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A Turkish diplomatic convoy issued a strong statement condemning what it described as “lawless aggression” by the United States and Israel. The condemnation underscores growing tensions in the region and reflects Ankara’s opposition to recent policies pursued by the two countries.In its remarks, the convoy emphasized that such actions undermine international law and threaten regional stability. While specific incidents were not detailed, the language used signals a heightened diplomatic rift between Turkey and its Western allies.The declaration arrives amid broader geopolitical strains, with Turkey increasingly vocal about perceived unilateral moves by the US and Israel. Analysts note that this rhetoric could influence future diplomatic engagements and affect cooperation on security and economic matters.

Lebanon declared a national day of mourning after a wave of Israeli airstrikes on Wednesday resulted in at least 254 fatalities and more than 1,165 injuries. Prime Minister Nawaf Salam announced the mobilisation of "all of Lebanon’s political and diplomatic resources" to halt what he described as the "Israeli killing machine." In response, Israeli Prime Minister Benjamin Netanyahu asserted that Lebanon was not included in the cease‑fire agreement negotiated between the United States and Iran. U.S. Vice President JD Vance reinforced this position, stating, "We never made that promise." The stark contrast between the humanitarian toll in Lebanon and the diplomatic statements from Jerusalem and Washington highlights the fragility of the US‑Iran ceasefire. Analysts warn that the exclusion of Lebanon from the agreement could fuel further escalation in an already volatile region, complicating diplomatic efforts aimed at stabilising the broader Middle‑East landscape.

Vice President JD Vance warned Iran that jeopardising the US‑Iran ceasefire over Lebanon would be "dumb", emphasizing that the United States expects the truce to remain intact despite Tehran’s frustrations. Pakistan, which brokered the two‑week ceasefire, publicly stated that Lebanon is part of the agreement. Vance, speaking to reporters in Hungary, countered that the United States does not consider Israel’s ongoing strikes on Lebanon as covered by the ceasefire. "If Iran wants to let this negotiation fall apart – in a conflict where they were getting hammered – over Lebanon, which has nothing to do with them and which the United States never once said was part of the ceasefire, that’s ultimately their choice," Vance said, adding, "We think that would be dumb, but that’s their choice." Iranian Foreign Minister Abbas Araghchi echoed Pakistan’s position, highlighting Lebanon in his repost of Prime Minister Shehbaz Sharif’s statement and asserting that the ceasefire terms are clear: the US must choose either a ceasefire or continued war via Israel. President Donald Trump and the White House, however, maintain that Lebanon was not part of the deal. Vance dismissed the contradictory messages as a "misunderstanding" and "bad faith propaganda," suggesting the Iranians mistakenly believed Lebanon was included. The lack of a clear explanation from US officials leaves observers questioning how such a misunderstanding could arise amid high‑stakes diplomacy. Israel’s track record of breaching ceasefires dates back to the November 2024 truce with Lebanon. On Wednesday, Israeli air strikes in Lebanon killed at least 254 people and injured more than 1,100, marking one of the deadliest assaults in the 15‑month conflict. Vance indicated that Israel has signaled a willingness to temper its operations in Lebanon, stating the Israelis have "committed to check themselves a little bit in Lebanon" to ensure the US‑Iran negotiations stay on track. The broader conflict intensified in early March after Hezbollah launched rockets in retaliation for Israeli attacks and the killing of Iran’s Supreme Leader Ali Khamenei. Hezbollah now faces internal pressure from rival factions accusing it of dragging Lebanon into war on Iran’s behalf. Iran’s Islamic Revolutionary Guard Corps (IRGC) issued a stark warning: if Israeli aggression against Lebanon does not cease immediately, the IRGC will deliver a "regretful response" to what it called "evil aggressors" in the region.

Mint, the new drama from Charlotte Regan, is a bold reimagining of the classic love story, Romeo and Juliet. This electrifying drama tells the tale of impossible love between two people from bitter crime rival families.The series stars Emma Laird as Shannon, the daughter of a Scottish crime family, and Benjamin Coyle-Larner, also known as Loyle Carner, as Arran, the prodigal son of a different crime family. Their eyes meet across a down-at-heel train station, and they are incompatible and irresistible to one another.Charlotte Regan drew inspiration from her own experiences and those of her cast and crew. The drama features a unique visual style, with sparse dialogue and a focus on visual storytelling. The show's use of Super 8 fragments and VHS-style footage adds to its distinctive aesthetic.The cast, including Laura Fraser and Lindsay Duncan, deliver powerful performances that bring depth and nuance to the story. Emma Laird praises Regan for keeping her acne in the show, saying it's a huge part of her character's authenticity.Mint is available on BBC iPlayer from Monday, April 20th, with the series airing on BBC One from 9 pm that night.

Double 30th‑anniversary celebrations saw Scottish indie‑pop veterans Belle & Sebastian take the stage at London’s Royal Albert Hall on 9 April 2026, performing their debut LPs Tigermilk and If You’re Feeling Sinister in their entirety. Both records originally arrived in 1996, with Tigermilk limited to just 1,000 copies until a 1999 reissue gave it wider exposure.The challenge of translating these lo‑fi classics to a live setting was turned into an advantage. Backed by a nine‑piece ensemble—four of the original six members plus seasoned newcomers—the band expanded the sonic palette, brightening tracks like “You’re Just a Baby” and weaving in subtle nods to Nick Drake, Felt, mariachi brass on “Expectations”, and Stereolab‑style synths on “Electronic Renaissance”.Each song was paired with a brief film that referenced the band’s aesthetic touchstones—second‑hand vinyl, indie comics, 1960s Paris—creating a multimedia experience that reinforced the private universe Stuart Murdoch has cultivated since the mid‑90s.The concert’s second half turned into a “shaggier ramble” through the catalogue, featuring highlights such as the wistful “Lord Anthony” and the propulsive “Lazy Line Painter Jane”. Murdoch, now a more extroverted, Chris Martinesque‑style front‑man, interspersed witty anecdotes, playful digressions, and brief stage invasions that lasted for three songs, showcasing his growth from enigmatic bedsit maestro to confident people‑pleaser.Following the London shows, the duo will continue the two‑concert anniversary tour across Manchester, Mexico, and North America, reaffirming that their early DIY spirit remains as compelling as ever.

It's been 20 years since the passing of Muriel Spark, a celebrated Scottish novelist, short story writer, poet, and essayist. With a career spanning over two decades, Spark left an indelible mark on literature with her 22 novels, which are characterized by their uncanny, astute, and witty storytelling. James Bailey, author of the biography Like a Cat Loves a Bird: The Nine Lives of Muriel Spark, provides a guide to Spark's oeuvre, highlighting her unique narrative style. A typical Spark novel begins by introducing an enclosed community, such as nuns, schoolgirls, or desert island castaways, filled with gossip, deceptions, and conflicts. This setup is then disrupted by a dramatic event, like a murder or scandal, allowing Spark to explore the consequences. For readers new to Spark's work, Memento Mori (1959) is a great starting point. This darkly comic novel follows a cast of bickering pensioners who receive anonymous phone calls with the ominous message: 'Remember you must die.' The novel raises questions about mortality, fear, and the human condition. Spark's debut novel, The Comforters (1957), is a remarkable example of her innovative storytelling. The protagonist, Caroline Rose, believes she can hear the clanking typewriter keys of an entity she calls the Typing Ghost, which dictates the events of her life. This novel showcases Spark's ability to blend diabolism, diamond-smuggling, and supernatural elements. One of Spark's most famous novels, The Prime of Miss Jean Brodie, is known for its quotable lines, such as 'Give me a girl at an impressionable age and she is mine for life.' This novel explores themes of favouritism, fascism, and the seductive power of belonging. Spark considered The Driver's Seat (1970) her finest achievement, describing it as her creepiest work. This novel follows Lise, a protagonist whose holiday romance takes a dark and unexpected turn. Spark's works often explored the contrast between public personas and private lives. Her 1968 novel, The Public Image, is a prime example, delving into the world of a film star struggling to maintain her reputation amidst paparazzi and self-absorbed relationships. Spark's short stories, collected in her Complete Short Stories, offer a glimpse into her versatility as a writer. These tales often feature unquiet spirits and explore themes of mortality, guilt, and redemption.

Spring brought a burst of optimism to Crystal Palace as they delivered a 3‑0 victory over Fiorentina in the first leg of the Europa Conference League quarter‑final. Forward Jean‑Philippe Mateta opened the scoring from the spot on his first start since the end of January, followed by a second‑half strike from Tyrick Mitchell and a late header from Ismaïla Sarr.The win marks a dramatic turnaround for a side that had struggled to impress at home in the competition. After a three‑week preparation window, manager Oliver Glasner implemented a disciplined game plan that saw Palace dominate possession and create clear chances, underscoring his reputation for knockout‑stage success.Fiorentina, who have reached the last eight for four straight seasons and lost two finals, were unable to respond before the break and now face a daunting task in the second leg in Florence. Even after Mateta missed a late sitter, Sarr’s header restored a three‑goal cushion, meaning the Italians must produce a “miraculous” comeback to stay alive.Mateta’s performance also silenced speculation surrounding his future. The French striker, who failed a medical with AC Milan in January, was greeted with applause after his penalty and could have added a hat‑trick after replacing the suspended Jørgen Strand Larsen.Defender Daniel Muñoz returned to full fitness after a prolonged knee injury, adding stability to a backline that kept Fiorentina’s attacks at bay. The Colombian’s presence allowed Palace to maintain pressure, with Muñoz delivering an acrobatic assist that led to Mateta’s penalty.The match also featured a quirky moment when goalkeeper David de Gea had to clear a mass of streamers from his net, a reminder of the passionate Holmesdale End supporters.Looking ahead, Palace will travel to Florence for the return leg, where they will aim to protect their advantage and secure a place in the semi‑finals – a historic milestone in the club’s first European campaign.

Rory McIlroy, the reigning Masters champion, has begun his title defense on a high note, dominating Augusta National with a big grin and a hell of a swing. His first shot as champion was a 332-yard drive that soared over the hill and into the gallery.McIlroy's approach has changed, as he now embraces an aggressive style, similar to what Phil Mickelson once described. He is no longer hesitant, instead choosing to hit drivers and get close to the green, even if it means risking a miss.On Thursday, McIlroy hit a 377-yard shot at the 2nd hole, well over the big fairway bunker and into the pine straw. At the 8th hole, he clobbered a 361-yard shot into the second cut at the foot of the hill. Although he didn't hit many fairways, his strategy paid off.McIlroy's ability to problem-solve on the course is matched by his knack for getting out of difficult situations. From a challenging spot on the 17th fairway, he managed to pop his second shot between the trees and onto the bank, just 12 yards from the pin for a well-earned up-and-down par.As the day progressed, McIlroy's birdies started to come, with notable shots at the 8th, 9th, 13th, 14th, and 15th holes. He finished the day five under par, a testament to his strong play.McIlroy's performance is a far cry from his previous struggles at Augusta, where he often overthought and played cautiously. Now, with the confidence of being a champion, he is playing freely and aggressively, making him a formidable opponent in the tournament.

Tyson Fury is set to make a highly anticipated return to the boxing ring on Saturday night, facing off against Arslanbek Makhmudov at Tottenham Hotspur Stadium in London. The Gypsy King, known for his bold claims and unorthodox style, has promised a destructive knockout to mark his comeback. “It’s going to be different because, for the first time in forever, I’m the hunter,” Fury declared at the fight’s final press conference. “I’m not the hunted, and we all know that when I’ve always been the hunter in the past, I’ve always fucked people up.” Fury, who announced his retirement from boxing in January 2025 but quickly reversed his decision, expressed his excitement about returning to the sport. He cited his long-term rival Anthony Joshua’s car crash in Nigeria as a defining moment that made him realize the importance of living in the present. Makhmudov, a formidable Russian opponent standing at 6 feet 7 inches and weighing 18 or 19 stone, seemed unfazed by Fury’s bold claims. “I’m happy and very excited to be here. I can’t wait for Saturday night,” he said. The Russian fighter from Dagestan added, “I don’t have pressure, because God prepared me for this moment all my life. I believe this is my time.” Fury, known for his bombastic delivery, also expressed sympathy for his opponent, stating, “I actually feel sorry for Makhmudov because I’m going to make an example of him. He’s a big lump, but I’ll knock his head right off his shoulders.”