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UK Chancellor Rachel Reeves is facing pressure to raise taxes on businesses generating 'windfall' profits linked to the US-Israel war on Iran to fund emergency cost of living support for UK households.A group of leading charities, campaigners, and trade unions, including Greenpeace UK, the National Education Union, and Tax Justice UK, have written an open letter to Keir Starmer and Reeves, urging the government to strengthen its existing North Sea energy windfall tax and introduce new levies for firms in other sectors that stand to financially benefit from the conflict.The letter highlights that energy companies, banks, agricultural commodities businesses, defence companies, and tech firms are likely to profit from the economic fallout of the war. The group argues that the extra revenue generated from taxing these 'excess profits' could be used to support households struggling with the cost of living and invest in the UK's future energy security.R Reeves has signalled that the government is ready to provide targeted help for households grappling with the economic fallout from the Middle East conflict, amid a surge in energy prices since the onset of the war. The chancellor has also warned companies that she will not tolerate corporates profiteering from the crisis, telling bosses that the Competition and Markets Authority has been put on notice to detect and crack down on price gouging.The UK already has a windfall tax on North Sea oil and gas firms, the energy profits levy, which is due to run until 2030. However, Reeves had been planning to ease the tax before the US and Israel attacked Iran on 28 February.

Brendan Gleeson has been named best actor at the Critics' Circle theatre awards for his West End debut in Conor McPherson's pub drama The Weir. He beat fellow nominees including Bryan Cranston and Paapa Essiedu, both recognised for All My Sons, and James Hameed and Arti Shah, the duo who together portray Paddington in the new musical about Michael Bond's bear.The Weir, directed by McPherson, was entirely omitted from the nominations for this year's Olivier awards and is being turned into a film with Gleeson and the rest of the West End cast.All My Sons, a critically adored production of Arthur Miller's 1946 classic at Wyndham's theatre, won in two categories at the Critics' Circle awards: best revival of a play or musical and best director for Ivo van Hove. A new production of Stephen Sondheim and James Lapine's Into the Woods, directed by Jordan Fein at the Bridge theatre, also won two prizes – best designer (Tom Scutt) and the inaugural award for best ensemble or cast.The winners, voted for by professional theatre critics, were revealed at a ceremony at the National Theatre in London on Thursday. Paddington: The Musical, with music and lyrics by Tom Fletcher and book by Jessica Swale, won best new musical. James Graham's Punch, based on the real story of a fatal blow, received the Michael Billington award for best new play (named in 2019 in honour of the Guardian's theatre critic after he stepped down from reviewing). Ava Pickett won most promising playwright for her Tudor drama 1536, which was staged at the Almeida theatre in London in 2025, transfers to the West End in May and is being turned into a BBC drama series.Rosamund Pike saw off competition from Kate Fleetwood (Into the Woods), Marianne Jean-Baptiste (All My Sons) and Rachel Zegler (Evita) to win best actress for her acclaimed performance as a judge in Suzie Miller's Inter Alia. Ruby Ashbourne Serkis was named most promising newcomer for her performance in a revival of Tom Stoppard's Indian Ink which opened at Hampstead theatre days after the revered playwright's death. The award for best Shakespearean performance went to Hayley Atwell for her Beatrice (alongside Tom Hiddleston, nominated for the same prize, as Benedick) in Much Ado About Nothing at Theatre Royal Drury Lane.

Guardian cartoonist David Squires offers a unique perspective on Australia's national soccer team, the Socceroos, as they prepare to host the tantalizing new FIFA Series event. Through his distinctive visual storytelling, Squires captures the significance of Australia's role in this prestigious global tournament.The comic series provides an insightful look into how the Socceroos are serving as trailblazers for the FIFA Series, positioning Australia at the forefront of international soccer innovation. The illustrations showcase both the excitement and strategic importance of this new global competition.Published on March 26, 2026, this piece is part of Squires' ongoing series examining Australian sport, highlighting the nation's growing influence on the world stage. The FIFA Series represents another milestone in Australia's evolving relationship with international soccer, following previous successes that have elevated the country's sporting profile globally.

Paris Saint-Germain's highly anticipated visit to Lens in Ligue 1 has been postponed to May 13, allowing the team more time to focus on their upcoming Champions League quarter-final against Liverpool. The match, initially scheduled for April 11, could have significant implications for the Ligue 1 title race, with PSG currently leading Lens by a single point.The decision to reschedule the match has been met with some resistance from Lens, who expressed concerns that the French league is being treated as an adjustment variable to accommodate the European imperatives of certain teams. The Ligue de Football Professionnel justified the move by citing the strategic goal of helping France maintain its fifth place in the UEFA coefficient rankings, which would secure four places in the Champions League.PSG is set to face Liverpool in the Champions League quarter-final on April 8 at the Parc de Princes, with the second leg taking place at Anfield six days later. This extra time could prove crucial for PSG as they look to advance in the competition.In addition to the PSG-Lens match, Strasbourg's visit to Brest on April 12 has also been rescheduled to May 13, as Strasbourg prepares for their Europa Conference League last-eight games against Mainz.

Ilia Malinin, the 21-year-old American figure skater known as the Quad God, has bounced back from his disappointing performance at the Winter Olympics by leading the short program at the world figure skating championships in Prague. Malinin, the defending two-time world champion, delivered a personal-best score of 111.29 in the short program, showcasing a quad flip and a combination of quad lutz and a triple toe loop. This performance has given him a substantial lead of over nine points heading into Saturday's free skate. Despite failing to land his trademark quad axel in competition, opting for a triple version instead, Malinin's routine met expectations. He will look to maintain his lead and reclaim his title. In contrast, French skater Adam Siao Him Fa impressed with a perfect quad toe loop in combination, scoring 101.85 points. Estonia's Aleksandr Selevko was a surprise third with a personal best 96.49 points. Malinin's Olympic struggles saw him fall from first to eighth place after a disastrous free skate, where he fell twice and made critical mistakes. He attributed his performance to overwhelming nerves and negative thoughts. With Olympic champion Mikhail Shaidorov from Kazakhstan skipping the competition, the stage is set for Malinin to regain his form and dominance in the figure skating world.

NASA has unveiled a significant shift in its moon and Mars strategy, allocating $20bn over the next seven years to construct a base on the moon's surface. This move comes as part of a broader overhaul of NASA's long-term Moon-to-Mars strategy, aimed at supporting long-term human presence on the lunar surface.NASA Administrator Jared Isaacman outlined the changes, which include increasing robotic missions to the moon and laying the groundwork for nuclear power on the lunar surface. The agency plans to repurpose some components of the Lunar Gateway station for use on the moon's surface instead of building the station in lunar orbit.The planned moon base will be supported by robotic missions that will help prepare the site, test technologies, and begin building infrastructure before astronauts return later this decade. Additionally, NASA disclosed plans to launch a spacecraft called Space Reactor 1 Freedom before the end of 2028, a mission designed to demonstrate nuclear electric propulsion in deep space on the way to Mars.The spacecraft will deliver helicopters on Mars, similar to the Ingenuity robotic test helicopter that flew with NASA's Perseverance rover. This step aims to move nuclear propulsion technology from laboratory testing to operational space missions. The changes to NASA's flagship Artemis programme are reshaping billions of dollars' worth of contracts and come as the United States faces growing competition from China, which is aiming to land astronauts on the moon by 2030.

Amazon Prime's latest action thriller, Pretty Lethal, brings a unique twist to the genre by featuring a group of young ballet dancers who use their skills to take down bad guys in Eastern Europe. The film, directed by Vicky Jewson, offers a fresh take on the action genre with its blend of ballet and combat. The story follows a group of American dancers, including Lana Condor, Maddie Ziegler, and Millicent Simmonds, who are on their way to a competition in Budapest when their bus breaks down in the middle of nowhere. They soon find themselves facing off against a group of ruthless henchmen, led by Uma Thurman's character, Devora. With a runtime of less than 90 minutes, Jewson keeps the action fast-paced and thrilling, making use of the dancers' skills to create a unique and entertaining fight choreography. While the script may feel a bit basic at times, the film's energy and tenacity make up for it. Pretty Lethal is not trying to be a high-brow film, but it does offer a refreshing change of pace from the usual nihilistic and smug action films. The young actors, including Condor, Ziegler, and Simmonds, deliver convincing performances as they learn to fight on the job. Uma Thurman, as the villain Devora, brings a level of hammy humor to the film, but her performance feels somewhat underutilized. Overall, Pretty Lethal is a fun and entertaining action thriller that is worth checking out.

Partridge Boswell's poem, 'The Gathering', has been crowned the winner of this year's National Poetry Competition, a prestigious award that attracted over 21,000 entries from poets across 113 countries. The poem delves into themes of language, love, and the struggle to make sense of global suffering, state violence, and war.Boswell's work is a reflection of his attempt to process the emotional burden of following distressing global events. He describes how he wrote elegies, parodies, and rants to cope with his discomfort and disbelief. The poem specifically addresses the challenge of maintaining language's potency in the face of the relentlessness of the news cycle and the difficulty of resisting false narratives.The judges praised 'The Gathering' for its ambition, emotional stakes, and philosophical perspicacity. They noted that the poem reflects on the tensions between personal grief and state violence, particularly in Gaza. The poem questions how to preserve the potency of language amid the overwhelming nature of global events.Boswell, who is also the author of the Fool for Poetry prize-winning chapbook Levis Corner House and the Grolier prize-winning collection Some Far Country, will receive £5,000 for his winning poem. His work, along with the runner-up and third-place poems, will be published in the spring 2026 issue of The Poetry Review.The National Poetry Competition, founded in 1978, has a history of recognizing talented poets. Past winners include Carol Ann Duffy, Sinéad Morrissey, James Berry, and Tony Harrison. This year's competition saw seven commended poets receive £500 each, while Damen O'Brien's poem Axe secured the runner-up position with a £3,000 prize.

The modern cricket calendar has been likened to a game of Tetris that has gone awry, with players facing an intense schedule that leaves little room for recovery or emotional processing. This has significant implications for their mental wellbeing and performance. Elite cricketers, such as New Zealand's Mitchell Santner, are expected to bounce back quickly from defeats, often playing matches just days apart. Santner's team, the Black Caps, suffered a 96-run loss to India in the T20 World Cup final on March 8, and Santner was back in action just seven days later against South Africa. Mental skills coach Maurice Duffy notes that recovery from emotional trauma can take weeks or months, but cricketers are often given only days to process their emotions. Duffy emphasizes the importance of balance and 'reset' for players to maintain their performance and mental health. The issue is not just the volume of cricket, but also the emotional demands of the game. Players are expected to process failure, challenge, and disappointment quickly and then perform at a high level. This can lead to burnout, which is not just about playing too much cricket, but also about playing without meaning. The Indian Premier League (IPL) is set to start just three weeks after the T20 World Cup, which is a relatively generous turnaround compared to previous years. The IPL's rapid start highlights the packed schedule and the challenges it poses for player wellbeing and fan engagement. Experts argue that the constant grind of the modern calendar takes a toll on players and fans alike. With so many matches and competitions, it can be difficult for fans to keep up and invest in bilateral series that often seem inconsequential. Ultimately, finding a balance between competition and recovery is crucial. As Duffy points out, athletes need to find their 'why' – their purpose and motivation – to maintain their effort and engagement in the face of a demanding schedule.