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The Artist's Monument to Forgotten WorkersAn air of civilisational wipeout hangs over the Gehrenseestrasse complex, an abandoned housing estate on the north-eastern outskirts of Berlin, where the city still looks shabby without the chic. The insides of the nine prefabricated blocks have long been gutted; six floors of empty window frames stare hollow-eyed over multi-lane carriageways. In the courtyard, paintballers have left behind wooden barricades from when they played at World War III.Yet in one of the second-floor rooms of Berlin's largest ruin, artist Sung Tieu is waltzing across the concrete floor and reliving scenes from her childhood. "Here was the single bed I shared with my mother for three years," she says, pointing into a corner of the small room. "Two metres by 90cm, can you believe it?" There in the corridor is where her neighbours used to make bánh bao dumplings on camping stoves, for lack of private kitchens. "I still remember the smell." Here was the door through which she used to entertain her best friend when his mother locked him in during working hours. "We played cards through the gaps," she recalls with glee.But she also still remembers where neo-Nazis tried to throw molotov cocktails into the building: "They eventually set up a net because the windows kept on getting smashed".The Mosaic Recreation of a Lost CommunityThese days, few people have heard of the Gehrenseestrasse complex, whose last tenants left in 2002. But if Tieu had her say, it would be as essential a stop on the tourist trail as the Brandenburg Gate, the Reichstag or Checkpoint Charlie. There is, in her view, no place that better tells the story of the Vertragsarbeiter generation – the oft-forgotten workers who were hired on fixed-term contracts from socialist "brother states" in Vietnam, Mozambique, Angola or Cuba to boost the East German economy. "To me, this place is a monument," says Tieu.By the end of this summer, many more people in Germany – and art enthusiasts around the globe – will know about her childhood home. For this year's Venice Biennale, Tieu has clad the German pavilion with a like-for-like replica of the complex's facade, recreating the grey concrete and smudges of graffiti with three million mosaic stones made in Ravenna. She conceived the pavilion in tandem with the artist Henrike Naumann, who died in February from cancer aged only 41.Bureaucracy as Artistic MediumThe woman I meet at a Vietnamese restaurant in Berlin's Lichtenberg district is the antithesis of that exoticised cliche: modest, dressed all in black, analytical in her answers to my questions. She talks me dispassionately through the more experimental food options on the menu, but comes alive when explaining bilateral treaties and labour regulation."I really try to avoid the pure post-migrant diaspora narratives. By focusing on individual experience you can lose sight of the bigger picture. Contracts, state treaties, floorplans – that's what I am interested in. There has to be a certain formal toughness."Looking through her catalogue raisonné you are reminded of Marcel Duchamp. You see an artist dedicating her career to seeking ever more minimalist ways to express the same idea, from Cubist painting to readymade to annotations of chess moves. And in Tieu's case, that big idea is bureaucracy. In 2015, she reprogrammed the scrolling LED displays at a shop inside the Dong Xuan Centre, Berlin's largest Asian market, to display the texts of immigration treaties. For a group show at Berlin's Haus der Kulturen der Welt in 2024, she transcribed by hand documents from the national archives on the East German porcelain industry, authenticating them with her own ornamental stamp. Her website, fittingly, is just a long index of file names and a deadpan biography section: "Sung Tieu is an artist."Childhood Trauma and Artistic Vision"I think it's also a childhood trauma," she says when I ask her where her interest in bureaucracy comes from. "I've had to fill out forms for my mother since I was five, since she didn't speak any German. And by the time I was seven my German was better than hers. Bureaucracy was part of my childhood – I studied politics and administration because I wanted to understand it."Born in 1987 in Hai Duong, northern Vietnam, Tieu moved with her mother to what was by then the formerly socialist East German regions in 1992. They were joining up with her father, who had moved to the GDR five years earlier via a bilateral agreement for factory workers from the socialist republic.Initially announced in the romantic spirit of ideological solidarity, the treaty between the two states soon became a more hard-nosed deal, addressing ongoing labour shortages in East Germany while helping to rebuild a war-ravaged Vietnam, which took a...The Legacy of Forgotten WorkersTechnically there was no racism in the GDR, because it wasn't documented. But of course it always existed. This is the uncomfortable truth that Tieu's installation confronts – the erasure of immigrant experiences in official narratives, even as these workers were essential to East Germany's economy.Through her art, Tieu transforms personal memory into collective history, giving voice to the thousands of contract workers who built East Germany but were never fully acknowledged as part of its society. The Venice Biennale installation, with its meticulous recreation of a housing complex that many would prefer to forget, serves as both memorial and critique – a reminder that the stories of immigrants are integral to understanding modern Germany.The Future of Migration Narratives in ArtAs Europe continues to grapple with questions of migration and identity, artists like Sung Tieu are pioneering new forms of expression that move beyond personal stories to examine the structures and systems that shape immigrant experiences. By focusing on bureaucracy, architecture, and official documents, Tieu creates art that is both deeply personal and universally relevant.The Venice Biennale platform ensures that these often-overlooked histories reach a global audience, challenging visitors to reconsider their understanding of migration, labor, and belonging. As Tieu continues her exploration of these themes, we can expect more installations that transform bureaucratic systems into powerful artistic statements, creating spaces where the voices of the marginalized can be heard and remembered.

Social media platforms have become a lucrative hunting ground for fraudsters in Jordan, luring buyers with promises of cheap gold that turn out to be counterfeit or nonexistent.Rise of Gold Scams on Jordanian Social MediaTwo recent cases illustrate how the scheme operates:Mohammed Nassar was offered gold at a price lower than local market rates by an “online store” claiming exemption from manufacturing fees and licences. After transferring the funds, the website vanished.Tala Al‑Habashneh purchased gold through a social‑media platform, only to discover the metal was mixed with cheaper alloys and lacked official stamps or invoices.Both victims filed complaints with Jordan’s Cybercrime Directorate, which has logged multiple similar reports.Financial Toll on Victims and Market DistortionsWhile exact loss figures have not been disclosed, the scams undermine consumer confidence and can depress legitimate gold prices by creating a perception of abundant cheap supply. Key consequences include:Direct monetary loss for individuals who transfer funds to untraceable accounts.Potential devaluation of certified gold due to market saturation with counterfeit pieces.Increased scrutiny on online marketplaces, which may limit legitimate e‑commerce growth.Regulatory Response and Enforcement GapsJordan’s primary oversight body, the Jordan Standards and Metrology Organisation (JSMO), inspects all imported jewellery and requires local workshops to submit items for verification. The agency has reported complaints about unlicensed sellers promoting “broken gold” on social media.The Cybercrime Directorate of the Public Security Directorate is coordinating with JSMO to monitor fraudulent accounts and has warned citizens to purchase gold only from licensed shops. Colonel Amer Al‑Sartawi emphasized that fraud cases range from vanished sellers to delivery of counterfeit metal.Outlook: Strengthening Oversight and Consumer VigilanceExperts predict a multi‑pronged approach:Enhanced digital monitoring by JSMO and security agencies to identify and shut down fraudulent pages quickly.Public awareness campaigns highlighting the risks of unverified online gold offers.Potential legislative amendments imposing stricter penalties on unlicensed jewellery sales.Until these measures take effect, consumers are advised to verify seller credentials, demand official invoices, and transact exclusively with accredited jewellery retailers.

The Film's Unique Narrative Structure Directed by Patrick Leung, Ciao UFO is a Hong Kong drama that employs a non-linear narrative, jumping between different time frames. The film follows a group of childhood friends as they grow up in a working-class Hong Kong housing estate. The Story of Friendship and Growth The story centers around four kids: Kin, Heem, Hoyi, and Little Brother, who share a life-changing experience in 1985 when they see a UFO in the sky. As they grow up, their paths diverge, with each character pursuing different goals and facing various challenges. The Impact of Hong Kong's Changing Landscape The film is set against the backdrop of Hong Kong's transformation, particularly the 1997 handover to China. This significant event serves as a pivotal moment in the characters' lives, influencing their decisions and futures. A Blend of Realism and Melodrama Ciao UFO is not a sci-fi film, but rather a multi-stranded realist drama that explores the complexities of human relationships and the city's evolution. The film features a cast of colorful characters, including a spaced-out uncle and a superstitious grandfather. A Long-Awaited Release Despite being made in 2019, Ciao UFO is only now receiving an international release due to distribution issues. The film still feels fresh and relevant, particularly in today's volatile economic climate.

The LeadFormer NBA player Etan Thomas addresses ESPN commentator Stephen A Smith, explaining why many Black people feel he has "betrayed his race" despite his support for HBCUs. The letter outlines specific criticisms of Smith's commentary on Black athletes and his political positions.The Critique of Black AthletesThomas points out that Smith frequently criticizes Black male athletes with "passion and vitriol" that he doesn't reserve for white athletes and executives. He cites examples of Smith attacking figures like Kyrie Irving, Kwame Brown, LeBron James, Terrell Owens, and Kevin Durant while being less critical of white league officials and owners.Political InconsistenciesThe article highlights Smith's adoption of right-wing talking points, including his claim that racism isn't as prevalent in the US as some on the "left" claim. Thomas also notes Smith's controversial positions on ICE actions, his characterization of Democrats' legal efforts against Trump as "lawfare," and his criticism of Black politicians like Jasmine Crockett for not being respectful enough to Trump.The Voting Rights DebateThomas takes issue with Smith's suggestion that Black people should vote Republican to make Democrats work for their votes. He points out that while Democrats may not do enough for Black people, Republicans actively work against their interests, particularly citing the Trump administration's celebration of the Supreme Court gutting the Voting Rights Act.Economic Impact on Black CommunitiesThe article details the tangible consequences of political alignment, noting that under the current administration, the Black unemployment rate has risen to 8.2%, the highest since its pandemic peak. Thomas also highlights targeted federal workplace policies, cuts to Medicaid, and reduced opportunities in housing, lending, and education that disproportionately affect Black Americans.The Future of Sports CommentaryThomas acknowledges Smith's intelligence and effectiveness as a commentator but suggests he should reconsider the agenda he's promoting. The letter concludes by questioning whether Smith's criticism of Black athletes and his political positions serve the best interests of the Black community he claims to support.

Backlash Forces Mexico to Retain Full School CalendarFollowing a wave of opposition, the Mexican government announced it will keep the school year on its original schedule, ending on July 15 and restarting on August 31. The decision comes after Education Secretary Mario Delgado proposed an early finish on June 5 to accommodate the 2026 World Cup.Government Reverses Early Termination of School YearPresident Claudia Sheinbaum convened a meeting on Monday with education officials, parents and local authorities to reassess the proposal. After hearing concerns, officials agreed to maintain the six‑week vacation period that has traditionally been observed.Scale of the Disruption: 23.4 Million Students Affected23.4 million students would have faced reduced instructional time under the shortened calendar, according to think tank Mexico Evalua.The plan had already been rejected by two states before being scrapped.Critics warned the change would cause students to fall behind academically.Implications for Education and World Cup PreparationsThe reversal eases parental concerns about learning loss while still allowing the country to focus on security and infrastructure for the tournament, which begins on June 11 with Mexico playing South Africa in Mexico City. Sheinbaum also pledged to complete public‑works projects, including upgrades to Azteca Stadium and the Mexico City International Airport.What Future Policy Shifts May Look LikeOfficials indicated the decision was driven by a “consensus” approach, suggesting future education reforms will likely involve broader stakeholder consultation. The episode highlights the political sensitivity of aligning national events with academic calendars, a factor that may shape policy discussions ahead of the World Cup and beyond.

Front‑line Starvation Revealed by Emaciated SoldiersIn late April, photos of four severely underweight Ukrainian soldiers went viral, highlighting a crisis where troops endured up to 17 days without food deliveries and months without rotation. Anastasia Silchuk, whose husband serves in the 14th Mechanised Brigade, described fighters fainting from hunger and drinking rainwater while holed up on the left bank of the Oskil River in Donetsk.Soldiers such as Oleksandr and Ihor confirmed that the lack of regular meals forced them to subsist on chocolate bars, oatmeal and a single bottle of water per day.Drone‑Driven Logistics: How Ukraine Supplies Isolated BunkersUkraine has turned to autonomous aerial and ground systems to bridge the supply gap. Small robotised carts equipped with video feeds deliver ammunition and food, while heavier bomb‑type drones drop several kilograms of cargo directly onto front‑line outposts.According to drone‑warfare pioneer Andriy Pronin, the new system “works smoothly” for those who receive it, with deliveries arriving “once a day or once every other day.”Numbers Behind the Crisis: Delivery Rates, Ranges, and Weight LossOnly 10 percent of Ukraine’s armed forces receive drone‑dropped food, per researcher Nikolay Mitrokhin.Combat drones can operate up to 25 km (15.5 mi) from either side of the front line.Suicide drones force vehicles to travel at 120 km/h (75 mph) to evade attacks, limiting ground transport options.Russian‑aligned soldier Mohammad reported weight dropping from 76 kg to 60 kg after weeks of scarce rations.Strategic Implications: Isolation, Vulnerability, and MoraleThe shift to aerial supply has turned Ukrainian positions into “isolated, island‑like spots,” making traditional trench networks and supply convoys nearly obsolete. While drones provide a lifeline for a minority, the majority of troops remain vulnerable to starvation, low morale, and increased casualty risk.Russian forces face similar challenges; limited drone deliveries leave soldiers with “two or three very small chocolate bars” and a bottle of water, as recounted by Mohammad. Reports of extreme desperation, including alleged cannibalism, underscore the human cost of logistical breakdowns.Looking Ahead: What the Supply Gap Means for the Conflict’s TrajectoryThe Ukrainian Defence Ministry has launched an investigation, warning that insufficient food must not become systemic. If drone‑based logistics cannot be scaled beyond the current 10 percent coverage, prolonged supply shortages could erode combat effectiveness on both sides and potentially influence negotiation dynamics.Future battlefield planning will likely hinge on expanding reliable aerial resupply, developing counter‑drone defenses, and securing alternative ground routes to prevent the front lines from becoming “starvation zones.”

Theatre Review: Sunset Boulevard: The Backstage Cut Over the past decade, Morag Fullarton has been developing a popular line in bijou Hollywood adaptations. With a camp flourish and a multitasking cast, the writer and director has boiled down favourites including Casablanca and It’s a Wonderful Life. She last had a crack at Sunset Boulevard, then billed as a “lunchtime cut”, in 2015 at Glasgow’s A Play, a Pie and a Pint, the company she went on to co-run for four years. The Event Details Now associate director at Perth, she has reunited the fine four-strong company who went down so well the first time around, worked in an extra 20 minutes of material and given it a handsome main-stage production. But for all its strengths of mimicry and its affection for Billy Wilder’s 1950 original, it is a show severely lacking in purpose. The Performance Analysis Caught like a fly in Norma’s web, John Kielty captures the brashness and vulnerability of skint screenwriter Joe Gillis, fated to end up face-down in his employer’s pool. Frances Thorburn, also acting as narrator to help skip through the scenes, is a bright-eyed Betty Schaefer, the script reader, turning Joe’s head and showing a keen ear for snappy Hollywood dialogue. Mark McDonnell is masterfully dry as butler Max and in other roles. The Impact Analysis But seen in this context, the play offers little of its own. It is not pastiche, parody, reimagining or commentary. Instead, it is a faithful and rather pointless rendition of a film that, inevitably, does the same job better. The Prediction The play will run at Perth theatre until 16 May. Whether it will find its purpose then remains to be seen.

The new BBC Two documentary Children of the Blitz brings together the last surviving witnesses of Britain’s wartime bombing, delivering a moving, unflinching portrait of childhood under fire.Documentary Captures First‑Hand Voices of Blitz SurvivorsDirected to mark the 85th anniversary of the Blitz’s end, the film follows interviewees from Liverpool, Coventry, Cardiff and Sheffield as they recall daily life, loss and the strange normality that followed nightly raids. Their stories are interwoven with present‑day scenes of grandchildren, yoga classes and quiet moments, underscoring how the past still shapes their identities.A Century‑Old Witnesses: Ages, Reach and Broadcast DetailsInterviewees range from 100‑year‑old Ernie Gaskell to survivors now in their late 80s.Filmed across multiple UK cities, the documentary aired on BBC Two on 12 May 2026 and is available on iPlayer.Running time: 60 minutes, featuring over 30 individual testimonies.Reframing the “Blitz Spirit” for Modern AudiencesThe programme questions the myth of a stoic, unbreakable national character, revealing instead a coping mechanism born of psychological crisis. Voices like Monica White and David Rawdon describe a forced silence that mirrors today’s war‑zone children in Gaza, Ukraine and Sudan, linking historic trauma to contemporary conflict.Why Wartime Oral Histories Will Remain VitalAs the final generation of eyewitnesses passes, the film serves as a crucial archival record. Its intimate approach suggests future documentaries will increasingly rely on personal narratives to humanise large‑scale tragedies, ensuring that the lessons of the Blitz stay relevant for decades to come.

Day 74 of the Iran‑U.S. war saw Tehran’s parliamentary speaker, Mohammad Bagher Ghalibaf, declare that Iranian forces stand ready to respond to any attack, while President Donald Trump labelled Iran’s latest diplomatic reply “stupid” and warned the fragile cease‑fire is on “massive life support”. The exchange has deepened uncertainty over a diplomatic breakthrough and raised the spectre of broader regional disruption. Escalating Rhetoric Marks Day 74 of the Iran‑US Standoff Trump rejected Iran’s response to his peace proposal, calling it “stupid” and “garbage”. Ghalibaf warned the United States would be “surprised” by Iran’s retaliation if attacked. Analyst Dania Thafer warned of a “high likelihood of escalation” as both sides appear to be speaking past each other. Sanctions, Seizures and Diplomatic Moves: The Numbers Behind the Tension The United States sanctioned 12 people and entities over Iranian oil sales to China. The United Kingdom announced parallel sanctions targeting similar actors. Iranian authorities seized six properties linked to ex‑football captain Ali Karimi, now living in exile. A defence ministers’ meeting hosted by the UK and France will bring together representatives from 40 countries to discuss security of the Strait of Hormuz. Regional Ripple Effects: Energy Flows, Trade Routes and Civilian Costs Disruptions in the Strait of Hormuz threaten global oil shipments, already inflating diesel and transport costs in the United States. Rising fuel prices are pushing up supermarket and transport expenses across the U.S., according to Al Jazeera’s Mike Hanna. Heavy U.S. military activity at Israel’s Ben Gurion airport is crowding civilian flights, raising ticket prices ahead of the summer travel season. Lebanese residents displaced by Israeli strikes face repeated evacuations and interruptions to children’s education. What Comes Next? Scenarios for the Next Weeks of the Conflict Diplomatic push: Trump’s upcoming trip to China could open a back‑channel for de‑escalation, but success hinges on reconciling core demands over Iran’s nuclear programme. Escalation risk: If either side escalates military pressure in the Hormuz corridor, shipping costs could spike further, deepening the global energy crisis. Sanctions spiral: Additional U.S. and UK sanctions may tighten Iran’s financial lifelines, prompting Tehran to adopt asymmetric retaliation tactics.