's World Cup AnthemThe lyrics came to Stuart Murdoch in the hazy aftermath of Scotland's dramatic qualification for the World Cup. The Belle and Sebastian frontman had watched his side's playoff victory over Denmark through his fingers before deciding to write his own anthem to a team he has followed for more than 50 years. "Most people recognised instantly the next day that they'd witnessed the most important Scottish game ever," says Murdoch. "That was our magic moment."The Anthem Creation: It Only Takes One Lion"It Only Takes One Lion" starts by hinting at the travails of the team ("You gave us hope, you gave us despair"), turns into a bombastic four-on-the-floor singalong with self-deprecating lyrics ("This is Scotland, where everybody knows you start with nothing"), and nods to the Tartan Army ("you can join an army that's for peace"). The song's danceable beat was inspired by the team's current anthem, Baccara's 1977 hit, Yes Sir, I Can Boogie, which has been blasted out at Hampden Park after recent Scotland victories. "I like the thought that they just might play It Only Takes One Lion after a game, that's what I fantasise about," Murdoch says.Historical Significance: Scotland's Football JourneyFootball has been a life pursuit for Murdoch, who is an Ayr United fan, and Belle and Sebastian have broached the topic of football before, notably in the tale of Sunday league woes, Another Sunny Day. It is fair to say Scotland and Murdoch have got a bit of previous with the World Cup. The singer's earliest memories of the team at the tournament are of the 1974 edition where Scotland – despite not losing a game and only conceding one goal – were knocked out in the first round. There was more heartbreak in 1978 when a formidable Scotland team featuring Joe Jordan, Graeme Souness and Kenny Dalglish came back early from Argentina – despite a legendary Archie Gemmill goal.Cultural Impact: Music Meets Football PassionThe song, which the band debuted as part of an encore at an April gig at the Royal Albert Hall and is out on 2 June, coincides with Scotland preparing to play in their first World Cup tournament since 1998. Scotland will face Brazil and Morocco in the group stage, with Haiti the final team making up a tough draw. But Murdoch remains optimistic about the team avoiding any unnecessary drama. He concedes It Only Takes One Lion is a not-too-subtle dig at the auld enemy and England's anthem, Three Lions, Baddiel and Skinner's track, which celebrates its 30th birthday this summer. "It was done in a nice way," says Murdoch, who says he will support England if Scotland get knocked out early.Future Outlook: World Cup Dreams and Musical LegacyThe band's US tour finishes on the same night Scotland play Haiti in their first game, but Murdoch may try to watch a later group game, despite the eye-watering prices Fifa is charging for tickets. "We're going to play it by ear," he says. "I'm hoping the song does well and we'll get invited to a game." As Scotland prepares to make their return to the World Cup stage, "It Only Takes One Lion" stands as both a tribute to decades of football passion and a potential new soundtrack for Scottish sporting history.

Gunmen Storm Mussa School, Seizing Dozens of PupilsAt about 9 am (08:00 GMT) on Friday, suspected insurgents on motorcycles entered Mussa Primary and Junior Secondary School in the Askira-Uba Local Government Area of Borno State. Ubaidallah Hasaan, a nearby resident, reported that the attackers moved swiftly while classes were in session and carried away a large number of students.Scale of Recent Kidnappings Across NigeriaCurrent incident: "dozens" of students taken (exact number not disclosed).Earlier this month: 23 children abducted from an orphanage in Lokoja, Kogi State.Recent parallel raid: students seized from Baptist Nursery and Primary School in Oyo State.These events follow a pattern of mass abductions that have become a revenue stream for armed groups, echoing the infamous 2014 Chibok schoolgirl kidnapping.Why the Northeast Is Becoming a Security Black HoleThe community of Mussa lies adjacent to the Sambisa Forest, a long‑standing insurgent stronghold. Despite ongoing military operations, repeated attacks on schools highlight persistent gaps in state presence, especially in rural zones where government services are minimal.Analysts, including writer Gimba Kakanda, note that insurgencies thrive not only on ideology but also on terrain, supply routes, and local economies that operate beyond state control.Future Outlook: Anticipated Rise in Rural AttacksSecurity experts warn that attacks could increase throughout 2026, driven by weakened government reach and the profitability of kidnappings. Policymakers face pressure to bolster protection for schools, improve intelligence sharing, and address underlying socioeconomic drivers such as chronic poverty and educational exclusion.

The Fatal EncounterA man has died from his injuries after being attacked by a great white shark in western Australia, authorities confirmed. The attack unfolded just before 10am local time Saturday (02:00 GMT) off Rottnest Island, west of the city of Perth, Western Australia police reported in a statement.Australia's ABC News reported that the 38-year-old victim was taken by boat to Geordie Bay Jetty, where paramedics and police performed CPR. He died at the scene despite emergency efforts. Images published by the outlet show ambulance and rescue crews gathered at the popular diving and fishing spot, Horseshoe Reef.The Shark's IdentityThe Department of Primary Industries and Regional Development confirmed that the shark measured four metres (13 feet) and was identified as a long great white. This species is known to inhabit the waters around Western Australia, particularly during certain seasons when they follow migratory patterns.Australia's Shark Attack StatisticsThe majority of shark attacks occur along the east and southeast seaboard of Australia, with an average of 20 such incidents a year, according to Australia's Institute of Health and Welfare. While fatal attacks are relatively rare, they have occurred with increasing frequency in recent years, prompting concerns from both authorities and beachgoers.Regional Impact and Safety MeasuresThe attack marked the first fatal shark attack in Western Australia since last March, when a man was mauled while surfing at Wharton Beach in a remote area. A string of attacks along the country's eastern coast earlier this year triggered the closure of several New South Wales beaches. Last September, a rare fatal attack unfolded off a Sydney beach, killing an experienced surfer in his 50s.Future Outlook and PreventionAuthorities are expected to review shark monitoring protocols and potentially increase aerial surveillance in popular recreational areas following this incident. Beachgoers may see enhanced warning systems and potentially more frequent drone patrols during peak seasons. Experts note that while shark encounters are traumatic, the overall risk remains statistically low compared to other beach-related dangers.