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Tech Apr 25, 2026

Altman Apologizes as OpenAI Faces Scrutiny Over Missed Police Alert in Canada Shooting

OpenAI CEO Sam Altman issued a public apology after the company failed to refer a banned account to…
The Apology Letter and Its Immediate ContextIn a letter posted on Friday, 25 April 2026, Sam Altman expressed deep condolences to the Tumbler Ridge community and admitted that OpenAI did not alert law enforcement about a user account that was banned in June 2025. The apology was shared on British Columbia Premier David Eby's social media and on the local news site Tumbler RidgeLines. What Happened: Timeline of the Shooting and OpenAI’s Actions10 February 2026: 18‑year‑old Jesse Van Rootselaar killed his mother and stepbrother, then opened fire at Tumbler Ridge Secondary School, killing five children and one educator before taking his own life.Twenty‑five others were injured in the attack.June 2025: OpenAI’s abuse‑detection system flagged Van Rootselaar’s account for “furtherance of violent activities” and banned it under the company’s usage policy.OpenAI considered referring the case to the Royal Canadian Mounted Police but concluded the activity did not meet its internal threshold for law‑enforcement escalation. Numbers at a Glance: The Human and Operational Cost8 victims killed (including the shooter’s mother and stepbrother).25 people injured.Account banned in June 2025; no police referral made. Why This Matters: Trust, Policy, and the Future of AI ModerationThe episode spotlights a growing tension between AI platforms’ content‑moderation autonomy and public safety obligations. Critics argue that OpenAI’s internal threshold for police notification was too high, potentially allowing warning signs to slip through. The incident has intensified calls from provincial leaders and civil‑society groups for clearer legal standards compelling AI firms to report credible threats. Looking Ahead: Regulatory Pressure and OpenAI’s Next StepsAltman pledged to work with all levels of government to prevent similar tragedies. Analysts expect:Possible legislative proposals in Canada mandating real‑time reporting of violent‑intent signals by AI providers.Increased scrutiny from U.S. and European regulators who are already drafting AI‑risk frameworks.OpenAI may tighten its threat‑assessment algorithms and lower the threshold for law‑enforcement referrals. Bottom Line: A Turning Point for AI AccountabilityThe apology does not erase the loss, but it underscores a pivotal moment where AI companies must balance user privacy with proactive safety measures. How OpenAI and its peers respond could reshape industry standards and public confidence in generative‑AI platforms for years to come.
#Sam Altman #OpenAI #Jesse Van Rootselaar
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Entertainment Apr 25, 2026

The 'Wedding of the Year' Rumors: Dua Lipa and Callum Turner's Palermo Nuptials

Rumors are swirling that pop superstar Dua Lipa and actor Callum Turner will marry in Palermo this …
The Rumored Nuptials in SicilyPop superstar Dua Lipa and actor Callum Turner are at the center of a media storm following reports that the couple plans to marry in Palermo, Sicily, this June. The speculation has been fueled by a series of visits the pair made to the city last July, where they were photographed strolling through baroque alleys and enjoying local cuisine. Local business owners, such as Alessandro Minnone of Colletti bar, have expressed immense pride and honor at the prospect of hosting the international stars, describing the potential event as a significant milestone for the city.Speculation Over Venues and DatesDetails regarding the ceremony are emerging from Italian media, with conflicting timelines and specific location suggestions. While some reports initially suggested a September wedding, sources at Villa Igiea have confirmed that rooms for guests have been booked for June. The ceremony itself is not expected to take place at the hotel, but rather at one of the city's historic landmarks.Possible Venues: The Gallery of Modern Art (GAM), the restored Church of Santa Maria dello Spasimo, and Piazza Croce dei Vespri.Accommodation: An entire floor of suites has reportedly been reserved at the five-star Villa Igiea for guests.Palermo's Cultural Renaissance Meets Celebrity CultureThe potential wedding highlights Palermo's dramatic transformation over the last decade from a mafia battleground to a vibrant cultural capital. The city's appeal to high-profile figures is evident, with comparisons already being drawn to the 'wedding of the century' hosted by Jeff Bezos and Lauren Sánchez in Venice last year. However, unlike the Venice event, which was criticized for its disruption, the rumors surrounding Lipa and Turner suggest a more culturally integrated celebration that locals hope will boost tourism without overwhelming the city's charm.What the Future Holds for the CoupleDespite the lack of an official confirmation from the couple or their representatives, the anticipation is palpable. Local media suggests that the pair may soon return to Palermo to scout locations in person. For the people of Sicily, the arrival of the 'Wedding of the Year' would not only be a personal triumph for the couple but a validation of the city's enduring beauty and cultural resurgence.
#Dua Lipa #Callum Turner #Palermo
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Sports Apr 25, 2026

The End of an Era: How Football Focus Became a Casualty of Digital Media

After 52 years on air, BBC's Football Focus is being canceled due to changing media consumption hab…
The End of an Era for Saturday Football ViewingFor decades, Football Focus has been a cornerstone of BBC's Saturday football programming, alongside Final Score and Match of the Day. Now, after 52 years on air, the show is set to leave screens at the end of the current season. The cancellation reflects broader changes in how audiences consume media, particularly in the sports world where instant information has become the norm rather than the exception.A Legacy of Saturday AfternoonsFirst aired when Stamford Bridge's Matthew Harding Stand was still a matchday car park, Football Focus has enjoyed remarkable longevity. The show became appointment viewing for generations of football fans who relied on it for previews and analysis before the days of 24-hour sports news and social media updates. Its cancellation marks the end of an era for traditional football broadcasting, as the BBC continues its pruning exercise amid budget constraints.The Digital Revolution's Impact on Sports ProgrammingFootball Focus was conceived in an era when most households were just getting to grips with phones and long before insider gossip, live scores, and match highlights became available at the touch of a button on smartphones. The show has become an anachronism—a weekly preview program that often begins after the action is already under way, duty-bound to report on events that have already been exhaustively covered across digital platforms.As BBC Sport chief Alex Kay-Jelski noted, the decision reflects "the continued shift in how audiences engage with football." This shift has fundamentally changed the media landscape, with TV audiences declining for years while digital and on-demand viewing continues to grow.The Changing Face of Football BroadcastingCurrent host Alex Scott acknowledges the transformation: "When this show began all those years ago, social media wasn't a driving force, podcasts didn't exist, and there was no instant access to information in the way there is today. Now, by the time that we go on air, the reality is that you have already seen it, debated it and lived it across so many platforms."The cancellation comes at a bittersweet time for Scott, who has faced online abuse since her appointment five years ago. Ironically, some of those who bullied her may see the cancellation as vindication of their views, missing the point that Football Focus isn't ending because of its presenter, but because the media world has evolved in ways resistant to traditional broadcast models.The Future Landscape of Sports MediaAs Football Focus prepares for its final season, it serves as a case study for traditional media outlets navigating the digital age. The show's demise suggests a future where sports programming may need to become more immediate, interactive, and specialized to survive. With audiences increasingly consuming content on-demand and across multiple platforms, the linear, appointment-to-view model that sustained shows like Football Focus for over five decades may no longer be viable.The BBC's decision may signal more changes to come in its sports programming lineup as the broadcaster continues to adapt to shifting audience expectations and consumption habits in an increasingly fragmented media landscape.
#BBC #Football Focus #Alex Scott
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Sports Apr 25, 2026

FIFA Proposes One‑Game‑Abroad Limit for Domestic Leagues

FIFA’s working group has drafted a protocol that would allow each domestic league to stage only one…
FIFA’s New Protocol Caps International Club MatchesUnder a draft protocol from a FIFA working group, domestic leagues will be limited to one top‑division game abroad each season, while host countries may host a maximum of five foreign‑league matches. The proposal seeks clearer rules, stricter stakeholder approval, and safeguards for player welfare and revenue distribution.One‑Game‑Abroad Rule ExplainedEach league may relocate one competitive match to a foreign venue per season.Host nations can accommodate up to five matches from other leagues annually.All requests must be approved by the clubs’ national association, their confederation, the host country’s football association, and finally FIFA, which retains a veto.Stakeholder Approval Process and Veto PowerThe protocol mandates a multi‑layered sign‑off:Club national association – initial consent.Confederation (e.g., UEFA, CONMEBOL) – regional endorsement.Host country’s football association – local approval.FIFA – final right of veto, especially on player‑welfare or travel‑load concerns.If any party objects, the request is blocked, and the domestic league is not consulted when clubs push for an overseas fixture.Implications for European Leagues and the US MarketThe rule directly addresses recent controversies involving La Liga and Serie A, whose planned Miami and Perth fixtures were cancelled after political push‑back. By limiting exposure, FIFA aims to:Prevent a flood of European clubs targeting the lucrative North‑American ticket market.Ensure revenue from overseas matches is redistributed across the sport.Protect the integrity of domestic competitions and player health.The protocol also reflects FIFA’s desire to safeguard Major League Soccer and US Soccer interests, while avoiding legal challenges like the 2019 antitrust suit involving Relevent Sports.What the Next Season Could Look LikeFIFA hopes to finalize the protocol before the upcoming season, though no meeting date has been set. If adopted, leagues such as the Premier League will likely decline overseas moves, while clubs from leagues eager for US exposure may test the five‑match host limit. Ongoing debate among supporters, clubs, and governing bodies suggests the rule will remain a hot topic throughout the next campaign.
#FIFA #La Liga #Serie A
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Sports Apr 25, 2026

Surrey vs Essex and Kent vs Worcestershire: Day Two Highlights and Championship Implications

Day two of the County Championship saw Surrey post 325‑6 against Essex while Kent collapsed to 99‑7…
The Opening Action at The OvalSunny conditions at The Oval set the stage for a picture‑book day of cricket, with crowds spreading across the outfield as the first innings unfolded.Key Performances and ScorelinesSurrey 325‑6 vs Essex – Dean Elgar (92) and Paul Walter (101) anchored the chase.Yorkshire 373‑6 vs Sussex – Tom Price (93) and John Simpson (century) forged a vital sixth‑wicket partnership.Nottinghamshire 375‑8 vs Warwickshire – Josh Tongue claimed five wickets; Ed Barnard 134* and Chris Woakes 64 added depth.Kent 99‑7 vs Worcestershire – Zak Crawley (27) fell early; Matt Milnes rescued the innings with an unbeaten fifty.Lancashire 356‑7 vs Durham – Marcus Harris (century) and Kiran Carlson (95) kept the totals competitive.Gloucestershire 140* – Miles Hammond’s unbeaten knock rescued the side after Anuj Dal’s injury.Statistical SnapshotAcross the three Division One fixtures, four centuries were recorded and nine five‑wicket hauls were taken, highlighting a balance between batting firepower and bowling potency. The combined run tally for the day topped 2,300 runs, while the wicket count reached 27 dismissals.Championship Stakes After Day TwoSurrey’s solid total keeps them in contention for the top‑four, while Essex’s middle‑order collapse could see them slip down the table. Kent’s early loss puts pressure on their promotion push, whereas Worcestershire’s disciplined bowling may boost their relegation‑avoidance hopes.Looking Ahead: What Day Three Could HoldWith rain forecast for the Midlands, teams like Yorkshire and Nottinghamshire will aim to capitalize on the remaining sessions to solidify points. The next round of matches at Sophia Gardens and The County Ground will likely reshape the mid‑table battle, making every partnership and wicket crucial.
#Surrey #Essex #Kent
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Entertainment Apr 25, 2026

Venice Biennale Jury to Withhold Awards from Countries with Leaders Facing War Crimes Charges

The Venice Biennale jury has announced it will not award artists from countries whose leaders face …
The LeadThe Venice Biennale, one of the world's most prestigious art exhibitions, has taken a bold stance by announcing its jury will withhold awards from artists from countries whose leaders face war crimes charges. This decision, seemingly aimed at Russia and Israel, represents a significant intersection of art and international justice, potentially reshaping how cultural institutions respond to geopolitical conflicts.The Jury's Human Rights CommitmentThe five-member jury of the Venice Biennale has declared its commitment to "the defence of human rights," continuing the vision established by Koyo Kouoh, the Swiss-Cameroonian curator who was appointed to lead the 2026 edition before her death last year. In a formal statement, the jury announced it would refrain from considering artists from countries whose leaders have been charged with crimes against humanity by the International Criminal Court (ICC).The jury is responsible for selecting winners of the prestigious Golden and Silver Lion awards among the 110 artists participating in the event, which opens on May 9. This decision places art at the center of international political discourse, using cultural recognition as a tool for diplomatic pressure.The International Legal ContextThe ICC has issued arrest warrants for Russian President Vladimir Putin over alleged war crimes committed against children in Ukraine, and for Israeli Prime Minister Benjamin Netanyahu over alleged war crimes and crimes against humanity in Gaza. These legal developments have created a complex backdrop for the Venice Biennale, which has historically maintained a degree of political neutrality.Mayor of Venice Luigi Brugnaro confirmed that the jury had sent his council a letter stating they were unable to give awards to artists whose governments were under investigation by the ICC. Brugnaro emphasized that this was "an independent choice which we respect, just as the biennale is independent in choosing to have these pavilions."The Impact on International Relations and Cultural DiplomacyThis decision has significant implications for international cultural diplomacy. The Venice Biennale has faced intense criticism for allowing Russia to reopen its pavilion at the event, which runs until November 22. The controversy has escalated to the European level, with the European Commission announcing plans to terminate or suspend its €2m (£1.73m) grant for the exhibition due to Russia's participation.Italy's far-right government has also clashed with the biennale over Russia's reintroduction. Culture Minister Alessandro Giuli noted that the decision had been made "entirely independently by the Biennale Foundation, despite the Italian government's opposition." This tension highlights the growing divide between political institutions and cultural organizations in addressing international conflicts.The decision also reflects a broader shift in how cultural institutions are responding to geopolitical crises. Since Russia's full-scale invasion of Ukraine in February 2022, the biennale condemned the aggression and banned access to that year's event for anyone linked to the Kremlin. While Russia was never formally barred from participating, the country was absent from the 2022 and 2024 editions.The Future of Cultural Institutions in Geopolitical ConflictsAs the Venice Biennale moves forward with this controversial stance, it sets a precedent for how major cultural institutions might navigate politically charged environments. The jury's decision to prioritize human rights considerations over diplomatic neutrality represents a significant evolution in the relationship between art and politics.Ukrainian government officials have urged organizers to reconsider Russia's participation, arguing that the biennale must not become "a stage for whitewashing ... war crimes." This perspective has gained traction among various international cultural figures who see art institutions as having a responsibility to take positions on human rights issues.The Venice Biennale now faces the challenge of balancing artistic freedom with political responsibility while maintaining its status as a premier international art exhibition. The biennale has 30 days to respond to the European Commission's funding concerns, adding further complexity to this already delicate situation.
#Venice Biennale #Russia #Israel
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World Wide Apr 25, 2026

Overnight Russian Strikes Kill Five and Wound 30 Across Ukraine

Overnight Russian attacks in eight Ukrainian regions left at least 5 dead and 30 injured, with the …
Overnight Russian attacks in eight Ukrainian regions left at least 5 dead and 30 injured, with the city of Dnipro bearing the brunt of the violence. Widespread Strikes Hit Eight Regions, Dnipro Takes the Heaviest Blow Russian forces launched coordinated drone and missile raids across eight oblasts, targeting civilian infrastructure. The central city of Dnipro reported more than 20 wounded, including a nine‑year‑old child and two police officers. Separate attacks killed two people in Nizhyn (Chernihiv region) and caused injuries in Kharkiv, Odesa and Chernihiv. Human Toll and Infrastructure Damage Dnipro: >20 injured, residential building rescue operation underway. Nizhyn (Chernihiv): 2 fatalities. Kharkiv: 1‑year‑old boy among the wounded. Sloviansk and Kramatorsk (Donetsk): 1 injured each. Property damage: 6 homes, 5 high‑rise buildings, a post office and a church. Air Defence Response: 619 Drones and Missiles Launched, 610 Intercepted Total Russian ordnance: 619 drones + 47 missiles. Ukrainian air defences: 610 systems shot down or suppressed. Remaining threats: 9 missiles/drones evaded interception. Strategic Context: Civilian Targets and International Reaction President Volodymyr Zelenskyy condemned the attacks on X, noting that Russian tactics remain focused on “attack drones, cruise missiles, and a significant number of ballistic missiles” aimed at civilian infrastructure. The European Union, meanwhile, approved a new sanctions package targeting Russia’s energy, banking and trade sectors, with EU foreign policy chief Kaja Kallas urging swift implementation. Future Trajectory: Anticipated Russian Tactics and EU Policy Moves Analysts expect Russia to continue leveraging high‑volume drone swarms and missile strikes to pressure Ukrainian cities, especially as sanctions tighten. Ukraine’s ability to intercept the majority of incoming ordnance will be crucial, while accelerated EU sanctions could further strain Russia’s war economy and potentially alter the frequency or scale of future attacks.
#Russia #Ukraine #Volodymyr Zelenskyy
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Politics Apr 25, 2026

Civil Rights Activist Kimberlé Crenshaw on America's Race Backlash and the Power of Intersectionality

Civil rights scholar Kimberlé Crenshaw reflects on the political backlash against her pioneering wo…
The Erasure of a Scholar's LegacyWhen Donald Trump returned to office in January last year, one of his first acts was to sign an executive order intended to cut federal funding for any school teaching what the administration defined as "critical race theory." A raft of other orders mandated the termination of DEI (diversity, equity and inclusion) personnel, offices and training across the federal government. Federal agencies began flagging hundreds of words to avoid or eliminate, including "intersectional" and "intersectionality." All of which has amounted to 40 years of Kimberlé Crenshaw's work being literally and deliberately erased.The Architect of IntersectionalityFor decades, the 66-year-old legal scholar has been naming things that powerful people would prefer remain unnamed. In 1989, she coined the term intersectionality to describe the way race and gender overlap to shape lived experience, often in ways the law fails to recognize. Around the same time, she was one of a group of African American scholars who created the framework that came to be known as "critical race theory," which sought to examine how racism is embedded in legal systems rather than simply enacted through individual prejudice. Now, Crenshaw's ideas are being contested like never before.The Political Weaponization of Academic Concepts"Unfortunately, I did see this coming," she tells me over a video call from the California offices of the African American Policy Forum, the thinktank she co-founded. We are calling to discuss Crenshaw's new memoir, Backtalker, but the conversation soon shifts. "The fact that they are targeting this … it is because they understand the power of these ideas, the power of this history." Behind her, posters reading "History repeats when we forget" and "The freedom to learn is the freedom to live" hang alongside shelves of critical race theory texts and Black history books the likes of which have, in some states, become politically radioactive.The Cultural War Over "Woke" IdeologyWhat makes the intensity of this backlash striking is how recently Crenshaw's work entered mainstream public consciousness. Until a few years ago, ideas such as intersectionality and critical race theory remained largely within the domain of legal scholarship, academic debate and activist vernacular. It wasn't until 2020, when a loose coalition of conservative activists, media figures and politicians began elevating them as political flashpoints, that they were thrust into the centre of the culture wars. In the ensuing five years, this snowballed into all-out war against "woke," with critical race theory as its ultimate bogeyman. It became a byword for liberal overreach, a catch-all for everything that was wrong with the US in the eyes of the conservative right.The Fascist Narrative and American Democracy"Trump jumped on a bandwagon started by a few rightwing propagandists, claiming that intersectionality and critical race theory were anti-white, anti-male and anti-American," she says. "Fox News amplified this, and within weeks, these ideas were mentioned more than they had been in the previous four decades."Crenshaw, true to form, is not shy about naming what she considers to be the problem. "One of the keys of fascism is control of the nation's narrative," she says. "That, alongside creating a group of people that are legitimate targets of exclusion – an us and them – allows for the autocrat to be seen as the embodiment of the essential nation. And in the United States, we come prefabricated for that dimension of fascism to set into our politics."Why is it that so many white Americans are willing to continue to vote for a president that is demolishing democracy, so long as he's willing to affirm them effectively as true Americans?" she continues. "Because of the idea that those over there are different from us. They don't really belong. That is the way fascism works."From Childhood Inequality to Intellectual FrameworkIt is clearly in Crenshaw's DNA to confront injustice, as is evidenced in Backtalker, which chronicles her journey from witnessing inequality as a child to challenging entrenched power structures in law, academia and politics. "Being a backtalker is like being lactose intolerant," she writes. "There is BS that I cannot digest. To accept anything close to second-class status as the price of belonging sickens me."Born in Ohio in 1959, on the verge of the civil rights movement, Crenshaw grew up at a time of expanding yet restricted possibilities. She watched that tension unfolding in real time, in the speeches of Malcolm X and Martin Luther King Jr on television, and in discussions around the kitchen table, where her parents, dedicated anti-racist activists, treated politics as a daily practice. "As a Black child, I had early inklings that differences would matter in my life, even if I couldn't name them," she says.The Making of an Intersectional ConsciousnessOne such inkling came when her family moved to the predominantly white suburb of Canton, Ohio. "When we arrived, there were children playing everywhere," she remembers. "I was excited." But almost overnight, the children vanished. Neighbours treated the new family as intruders and shouted slurs when they walked by; an estate agent knocked on their door urging a quick sale.Perhaps the most formative incident came when she was five years old, and was the only girl in her all-white class who was not given the opportunity to play the princess, Thorn Rosa, in a school performance. "Thorn Rosa marks the stirring of my nascent awareness that my colour and my girlness were linked," she writes."You push that doubt down until something happens that forces it open," she tells me. "You realize that how others see you will shape your experiences. And that realization is traumatic."The Trauma of Loss and the Birth of ActivismWhat mattered, she says, was that those moments were not dismissed. "I credit my parents for taking them seriously," she says. "They refused to minimize what I experienced, even as a young child. That affirmation was freeing, it told me my feelings were grounded in reality and gave me permission to understand them."It was tragedy that would, in many ways, become the making of the young Crenshaw. She was eight years old when Martin Luther King Jr was assassinated in 1968 – a before-and-after moment in her life. The following day, young Black activists in Canton directed schoolchildren to the local church for a hastily organized memorial service. Crowded into pews, everyone was silent when the activists asked if anyone had anything to say about Dr. King. No one moved. It was Crenshaw who broke the silence, exhorting the crowd not to let his death be the end of the freedom struggle. "We pick up where he left off," she recalls saying. "We continue to walk in his footsteps. They can't kill his dream for us – not if we won't let them."Further devastation followed. A year later, her father, an apparently healthy 34-year-old, died suddenly, leaving the family reeling. Not long after, her older brother Mantel was shot and killed while at university. The circumstances were never fully explained, and justice never came. She writes of that period with unflinching candor: "Happiness was dead." These losses left an indelible mark, sharpening her awareness of the unevenness of justice in a world already structured by racial and social inequities.The Complexity of Solidarity and the Limits of "We"Crenshaw arrived at Cornell University in 1978, to a campus shaped by the afterlives of civil rights struggle and Black student organizing. It was there that she entered into a relationship with a fellow student that became physically abusive. In one incident, he beat her and tried to throw her from the window of her 10th-floor dorm room."We were eye-to-eye when he threw the first punch," she writes in Backtalker. "Pressed out of denial, I woke to the fact that he was going to beat the daylights out of me."What followed unsettled her understanding of community more profoundly than the violence itself. Rather than rallying around her, many of her peers – fellow Black students and friends – closed ranks around him. To involve authorities, they told her, would be to expose a Black man to a system already predisposed against him. The implication was that her suffering as a woman should be subordinated to a broader racial solidarity."The way that sexual violence against Black women has long been justified – framing us as unlikely ever to say no to any sexual encounter – you can know this historically, but then when you experience it interpersonally, you have to grapple with the fact that more people in your own community will come to the defense of your abuser than you," she says. "It really presses the question of 'what is solidarity supposed to look like?' she continues. "What does it mean to defend the 'we', when that 'we' often excludes me?"The Birth of Intersectionality in Legal TheoryCrenshaw returns to that question – of the instability of "we"– again and again. From arriving at Harvard Law School and being called the N-word on her first day, to being directed to enter the university's exclusive Fly Club through the back door because she was a woman – the Black male friends she was with, rather than challenge the slight, urged her not to make a scene. What she would later call "asymmetrical solidarities" revealed themselves in practice: loyalty expected but not returned. "I cannot bring myself to ride or die for a politics that won't ride or die for me," she writes of the incident.In legal terms, the problem came into focus when Crenshaw came across a 1976 case in which an African American woman was denied the ability to bring a discrimination claim against her employer on the grounds that the law could recognize race or gender, but not both at once. Her experience – specifically of being discriminated against as a Black woman – fell through the cracks and the case was thrown out of court. In 1989, Crenshaw identified this form of compound discrimination and gave it a name: intersectionality. Around the same time, she was part of a group of scholars developing what would become critical race theory, a broader attempt to understand how racism is a structural part of the legal system.The Promise and Limits of Political RepresentationIt is a lesson that would resurface, years later, in a very different arena. When Barack Obama was elected president in 2008, the language of "we" returned with renewed force – this time, as a promise. For many, Obama's election felt like a rupture with the past. But for Crenshaw, it quickly raised a familiar question."I didn't think it would happen in my lifetime," she says, of that initial hope after Obama's victory. "It felt like a miracle. My mother and I celebrated together on the phone – I was dancing on a table at Stanford and she was doing the same in her retirement facility. For her especially, it was a dream come true."But symbolism, Crenshaw suggests, has limits, particularly when it is used as a substitute for structural change. She found his reticence to address racial injustice head-on frustrating. Very quickly, the terms of Obama's political viability became clear."He had been framed as post-racial, beyond these issues," she says. "And that framing became a constraint on what he could say and how directly he could address racial injustice."Even when Obama did address racial inequality more explicitly in his second term – most notably after the killing of 17-year-old Trayvon Martin in 2012 – the focus, she felt, remained narrow, failing to address the systemic nature of the problem.The Future of Racial Justice in AmericaAs Crenshaw reflects on her life's work and the current political climate, she remains committed to the struggle for racial justice, even as her ideas face unprecedented opposition. "If speaking out means being at odds with people I love, well, so be it," she writes. "I still love them. I hope they still love me."Looking ahead, Crenshaw sees both challenges and opportunities in the fight for racial justice. The backlash against critical race theory and intersectionality, she argues, is a sign of the power these ideas hold to transform American society. "There's a long history in this country of using the threat of violence to keep people under heel," she observes. "But the resistance has always been there too, and it's getting stronger."As America continues to grapple with its racial legacy, Crenshaw's work – and the concept of intersectionality she pioneered – offers a framework for understanding the complex ways race, gender, and other identities intersect to shape experiences of discrimination and privilege. Whether this framework will survive the current political assault remains to be seen, but Crenshaw's decades of scholarship and activism have already left an indelible mark on American discourse and law.
#Kimberlé Crenshaw #intersectionality #critical race theory
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Entertainment Apr 25, 2026

From Mother Mary to Foo Fighters: Your Complete Entertainment Guide to the Week Ahead

The Guardian presents a comprehensive entertainment guide for the week ahead, covering cinema relea…
The LeadThis comprehensive entertainment guide from The Guardian covers all the cultural highlights for the week ahead, offering recommendations across cinema, music, art, theater, streaming, gaming, and more. Whether you're planning a night out or looking for quality content to enjoy at home, this guide has something for every cultural enthusiast.New Cinema ReleasesMother MaryOut nowAnne Hathaway and Michaela Coel play a pop star and a fashion designer embroiled in a psychosexual affair in this A24 drama-slash-thriller from director David Lowery. Also starring FKA twigs, Sian Clifford and Hunter Schafer.Rose of NevadaOut nowStarring George MacKay and Callum Turner, this is a sci-fi drama from director Mark Jenkin about a boat lost at sea for three decades that mysteriously reappears.Exit 8Out nowBased on the hit video game set in a Japanese metro station passageway, this high-concept horror has its protagonist, The Lost Man (Kazunari Ninomiya) trapped in a seemingly inescapable spatial loop.MichaelOut nowSeventeen years on from Michael Jackson's death, his estate-approved biopic finally arrives. Charting his rise from the Jackson 5 to Bad-era superstardom, the film features Jackson's nephew Jaafar in the lead, with Colman Domingo as domineering father Joe.Live Music HighlightsEgo Ella MayManchester, 29 April; touring to 9 MayA fusion of neo-soul and contemporary jazz, south Londoner Ego Ella May's third album Good Intentions gets an airing on this short tour. Keep an ear out for slick tracks such as What You Waiting For.Grand Pianola MusicRoyal Northern College of Music, Manchester, 1 MayPianist Tamara Stefanovich joins the BBC Philharmonic and conductor John Storgårds in Stravinsky's Concerto for Piano and Wind Instruments and John Adams's Grand Pianola Music, inspired by a dream about limousines turning into oversized Steinway pianos.Cheltenham Jazz FestivalVarious venues, 29 April to 4 MayThe 30th anniversary of the ever diverse Cheltenham jazz festival draws a typical raft of established and rising stars. Genre-bending virtuoso violinist Nigel Kennedy (1 May) is an early highlight with Joshua Redman and Emma Rawicz to follow.Louis Tomlinson25 April to 3 May; tour continues BirminghamJust before tours by his former bandmates, Louis arrives in UK arenas in support of January's How Did I Get Here?. With three albums of rock-adjacent pop to lean on now, chances of a One Direction throwback are slim but not impossible.Art ExhibitionsHandpicked: Painting Flowers from 1900 to TodayKettle's Yard, Cambridge, today to 6 SeptemberFlowers are integral to the look and feel of Kettle's Yard: its founders Jim and Helen Ede incorporated fresh cut flowers into the gallery to create visual counterpoints to the artwork and architecture. This exhibition features artists who cared about flowers as much as the Edes, from Henri Rousseau and Winnifred Nicholson to Lubaina Himid and Cedric Morris.George HallettJohn Lennon School of Art, Liverpool, 25 April to 21 JuneSouth African photographer George Hallett's work captures the cultural and political landscape of his country during and after apartheid. This retrospective brings together his most powerful images from a career spanning five decades.
#Guardian #Entertainment #Culture
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